RELA

American Pro II

Clean to Blues Rock

TV A/B

Tester

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Product Page

Review by Amazona 

Review by Guitar.com

Review by Pedal of the Day

Review by Six String Sensei

Manual

Demo by Made by Miike

Audio Examples

Flint

PedalSafe Type J

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

James Morse

The greatest pieces of studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Boost. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Boost reimagines this classic preamp as a tone-shaper and drive pedal for guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Origin Effects

Review by bonedo

Review by Guitar World

Demo by AndyDemos 

Demo by Peach Guitars

Demo by Pete Thorn

DCX BOOST

ch ray

The SILKY GROOVE is a new compressor in FREE THE TONE’s standard product line. It is based on the SILKY COMP which was highly appreciated in our Custom Series. While inheriting SILKY COMP’s sound and enhancing functions and ease of use, the SILKY GROOVE newly incorporates a dry mix circuit requested by many guitarists and bassists.

Considering the phase between the effect and dry signals, we carefully designed this circuit to avoid the phenomenon in which these two sounds can be heard separately when mixed together. With the new circuit you can get a well blended sound which cannot be obtained from conventional mix circuits. This dry mix circuit can provide you with a broad range of sound from a heavily compressed effect sound without any dry signal to a fast and strong signal comprised of only the dry sound.

Free The Tone

Demo by  Jon is just TOO LouD!!

Official Product Video

Review by Compressor Pedal Reviews

Review by The Gear Page

Review by reddit /guitarpedals

SG-1 Silky Groove

dave sturgeon

How long have you been playing Steve Ray Vaughan songs eventually realizing that somehow you can’t really nail his sound? The Gladio SC is meant to reach it by adding the special Clean volume knob. You can’t really nail SRV drive tone if you don’t put the clean sound into the equation. Start your Texas blues journey here.

Cornerstone Music Gear 

Review by That Guitar Lover

Review by

Demo by R.J. Ronquillo

Demo by Cornerstone Music Gear

Gladio SC

KORG

Website 

Pitchblack

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Björn Pettersson

Pedalboard 18 pedals, MIDI controlled, either Tonex pedal amps or a real amp (typically Boogie Fillmore) preamp, chain ending in the Return Fx loop in two amps giving stereo. 

Chain: Sentry 4 cable method to (Clyde wah, Atlas, KingTone Fuzz, OCD (output buffer always on), Antique, Tonex One (for OD/Dist/Fuzz pedals), Gladio, Tonex Pedal for various amps without cab), from Sentry output to One Control MIDI dual loop, the loop(s) goes to one or two preamps input and from the Fx loop send back to the Return of the loop, from the OneControl outpput to the Volume pedal, Spark, Astra, Plethora, loop out of Plethora to Halo, back to Plethora slot for Delay/Reverb, Golden Reverbator, Ditto and finally connect the Return in the Fx loop of the two amps. 

Two 1Spot Truetone (CS12 and XP8) feeds the pedals. 

I haven't added the Morningstar yet, and uses a non midi OneControl for manual control of the loop so far. If/when getting the Morningstar I will control the Tonex pedal, Plethora, OneControl MIDI loop, Atlas and Halo to start with, also using the expression pedal feature to the Volume pedal. Then I hope UA will add MIDI over USB some day in the future, hopefully...  

Dreaming a bit, Morningstar would start producing an MC6 Pro combined with a loop controller of 3-4 loops.

I wish Rockboard would increase the height of the board just a few cm to adjust to modern bigger digital units, on the thinnest part not to increase the weight too much, e.g the 4.4. to be  722x350 mm.  Or even making another oversized series, this one as 750x350... :-) I use EBS cables to optimize space.

I also with Rockboard to add inlays to the bags and cases, to put in the bottom of the bag below the pedals, so that it would be possible to put down the bag on the ground while carrying it, without the bottom pedals (the Morningstar, Tonex One, Spark etc) to loosen if the stick out from the board .

Stratocaster -69

Quad 4.4 pedalboard 2025-08-30

Studio .22

David Litaba

Mit dem One Control MIDI-Dual-Stereo-Loop (MDSL) der Minimal Series bietet One Control dem Spieler eine einfache MIDI-Loop-Funktionalität, perfekt geeignet für kleine Pedalboards sowie für große Effektsysteme. Mono und Stereo-Signale können variabel verarbeitet werden. Es besteht z.B. die Möglichkeit Mono-Signale in Stereo-Signale umzuwandeln (Dual-Mono-Betrieb) und sie an Stereo-Effekte zu senden. Der One Control MIDI-Dual-Stereo-Loop kann zwischen 1-8 MIDI-Kanäle nutzen, um Steuersignale zu empfangen, und die beiden Effektschleifen über MIDI PC oder CC ein- und ausschalten.

With the One Control MIDI Dual Stereo Loop (MDSL) of the Minimal Series, One Control offers the player a simple MIDI loop functionality, perfectly suited for small pedalboards as well as for large effects systems. Mono and stereo signals can be processed variably. For example, it is possible to convert mono signals into stereo signals (dual-mono operation) and send them to stereo effects. The One Control MIDI dual stereo loop can use between 1-8 MIDI channels to receive control signals and switch the two effect loops on and off via MIDI PC or CC.

One Control

Official Product Page

Minimal Series MIDI Dual Stereo Loop

Francisco Ferreira

Der RockBoard QuickMount Pedal Riser ist ein praktisches Tool, um die Effektpedale in den hinteren Reihen des Pedalboards zu erhöhen. Durch die Erhöhung der hinteren Reihe lassen sich die Pedale besser erreichen und können auch ohne Switcher-System direkt über das Pedal geschaltet werden ohne dabei ungewollt auf die Pedale der vorderen Reihen zu treten. Das innovative QuickMount-System lässt sich einfach und ohne zusätzliches Werkzeug im Slot Grid eines RockBoard Pedalboards montieren und wieder abnehmen. Die Oberfläche bietet natürlich die passenden Aussparungen um Effektpedale mit RockBoard QuickMount Pedal-Montageplatten direkt auf dem Pedal Riser zu montieren.

The RockBoard QuickMount Pedal Riser is a handy tool for raising the effects pedals in the upper rows of the pedalboard. The pedals can be reached more easily by increasing the height of the upper row and the Pedal Riser enables musicians to use the footswitches on those pedals without unintentionally stepping on the pedals in the front row when no switcher system is used. The innovative QuickMount system can be easily mounted and removed from the slot grid of a RockBoard pedalboard without additional tools. The surface offers the appropriate recesses to mount effects pedals with RockBoard QuickMount pedal mounting plates directly on the Pedal Riser.

RockBoard

QuickMount Pedal Riser

Als eine der führenden Firmen in der innovativen Pedalboard-Technologie hört One Control weiterhin auf die Wünsche der Studio- und Live-Profis wie Josh Smith. Der One Control MIDI Solo Stereo Loop (SSL) aus der beliebten Minimal Series wurde speziell aufgrund einer Anfrage von Josh Smith nach einem kleinen, MIDI-gesteuerten Stereo True Bypass Looper Pedal entwickelt. Der SSL bietet eine einfache Methode zum Erweitern von Pedalen mit einem MIDI-Controller / Switcher. Mit dem seitlichen Encode-Schalter können Musiker dem Loop die MIDI-Kanäle 1 bis 4 zuweisen und das Relais-basierte Design sorgt für einen minimalen Signalverlust.

As one of the leading innovators in pedalboard technology, One Control continues to listen to the working studio and performance professionals like guitarist Josh Smith. The One Control Minimal Series MIDI Solo Stereo Loop (SSL) unit was created by his request for a small MIDI controlled stereo loop pedal to help tame his rig. The SSL provides a simple method to expand pedals with a MIDI controller/switcher. The side encode switch allows musicians to assign MIDI channel 1 to 4 to the loop, the relay based design ensures the minimum signal loss.

Minimal Series MIDI Solo Stereo Loop

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Paul De maio

Morningstar Engineering

MC8 Pro

Lee Atkin

Andy Timmons mysteriöser 'Halo' Effekt ist ein modulierter Dual-Echo-Sound, der vom Klangzauberer selbst lange Zeit geheim gehalten wurde, und er verbrachte Jahrzehnte damit, die Sounds zu kombinieren und zu entwickeln, die jetzt ganz einfach mit dem Keeley Halo Effektpedal erzeugt werden können. Gespielte Noten aus dem Halo 'tanzen rhythmisch' und erzeugen fast eine Reverb-ähnliche Diffusion. Diese Noten werden mit Tape-ähnlichen Effekten wie Modulation, Sättigung und Kompression zusammengehalten. Das Pedal bietet neben Andy Timmons Signature Delay Tone die Möglichkeit eigene Sounds zu kreieren und als Preset zu speichern. Der einfache, übergangslose Wechsel zwischen Side A und Side B mit frei regelbaren Settings vereint dabei praktisch zwei separate Delay Effekte in einem Pedal. Zusätzlich zu Andys charakteristischem 'Halo'-Sound bietet das Pedal vier weitere Rhythm-Modes: Viertelnoten, punktierte Achtel, Bucket Brigade (BBD) und ein klassisches Multi-Head Tape Echo. Atemberaubende Stereo-Effekte und eine makellose Klangqualität werden durch Regler für Saturation, Tone und Shelving-Filter weiter verbessert, um das Keeley Halo zum 'ultimativen' Delay Effektpedal zu machen.

Andy Timmons' mysterious sounding 'Halo' effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself and he spent decades combining and crafting the sounds you can get from the Keeley Halo effects pedal. Notes from the Halo dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation, and compression. The pedal comes loaded with Andy Timmons' signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature 'Halo' sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.

Keeley Electronics

Keeley Halo - GuB Review 9/22 DE

Keeley Halo - Auszeichnung Bester Effekt Guitar Magazine

JHS Pedals Andy Timmons Signature Overdrive_Keeley Halo - Review by Darkstars.de, [03-2023]

Keeley Halo - Demo / Review Video - JHS Pedals

Keeley Halo - Demo / Review Video - Reverb

Keeley Halo - Demo / Review Video - ThePedalZone

Keeley Halo - Demo Video by Mike Hermans

Keeley Halo - Demo Video 2 - Musiker TV

Keeley Halo - Official Demo Video

Keeley Halo - Demo Video - Musiker TV

Keeley Halo - Demo / Review Video - Brett Kingman

Keeley Halo - Demo / Review Video - JayLeonardJ

Halo – Andy Timmons Dual Echo-Andy Apple Red

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

Simon Lo

Das Nero-Pedal kombiniert einen einzigartigen Fuzz-Schaltkreis mit einem eingebauten Gladio SC, der beide Schaltkreise gleichzeitig aktiviert und so einen gestapelten Drive-Effekt erzeugt. Es verfügt über einen „Comp“-Regler für das Kompressionsmanagement, der die Gesamtkompression verändert, und zwei unabhängige Bias-Regler („Voices“) für eine Reihe von Fuzz- und Overdrive-Sounds. Nero bietet eine flexible Gain-Regelung, eine hohe Eingangsimpedanz für die Vielseitigkeit auf dem Pedalboard, eine konstante Kompressionseinstellung und nahtlose Übergänge zwischen körnigem Fuzz und vollem Overdrive mit einem Fußschalter. Unter bestimmten Bedingungen lassen sich auch Gated Fuzz und schöne Cleanup-Effekte erzielen.

The Nero pedal combines a unique fuzz circuit with a built-in Gladio SC, activating both circuits simultaneously for a stacked drive effect. It features a "Comp" knob for compression management, altering overall compression, and two independent bias controls ("voices") for a range of fuzz and overdrive tones. Notably, Nero allows for flexible gain control, maintains high input impedance for pedalboard versatility, offers constant compression adjustment, and seamlessly transitions between gritty fuzz and full overdrive with a footswitch. It also achieves gated fuzz and nice cleanup effects under specific conditions.

Review by delicious audio

Review by guitar pedal X

Demo by  Michael W. Westbrook

Nero

Ej Santos

Discover the ultimate blend of vintage charm and modern innovation with the new Antique Classic Drive.

Redesigned under the Cornerstone Phase 3 style, this pedal draws open inspiration from the iconic vintage Italian Vespa.

Offering not just an innovative neo-vintage tool for your music but a piece of art for your pedalboard.

Discover the renewed versatility and style of the Antique Classic Drive.

Review by gearnews.de

Demo by Kris Barocsi

Antique V3

Hermann Bühler

The Blues Power Pedal von King Tone bietet eine umfassende Palette an Boost/Overdrive-Sounds, von glasklaren, röhrenverstärkerähnlichen Klängen bis hin zu dunklen und kraftvollen Lead-Tönen. Sein transparentes Overdrive-Design und die doppelten Clipping-Stufen sorgen für einen vollen, beeindruckenden Sound, der durch anspruchsvolle Klangregelungen ergänzt wird.

The Blues Power Pedal by King Tone offers a full range of boost/overdrive tones, from crystal-clear, tube-like tones to dark and powerful lead tones. Its transparent overdrive design and dual clipping stages provide a full, impressive sound, complemented by sophisticated tone controls.

KingTone

Demo by Edge of Breakup - Guitar, Amp & Pedal Demos

Blues Power V2

Stéphane COMBET

The Duellist features top mounted jacks, 9-18v DC, you can run it at 12 or 18v for more headroom. You can change the channel order A into B or B into A with a simple flick of the switch. Side mounted dip switch allows easy access to powerful tonal options. The new options include an amp-like setting, this gives you an open, tube-amp style tone. The SRV Mod adds attack and dynamics to the classic TS style tones, you’ll probably want to leave this option on once you’ve heard it.. With the Duellist you can also split channel A and B so you can use it with a pedalboard switcher. In ‘Split’ mode, using TRS cables the Duellist functions as two separate pedals with an in and out for each side, this allows you to place the two sides of the Duellist in “different places” on your pedalboard, e.g. you can put other pedals in-between the two sides.

Demo by BugBryan

The Duellist Silver

Jaryd Hoffman

Zweite Generation des DITTO LOOPER mit neu gestaltetem Fußschalter, SingleTap-Looping, Intelligent LoopSnap und Bluetooth-App-Integration.

Second Generation DITTO LOOPER with Redesigned Footswitch, SingleTap Looping, Intelligent LoopSnap and Bluetooth App Integration

Review by Music Radar

Quick Start Guide

Demo by The Studio Rats

Ditto Looper 2

Gilles Peynet

Kingtone Website 

Demo by Buddy Blues

Mini Fuzz v1

The miniFUZZ V2 combines the tones and options of both the miniFUZZ Si and the miniFUZZ Ge, giving you the option to switch between the distinctive  tones of silicon or germanium. The miniFUZZ has a plethora of controls  which allow you to dial in authentic vintage silicon or germanium  tones and much more! The side Dip-Switch gives fast and easy access to the amazing new tonal options.  We have added a switchable  buffer to the miniFuzz. If you chose to engage the buffer you will be able to drive long cables and complex pedal setups with no loss of tone or change of tone when engaging  the miniFUZZ. We have added a four setting tone control for tweaking the texture of the fuzz. Leave it off for bright gritty tones or select one of the options for a smoother, silkier tone.  We still have controls for boosting the output or lifting the bass response. Most fuzz pedals can sound poor when using an external DC power-supply but the  miniFUZZ’s built in battery simulator makes sure all DC plug in power sounds as good and as quiet as a battery.

Scott Smith

Mini Fuzz V2 (Black Panel)

Mini Fuzz V2 (Red Panel)

ISP Technologies

Decimator II G String

Das Keeley Hydra Effektpedal kombiniert High-Fidelity Reverb- und Tremolo-Effekte, um dem Gitarren-, Bass- oder Keyboard-Signal mehr Raum und Tiefe zu geben. Nach der Entwicklung des Eccos wollte das Team um Robert Keeley das perfekte Pedal zur Begleitung entwickeln - und mit dem Hydra haben sie genau das getan! Das Pedal bietet drei wählbare Reverb-Modi (Spring, Plate oder Room) und lässt sich über den zweiten Fußschalter einfach um eine Harmonic, Vibrato oder Sinus Tremolo-Sektion mit Tap Tempo erweitern. Die Regler sind über eine Alt-Funktion doppelt belegt und bieten neben der vollen Kontrolle über die Effektparameter zusätzlich die Möglichkeit, die Reihenfolge der Effekte zu verändern oder Infinite Hold Reverb Trails zu erzeugen. Für optimale Vielseitigkeit stehen drei Preset-Slots zur Verfügung. Das Hydra lässt sich in jedes denkbare Setup oder Switching System integrieren und bietet einen TRS Expression Pedal Input, Remote Tap Tempo Kontrolle und True Stereo Ein- und Ausgänge. Das Hydra ist das perfekte Pedal für das Ende der Signalkette und die extrem vielseitigen Sounds lassen sich in jedem Genre einsetzen.

The Keeley Hydra combines high-fidelity reverb and tremolo to add space and dimension to your guitar, bass, or keyboard signal. After the team at Keeley completed the Eccos, they wanted to craft the perfect companion pedal - and they did just that! Bathe your sound in Spring, Plate or Room Reverb, then add tap-tempo enabled Harmonic, Vibrato, or Sine Wave Tremolo with the press of a button. You can easily change the order of effects or the character of the Tremolo or Reverb with the Hydra's smart Alt Controls. You can even create an Infinite Hold Reverb Trail! Save up to three presets with ease using our intuitive save feature. Engage Reverb Trails on the fly, no more internal dip switches. The Hydra can be used with pro remote switching systems and offers both TRS Expression Pedal and External Tap Tempo inputs. The Hydra is a complete end-of-pedalboard solution that fits perfectly in any musician's rig, regardless of genre. Experience next-level processing power in this pedalboard-friendly enclosure. The sky, or more appropriately, the ocean floor, is the limit with the new Keeley Electronics Hydra!

Keeley Hydra - Official Demo Video

Keeley Hydra - Demo Video (No Talking) - Guitar Bonedo

Keeley Hydra - Demo / Review Video - Max Guitar B.V.

Keeley Hydra - Demo Video - Mike Hermans

Keeley Hydra - Demo Video - ThePedalZone

Keeley Hydra - Demo / Review Video - Brett Kingman

Keeley Hydra - Demo / Review Video - Living Room Gear Demos

Keeley Hydra - Demo / Review Video - SeanPierceJohnson

Keeley Hydra - Demo / Review Video - JayLeonardJ

Keeley Hydra - Review by Muzikus [CZ], [05-2021]

Keeley Hydra - Review by Gitarre&Bass [DE], [05-2021]

Keeley Hydra - Review by Bonedo [DE], [02-2021]

Keeley Hydra - Review by Amazona [DE], [02-2021]

HYDRA - Stereo Reverb & Tremolo

Louis Springer

LOOP SWITCHING MADE SIMPLE
The ML5 lets you to use your MIDI controller to control your non-MIDI pedals, giving you simultaneous control of both your digital and analog effects.

Easily select which of your non-MIDI pedals are included or excluded from each of your MIDI presets and recall loop combinations with the touch of a switch.

DITTO LOOPER is the looper you will try once and love for life – and you’ve gotta try it. We’ve built onto all that is good about the best loopers, trimmed all the nonessential, mood-killing tech hoopla, and designed a 5-minute looper that is intuitive, tons of fun, sounds great – and won’t break the bank!

Review by Gustavo Pereira, guitarspace.org

Review by Mudskipper, bassic.de

Demo by Sweetwater

Demo by Aaron Short Music

Ditto Looper

Schnall Dich an und begib Dich auf eine klangliche Zeitreise mit der UAFX Starlight Echo Station, mit atemberaubende Emulationen klassischer Bandechos, Bucket Brigade und Digital Delays in einer einzigen, extrem leistungsstarken Stompbox.

Basierend auf futuristischem UAFX Dual Engine Processing und der unnachgiebigen klanglichen Präzision setzt Starlight neue Maßstäbe für Delay-Effekte, die über Jahrzehnte hinaus in die weitesten Bereiche Deiner Vorstellungskraft reisen werden.

Fasten your seatbelts for sonic time travel with UAFX Starlight Echo Station, featuring jaw-dropping emulations of classic tape echo, bucket-brigade, and digital delay units in a single, uber-powerful stompbox. 

Built upon futuristic UAFX dual-engine processing and unflinching sonic accuracy, Starlight sets a new benchmark in delay effects, beautifully crafted to travel the farthest reaches of your imagination for decades to come. 

Universal Audio

Review by TAPE OP

Manual Pages

Demo by  Andrew Cheng - Guitarist

Starlight Delay

Der One Control Minimal Series Black Loop ist ein Dual-Loop True Bypass Switcher mit zwei zusätzlichen DC Hohlstecker-Ausgängen. Das Pedal lässt sich je nach Setup als A+B Switch, Bypass Looper oder Tuner Output / Mute Switch verwenden. Der Black Loop bietet eine Vielzahl an Funktionen und praktisch unbegrenzte Anwendungsmöglichkeiten. Natürlich ist der Looper ein großartiges Tool um alte Vintage Effekte oder Pedale ohne True Bypass aus dem Signalweg zu nehmen, wenn sie nicht gespielt werden. Zusätzlich lässt sich das Pedal als AB Box nutzen. Man verbindet einfach einen Verstärker mit dem Output und einen zweiten Verstärker mit dem Send 2 - tritt man dann auf den Loop 2 Fußschalter wechselt die Signalführung zwischen Send 2 und dem Output. Dieses Feature lässt sich auch nutzen um den Black Loop als Tuner Output / Mute Switch zu verwenden, wenn das Stimmgerät mit einem der beiden Send-Ausgänge verbunden wird. 
Der Black Loop ist mit der legendären BJF Buffer-Schaltung ausgestattet, die ein- und ausgeschaltet werden kann. Der BJF Buffer wurde von Björn Juhl, einem der größten Verstärker- und Effektdesigner der Welt, auf Wunsch vieler der weltbesten Gitarristen entwickelt und ist die Antwort auf die Frage, wie man seinen Ton in allen Arten von Signalketten, von der Bühne bis zum Studio, unverfälscht erhalten kann. Je mehr Effekte später angeschlossen werden, desto wichtiger ist ein Buffer. Dies ist die Funktion des BJF-Buffers, der in den Eingang integriert ist. Wenn Sie den BJF Buffer einschalten, können Sie den Gesamtklang stabilisieren und einen warmen und natürlichen Sound mit weniger Signalverlusten und -verschlechterungen erzielen.

The One Control Minimal Series Black Loop is a two-loop true bypass switcher with two DC barrel outlets. It can be used as an A+B switch, bypass loopers or tuner output / mute switch. The Black Loop has several functions and offers endless possibilities. The Black Loop is a great tool to bypass vintage effects or pedals without true bypass while they are not in use to get them out of the signal chain. In addition to being a true bypass looper, the Black Loop can be used as an AB Box. Simply connect one amp to the Output and the other amp to Send 2. Stepping on the Loop 2 switch will toggle between Send 2 and the Output. You can use the same feature as a tuner output / mute switch if you connect your tuner to one of the Send outputs. 
The Black Loop comes with the legendary BJF Buffer circuit that can be turned on and off. Created at the request of many of the world’s greatest guitarists by Björn Juhl-one of the greatest amp and effects designers in the world-the BJF Buffer is the answer to keeping your tone pristine in all sorts of signal chains, from the stage to the studio. When more effects are connected later, the more critical a buffer is. This is the function of incorporating the BJF Buffer into the input. By turning on the BJF Buffer, you can stabilize the overall tone to a warm and natural sound with less signal loss and degradation.

Demo by JayLeonardJ

Demo by  Soundfackery

Minimal Series Black Loop

Der Source Audio SA 270 One Series EQ2 Programmable Equalizer ist wahrscheinlich das leistungsfähigste und fortschrittlichste Equalizer-Pedal auf dem Markt. Die Stompbox basiert auf dem extrem beliebten Source Audio Programmable EQ, der es unter anderem auf die Pedalboards von David Gilmour und John Mayer geschafft hat. Der überarbeitete EQ2 aus der One Series bietet eine Kombination aus grafischem und parametrischem EQ mit 10 vollständig editierbaren Frequenz-Bändern, Stereo Ein- und Ausgängen, MIDI-Funktionen, 4 bzw. 8 Onboard-Presets, 128 MIDI-Presets, einem zusätzlichen +12 dB Volume Boost, einem Noise Gate, Limiter, Stimmgerät und der Möglichkeit zwei unterschiedliche EQ-Presets parallel laufen zu lassen (ein Preset für jeden Stereo-Ausgang). Über die Regelmöglichkeiten direkt am Pedal hat man vollen Zugriff auf alle wichtigen Parameter, aber nutzt man den kostenlosen Neuro Desktop Editor oder die Mobile App zeigt das Pedal sein eigentliches Potential. In einem verständlichen Editor erhält man vollen Zugriff auf flexible Regelmöglichkeiten, die man sonst nur von hochwertigstem Studio-Equipment kennt. Im Neuro Editor lässt sich der Equalizer komplett parametrisch verändern (inklusive Q-Faktor und Frequenz-Verschiebung), die Routing- und Output-Optionen editieren oder die externe Expression Control verändern.

The Source Audio SA 270 One Series EQ2 Programmable Equalizer might be the most powerful and advanced equalizer pedal on the planet. This exceptional piece of gear builds off the legacy of its predecessor, the Source Audio Programmable EQ, a tremendously popular pedal that landed on the boards of numerous pro guitarists, including six-string icons David Gilmour and John Mayer. The updated EQ2 is a combination graphic and parametric equalizer with 10 fully adjustable frequency bands, stereo ins & outs, MIDI in and thru jacks, 4 or 8 onboard presets, 128 MIDI accessible presets, an additional +12 dB volume boost, a built in noise gate, limiter, and tuner, plus the ability to simultaneously run two discrete EQ presets (one for each stereo output). The controls on the face of the EQ2 Programmable Equalizer provide quick access to a deep set of tone-sculpting tools unmatched in traditional effects pedals, but connect your EQ2 to the free Neuro Desktop Editor and Mobile App (via the pedal's USB port) and access a beautifully laid-out set of controls ordinarily associated only with high-end rack gear. The Neuro Editor's sleek and user-friendly interface includes detailed parametric editing capabilities (Q factor and frequency shifting) for all 10 frequency bands, two-channel stereo options, noise gate and limiter controls, as well as detailed external expression control.

Source Audio

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Official Demo Video

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Official Demo Video - Basic Functions & Hidden Features

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo / Review Video - AndyDemos

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo / Review Video - Pete Thorn

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo / Review Video - Musiker TV

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo Video - Musiker TV

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Demo Video - Mike Hermans

Source Audio SA 270 - One Series EQ2 Programmable Equalizer - Review by Gitarre&Bass [DE], [10-2020]

SA 270 - One Series EQ2

Der Source Audio SA 252 One Series Atlas Compressor bietet eine umfassende Sammlung unterschiedlicher Kompressor-Schaltungen, die den Klang und das Feeling der begehrtesten Kompressoren am Markt perfekt einfangen und mit einem Knopfdruck lässt sich Atlas einfach für Gitarre oder Bass optimieren. Mit den Factory Presets bietet Atlas sechs verschiedene Kompressor-Stilrichtungen, die von klassischen Stompbox-Kompressoren bis hin zu High-End Studio Rack Units reichen. Das Pedal verfügt außerdem über eine fortschrittliche Dual-Band Compression, die eine getrennte Kompression der Höhen und Bässe mit individuellen Einstellungen ermöglicht. Jede Compression Engine verfügt über Onboard-Regelmöglichkeiten für Threshold, Ratio, Attack, Release, Output, Tone und Mix, die eine fein abgestimmte Steuerung der kompakten Hardware der One Series ermöglichen. Wie bei allen Pedalen der One Series ist es möglich, noch mehr aus dem Atlas Compressor herauszuholen, wenn man das Pedal mit dem Neuro Desktop Editor oder der Mobile App verbindet. Der Neuro-Editor entfesselt die Leistung eines komplexen Studiokompressor-Moduls, ähnlich dem, was man in einem DAW Plug-In oder einem analogen Rackmount-Gerät sehen würden. Der Neuro Editor enthält eine Signalanzeige, die die Gain-Reduktion des Kompressors in Echtzeit anzeigt. Darüber hinaus verfügt der Neuro Editor über besonders tiefgreifende und leistungsstarke Parameter für weitere Optimierungen und klangliche Anpassungen. Mit dem One Series Atlas Compressor liegt Musikern die gesamte Geschichte der Audio-Kompression, von VCA über RMS bis hin zu Optical und mehr, sprichwörtlich vor den Füßen!

The Source Audio SA 252 One Series Atlas Compressor features a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors and with the push of a button, Atlas can be easily optimized for either guitar or bass. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors to high-end rack units. The pedal also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Mix, allowing for fine-tuned control over the compact One Series hardware. Like all One Series pedals, it is possible to get even more out of your Atlas Compressor by connecting to the Neuro Desktop Editor or Mobile App. Neuro editing unlocks the power of a full studio compressor module, similar to what you would see in a DAW plug-in or analog rack-mount gear. The Neuro Editor includes a signal readout display that shows the compressor's gain reduction in real time. In addition, the Neuro Editor features extra deep and powerful parameters for further tweaking and tonal exploration. Discover the full history of audio compression, from VCA to RMS to Optical and more with the one-of-a-kind Atlas Compressor.

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Guitar)

SA 252 Atlas Compressor

Gladio SC by Cornerstone Music Gear 