Carmelo Cannistraro

My dream Pedalboard old styles

Tester

The Cali76 Compact Deluxe is an all-analogue recreation of the legendary Urei® 1176® studio compressor, with an unmistakable sound heard on countless classic albums. This studio-grade FET compressor uses Class-A, low-noise circuitry and a dedicated parallel compression control to bring your favourite recorded guitar tones to your pedalboard.

Origin Effects

Product Page

Review by that guitar lover

Review by Sound on Sound

Manual

Demo by Living Room GD

Demo by Sweetwater

Cali76 Compact Deluxe

Der PETE CORNISH G-2™ wird als der am originellsten klingende Verzerrer für Gitarristen in der Rock-Arena gepriesen. Er verfügt über eine vierstufige übersteuerte diskrete Transistor-Class-A-Schaltung mit zusätzlichen Germanium-Komponenten, die viel wärmer klingende Obertöne erzeugen als alles andere auf dem Markt. Innerhalb des riesigen Tons, der von diesem Gerät erzeugt wird, sind der ursprüngliche Gitarrensound und die Dynamik vorhanden, was einen viel musikalischeren Effekt als bei jedem anderen Distortion-Pedal erzeugt.

The PETE CORNISH G-2™ has been hailed as the most original sounding distortion unit available to guitarists in the Rock Arena. It features a four stage overdriven discrete transistor Class A circuit with additional Germanium components that generate much warmer sounding harmonics than anything else on the market. Within the huge tone generated by this unit, the original guitar sound and dynamics are present creating a much more musical effect than any other distortion pedal.

Pete Cornish

Review by Pedal PCB

Review by Audiofanzine

Demo by Simone Gianlorenzi

Demo by shnobel

Demo by Simon Gotthelf Music

Demo by MICK HAYES MUSIC TV

cedric monnier

A revolutionary polyphonic pitch shifter pedal created in cooperation with Fender Musical Instruments Co.

The BIGSBY Pedal is a revolutionary polyphonic pitch shifter pedal that reproduces the string bending and vibrato effects produced by the BIGSBY Tremolo arm and other traditional tremolo systems.

Gamechanger Audio

Review by Premier Guitar

Review by Guitar.com

Demo by Pete Thorn

Demo by Andy Demos

BIGSBY pedal

Robin Boyd

Der CXM 1978 verfolgt einen einzigartigen Ansatz für den Abklang und verbindet ihn mit dem EQ, genau wie einen natürlichen akustischen Nachhall. Sie können den Abklang für Bass und Mitten unabhängig voneinander einstellen, wobei Cross als Frequenzsplitter fungiert. Indem Sie den EQ anpassen, stellen Sie tatsächlich die Absorption der Wände ein, aus denen der digitale Nachhalltank besteht.

The CXM 1978 takes a unique approach to decay, linking it to EQ just like natural acoustic reverb. You’re able to set independent decay for the bass and mids, with Cross acting like a frequency splitter. By adjusting the EQ, you’re actually setting the absorption of the walls that make up the digital reverb tank.

Chase Bliss

Review by Amazona

Midi Manual

Demo by Knobs

Demo by Guitar.com

CXM1978

The VM-PRO resolves many of the common issues with volume pedals that cause tone sucking and mismatching problems. The VM-PRO works with electric, electro-acoustic, baritone or bass guitars. It also works with many other acoustic and electric instruments including electronic keyboards, steel guitars, and instrument microphones such as harmonica and horn mics.

Mission Engineering

Review by musicradar

Demo by Antoine Michaud

Demo by Full Compass

Demo by Guitar Player Magazine

VM-Pro

Paulo Damasceno Nepomuceno

Tuning used to be a necessary evil. The last barrier before you could get truly rocking. But now, tuning is ready to get blasted into the 21st century with PolyTune, the stomp-box sized tuning miracle from TC Electronic!

With PolyTune, you simply strum all strings on your guitar or bass at once, and it will immediately tell you which strings need tuning! It really is as simple as strum - tune - rock, and this quantum leap forward allows you to get in tune fast, and back to doing what you love: playing!

TC Electronic

Demo by ams.guitar

Official Product Video

Polytune

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Xotic

Xotic XW-1 Wah

Der Vemuram Jan Ray ist ein handgefertigter analoger Overdrive-Pedal mit dem Ziel, die punchigen, klaren Klänge der Fender Blackface-Verstärker der 1960er Jahre – oft als „Fender Magic 6“-Sound bezeichnet – nachzubilden. Er bietet natürlichen Overdrive mit großem Sustain und minimaler Kompression und erhält dabei den Charakter der Gitarre, während er die dynamische Ansprache verbessert. Das Pedal verfügt über einfache, intuitive Regler für Volume, Gain, Bass, Treble und einen Saturation-Trimmer sowie einen True-Bypass-Schalter zur unverfälschten Tonübertragung im Bypass-Modus. Handgefertigt in Japan mit hochwertigen Bauteilen und robuster Haptik ist der Jan Ray sowohl für transparente Verzerrung als auch für amp-ähnliche Zerre geeignet.

The Vemuram Jan Ray is a boutique analog overdrive pedal designed to reproduce the punchy, clear tones of 1960s Blackface Fender amps, often described as the “Fender Magic 6” sound. It delivers natural overdrive with great sustain and minimal compression, preserving the guitar’s character while enhancing dynamic response. The pedal features simple, intuitive controls including Volume, Gain, Bass, Treble and a Saturation trimmer, along with true bypass switching for unaltered tone when off. Handcrafted in Japan with high-quality components and a robust enclosure, the Jan Ray is suitable for both transparent drive and amp-like breakup tones.

Vemuram

Demo by  Ed "The Shred" Clarke

Demo by Michael Watts

Review by Mixdown Magazine

Review by Guitar Pedal X

Jan Ray

DIEGO LEANZA

„Dieses authentische Reissue wird in unserer Fabrik in Bletchley gebaut und von Hand zusammengesetzt. Der Bluesbreaker wurde mit Präzision entworfen und für Qualität gefertigt und führt das Marshall-Erbe fort. Dieses Pedal ist bekannt für sein einfaches, aber wirkungsvolles Design und versucht, die samtigen und warmen Overdrive-Sounds des legendären Marshall Bluesbreaker-Verstärkers zu emulieren. Seit seiner Einführung im Jahr 1992 wurde dieses Pedal auf unzähligen Bühnen eingesetzt und hat sich zu einem begehrten Sammlerstück entwickelt, das von Enthusiasten heiß begehrt ist.“ - Marshall

"This authentic reissue is built and hand-assembled in our Bletchley factory. Designed with precision and crafted for quality, the Bluesbreaker carries on the Marshall legacy. Renowned for its straightforward yet impactful design, this pedal seeks to emulate the velvety and warm overdrive tones reminiscent of the iconic Marshall Bluesbreaker amplifier. Having been used on countless stages since its inception in 1992, this pedal has evolved into a coveted collector's item, highly sought after by enthusiasts." - Marshall

Marshall

Demo by Guitar Center

Review by The Gear Page

Review by mylespaul

Review by Hometone Blog

Review by bonedo

Bluesbreaker

RockBoard

The Centura is a true overdrive pedal, enhancing the tone and capability of your amp. Highly acclaimed one-one recreation of the Klon Centaur circuit.

Ceriatone

Review by Pedal of the Day

Manual Page 3

Manual Page 2

Manual Page 1

Demo by TheKlonWars

Demo by Andrew Cheng

Centura overdrive raw/clear coat version

Philippe Godde

A key component of many guitar sounds is a string of tasteful delay, which is just one of the things 2290 P provides. It is a time-based effect generator that - apart from delay - also offers chorus, flanger, tremolo, vibrato, phaser, panning, ducking and compression. 

And that is the essence of 2290 P: it is a faithful recreation of the original 2290, equally suited for adding delay to lead guitar tones and rhythmic patterns that can be used to build up powerful and inspirational walls of guitarscapes with or without additional modulation. In other words, 2290 P allows you to really dive in and carefully program it to meet all of your sonic ideas.

It simply evokes a distinct classic vibe from the past in a contemporary setting.

Review by guitar pedal X

Demo by Pedal Platform

2290p

Julian Elliott

Der Tru-Fi Colordriver ist eine handgefertigte Neuauflage der klassischen Colorsound Power Booster/Overdriver-Schaltung, konzipiert um den typischen britischen Übersteuerungs-, Boost- oder Fuzz-Sound vergangener Zeiten zu liefern. Er verwendet Vintage-Transistoren des Typs BC109 (bzw. BC184 bei der 18 V-Version), um den Klangcharakter des Originals nachzubilden — mit moderner Bedienung. Regler für Gain, Höhen (Treble) und Bass sowie ein seitlich montierter Master-Volume-Regler ermöglichen es, den Pedalbetrieb flexibel zu gestalten: von leichter Lautstärkeanhebung über Crunch-Drive bis hin zu starkem Fuzz- oder verzerrtem Sound. Das Pedal wird mit 9 V DC (center-negativ) betrieben, wahlweise per Batterie oder Adapter, und nutzt True-Bypass-Schaltung. Der Colordriver ist vielseitig einsetzbar: er kann einen sauberen Verstärker antreiben, Fuzz-Pedale pushen oder alleinstehend als Overdrive/Boost dienen — je nach Spielweise und Einstellungen.

The Tru-Fi Colordriver is a handmade recreation of the vintage Colorsound Power Booster / Overdriver circuit, built to deliver classic British-style overdrive, boost, or fuzzy-drive tones. It uses vintage-spec BC109 (or BC184 for 18 V version) transistors to approximate the character of the original pedal while adding modern convenience. Controls include Gain, Treble, and Bass, plus a side-mounted master volume knob that lets you dial a boost, overdrive, or full-on fuzz/drive level. The pedal runs on 9 V DC (negative-tip) with an internal battery clip or adapter, and offers true bypass switching. The Colordriver is pitched as a versatile tone-enhancer: it can push a clean amp harder, drive fuzz pedals, or function as a standalone overdrive/boost, depending on settings and playing dynamics.

Tru-Fi Pedals

Demo by Gilmourish

Demo by That Pedal Show

Review by Delicious Audio

Colordriver

Jonas Kvinge

Often imitated but never duplicated, the elusive vintage "script" Phase 90 is at the top of the list for pedal collector's world-wide. The original version—available from the company's inception to the late '70s—practically defined the classic phase shifter sound, and was heard on everything from hard rock, jazz-fusion, to funk hits. The MXR Custom Shop Script Phase 90 brings back the headroom and clarity of the original, along with its ultra warm and smooth phasing and reduced midrange swell. And it comes dressed in the original smooth orange paint job and script logo with an LED and AC power jack, direct from the MXR Custom Shop.

Review by reddit.com/r/guitarpedals

Review by Ultimate Guitar

Demo by Octoplod

Script Phase 90 CSP101SL

David Litaba

Der legendäre STEREO CHORUS FLANGER war das erste Produkt von TC Electronic. Überhaupt! Unser Gründer, der auch Musiker ist, ärgerte sich in den 70er Jahren über die Qualität der verfügbaren Effektpedale - sie waren einfach zu laut. Also machte er sich als Ingenieur daran, ein Pedal zu entwickeln, das seinen Erwartungen und hohen Ansprüchen gerecht werden würde. So wurde 1976 das SCF geboren, und der Rest ist Geschichte, wie man so schön sagt. Aber hey! Niemand hat gesagt, dass die Geschichte zu Ende ist. Im Gegenteil, wir schreiben diese Geschichte weiter. Tatsächlich hat sich der Kreis geschlossen und wir treten in eine neue Ära der SCF-Geschichten ein. Darf ich vorstellen: SCF GOLD - ein legendäres Pedal! 

The legendary STEREO CHORUS FLANGER was the first TC Electronic product. Ever! Our founder, who is also a musician, was annoyed with the quality of effect pedals available back in the 70s – they were just so noisy. So, being an engineer, he set out to design a pedal that would live up to his expectations and high standards. That was how the SCF was born all the way back in 1976, and the rest is history as they say. But hey! No one said the story was over. On the contrary, we’re adding to that history. In fact, it has come full circle and we’re really entering a new era of the SCF tales. Please meet SCF GOLD – a legendary pedal to be! 

Review by reddit /guitarpedals

Demo by Chords of Orion

SCF GOLD

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Stefan Valenberghs

The Aqua-Puss Analog Delay MkIII delivers smooth vintage delay tones and tape-based echo with 20ms to 300ms of delay time.

Way Huge

Aqua-Puss MKII

PedalSafe Type WH3

QuickMount Type WH3

Pedal-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

 Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Stephen Killick

The DELUXE61 faithfully recreates the rich cleans, raunchy overdrive and dynamic, musical tremolo of the Fender® Brown Deluxe. Possibly the greatest amp of the early ‘60s. Featuring an all-analogue, valve amp-style signal path with an authentic bias tremolo circuit, the DELUXE61 brings a huge range of classic sounds to your pedalboard – with plenty of modern flexibility.

Demo by Pete Thorn 

Demo by JayLeonard J

Demo by Peach Guitars

Deluxe61

Bîrleanu Bogdan

Dieses Effektgerät ist ein analoges Magnettrommel-Delay, das als moderne, detailgetreue Nachbildung des legendären Binson Echorec aus den 1950er Jahren entwickelt wurde. In jahrelanger Forschungsarbeit konzipiert, verzichtet es auf traditionelle digitale Signalprozessoren oder Magnetbänder und setzt stattdessen auf eine präzise gefräste Legierungstrommel, die mit speziellem Magnetdraht umwickelt ist. Das Design nutzt echte mechanische Aufnahme- und Wiedergabeköpfe, um ikonische, atmosphärische Echos und rhythmische Muster zu erzeugen. Es modernisiert die historische Plattform durch eine einstellbare Trommelgeschwindigkeit, die einzigartige Tonhöhenänderungen und rhythmische Variationen ermöglicht. Untergebracht in einem robusten mechanischen Gehäuse, verfügt das Gerät über eine authentische „Magic Eye“-Pegelanzeige sowie symmetrische Ein- und Ausgänge für Studioanwendungen.

This effect unit is an analog magnetic drum delay meticulously engineered as a modern, faithful recreation of the legendary 1950s Binson Echorec. Developed over several years of research, it bypasses traditional digital signal processors and tape loops in favor of a custom-milled alloy drum wrapped with specialized magnetic wire. The design utilizes real mechanical recording and playback heads to shape iconic atmospheric echoes and rhythmic patterns. It modernizes the vintage platform by integrating an adjustable drum speed control that introduces unique pitch shifting and rhythmic variations. Housed in a substantial mechanical enclosure, the unit features an authentic Magic Eye level indicator alongside balanced inputs and outputs tailored for studio applications.

T-Rex

Review by Perfect Circuit

Echorec

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Clarence Ancheta

Sandbox Pedal Board-copy

kanta hashizume

Finding That Tone

Japan1986

Mikołaj Mularczyk

The SP-25L-PRO has dual 25K outputs with polarity selection and a latching toe switch, compatible with many devices for guitar, keyboards, acoustic instruments both live and in the studio.

Activating the toe switch lights an ultra-bright sapphire LED and acrylic base that creates an illuminated halo effect around the pedal visible from almost any position. When used with compatible MIDI controllers and digital devices, the illuminated base can indicate the status of a remote effect.

Review by Fractal Audio Forum

Demo by EytschPi42

SP25L-PRO AERO

Hiu Fung Hui

The Hotone Tuner Press is not just your average tuner pedal; it's the epitome of versatility. Weighing in at a mere 600g, this pedal isn't just a tuner; it's a volume pedal, an expression pedal, and a buffer pedal all rolled into one. The footswitch provides tactile feedback, allowing you to seamlessly switch between expression and volume control. Elevating the pedal in volume mode activates silent tuning automatically. The HD LCD screen, complemented by the switching indicator, ensures an intuitive, accurate, and rapid user experience. Furthermore, the Hotone Tuner Press inherits the classic design of the popular Ampero Press series, seamlessly blending Hotone aesthetics with portability and practicality. 

HOTONE

Demo by Chris Ma的Dark Horse Lab

Tuner Press

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

The CHRONO DELAY features a simple interface that allows fast, intuitive control.

Delay time is adjustable from 1 to 2700 milliseconds. The A/B preset memory allows two different delay times settings to be memorized and recalled via the footswitch as needed.

Providence

DLY-4 Chrono Delay

Paul De maio

Fortschrittliche MIDI-Fußcontroller-Funktionalität und umfangreiche Layout-Anpassungen zeichnen diese digitale Befehlsstation aus, die für eine umfassende Pedalboard- und Studiointegration entwickelt wurde. Die Architektur umfasst acht Soft-Touch-Fußschalter, die zusammen mit vier unabhängigen, hochauflösenden Farb-LCD-Displays arbeiten, die Banknamen, Preset-Informationen und Schalterzustände in Echtzeit anzeigen. Sie unterstützt die vollständige drahtlose Konnektivität über integriertes Bluetooth Low Energy MIDI neben physischen E/A-Anschlüssen wie traditionellen 5-Pin-DIN, umschaltbaren Typ A/B 3,5-mm-TRS und dualen USB-C-Host- und Device-Anschlüssen. Vier zuweisbare Omniports fungieren adaptiv als TRS-MIDI-Ausgänge, Expressions-Eingänge oder Aux-Schalter-Eingänge, während zwei dedizierte TRS-Relais-Anschlüsse eine direkte analoge Amp-Kanalumschaltung oder Temposteuereung ermöglichen. Die interne Verarbeitung unterstützt 128 separate Speicherbänke mit drei Seiten pro Bank, sodass Benutzer bis zu 32 gleichzeitige MIDI-Befehle pro Fußschalteraktion koordinieren können.

Advanced MIDI foot controller functionality and extensive layout customization define this digital command station designed for comprehensive pedalboard and studio integration. The architecture incorporates eight soft-touch foot switches operating alongside four independent high-definition color LCD displays that present real-time bank names, preset information, and switch states. It supports full wireless connectivity via integrated Bluetooth Low Energy MIDI alongside physical I/O ports including traditional 5-pin DIN, switchable Type A/B 3.5mm TRS, and dual USB-C host and device connectors. Four assignable Omniports function adaptively as TRS MIDI outputs, expression inputs, or auxiliary switch inputs, while dual dedicated TRS relay ports facilitate direct analog amp channel switching or tempo control. Internal processing supports 128 distinct memory banks containing three pages per bank, allowing users to coordinate up to 32 simultaneous MIDI messages per foot switch action.

Morningstar Engineering

Demo by Scott Uhl

MC8 Pro

Als das ursprüngliche POLYTUNE 2010 auf den Markt kam, revolutionierte es für immer die Art und Weise, wie Musiker ihre Instrumente stimmen. Von Profis und Amateuren gleichermaßen gelobt, wurde das Stimmen der Gitarre plötzlich so einfach wie „Strum – Tune – Rock“! Wie also lässt sich das meistverkaufte polyphone Stimmgerät noch weiter verbessern? Man hebt ihn auf die nächste Stufe, indem man: mehrere Stimmmodi bereitstellt, darunter polyphon, chromatisch, Strobe und eine Vielzahl von alternativen Stimmungen; einen integrierten BONAFIDE BUFFER hinzufügt, um deinen Klang über lange Kabelwege und Signalpfade im Pedalboard zu bewahren; und das LED-Display für noch höhere Stimmgenauigkeit verbessert. Begrüße deinen nächsten Tuner – POLYTUNE 3.

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

Review by Charleston Classical Guitar

Demo by American Musical Supply

Demo by Addicted to Gear

Polytune 3

Der Pulp N Peel V4 ist das Resultat von über 6 Jahren Basteln, Lernen und Experimentieren. Sein Vorgänger wurde zum Kompressor der Wahl für Player auf der ganzen Welt und hat sich seinen Ruf der Kompressor für Leute die Kompression nicht mögen zu sein eindeutig verdient. In der Version 4 bleibt JHS den Dingen die den Pulp N Peel so einzigartig und herausragend gegenüber der Konkurrenz machen treu und fügt einige neue Features hinzu, um die Fähigkeiten dieses Schaltkreises auf ganz neues Territorium heben. Hierzu zählen ein weicherer Sound mit mehr Sustain, mehr Headroom, ein eingebauter paralleler Overdrive Schaltkreis, ein Tone Regler und ein paralleler DI Ausgang. Die Idee war, einen Kompressor zu schaffen den du nie wieder ausschalten möchtest, der dir kein Attack klaut und einen extrem niedrigen Noise Floor hat und jedem Akkord, jede Melodie und jede einzelne Note mit studioartigem Glanz versieht.

The Pulp N Peel V4 is the result of over six years of tweaking, learning, and experimenting. The Pulp N Peel V3 has become a staple on thousands of players' boards all over the world and has gained a reputation for being the compression pedal for players who don't like compression. In version 4 JHS have stayed true to the things that made the PnP stand out among its competition while adding several new features that expand the circuit’s ability to reach into new territory, new tones and new ways of thinking about a compression pedal. These features include an improved detection circuit for smoother and more sustained tones, more headroom, a built in parallel overdrive-drive circuit, a tone control, and parallel 1/4" and DI outputs. The idea behind the Pulp N Peel is to have a compressor pedal that you never want to turn off, that doesn't rob your attack, that has a very low noise floor, and that adds a professional polish to every chord, lead line, and note that blooms out of your guitar.

Official Product Page

JHS Pulp N Peel V4 - Livingroom Gear Demo

JHS Pedals, VCR (Featuring the Pulp'N'Peel, Milkman, Colour Box 500)- Official Bass Demo

Pulp 'N' Peel V4

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Kee Vin Wong

Das Wayhuge Smalls Aqua-Puss Analog Delay MkIII liefert warme Vintage Delay Sounds mit bis zu 300 ms Verzögerungszeit, die sich bestens für Old School Slap-Backs eignen. Über die klassischen Regler für Delay und Feedback lässt sich der Effekt gewohnt einstellen, wobei sich das Pedal bei extremen Settings auch zu wilder Selbstoszillation animieren lässt.

Way Huge Smalls Aqua-Puss (WM71) - Demo Video - Musiker TV

Way Huge Smalls Aqua-Puss (WM71) - Demo Video - Reverb

Way Huge Smalls Aqua-Puss (WM71) - Review by GuitarWorld [EN], [07-2018]

Product Video by JimDunlop

SMALLS AQUA-PUSS ANALOG DELAY

PedalSafe Type WH1

QuickMount Type WH1

Pedal-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

CE-2W Chorus

Learn more about Ceriatone Centura overdrive raw/clear coat version overdrive, distortion, booster pedal on PedalPedia - the most comprehensive online resource for effect pedals ▶️ Official specs, manuals, product videos and more

Centura overdrive raw/clear coat version by Ceriatone | RockBoard | PedalPedia