Case Study

Aspen Overdrive

Der Lastlight steht in der Tradition klassischer Overdrive-Schaltungen, setzt aber auf eine Transistor-basierte Boost- und Overdrive-Architektur. Zwar kann er auch hochverzerrte, fuzz-ähnliche Sounds erzeugen, doch sein wahres Potenzial entfaltet er im Low- bis Mid-Gain-Bereich.

Hier wurde das ursprüngliche Design clever weiterentwickelt: Die verbesserte Gain-Regelung ermöglicht nun fließendere Übergänge zwischen sanfter und starker Verzerrung, während das kompakte 125B-Gehäuse mit seitlichen Anschlüssen perfekt für jedes Pedalboard geeignet ist.

In the lineage of a classic overdriver circuit, the Lastlight is a transistor based boost and overdrive. While it is capable of producing higher gain fuzz-like tones, it really shines in the low to medium gain range.

The Lastlight reimagines the original design by dramatically improving the sweep of the gain knob, allowing for a more smooth transition between low and high gain settings and updating the enclosure to a pedalboard friendly 125b enclosure with top mounted jacks.

Demo by The Tone Shepherd

Demo by Mike Hermans

Demo by Kenyon Reed

Product Page

Lastlight Overdrive

The Case Study Studio Compressor provides uncompromising dynamic control like a high end rack compressor. Get precise control over your tone with the Threshold, Ratio, Attack, Release, and Gain knobs, allowing you to dial in the perfect amount of compression.

The Studio Compressor leverages a unique circuit design that draws on the design of classic compressor pedals, but solves the issues of excessive noise and lack of controls.

The Bright Switch is a hidden gem for adding clarity and brilliance to your tone, instantly making your guitar stand out in any mix.

Don't forget to try out the secret drive mode, which transforms the pedal into a beefy distortion. For maximum distortion, turn the Ratio all the way down and set the Threshold to its highest level.

Aspen (Alpine White)