The Messenger is a high fidelity instrument preamplifier, perfect for the studio, live performances, or practicing at home. The preamp offers a wide array of features in a compact, easy to use format.

Broughton Audio

Product Page

Review by Talk Bass.com

Messenger DI

The Silver Deluxe is a JFET boost with a Fender tone stack EQ. The JFET topology adds some character to your signal, while the passive EQ delivers the familiar response found on many classic tube amps.

The EQ is an exact recreation of the Fender tone stack with Mids. It is also the same as the Alembic F2B.

The Silver Deluxe is designed to produce mild JFET overdrive when pushed. This is achievable with instrument level signals, and powering the pedal with a 9V supply. For a clean output, it is recommended to use a higher supply voltage.

Demo by Shaggy45

Demo by Yaksonator

Silver Deluxe

The Fliptop is a JFET preamplifier that is modeled after the B15 amplifier. The gain staging and EQ sections were carefully designed to give the feel and response of the vintage tube amp, offering a good range of pillowy tone that can be driven to the point of light overdrive if pushed.

 In addition to the James stack EQ and gain staging, the Fliptop adds a Master volume control on the output so you can dial in the amount of drive you want while adjusting the volume as needed.

 The Cab knob is essentially a wet/dry control, allowing you to apply 0 to 100% of the cab tone to the preamplifier output. Dialing in more of the cab response tightens the low end and cuts the high frequencies for a warm, vintage tone. The frequency response is modelled after the 15" cab.

Review by Bass Gear Mag

FlipTop

The VCA chip used in the Apex has been discontinued by the manufacturer. The Apex is no longer in production. For more information on archived pedals, click on the Archive link at the top of this page.

The Apex is a studio quality compressor with excellent control, large headroom, and clean accurate compression. It uses a THAT voltage controlled amplifier (VCA) for the highest fidelity in a small and functional format.

The compression ratio ranges from subtle to total limiting. The signal threshold can be set for line level signals or all the way down to the low output instruments. Up to 20 dB of gain allows for making up any volume lost due to compression, or simply boosting your signal above unity.

The Apex also has a variable high pass filter placed in the side chain. This feature is great for bass guitars when you don't want the low end to trigger the compression as much as the mids and highs, making the compression naturally follow your playing style. The high pass filter will not affect your audio signal, so don't worry about any loss of low end!

The wide ranging compression meter gives you an accurate visual indication of how much compression is actually happening.

Demo by 
Shaggy45

Apex VCA Compressor

Der parametrische Equalizer bietet drei Equalizer-Bänder mit unabhängiger Steuerung von Frequenz, Bandbreite und Pegel für jedes Band.

Jedes Band hat bis zu 15 dB Verstärkung oder Absenkung. Die Bandbreite reicht von 0,25 bis 2,5 Oktaven.
Tief - 40 bis 400 Hz
Mittel - 200 bis 2.000 Hz
Hoch - 1.000 bis 10.000 Hz

The Parametric Equalizer offers three bands of equalization with independent control of frequency, bandwidth, and level for each band.

Each band has up to 15 dB of boost or cut. The bandwidth ranges from 0.25 to 2.5 octaves. 
Low - 40 to 400 Hz
Mid - 200 to 2,000 Hz
High - 1,000 to 10,000 Hz