Patrick Brogan

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Current Bass Board

Jeff Wingo

Das SONICAKE Expression Pedal Vexpress ist ein passives Lautstärke-/Expressionspedal für alle, denen ein Expression-Pedal in voller Größe zu schwer ist und einfach zu viel Platz auf dem Pedalboard einnimmt.

Wenn du das Pedal als Expression-Pedal verwenden willst, lass die Eingangsbuchse offen und verbinde die Ausgangsbuchse mit einem 1/4"-Stereokabel mit dem Gerät.

SONICAKE Expression Pedal Vexpress is a passive volume/expression pedal for those people who think that a full-size, expression pedal may be a little heavy, and simply took too much space on the pedal board.

Used as an expression pedal, leave the input jack unconnected, and connect the output jack to the device with a stereo 1/4" cable.

Sonicake

Product Page

Manual

Demo by Gurtej Singh

Official Product Video

Demo by  The Tone Lounge

Demo by Scott Uhl

Review by guitaarr.com

Review by reddit.com/r/guitarpedals

Vexpress

The noise gate guitar pedal can reduce the noise form input signal and keep the quality of your original signal. At the same time in order to keep the tone is not be reduced. So, this noise gate guitar pedal in all aspects of the performance is good job.
It have 2 Working Modes: Hard/Soft. Hard: Provide hard effect of noise reduction. Soft: Provide soft effect of noise reduction. Its full metal casing makes it very small and exquisite, and like most great effects pedals it has true bypass.

Azor

Review by Pedal Authority

The Noise

Tester

Rowin

Demo by 1959 Guitars

Demo by harrychomusic

LEF-326 Slow Hand

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Das chromatische Stimmgerät LT-910 von Fame wurde für E-Gitarren und Bässe entwickelt und verfügt über ein kompaktes Gehäuse, das problemlos auf jedes Pedalboard passt. Er bietet einen Stimmbereich von 12 Hz bis 4186 Hz mit einer Genauigkeit von +/- 1 Cent, was eine präzise Stimmung gewährleistet. Die große und helle LED-Anzeige ermöglicht eine einfache Ablesbarkeit auch bei schlechten Lichtverhältnissen.

The Fame LT-910 Chromatic Tuner is designed for electric guitars and basses, featuring a compact housing that fits easily on any pedalboard. It offers a tuning range from 12 Hz to 4186 Hz with an accuracy of +/- 1 cent, ensuring precise tuning. The large and bright LED display allows for easy readability even in low light conditions.

Demo by FerialL

Demo by Transforming Gravity

LT-910 Chromatic Tuner

Pigtronix Philosopher Bass Compressor Micro brings the heralded Philosopher’s Tone compressor circuit to bassists in a micro-sized stompbox format. Pigtronix Philosopher Bass Compressor Micro brings the heralded Philosopher’s Tone compressor circuit to bassists in a micro-sized stompbox format. The SUSTAIN control on this pedal varies the compression threshold to provide everything from subtle peak limiting to infinite clean sustain, all with incredible low-end response. The Philosopher Bass Compressor also sports a BLEND knob, allowing the clean sound of your instrument to be heard in parallel with the optical compression. Blending some clean signal into the mix restores the instrument’s natural string attack, while simultaneously providing the musical benefits of additional punch and sustain.

Pigtronix

Demo by Sweetwater

Review by CompressorPedalReviews.com 

Philosopher Bass Compressor

The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It’s like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you just want your instruments straight, pure tone – just step on the switch and the ADI21 functions as a superb active DI box.

Behringer

Review by a.dasic, amazona.de

Demo by Jonny Dibble

Demo by Patrick Hunter

BDI21 V-Tone Bass Driver

CP-83 is original designed by Caline, bass analog chorus. 
The mono/stereo outputs can be switched between Normal and Mixer output modes. Normal output mode is for connecting directly to the input of a bass amplifier. Mixer output mode is connecting directly to a mixing board or headphone preamp. 

Caline

Review by reddit /Bass

Demo by Faye Carumba

Demo by Jo Bass

CP-83 Bass Chorus

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

● 4-Mode Delay und 4-Mode Reverb in einem kleinen Pedal.

● Maximal 2000ms Delay Time mit Tap Tempo Funktion.

● Tap Tempo Funktion für Echtzeit RATE Kontrolle.

● Spezielles Design der Buffer Bypass Schaltung hält den Sound unverfälscht.

● Arbeitet mit 9V Center Negative Regular Pedal Power Supply (nicht enthalten).

● 4-Mode Delay and 4-Mode Reverb in One Small Pedal.

● Maximum 2000ms Delay Time with Tap Tempo Function.

● Tap Tempo Function for Real-time RATE Control.

● Special Design Buffer Bypass Circuit Keeps the Sound Pristine.

● Working with 9V Center Negative Regular Pedal Power Supply(not included).

Demo by Pedal Experiments

Demo by Alex Price

Demo by SeanPierceJohnson

Demo by shnobel

Review by delicious-audio.com

Sonic Ambience

Das FC05 Modulation Micro-Pedal bietet satte 11 klassische Modulationseffekte, die das gesamte Spektrum klassischer Töne abdecken. Zu diesen Effekten gehören Pedalboard-Klassiker wie Chorus, Flanger und Auto Wah sowie Nischeneffekte wie Stutter, Ringmodulator und Low Bit-Effekt. Das FC05 ist in einem robusten Metallgehäuse untergebracht und hat einen der kleinsten Stellflächen auf dem Markt, sodass es problemlos auf jedes Pedalboard passt.

The FC05 Modulation Micro pedal features a whopping 11 classic modulation effects that cover the full spectrum of classic tones. These effects include such pedalboard staples as the Chorus, Flanger, and Auto Wah with more niche effects like the Stutter, Ring modulator, and Low Bit effect. The FC05 is housed in a durable metal shell with one of the smallest footprints on the market that makes it easily fit on any pedalboard.

Flamma

Review by reddit /guitarpedals

Review by Ultimate Guitar

Demo by PJ Plays Guitar

Demo by TheSuperFunAwesomeHappyTimePedalShow

FC05 Mod

Electro-Harmonix

Bass Soul Food

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

With 15 dB of available boost or cut per band, the EQ700’s seven frequency bands were carefully optimized to provide the ultimate tools for EQ’ing your guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe. The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. Special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.

Demo by PopMusicRu

Demo by Bass Stuff

BEQ700 Bass Graphic Equalizer

Der US600 Ultra Shifter von Behringer ist ein intelligenter Harmonizer im Bodentreter-Format und ermöglicht das Erzeugen einer zweiten Stimme zum gespielten Signal. An wählbaren Modes stehen die Pitch Shifter, Harmonist, Trem Bar Flutter und Detune Settings bereit, welche mithilfe des Pitch Reglers in Bezug auf die Tonhöhe der Zweitstimme eingestellt werden können. 

Using the US600 ULTRA SHIFTER/ HARMONIST is like adding another guitar player to your band. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to ±2 octaves.

Review by ultimate-guitar.com

Demo by Ryan Lutton

Demo by World Music Supply

US600 Ultra Shifter/Harmonist

● 100% Analog Envelope Filter/Auto Wah von Picking Dynamics.

● Entwickelt für Gitarre und Bass mit schnellem und präzisem Tracking.

● Wide Range Funky Tone Shaping mit 4 nützlichen Knöpfen.

● True Bypass Footswitch sorgt für einen sauberen Signalweg.

● Arbeitet mit 9V Center Negative Regular Pedal Power Supply (nicht enthalten).

● 100% Analog Envelope Filter/Auto Wah by Picking Dynamics.

● Designed for both Guitar & Bass with Fast and Accurate Tracking.

● Wide Range Funky Tone Shaping with 4 useful Knobs.

● True Bypass Footswitch keeps a clean Signal Path.

● Working with 9V Center Negative Regular Pedal Power Supply(not included).

Demo by The Pedal Picassos 

Demo by Pedal Platform 

Review by Talk Bass.com

Crybot

Der MXR Vintage Bass Octave bietet die warmen analogen Subbass-Vibes eines klassischen Schaltkreises mit überlegenem Tracking, sauberem Headroom und der Vielseitigkeit, die moderne Spieler verlangen. Er liefert eine beeindruckende Bandbreite an Sounds im leichten, platzsparenden MXR Mini-Gehäuse.

The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand, delivering an impressive range of sounds in the lightweight, space-saving MXR mini housing.

Review by bonedo

Demo by Janek Gwizdala

Demo by The Bass Channel

Review by Harmony Central

Review by Premier Guitar 

M280 Vintage Bass Octave

Mike Matthews, der Gründer von Electro-Harmonix, ist eine schillernde Figur. Die Hippie-Bewegung und die Evolution der E-Gitarre durch Jimi Hendrix diente ihm als Katalysator für die Entwicklung des bis heute populären Big Muff Verzerrers. Nach phänomenalem Wachstum seiner Firma in den goldenen Zeiten des Rock’n´Roll, den 1970er Jahren, folgte Anfang der 1980er die Ernüchterung – und schließlich die Pleite.

Mike Matthews, the founder of Electro-Harmonix, is a colorful figure. The hippie movement and Jimi Hendrix's evolution of the electric guitar served as a catalyst for him to develop the Big Muff distortion unit, which is still popular today. After phenomenal growth of his company in the golden age of rock'n'roll, the 1970s, disillusionment followed in the early 1980s - and finally bankruptcy.

Review by guitarfella.com

Review by Oliver Poschmann, bonedo.de

Demo by Reverb 

Demo by PMTVUK

Demo by FrostByte

Bass Big Muff Pi

BASS MONO SYNTH

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Marlon Dorand

BASS - Spaceship 60W + HB StompControl Switcher-copy

Francisco Ferreira

The first generation of D-SEED was well received, then JOYO gathered numerous feedbacks from customers and launched D-SEED II stereo delay, which bringing brand new algorithms, and provides 8 different delays. Various effects are listed as below: Space, LO-FI, Filter, Tape, Copy, Analog, Modulation and Reverse.

Moreover, there's a neat feature, D-SEED II has a toggle that allows you to add stereo PingPong effect to the delay, which means you can hear vivid spinning sound around.

Tap Tempo is one of its functions, you can set the time of the delay with only one foot.

D-SEED II also features LOOPER function, you can get 3.5 minutes recording time in total, buy this delay and you get a looper for free!

JOYO

Demo by The ATX Gear Show

Demo by Ambient Endeavors

Review by Delicious Audio

Review by Gear News

Demo by Perry Frank

D-SEED II

Aleksandr Lazarev

A clever, scalable way to power your pedals! Each one of these modular power units supplies stable power to five pedals. Need more outputs? Just plug on another one of these for five more! Now you can adapt your power supply capability when switching between different pedal rigs, for home practice, rehearsal space, studio or your go-to live rig. This unit provides five isolated, short circuit-protected, filtered outputs at 9/12 V for plenty of flexibility. The outputs even have a handy LED, so you can see which outputs are in use. Yup, we’ve pretty much thought of everything…

Harley Benton

Review by Guitar World

Demo by EytschPi42

Review by musicradar

PowerPlant ISO-1AC Pro Modular

Brian Sanderson

Die Meatbox ist mehr als nur ein Oktaver, sie ist auch ein subharmonischer Synthesizer mit dickem Schnitt. Er fügt Subtöne hinzu, die so tief sind, dass Sie aufpassen müssen, dass Sie Ihre Lautsprecher nicht zerstören. Über einen TRS-Ausgang können Sie das subharmonische Synthesizer-Signal an die PA weiterleiten, um zähneklappernde, knochenzerreißende, darmschüttelnde und bebende Bässe zu erzeugen, die buchstäblich das Haus rocken werden.

More than just an octaver, the Meatbox is a thick-cut subharmonic synthesizer as well. Adding in sub notes so low that you need to be careful not to blow your speakers. A TRS out allows you to split the subharmonic synthesized signal out to the P.A. for teeth-rattling, bone wrenching, bowel-shaking, booty-quaking bass that will rock the house, literally.

Demo by Swee Lee

Meatbox

Michal Kotarbinski

Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.
As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tuned sound, way better than you’d expect from an analog octaver.

This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.

Markbass

Demo by Toy Box Playa Reviews

Demo by azenhar

Octaver Raw

Mit dem AfterShock Bass Distortion wird es richtig schmutzig. Für sich alleine und direkt aus der Schachtel hat es bereits drei massive Bass Distortion Engines mit enormer tonaler Bandbreite. Das Spektrum reicht hier von Low-End Crunch über natürlichen subtilen röhren-artigen Overdrive bis zu In-Your-Face germanium-style Fuzz. Angeschlossen ans Smartphone hat man mit der Source Audio Neuro App Zugriff auf weitere Parameter und eine Bibliothek aus über 40 Overdrive, Distortion und Fuzz Algorithmen. MIDI-Kompatibilität via separat erhältlichem Source Audio Neuro Hub und Stereo In- und Outputs runden das Paket ab und machen diesen Bass Drive zu einem der flexibelsten am Markt.

With the AfterShock Bass Distortion it gets really dirty. By itself and directly out of the box, it comes with three massive bass distortion engines of enormous tonal range. Their spectrum spans from low-end crunch to subtle tube-like overdrive to in-your-face germanium style Fuzz. Plugged to a smartphone one gets access to a myriad of further parameters and a library of over 40 overdrive, distortion and Fuzz algorithms via the Neuro App. MIDI compatibility via the separately available Source Audio Neuro Hub as well as stereo in- and outputs make this one of the most flexible bass drives on the market.

Source Audio

Official Product Page

Source Audio SA 246 One Series AfterShock Bass Distortion - Official Demo Video

Aftershock Bass Distortion (SA246)

PedalSafe Type SR1

QuickMount Type SR1

Pedal-Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Pedal Mounting Plates for SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Schutzabdeckung & RockBoard-Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Protective Cover & RockBoard Mounting Plate For SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Schutzabdeckung & universelle Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Protective Cover & Universal Mounting Plate For SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

The Kolt45 is a powerful guitar amplifier in a highly portable, stomp box sized platform. The Kolt45 produces a real, 45W RMS into 4 Ohms with a responsive Treble, Middle, Bass tone stack and volume control all in a package that will fit into your jacket pocket. Just connect your guitar into the input, your cabinet to output and be blown away by its clear, fat tone with enough power for practicing, rehearsing and live gigging.

Foxgear

Review by audiofanzine

Review by The Gear Page

Demo by ksantyp77

Demo by Alberto Barrero

Kolt 45

Klingt dein Bass dumpf und leblos? Toningenieure und professionelle Bassisten wissen seit Jahren, dass hochwertige Begrenzungs- und Verstärkungsfunktionen den Bass in der Mischung hervorheben. Der BASS LIMITER ENHANCER BLE100 verleiht deinem Spiel den gleichen samtigen Schliff, indem er ungleichmäßige Lautstärkespitzen glättet. Das macht sich besonders bemerkbar, wenn deine Performance Slapping- und Popping-Stile beinhaltet. Der BLE100 macht deinen Ton so solide wie deine Performance.

Selbst wenn Sie die beste Technik anwenden, wird es in der Lautstärke Ihres Sounds Unregelmäßigkeiten geben. Das wird besonders deutlich, wenn du vom Fingerspiel zum Slapping und Popping wechselst. Mit dem BLE100 können diese Schwankungen ausgeglichen und dein Sound verbessert werden. Wie das geht? Ein Limiter reduziert den Dynamikbereich eines Signals, was oft als Kompression bezeichnet wird. Das bedeutet, dass laute Signale leiser und leisere Töne lauter gemacht werden, damit sie besser zueinander passen. Das Ergebnis ist ein kraftvoller, fokussierter und klangvoller Sound.

Es liegt in der Natur der Sache, dass extreme Kompression dazu neigt, jedem Signal die Höhen zu entziehen. Deshalb haben wir dem BLE100 eine Schaltung zur Klangkompensation hinzugefügt. Mit diesem speziellen Enhance-Regler kannst du genau das richtige Maß an Brillanz einstellen, ohne dass dein Bass zu spröde oder überbearbeitet klingt. Allein diese Funktion wird den BLE100 zu einer deiner Lieblingsgeheimwaffen machen!

Does your bass sound dull and lifeless? Sound engineers and professional bass players have known for years that high-quality limiting and enhancement makes bass tracks pop in the mix. The BASS LIMITER ENHANCER BLE100 gives your playing that same velvety finishing touch by smoothing out inconsistent volume peaks. This is especially noticeable if your performance involves slapping and popping styles. The BLE100 will make your tone as solid as your performance.

Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger-style playing to slapping and popping. The BLE100 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone.

By its very nature, extreme compression tends to suck the high-end out of any signal, so we added a tone compensation circuit to the BLE100. This dedicated Enhance control lets you dial in just the right amount of sparkle, without giving your bass that over-processed or brittle sound. This feature alone will make the BLE100 one of your favorite secret weapons!

Demo by Demos by Chuck D.

Demo by Sandraupa Channel

Demo by Neo Land

Review by zZounds

Review by Audiofanzine

Review by Ovni Labs

Review by TalkBass

BLE100 Bass Limiter Enhancer

With its ultra-bright display, groundbreaking polyphonic tuning mode, insanely fast and accurate strobe tuner, POLYTUNE 2 MINI serves up a massive upgrade for your pedalboard – while claiming very little of your precious pedalboard real estate.
Pure POLYTUNE Win!

TC Electronic

Review by Premier Guitar

Review by Guitar Gear Finder

Demo by Ryan Kiesshauer

Polytune 2 mini

Louis Springer

Das Surge EP-2 ist ein kompaktes passives Volume/Expression-Pedal mit automatischer Erkennung der Ausgangsquelle, d.h. der Volume/EXP-Funktion. Das Pedal kann mit Gitarre, Bass und einer Vielzahl von anderen Musikinstrumenten verwendet werden.

The Valeton Surge EP-2 is a flexible 2-in-1 mini pedal that offers both volume and expression functionality! With its compact size and passive design — meaning no need for a battery or power adapter — you can easily control your instrument volume or compatible effect parameter with EP-2.

Valeton

Review by Ecole Guitar LYON 

Demo by VALETON

Surge EP-2

Szabolcs Oláh

Kaum etwas fühlt sich so befriedigend an, wie das Umkonfigurieren des Pedalboards, um Platz zu sparen und eine effektivere Möglichkeit zu finden, die Pedale aufzustellen. Der StompControl 4 ISO macht beides möglich! Dieser 4-Wege-Loop-Switcher dient gleichzeitig als Stromversorgung (2x 9 V 100 mA, 2x 9 V 300 mA, 1x 9 V 500 mA). Mit dem Switcher können Sie Ihre Loop-Konfigurationen in 5 Bänken mit je 4 Patches speichern, so dass Ihnen 20 sofort abrufbare Presets zur Verfügung stehen. Mit einem Display und zahlreichen LEDs ist der aktuelle Status jederzeit gut sichtbar. Außerdem verfügt das StompControl-4 ISO über einen Tuner-Ausgang und ist damit ein echtes Multitalent. Wann haben Sie das letzte Mal so viele Probleme auf einmal gelöst?

It’s a pedal addict thing: hardly anything feels as gratifying as reconfiguring your pedalboard to save space and find a more effective way of setting up your pedals. The StompControl 4 ISO does both! This 4-way loop switcher doubles as a power supply (2x 9 V 100 mA, 2x 9 V 300 mA, 1x 9 V 500 mA). The switcher lets you store your loop configurations in 5 banks, each with 4 patches, putting 20 instantly recallable presets at your disposal. With a display and numerous LEDs, the current status is easily visible at any time. And the StompControl-4 ISO also comes with a tuner output, making it a true all-rounder. When was the last time you solved this many problems at once?