Selection of BOSS pedals for Pedaltrain Nano+

Boss Nano Board

Tester

BOSS

Product Page

HM-2W Heavy Metal (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Mit hochwertigem Sound und vielseitiger Einsatzmöglichkeit hebt der **RV-6** Reverb-Pedale auf ein neues Level. Über die Möglichkeiten vorheriger Generationen hinausgehend, vereint dieses leistungsstarke Pedal modernste Technologie mit dem legendären BOSS-Know-how – so lassen sich beeindruckende Reverb-Sounds im Handumdrehen abrufen.  

Von dezenten Raumklängen über moderne Shimmer-Effekte bis hin zu langen, atmosphärischen Reverbs umhüllt der RV-6 deinen Sound mit dichten, inspirierenden Klangwelten.

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Official Product Video

Review by Guitar.com

Review by Music Radar

Manual

RV-6 Reverb

DM-2W Delay (Waza Craft)

Mit Leidenschaft entworfen von den Meisteringenieuren bei BOSS in Japan, bietet der Waza Craft SD-1W Super Overdrive ein erstklassiges Stomp-Erlebnis, das Fans von individuell abgestimmtem Pedal-Ton lieben werden. Der SD-1W wurde mit einem feinen Ohr für raffinierten Sound entwickelt und verfeinert den berühmten BOSS Overdrive mit rein analoger Schaltung. Der Standard-Modus fängt den klassischen SD-1-Sound ein, während der Custom-Modus eine neue Klangvielfalt und mehr Gain bietet.

Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the SD-1W hot rods the famous BOSS overdrive with all-discrete analog circuitry. Standard mode captures the classic SD-1 sound while Custom mode offers new tonal range and gain.

Demo by Pete Thorn

Demo by Pro Guitar Shop Demos

Review by TonePedia

SD-1W Super Overdrive (Waza Craft)

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by The Gear Page

Review by Sound on Sound

Review by reddit /guitarpedals

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Stoyan Tsonev

Old Pedalboard

DD-7 Digital Delay

Tavish Stone

Das Ernie Ball Tap Tempo ist ein kompaktes, passives Utility-Pedal, das zur externen Synchronisierung von zeitbasierten Effekten entwickelt wurde. Es verfügt über einen normalerweise offenen (normally-open) Momentfußschalter und ist der ideale Begleiter für das Ernie Ball Ambient Delay der Expression-Serie oder jedes andere Effektgerät, das einen Standard-Taster benötigt. Sein einfaches Ein-Knopf-Design ermöglicht es Musikern, Verzögerungsraten oder Modulationsgeschwindigkeiten mit wenigen Tritten präzise einzustellen. Das robuste Aluminiumgehäuse ist für den harten Einsatz konzipiert und beansprucht nur minimalen Platz auf dem Pedalboard. Da die Schaltung vollständig passiv ist, benötigt sie keine Stromversorgung und gewährleistet eine vollständige Signaltransparenz.

The Ernie Ball Tap Tempo is a compact, passive utility pedal designed to provide external synchronization for time-based effects. It features a normally-open momentary footswitch, making it the primary companion for the Ernie Ball Expression Series Ambient Delay or any other effect unit requiring a standard non-latching trigger. Its simple, one-button design allows musicians to accurately set delay rates or modulation speeds with a few taps. Built with a rugged aluminum housing, it is engineered for heavy use while maintaining a minimal footprint on a pedalboard. Because the circuit is entirely passive, it requires no power to operate and ensures complete signal transparency.

Ernie Ball

Demo by Veerkamp

Tap Tempo

Der PREAMP LIVE von MOOER ist das Flaggschiff der beliebten Micro Preamps. Die digitalen Vorverstärker-Modelle in diesem Gerät sind die Besten der Besten von MOOER. Jedes der 50 Preamp-Modelle ist eine detailgetreue Nachbildung eines echten Röhrenverstärkers. Zusätzlich kannst du mit der innovativen TONE CAPTURE-Funktion den Klang deiner Lieblingsverstärker einfangen. Er zudem enthält nicht nur 12 Preamp-Kanäle, die komplett mit Pre / Post-Boost- und Noise-Gates programmiert werden können, sondern bietet auch 30 verschiedene Cab-Simulationen, die du jedem Kanal einzeln zugeweisen kannst. Der PREAMP LIVE ist eine Plattform für Gitarristen, um Amp-Sounds in jeder Live-Situation bequem einzurichten und zu steuern. Dank der durchdachten und intuitiven Bedienelemente und Anschlüsse ist der MOOER PREAMP LIVE der ultimative digitale Preamp Modeller für jede Live-Situation.

The PREAMP LIVE from MOOER is the flagship product in their well-received series of digital guitar micro preamps. The digital preamp models in this device are the best of the best from MOOER. Each one of the 50 preamp models is a fastidiously detailed recreation of a real-life tube amplifier. Additionally the innovative TONE CAPTURE feature allows you to capture the sound of your favorite amplifiers. Not only does it house 12 preamp channels completely programmable with pre / post boost and noise gates, it also provides 30 different Cab simulations individually assignable to each channel with the option of uploading your custom IRs. The PREAMP LIVE is a platform for guitarists to conveniently setup and control their amp tones in any live situation. Thanks to a well thought out and intuitive set of controls and connections MOOER's PREAMP LIVE is the ultimate digital preamp modeler for any live situation.

MOOER

Official Product Page

Mooer Preamp LIVE - Official Demo

Mooer Preamp LIVE - Ola Englund Review

Mooer Preamp LIVE - Demo Musiker TV DE

Mooer Preamp LIVE - Review Musiker TV DE

Mooer Preamp Live - Review by Gitarre & Bass [DE], [03-2019]

Mooer Preamp Live - Review by Musicmaker [NL], [01-2019]

Mooer Preamp Live - Review by Gitarist [NL], [12-2018]

Mooer Preamp Live - Review by Bonedo [DE], [10-2018]

PreAmp Live - Digital Multi Preamp Modeler

ch ray

MIMIQ DOUBLER läutet eine neue Ära für Live-Gitarrendubbel ein. Indem MIMIQ jedes Quäntchen Leistung aus unserem neuen proprietären Doubler-Algorithmus nutzt, gelingt es ihm, die Magie und Einzigartigkeit von echtem Double-Tracking in Studioqualität in ein kompaktes Pedal zu packen. Einfach drauftreten und hören, wie Ihre rockigen Riffs an epischer, leviathanhafter Kraft gewinnen und Ihre Lead-Lines mit beispielloser Erhabenheit hervorstechen, als ob sie von bis zu vier Gitarristen gleichzeitig gespielt würden. Bei MIMIQ ist mehr definitiv mehr!

MIMIQ DOUBLER ushers in a new era for live guitar doubling. By harnessing every ounce of power from our new proprietary doubler algorithm, MIMIQ manages to distill the magic and uniqueness of actual studio-grade double tracking into a compact pedal. Just stomp it and hear your rockin’ riffs gain epic leviathan-like strength, and your lead-lines stand out with unprecedented grandeur, as if played by up to four guitarists at once. When it comes to MIMIQ, more is definitely more!

TC Electronic

Review by bonedo

Review by musicradar

Demo by Prymaxe

Demo by EytschPi42

Mimiq Doubler

Auf den Namen HyperGravity hört das neue Multibandkompressor-Bodenpedal für Gitarristen aus dem Hause TC Electronic, dem man – um dynamisch auf dem Boden zu bleiben – den MD3 Kompressor-Algorithmus des Studiosystems 6000 des Herstellers spendiert hat.

HYPERGRAVITY COMPRESSOR is the missing link that will take your tone from good to great. Featuring no less than three amazing modes, HYPERGRAVITY COMPRESSOR includes a state-of-the-art multiband compressor, a cool vintage compressor, plus endless compression combinations through TonePrint.

Review by Bonedo 

Demo by Reverb

HyperGravity Compressor

Matthis LEMONNIER

The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your

DigiTech

Demo by Agufish

Demo by Reinaldo Lopez

Review by Guitar Gear Finder

Drop

With its mind-bending range and kaleidoscopic pitch effects, the studio-grade BRAINWAVES PITCH SHIFTER is the perfect fusion of brains and brawn. This pink-clad pitch professor masters a variety of polyphonic effects including whammy and detune, plus a bunch of others – thanks to the dedicated TonePrint app.
Pitch-shifting mode expands your sound by adding up to two extra voices and letting you decide whether these voices go above or below the original signal.
Just imagine – the solo from “Owner of a Lonely Heart” never sounded so huge.
And since BRAINWAVES is polyphonic, you can use it on your standard-tuned guitar for a wide range of rock-solid sharp or flat tunings – without detuning the actual instrument.
With separate voices pitched in either direction, the polyphonic algorithm lets you easily process pitch-shifted chords, riffs, and furious flurries of single-notes. Since each voice is adjustable from unison to two octaves up or down (and anything in between), BRAINWAVES has more range than an interstellar battle cruiser. You can quickly create custom pitch settings via the free TonePrint app to find or expand your own pitch personality.

Review by Amazona 

Demo by Mike Hermans 

Brainwaves

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

Louis Springer

Mit dem Harley Benton PowerPlant ISO-12 Pro präsentiert die Thomann-Marke eine Mehrfach-Stromversorgung für Effektpedale, die zur Fütterung von größeren Boards mit stromhungrigen Pedalen gedacht ist. Die Artikelbezeichnung verrät schon, dass das PowerPlant ISO-12 Pro über 12 Ausgänge Effektpedale speisen kann, allesamt galvanisch voneinander getrennt, und dazu über drei Ausgänge mit flexibler Spannung verfügt.

Capable of supplying DC to enormous pedalboards crammed with the most power-hungry digital effects, the PowerPlant ISO-12 Pro is a one-stop solution for all your pedal power needs. A total of 12 isolated, filtered outputs with full short-circuit protection give you oceans of power on tap, including three outputs at 9, 12 or 18 Volts for your special little gems. The whole circuit is designed to eliminate hum entirely, and each output also has a convenient status LED. Amazingly, this behemoth weighs only 365 g! Oodles of stable power with a bunch of power cords included: this is as good as it gets.

Harley Benton

Demo by  Gohshinkan

Demo by  leothemetal

Demo by The Novice Noise Maker

Demo by MoreGearplease 

Review by musiker-board.de

Review by reddit.com/r/guitarpedals

Review by bonedo.de

Powerplant ISO-12 Pro

Die häufigsten Ursachen für Brummen und Sirren von Beschallungsanlagen beseitigt dieses kleine Tool zuverlässig. Zum Betrieb benötigt die Millenium DI-E als passive DI-Box noch nicht einmal Phantomspannung oder eine Batterie, was nur einer der Gründe ist, warum sie seit Jahrzehnten bewährt und beliebt ist. Dabei geht die DI-E gegen Störungen des eingehenden Tonsignals auf gleich zwei Arten vor. Zum einen symmetriert die Box das anliegende unsymmetrische Signal, damit es auf langen Kabelwegen ohne Einstreuungen ans Ziel gelangt. Zum anderen durchbricht ein Ground-Lift-Schalter Masseschleifen. Besonders starke Eingangslevel kann die DI-E, da sie mit einem entsprechenden Umschalter ausgestattet ist, ebenfalls verarbeiten. Was sie sonst noch so drauf hat, verrät ein Blick aufs Gehäuse.

This small tool reliably eliminates the most common causes of humming and hissing in sound systems. As a passive DI box, the Millenium DI-E does not even need phantom power or a battery to operate, which is just one of the reasons why it has been tried and tested and popular for decades. The DI-E counteracts interference in the incoming audio signal in two ways. Firstly, the box balances the incoming unbalanced signal so that it reaches its destination over long cable runs without interference. Secondly, a ground lift switch breaks ground loops. The DI-E can also handle particularly strong input levels because it is equipped with a corresponding switch. A look at the housing reveals what else it can do.

Millenium

Review by ePanorama

Review by Recording.de

Review by audiofanzine

Demo by Basso Elettrico Carlo Chirio 

Demo by LiamOConnorAudio

DI-E

Patrick Brogan

Das FC05 Modulation Micro-Pedal bietet satte 11 klassische Modulationseffekte, die das gesamte Spektrum klassischer Töne abdecken. Zu diesen Effekten gehören Pedalboard-Klassiker wie Chorus, Flanger und Auto Wah sowie Nischeneffekte wie Stutter, Ringmodulator und Low Bit-Effekt. Das FC05 ist in einem robusten Metallgehäuse untergebracht und hat einen der kleinsten Stellflächen auf dem Markt, sodass es problemlos auf jedes Pedalboard passt.

The FC05 Modulation Micro pedal features a whopping 11 classic modulation effects that cover the full spectrum of classic tones. These effects include such pedalboard staples as the Chorus, Flanger, and Auto Wah with more niche effects like the Stutter, Ring modulator, and Low Bit effect. The FC05 is housed in a durable metal shell with one of the smallest footprints on the market that makes it easily fit on any pedalboard.

Flamma

Review by Ultimate Guitar

Demo by PJ Plays Guitar

Demo by TheSuperFunAwesomeHappyTimePedalShow

FC05 Mod

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Luke Morris

Future Future board

Der JHS Kilt V2 verfügt nach wie vor über den fantastischen Schaltkreis der Vorgängerversion, allerdings mit super wenig Nebengeräuschen, verbesserter Slew Rate für sanfteren, strukturierteren Overdrive mit einem Charakter, der sich noch besser anfühlt als der des originalen Expandora Overdrives auf dem die Schaltung basiert. Der Cut/Flat Kippschalter gibt dir die Option das Low End zu Cutten, für einen beefigeren Sound als ihn der Expandora bietet. G1 und G2 Kippschalter lassen dir verschiedene Zerr-Sounds, von leichtem, transparenten Drive bis hin zur Wand aus Fuzz und Distortion und allem dazwischen. Außerdem verfügt die V2 über die Möglichkeit den G2 Toggle per Red Remote Fußschalter zu aktivieren, sodass du On-the-Fly auf heftigen Overdrive oder Fuzz umschalten kannst!

The JHS Kilt V2 still has the fantastic circuit of the version one, but with super low noise, improved slew rate for a smoother structure and a character that just feels better than the original Expandora. The Cut/Flat toggle switch gives the option to cut the low end frequencies or to have a more beefier sound than the original Expandora and the G1 and G2 toggles let you select various forms of distortion, from light transparent drive all the way to a wall of fuzz/distortion and everything found in-between. Also, the V2 has the ability to switch the G2 toggle with the Red Remote footswitch giving you the opportunity to flip into heavy overdrive or fuzz with a footswitch on the fly!

JHS The Kilt V2 - Demo Video by Reverb.com

JHS The Kilt V2 - Demo Video by Mike Hermans

JHS The Kilt V2 - Demo Video by RJ Ronquillo

JHS The Kilt V2 - Demo by Livingroom Gear Demos

JHS The Kilt V2 - Demo Video by Chicago Music Exchange

Kilt V2

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Official Website

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Manual's All

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

GE-7 Equalizer

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

Review by Guitar

Demo by  Nick Bowcott 

IR-2 Amp & Cabinet

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Review by Talk Bass.com

Review by Premier Guitar

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Die Pitch Fork von Electro Harmonix in unserem aktuellen bonedo-Test beweist einmal mehr, dass auch Pitch-Shifter Effektpedale inzwischen für jedes Budget erschwinglich sind. Dieser Effekt, der in den Achtzigern in einigen berühmten Gitarrenaufnahmen auftauchte, war damals für uns “normale” Musiker kaum erschwinglich. Aber diese Zeiten haben sich glücklicherweise geändert. Pitch-Effekte sind inzwischen im Effektangebot vieler Hersteller zu recht günstigen Kursen zu finden.

The EHX Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

Electro-Harmonix

Demo by Chords of Orion

Demo by Reverb 

Review by musicradar 

Review by bonedo 

Pitch Fork

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

The Strymon Deco is not so much your typical effects pedal, but rather a tape simulation machine in a box, adding lush tape saturation and a "widening" effect to your sound. The Deco’s tape saturation smooths out your sound with tape-style compression, while the doubletracker feature thickens up your tone with subtle tape-driven transparent overdrive.

Strymon

Review by mixdownmag

Demo by Duskmos

Deco v2

Das Boss DD-500, ein High End Delay des japanischen Effektgeräte-Herstellers, kann mit 12 Delay-Programmen, 32 Bit/96 kHz Signalverarbeitung, bis zu 297 Speicherplätzen und einem Looper aufwarten und ist mit dieser Ausstattung naturgemäß in einer etwas höheren Preisklasse angesiedelt. Allein diese Eckdaten sind einigermaßen imposant, aber die Marke Boss und der Mutterkonzern Roland haben bereits in der Vergangenheit – zum Beispiel mit dem DD-20, dem Space Echo oder dem Tera Echo – bewiesen, dass man durchaus auch in unterschiedlichen Preiskategorien in der Lage ist, uns Gitarristen mit amtlichen Delay-Sounds zu versorgen.

The Boss DD-500 is one of the few Boss pedals which are, because of their size, less pedalboard friendly. Therefor, it offers up to 10 seconds maximum delay time, tap tempo and tape emulation.
Other features of the stereo pedal that allows to choose a true bypass or a buffered processing, are modulation, expression pedal and midi input.
Furthermore, you can lead different delays (modulation models) on several channels and run the pedal serial as well as parallel.
All things considered, the 9V pedal with integrated looper provides an extremely extensive menu including tone shaping options.
Nevertheless, the Boss DD-500 which is still produced today is not really legendary and its sound is quite sterile. This is why this digital delay is a 3 of 10 on my cult factor scale.

Review by Michael Astley-Brown, musicradar.com

Review by Stephan Güte, amazona.de

Review by Thomas Dill, bonedo.de

Demo by ProGuitarShopDemos 

Demo by Leon Todd 

DD-500 Digital Delay

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.

TR-2 Tremolo

RV-6 Reverb by BOSS