Thomas & Simone RhPf Electronics

Lenny, frontman of M.O.T.H.E.R. from Biel/Bienne, brings a sound that’s gritty, raw, and full of attitude. With punchy riffs and a voice to match, he builds his core tone by pushing his amp hard—no classic drive pedals needed. Instead, both EQs (BOSS GE-7 and MXR Ten Band) are used as powerful boosts, slamming the amp into that unmistakable, edge-of-breakup tube growl.

Central to his setup is the RhPf Electronics Tri-Hormonic Phalanx. Lenny sets the highs and lows for clean, focused boost, while the mids get dialed in for a crunchy, saturated bite. This lets him carve out punch and clarity, while the midrange cuts through with emotion and grit—never muddy, always bold.

Modulation and color come from the Orange Phaser, BOSS Harmonist, Multi Overtone, and Echoplex Delay, with the Hall of Fame 2 adding depth when needed. Power and routing are handled by the Truetone 1Spot Pro and Radial Catapult.

M.O.T.H.E.R.’s songs are all about storytelling with soul—sometimes chaotic, sometimes beautiful, always real. Lenny’s rig is built for that: flexible, dynamic, and ready to deliver every shade of feeling, from heartbreak to pure rock and roll joy.

M.O.T.H.E.R. - Lenny

Tester

BOSS

PS-6 Harmonist

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

MO-2 Multi Overtone

The Echoplex EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the '70s onward. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR.

That's where the EP103 Echoplex Delay comes in. It's the size of a Phase 90, and it delivers the EP-3's legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 65ms to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats.

Dunlop

Product Page

Review by Gitarre & Bass

Review by bonedo

Review by Premierguitar

Manual

Demo by Guitarist

Official Product Video

EP103 Echoplex Delay

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Vincent  Raillard

TC ELECTRONIC ist ein Synonym für einige der bestklingenden Reverbs auf dem Markt - denken Sie an einen Song mit Hall, den Sie in den letzten 20 Jahren gehört haben, und die Wahrscheinlichkeit ist groß, dass er von uns stammt. Wir sprechen hier von Michael Jackson über Dire Straits bis hin zu Lady Gaga und zurück und allem, was dazwischen liegt. Wir haben die ikonischen Hallsounds, die du kennst und liebst, in einem kleinen Paket zusammengefasst, das einfach so wahnsinnig gut klingt, dass du es ausprobieren musst.

The original HALL OF FAME REVERB delivered some of the most-iconic reverb sounds of all time, but HALL OF FAME 2 REVERB extends that legacy of innovation dramatically. Essentially, HALL OF FAME 2 REVERB’s incredible MASH technology adds an expression pedal to a world-class reverb stompbox that not only responds to your touch and saves precious pedalboard space – but blends the celestial world of reverb with the ultimate in personal expression. Add a scintillating new Shimmer effect, and you've got a reverb pedal unlike any other – the awe-inspiring HALL OF FAME 2 REVERB!

The HALL OF FAME 2 REVERB features groundbreaking new technology that brings a wide range of creative expression to the party, controlled solely by how much pressure you apply to the depressed footswitch. Years in the making, and only available in select
TC ELECTRONIC products, this clever innovation elevates the common footswitch well above rather mundane duties, such as “On” and “Off”. More importantly – MASH elevates your performance to the next level.

TC Electronic

Product Video 

Demo by TC Electronic 

Demo by Prymaxe 

Demo by Mike Hermans 

Product Page 

Review by MIXDOWN 

Review by AMAZONA 

Hall of Fame 2

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Hartwig Rohde

IT LITERALLY HAS ONE JOB

When you have a specific job that needs doing, the solution is obvious: you hire a specialist. And when you want to add a classic phaser effect to your sound, it’s the same deal: you want a pedal that does exactly that, and only that. No muss, no fuss, no superfluous bells and whistles — and, crucially, zero intrusions on that sweet psychedelic swirl.

Orange

Demo by GUITARGUITAR

Review by AMAZONA

Review by Guitar World

Review by Guitar.com

Manual Page

Vintage Phaser

Filippo Rimondi

Truetone

Visual Sound 1 Spot Pro CS12

Luciano Saracino

Das Catapult Mini System funktioniert wie ein typisches analoges Vierkanal-Audio-Snake; es ermöglicht die Übertragung von Mikrofon- oder Line-Pegel-Signalen von einem Ort zum anderen ohne Signalverlust, Rauschen oder Interferenzen und ohne dass eine digitale Audioumwandlung erforderlich ist. Das Besondere am Catapult-System ist, dass es Cat 5-Ethernet-Kabel verwendet, die weithin verfügbar, leicht und kostengünstig sind. Schließen Sie einfach ein abgeschirmtes Cat 5-Kabel zwischen zwei beliebigen Catapult-Modulen an, und die Module nutzen die analogen Leiter im Kabel, um vier symmetrische Audioleitungen an ein beliebiges Ziel zu liefern.

The Catapult Mini System works like a typical four-channel analog audio snake; they allow you to send mic or line-level signals from one location to another without signal loss, noise, or interference, and without any digital audio conversion needed. What makes the Catapult system unique is that it utilizes Cat 5 Ethernet cable, which is widely available, lightweight, and economical. Simply connect a shielded Cat 5 cable between any two Catapult modules and they will use the analog conductors in the cable to deliver four balanced audio lines to any destination.

Radial Engineering

Demo by Scott Uhl

Demo by DaleProAudio

Review by Gearspace

Review by Church Production

Catapult Mini TX

Ein paralleler 3-Band-Enhancer mit unabhängigem Gain- und Level-Setup für Bässe, Mitten und Höhen. Der Tri-Hormonic Phalanx formt jede Frequenz separat – mit Klarheit und Kontrolle. Verleihe deinem Sound Druck im Bass, Präsenz in den Mitten oder Glanz in den Höhen, ohne Überschneidungen. Für transparente Klangformung oder gezielte Sättigung – immer phasenstabil, immer musikalisch.

A parallel 3-band enhancer with independent gain and level controls for lows, mids, and highs. The Tri-Hormonic Phalanx lets you shape each frequency band separately—add grit to the mids, shimmer to the highs, or body to the lows, all without overlap. Whether for clean sculpting or stacked harmonic saturation, it delivers clarity, power, and phase-coherent balance.

RhPf Electronics

3D Viewer and AR tool

Interactive Frequency Response

Interactive Demo

Tri-Hormonic Phalanx

Jarek Harek

KORG PitchBlack Poly polyphone Pedal Tuner - Ankundigung einen revolutionaren Fortschritt in der polyphonen Tuner, die Ihre Optimierungszeit verkurzen wird! Der Korg Pitchblack Poly ist der neue Standard in Gitarre und Bass pedal Tuner, mit dem exklusiven "String Seeker."

KORG PitchBlack Poly Polyphonic Pedal Tuner - Announcing a revolutionary advance in polyphonic tuners that will shorten your tuning time! Korg's pitchblack Poly is the new standard in guitar and bass pedal tuners, featuring the exclusive "String Seeker."

KORG

Demo by Luís Fernando Bassetto

Review by Premier Guitar

Review by The Gear Page

Review by Talk Bass.com

Pitchblack Poly PB03

The MXR Ten Band Graphic EQ gives players
huge amounts of tone shaping and level control
in a bullet-proof enclosure. This pedal has
been upgraded with noise-reduction circuitry,
true bypass switching, a lightweight aluminum
housing, and a second output so you can run two
separate signal chains. With ten carefully chosen
frequencies and both input and output level
controls, the Ten Band EQ will let you tune your
bass or guitar rig to any room in seconds. 

Review by

Demo by PMTVUK

M108S 10 band EQ [silver version]

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Manual's All

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

NIck Costa

This pedal board can be toggle between wet/dry/wet, stereo, or mono using an ABY switch installed under the board. 

The loop switcher controls 2nd row pedals: POG. AC, TS9, OCD, 1981, and the Strymon pedals using MIDI.

PATCHBAY MOD 1: 
1) Guitar Input
2) Amplifier out.
3) Wet Fx out left  
4) Wet Fx out right (or use for stereo out)
5) expression pedal input TRS 

Recording: Outputs 3 & 4 (Wet L and Wet R) into PC. Output 2 (amp) into miked amp or amp sim, into PC.

LIve: 3&4 direct to mixer for full wet/dry/wet, or set to stereo for two amps or mono for one amp (mono sum switch on Iridium). 

Pedal board also has a LED strip installed underneath (cool blue) and a Rockboard LED light on the left. 

Powered by a Zuma with 2 Ojai RC 30s (19 outputs used). 12v output used for LED strip, 18V output used for OCD.


Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Nick Costa & The Stray Crows - Large Board

Der MXR Tap Tempo-Schalter verfügt über eine einstellbare Tip/Ring-Konfiguration, sodass Sie die Verzögerungszeit einer Vielzahl von Delay-Pedaltypen steuern können. Dieser kleine Fußschalter ist robust gebaut und für ein langes Leben auf Tour geeignet.

The MXR Tap Tempo switch features adjustable tip/ring configuration so you can control the delay time of a wide variety of delay pedal types. This pint-sized footswitch is ruggedly built for a lifetime on the road.

MXR M199 TapTempo Switch

Paulo Damasceno Nepomuceno

Tuning used to be a necessary evil. The last barrier before you could get truly rocking. But now, tuning is ready to get blasted into the 21st century with PolyTune, the stomp-box sized tuning miracle from TC Electronic!

With PolyTune, you simply strum all strings on your guitar or bass at once, and it will immediately tell you which strings need tuning! It really is as simple as strum - tune - rock, and this quantum leap forward allows you to get in tune fast, and back to doing what you love: playing!

Review by Sound on Sound

Review by musicradar

Demo by ams.guitar

Polytune

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

Xotic

Demo by Mike Hermans

EP Booster

Isen Ritchie

The Y-Not MIDI enabled A/B/Y switch is designed to be an all-in-one solution for switching one audio signal to two outputs.

Use the Y-Not to switch between two amps (for example, a clean amp and a dirty amp), or use it to switch between the inputs of a two input amp. The Y-Not is able to do this cleanly and transparently, without any of the problems associated with traditional A/B boxes.

The new Y-Not version 2.0 includes some very useful new features. One is programmable phase inversion on the B output. This allows you to run two channel switching amps simultaneously and adjust the phase on the fly so that every combination of channels is in phase. This was previously only available as a mod, but is now a standard feature.

Also new for version 2.0 is a “TRS In” switch that, when engaged, allows you to use a piezo-equipped guitar or other 1/4-inch TRS audio source. The tip of the TRS jack will be sent to the A output, and the ring of the TRS jack will be sent to the B output. This allows you to have automated switching between magnetic and piezo signals from your guitar, sending each signal to its own amp.

RJM Music Technology

Y-Not

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct.

Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Strymon

Review by GuitarWorld

Iridium

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

thuy nguyen

A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I just picked my favorites. This includes Switchcraft 11 open frame jacks, and a super quiet soft touch switching system via an internal relay.

I have been working on this project for the better part of three years, as a collaboration and with engineering by Jon Ashley of Bondi Effects. I feel that the pedal is unique in design and sonically unlike anything I have ever heard, especially in the lower gain and boost settings. There is a subtlety that feels more like a vintage pedal than a modification of a classic. There are two circuits present in the pedal, one distortion and one preamp boost, running at 18v via an internal voltage regulator. I made this pedal with the idea to create a distinction for my own sound, and what I found is that it is an extremely useful tool for capturing a lot of different types of sounds. I am most proud of the lower gain side, as I feel it is the most unique section of the pedal, but I must also include that the gain section is extremely sweet sounding throughout, especially for heavy and complex chords. There is a midrange punch that I love and a warmth and thickness that reminds me a bit of a ribbon mic. When the development of this pedal turned into something new and unique, it became the catalyst to starting 1981 Inventions, so I decided to make this the first official release.

1981 Inventions

DRV - White

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Franko Teston

Der DPC-5 ist ein kompakter MIDI-Controller und Loop-Switcher. Er wurde entwickelt, um eine Mischung aus MIDI- und Nicht-MIDI-Pedalen in Ihrem Rig zu steuern und ermöglicht Ihnen die Erstellung von Presets, die Sie bei Bedarf sofort aktivieren können. Mit einem einzigen Tap auf dem DPC-5 können Sie bis zu fünf Nicht-MIDI-Pedale ein- oder ausschalten, das Tap-Tempo an ein Delay oder ein anderes Gerät senden, den Kanal Ihres Verstärkers ändern und Programme auf bis zu vier MIDI-Geräten umschalten. Das ist eine Menge Leistung auf kleinstem Raum!

The DPC-5 is a compact MIDI controller and loop switcher. It’s designed to control a mix of MIDI and non-MIDI pedals in your rig, allowing you to craft presets that you can engage instantly when you need them. A single tap on your DPC-5 can turn up to five non-MIDI pedals on or off, send tap tempo to a delay or other device, change the channel on your amplifier, and switch programs on up to four MIDI devices. That’s a lot of power in a small footprint!

Disaster Area Designs

Review by reddit /guitarpedals

Demo by Jmp Music Studio

Demo by Hype Consumer

DPC-5 Gen 3

ome might say we’re driven. When our engineers lock themselves in our sound design labs for months on end, you might say we’re obsessed. We have been dedicating ourselves to forging a collection of the most organic, luscious, expressive, and versatile modulation effects ever heard.

It was an enormous mission—we painstakingly studied the nuances of the legendary modulations of celebrated tremolo effects, phaser pedals, chorus units, and more from the last five decades. We didn’t stop at faithfully capturing these warm and lush vintage sounds—we expanded their vocabulary with extended versatility and sonic possibilities never before heard.

Review by permierguitar

Quick Start Guide 

Demo by stymon

Mobius

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Der legendäre und klassische Original-POG wurde von allen großen Magazinen auf allen Kontinenten für sein makelloses polyphones Tracking und seine musikalische Flexibilität ausgezeichnet. Der EHX Micro POG bietet das gleiche perfekte Tracking und glatte Polyphonie in einem vereinfachten Design. Der Micro POG ist jetzt in einem kleinen Pedalboard-freundlichen Druckguss-Gehäuse untergebracht und wird Sie schon bei der ersten Benutzung umhauen.

Mit dem MICRO POG können Sie Ihr ursprüngliches „trockenes Signal“ mit zwei verschiedenen Oktaven (eine oberhalb und eine unterhalb Ihrer ursprünglichen Note) mischen, um völlig neue, inspirierende Sounds zu erzeugen.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The EHX Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

With the MICRO POG, you can mix together your original “dry signal” with two different octaves (one above and one below your original note) to create totally new inspiring tones.

Electro-Harmonix

Demo by Nikita Astrakhantsev

Demo by Eric Merrow

Micro POG

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

David Litaba

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

ch ray

 Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics.

The Real McCoy is voiced for the iconic nasal tone of the original wah model, with an accentuated midrange that imparts a warm and melodic character to your guitar.

Demo by BUZZBEE TV

Demo by kisugita_DIY

Real McCoy Wah VXVRM1

Simon Lo

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

Review by Jan Steiger, amazona.de

Big Sky

PS-6 Harmonist by BOSS