baptiste vanlangendonck

Pedal Board bass project 2025 v2

julien Tabarly

The K+ ion is essential for our muscles and therefore for our heart,
and this is how we position the power supply in the signal chain.
So now it is time to take care of your pedalboard!

Anasounds

Review by The Gear Page

Review by reddit /guitarpedals

Demo by Tone Factory

Demo by Jay Leonard 

Product Page

K+ Motherboard

Paul Stracke

Der ML5R ist ein neu sortierbarer Loop-Switcher, der deinen Umgang mit Audioeffekten revolutioniert. Erlebe völlig neue Sounds mit deinen vorhandenen Effekten – allein durch das Ändern ihrer Reihenfolge.

Seine schlanke, intuitive Benutzeroberfläche ermöglicht es dir, die Reihenfolge deiner Effekte jederzeit schnell und einfach zu verändern.

ML5R is a reorderable loop switcher that redefines your approach to audio effects. Experience entirely new sounds from your existing effects - just by switching up their order.

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Its sleek, intuitive interface enables you to switch the order of your effects quickly, whenever you want.

Morningstar Engineering

Manual

ML5R

The MC6 MkII is a complete redesign and upgrade from the popular MC6. It is a compact-sized, fully programmable MIDI controller, giving you control over all your MIDI-capable pedals or devices regardless of brand or model. Each switch can be programmed to send different messages based on what action you make, whether it is a single tap, double tap, release and more.

Review by MUSIKER-BOARD

Demo by Pedal des Tages 

MC6 Midi Controller

Tester

Ein warmer und kraftvoller Overdrive, inspiriert durch den legendären Zentaur
Die Vintage-Elektronikstruktur wurde beibehalten, um die Wärme und die Klangdynamik zu maximieren.

A warm and powerful overdrive inspired by the legendary centaur

Always as powerful and redoubtable, we chose to keep the vintage electronic structure to maximize warmness and tone dynamic.

The savage will provide you clean and overdrive at the same time.

Demo by Anasounds

Savage MKII

M288 Bass Octave Deluxe

Katherine Copanic

SP Technologies introduces the new DECI-MATE™ Micro Decimator pedal. The DECI-MATE pedal is a full implementation of the world renowned Decimator circuit with new tracking improvements in a small, micro pedal package. When real estate is critical, the DECI-MATE is the answer.

ISP Technologies

Review by Pedal of the Day

Demo by  Simon Gotthelf Gear Demos

Demo by Louis Torres

Deci mate Micro Decimator

The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.

BOSS

GEB-7 Bass Equalizer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

François GENTILE

We no longer need to introduce this famous circular fuzz pedal, which produced the iconic sound of many guitarists in the 60’s.
With its two volume and gain controls forming a smiling face, it offers a unique sound going from a creamy and dynamic fuzz to a powerful and punchy fuzz with sharp trebles.

The extremely simple circuit offers a lot of space for customization, hence our own interpretation of the mythical pedal with the Feed Me.
The Feed Me mk3 is ultra versatile and customizable. You can get the classic sound of the 60’s model, rich in trebles and sustain.
But also a thick and fat fuzz, for more modern sounds close to stoner tones. Or a garage rock style gated fuzz by using the Crack and Smash controls for a velcro texture.
While remaining ultra expressive and responsive as always to the guitar’s volume and tone controls, with the Feed control, for warm cleans.

Demo by Jake Cloudchair

FEED ME MK3

The swiss army knife of your pedalboard

Very transparent overdrive that keeps all the quality of your clear sound while finding the desired saturated harmonics.

3 steps for 3 clipping, jazz, blues or rock style.

Inside, a potentiometer will allow you to completely transform your overdrive from a very transparent sound to a warm distortion !

Review by audiofanzine

Official Product Video

Demo by intheblues

Cerberus

Robert Ossenkopp

The Fretless is a compactness Chorus-Reverb and Midrange precision EQ. It was designed to works on precious frequencies to enhance the fretless bass sound during rhythm and lead sections.
The EQ side allows you to cut or boost frequencies from 500Hz to 1kHz and to choose the bandwidth with BELL control. In this way you can build your sound down to the smallest details.

FKT Audio

Review by bonedo

Demo by Gregor Fris

Demo by BassTheWorld

The Fretless

Christian Wistl

Bass is the bedrock of your band, and the Two Notes ReVolt Bass's all-analog signal path, complete with a 12AX7 preamp tube — run at a healthy 200V — ensures a stand-out sound in any application. The ReVolt Bass's three channels deliver the full gamut of tones, from high-headroom cleans to old-school dirt to modern drive. You also get an integrated Dry/Wet blend for extra tone-shaping power. An analog speaker simulation ensures a polished, miked-cab sound, both onstage and in the studio. Integrating the ReVolt Bass with the rest of your rig is a cinch, thanks to a 4-cable mode, an FX loop, and MIDI I/O. This bass preamp pedal also includes a collection of ten DynIRs for situations where you need more DI flexibility. Bassists searching for a robust, made-to-move solution for their pedalboards and fly rigs will get tons of mileage out of the Two Notes ReVolt Bass.

Two Notes Audio Engineering

Review by Sound on Sound

Demo by Sweetwater

ReVolt Bass

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Le Bon, is the smallest of them, small in size but full of resources, it is amply enough for guitar and will save room to the point of leaving it scratched on top of the pedalboard, while admiring the beauty of moving springs!

Demo by Peter Honoré

Demo by Pedal of the Day

Le Bon - Spring Tank

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Tape Preamp

Eines Tages rief uns Julien Bitoun an, weil sein Bitoun Fuzz nicht funktionierte! Nun ja... wir haben das Problem natürlich untersucht. Als wir das pedal öffneten, entdeckten wir, dass alle Trimmpotis auf 11 standen. Diese mysteriöse und unlogische Einstellung hat uns tatsächlich verblüfft! Der Sound hatte kein Sustain, er klang wie das Brüllen eines Bären, neu gemastert von einem Germanium Fuzz.
Wir haben das Geräuschproblem behoben und fanden es interessant, eine neue Version mit diesem sound zu veröffentlichen.

Da der Sound wirklich speziell und anders ist, haben wir uns entschlossen, eine kleine Auflage von diesem Pedal zu machen (50 Stück auf der ganzen Welt). und unseren großen Fans die Möglichkeit zu geben, es ganz exklusiv zu entdecken!

one day, julien bitoun called us because his bitoun fuzz didn’t work! well… we investigated that issue of course.
when we opened the pedal, we discovered that all the trimpots were close to 11.
in fact this mysterious and illogical setting astonished us! the sound had no sustain, it sounded like the cry of a bear, re-masterized by a germanium fuzz.
we’ve corrected the noise issue and found interesting to release a new version with this sound.

this time it is possible to dial with the fuzz knobs because the bias delicately embrasse all the noise glitch and smooth the final sound rendering.
so you can push both of them to the maximum and keep control over your tone.

as the sound is really special and different, we decided to launch a small run of this pedal (50 pieces for world only). and let our big fans the opportunity to discover it in exclusivity !