Joel Perez

Bakemonita

Alex Pedalboard Base

This product is actually two effects pedals in one. The left side is based on an
improved version of the Ross compressor (compROSSor) and the right side the
Dan Armstrong Orange Squeezer (Juicer). Each is independent and can be used
separately or together. The order of the pedals, if used together, is Juicer first.

Analogman

Product Page

Info about Analag.Man compressors

Review by Maxwell's Pedal Reviews

Manual

Demo by gearmandude

Demo by UNKLE GROOVE

Mini Bicomp (ROSS)

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Following the very well received Brute Drive, we are proud to introduce the newest pedal from EWS, the Little Brute Drive (LBD). From its small body, jumps out an intense distortion similar to its big brother, the Brute Drive.

Its compact design takes us very little real estate. It will fit anywhere you desire on your pedal board. But don't let the small size fool you. This simple one-knob powerhouse produces heavy crunch to fiery distortion sounds. Output level and treble control can be adjusted with 2 trimmers located on the PC board inside the pedal.

This is an overdrive/distortion pedal that is compact in size, user-friendly and surely to become your work-ready weapon! And of course, it's true-bypass.

E.W.S

Review by Guitar Gear

Demo by Michael Thompson

Demo by Steve Stevens

Little Brute Drive (LBD)

Tester

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Walrus Audio

Demo by Rabea Massaad

Official Product Video

ARP-87 Multi-function Delay

Der Angry Charlie hat sich über die Jahre zur festen Größe in der JHS Range etabliert. Mit der 3. Version ist nicht zu spaßen – hier hast du ein absolutes High-Gain Pedal! Der Sound eines schnaubenden JCM800 – absolut überzeugend und detailgetreu. Neu an der V3 sind die Bass, Mitten und Höhenregler. Um dem Marshall Sound und dessen Flexibilität noch besser abzubilden, dachten JHS es wäre an der Zeit ein komplettes Marshall-Style Tone Stack einzubauen – recht hatten sie!

The Angry Charlie has become a staple of the JHS line over the years. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease. New to the V3 are the Bass, Mids, and Treble controls. To faithfully replicate a Marshall amplifier JHS felt it was time to incorporate a full Marshall-style tone stack.

Official Product Page

JHS Angry Charlie V3 - Livingroom Gear Demo

Angry Charlie v3

PedalSafe Type B1

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Der Emperor V2 ist ein vintage-korrekter Effekt, der den schwer zu findenden Sound des Arion SCH-1 perfekt einfängt ... aber auch eine All-Do-it-All-Modulationslösung, egal ob du einen subtilen Glitzer, eine überzeugende Rotationssimulation, oder seekrankes Vibrato suchst. Es verwendet einen Bucket-Brigade-3207-Chipsatz, um die Wärme der analogen Choruspedale im Stil der 80er Jahre zu liefern, und JHS haben genug Onboard- und Outboard-Regelmöglichkeiten hinzugefügt, um jedem Aspekt der Stimme des Imperators zu steuern zu können. Egal, ob er seine warmen Töne oder sein eisiger Glanz auf ein makellos klingendes Stereo-Rig verbreitet ... oder du ein externes Expression-Pedal verwendest, um realistische Rotary-Lautsprecher-Sounds auf einem Blues-Gig zu kopieren, der Emperor kann alles.

The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of 80s-style analog chorus pedals and JHS have added enough onboard and outboard control to put you in command of every aspect of the Emperors voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.

JHS Pedals, Emperor V2

JHS Pedals Emperor V2 (demo)

Distortion Ltd. In Focus: JHS Emperor V2 Chorus / Vibrato

Emperor V2

Der JHS Spring Tank Reverb ist ein echter Amp-Style Spring Reverb im kompakten Gehäuse. Er ist ausgestattet mit zwei unabhängigen und schaltbaren Reverb Mix Reglern, Tank 1 als primärer und Tank 2 als sekundärer Reverb Mix, zu dem du mit dem Tank 2 Fußschalter umschalten kannst. So hast du zwei Reverb Mix Optionen jederzeit griff-/trittbereit. Die Regler für Depth (Größe des Hallraums), Length (Länge der Hallfahnen), Highs (Tone der Hallfahnen) und Boost (gesamt Tone des Reverb Sounds) lassen dich den perfekten Reverb Tone für deinen Sound kreieren. Dem noch nicht genug, verfügt der JHS Spring Tank Reverb über einen Effektloop, sodass du die Reverb Trails mit zusätzlichen Effekten versehen kannst!

The JHS Spring Tank Reverb is a true amp style spring reverb in a compact size pedal. It is equipped with 2 independent and switchable reverb mix controls, the Tank 1 as the main reverb mix and the Tank 2 as the secondary, engaged by the Tank 2 switch. So you have two reverb mix options on the fly! The controls for Depth (adjusts the size of the room), Length (controls how long the reverb reverberates), Highs (controls the tone of the reverb) and Boost (adjusts your overall tone) will let you create the perfect reverb tone for your sound, but if that is not enough for you, the JHS Spring Tank Reverb has an effects loop so you can put any effect on the reverb tails you desire!

JHS The Spring Tank Reverb Test by Bonedo.de

JHS The Spring Tank Reverb - Demo Video by Premier Guitar

JHS The Spring Tank Reverb - Demo Video by Livingroom Gear Demos

JHS The Spring Tank Reverb - Demo Video by Mike Hermans

JHS The Spring Tank Reverb - Demo Video by RJ Ronquillo

JHS The Spring Tank Reverb - Demo Video by Reverb.com

Spring Tank

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Analog Man hat in Zusammenarbeit mit Jim Weider das Pedal herausgebracht, nach dem seit vielen Jahren gesucht wurde - den King Of Tone (KoT). Es gibt viele Overdrive-Pedale auf dem Markt, aber keines von ihnen hat den Ton der Gitarre bewahrt und die richtige Menge an Overdrive ohne Kompromisse hinzugefügt. Es gibt einige gute Clean-Boosts, aber sie haben einfach nicht genug Drive, um dem Verstärker wirklich die Verzerrung zu geben, die man sich oft wünscht. Es gibt einige neuere OD-Pedale, die einen großartigen Frequenzgang haben, aber für mich klingen sie zu TROCKEN, ein bisschen steril und pappig. Es gibt auch einige gut klingende Pedale, aber ihr Sound ist zu "gesättigt", so dass der Anschlag und das Gefühl der Gitarre verloren gehen. Hier kommt das King Of Tone-Pedal ins Spiel - es hat genug warmen Overdrive, bewahrt aber trotzdem den Klang Ihrer Qualitätsgitarren und -verstärker.

Analog Man, in collaboration with Jim Weider, have come out with the pedal we have been looking for for many years - the King Of Tone (KoT). There are many overdrive pedals on the market, but none of them have been quite right, preserving the tone of the guitar and adding the right amount of overdrive without compromise. There are some good clean boosts available, but they just don't have enough drive to really give your amp the distortion you often want. There are some newer OD pedals that have a great frequency response, but to me they sound too DRY, a bit sterile and cardboardy. There are also some nice sounding pedals available but their sound is too "saturated", losing the touch and feel of your guitar. That is where the King Of Tone pedal comes in - it has enough warm overdrive but still preserves the tones of your quality guitars and amps. If you are looking for a big change in your sound, or a lot of distortion, this is probably not the pedal for you.

Demo by Marty Schwartz

King of Tone Blue Color

This pedal is based on the 1960s British Dallas Rangemaster, which was best at the time to give a treble and gain boost to the dark British amps. This allowed them to get a sound more in tune with the time, as guitars were starting to become a loud, bold, lead instrument. This pedal is a type of BOOSTER, not really a distortion pedal nor a clean boost- it does modify your sound quite a bit. It excites certain frequencies and pushes your amp to allow it to create rich tube distortion. The pedal colors your tone, with a crunchy overdrive, boosting certain frequencies, and warming the tone with NOS germanium transistors. It does not have a lot of compression and sustain like most OD pedals, but a more raw, open sound.

Demo by Joe Perkins

Beano Boost Mini

Der MINI-CHORUS ist derselbe wie unser normaler Chorus, jedoch in einer kleineren, handgestempelten Box. Er hat die gleiche Größe wie unsere kleinen Kompressoren/Entsafter:

Zum gleichen Preis wie der normale Chorus, standardmäßig mit Batterie- und Gleichstromadapteranschluss und der gleichen Platine im Inneren für die gleichen Sounds wie der normale Chorus. Es ist ein tolles, einfaches, kleines Chorus-Pedal mit tollem Klang! Es ist mit einem externen MIX (BLEND)-Regler oder Tiefenschalter für jeweils 25 US-Dollar mehr erhältlich. Die Boxen auf den Mini-Chorus-Pedalen sahen großartig aus, wirklich schöne blaue Strukturfarbe. Im Jahr 2019 jetzt mit Stereo-Option erhältlich (nur seitliche Buchsen, kein Batterieraum). LED am Mini Chorus ist Standard.

The MINI-CHORUS is the same as our normal chorus, but in a smaller, hand stamped box. It is the same size as our small compressors/juicers:

Same price as the normal Chorus, these have both battery and DC adapter jack standard, and the same board inside for the same sounds as the normal Chorus. It's a great, simple, small chorus pedal with awesome tone! It is available with an external MIX (BLEND) knob or depth toggle for $25 more each. The boxes on the mini chorus pedals came out looking great, really nice blue textured color. In 2019, now available with Stereo option (side jacks only, no battery room). LED on the Mini Chorus is standard.

Why does our chorus sound better than the others that are made today? Both the newer MN3207 and our MN3007 are rated for 2.5% maximum Total Harmonic Distortion (THD) at a certain input voltage level. For the MN3007, this level is 0.78V RMS. For the MN3207, it's 0.25V RMS!! This means that our MN3007 that we use can take a much higher input signal level, which means much more dynamic range, and less noise. Think of it as trying to play your stereo at the same clean loud volume through a 78 watt solid state amp or a 25 watt S.S. amp. The 78 watt amp will have less distortion and noise, and sound much better at higher levels.

Demo by Hank Van Sickle

Demo by Hollywood Rare Guitars

Review by The Gear Page

Review by delicious audio

Review by Anatomy of Guitar Tone

Mini Chorus (Side Connections)

Analog Man custom built the Tuner Mute Box for Jack in 2005
He also has a red one and a white one, one at each of his three stage positions for instant muting.