Gear_sm_25

Timothy Brown

This is my current bass guitar rig that I use to play modern worship and 90's alternative rock.  The board is built around the HX Stomp and the BassRig Super Vintage.  This is very much a work in progress and will probably change in the next few months.

Signal Path - Bass Guitar to the Rockboard Mini Mod TRS where the signal is split into two.  Path A goes straight to the Canvas Tuner, Cali 67 bass comp, and the HX Stomp.  Path A also contains an FX loop that goes to the ToneX One and back to the Left FX Return.  The Tonex is running driven version of the DG Vintage Microtubes that is controlled by a L FX Loop block via FS2 to add some extra dirt when called for.  

Path B is my approximation of the EHX Bass Microsynth.  Path B's signal comes from the micro mod and goes to the Seamoon Octaron and the Big Muff pi 2 (Bass) and terminates at the right FX return on the HX stomp.  Path B is instered into the signal chain by the R FX Return (controlled by FS 3).   

Both paths are summed to mono and then sent out to the BassRig Super Vintage which acts as an Ampeg SVT bass amplifier using the 8x10 "fridge" cabinet. 

Snapshot 1 is my clean path using the Cali 76, HX Stomp (no FX returns) to the Bassrig Super vintage.  

Snapshot 2 is my Overdrive option.  The signal chain inside the HX Stomp is split internally so that all FX are on path B, routed through either the King of Tone or the Timmy depending on what I'm looking for that set. The OD blocks are controlled by FS1.  The L FX Return with the Tonex signal is also on path B.  

Snapshot 3 deactivates everything except the R FX return on path B.  The signal is mixed about 60% wet 40% Dry.  This block is allso controlled by FS 3 which allows me to turn the "SynthMicro" off if we need a sudden drop in dynamics without going back to Snapshot 1.  

FX4 on the Pedalnetics Front Aux box cycles through the snapshots, while FS5 advances to the next preset.  All snapshots have been gainstaged and leveled to betweeen -18 dBfs (SS1) and -12 dBfs (SS3) so the sound engineers don't hate me.  

"The Beast"

Workhorse

Wall of Sound 2.0

Canvas Power 5

Canvas Power HP

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

Hector Garcia

Corvette $$ 5 Strings

BassBoard_BenHec_v4.2

SVT210

Mixer1

Mixer2

Chris` Preston

My simple acoustic setup.  Not the most expensive pedals on the planet but good enough for my needs.

Oddest

The Arcoo Stick

VMP-400e

Roi Aldrin Abary

Shema

Shekhinah

Selah

Cherubin Project (Acoustic rig)

Die geniale, leichte, steife und robuste Konstruktion, besteht aus nur einem kaltgewalztem Aluminiumblech, hat, für zusätzliche Stabilität, vertikale Stützstreben und keine einzige Schweißnaht. Dadurch bietet es eine absolut flache und verwindungssteife Oberfläche, die komplett genutzt werden kann. Durch das innovative Design mit den vielen Slots kannst Du alle Kabel bequem und sauber unter der Boardoberfläche verlegen. Das akkurat definierte Slot-Raster bietet den perfekten Sitz für unser innovatives QuickMount-System, das Klettband überflüssig macht. Auf der Unterseite lassen sich nahezu alle gängigen Netzteile montieren. Ein Premium Gig Bag oder ein stabiles Flight Case für den sicheren Transport ist natürlich inklusive, Du hast die Wahl.

DUO 2.2 Pedalboard

Für 5 bis 9 Pedale

Alles auf einen Blick

DUO 2.2

Handbücher

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