Hochpegel-Gitarrenverzerrer mit zwei separaten Gain-Stufen und einem kraftvollen EQ in der Mitte. Die erste Stufe ist ein Muff-ähnlicher Overdrive mit drei Transistoren, gefolgt von einem Equalizer mit reichlich Boost oder Cut – für ein durchstimmbares Mittenband und ein Bassband. Danach folgt eine Op-Amp-Verzerrerstufe mit eigenem More Drive-Regler. Zum Schluss gibt es eine Treble-Kontrolle, um das hochfrequente Fizzeln zu zähmen, sowie einen Volume-Regler für den Ausgangspegel.

High gain guitar distortion with two separate drive stages and a powerful EQ in the middle. The first stage is a muff style 3 transistor overdrive followed by the EQ with plenty of boost or cut to a sweepable Mid band and a Bass band. Next up is an op-amp drive stage with it's own More Drive knob. And finally there is a Treble control to tame the high end fizziness and an output Volume knob.

Wounded Paw Audio

Demo by Dome

Demo by Pedal of the Day

Product Page

Review by Pedal of the Day

Hellhound

Hochverzerrter, kettensägenartiger Gitarrensound, inspiriert vom HM-2. Die Distortion-Sektion mit zwei Clipping-Stufen bietet einen weiten Gain-Bereich, der über den DRIVE-Regler eingestellt wird. Der LO-EQ ermöglicht Anhebung oder Absenkung mit einer Mittenfrequenz, die über den LO RANGE-Regler zwischen 100 Hz und 700 Hz variabel ist. Der HI-EQ bietet ebenfalls Anhebung oder Absenkung, mit einer Mittenfrequenz zwischen 800 Hz und 3 kHz, einstellbar über den HI RANGE-Regler. Mit dem TREBLE-Regler lässt sich übermäßiges Höhen-Fizz reduzieren.

High gain chainsaw ripping guitar distortion inspired by the HM-2. The distortion section with two clipping stages has a wide range of gain set by the DRIVE control. The LO eq has boost or cut with a centre frequency variable from 100Hz to 700Hz using the LO RANGE knob. The HI eq has boost or cut with a centre frequency variable from 800Hz to 3KHz using the HI RANGE knob. The TREBLE knob can roll off some of the excessive fizz on the high end.

Demo by The Bunn

Review by Peal of the Day

Manual

Black Wolf

The Battering Ram is an Overdrive + Fuzz pedal which works equally well for guitar or bass or anything else you want to plug into it. Overdrive + Fuzz means that the overdrive and fuzz channels can work in parallel, each channel receiving the instrument signal and mixed together. Version 2.0 of the Battering Ram adds the SPLIT switch which allows either channel to be on separately instead of in parallel.
Stomp on the OVERDRIVE switch and you turn the pedal on and activate the Overdrive channel. It's a smooth overdrive which can go from completely clean to growling distortion.

Demo by  Tim Calloway

Review by Talk Bass.com

Battering Ram v2.1

The same circuitry as Battering Ram V2.1 but with the toggle for the octave up on the fuzz replaced by a footswitch.
The Battering Ram is an Overdrive + Fuzz pedal which works equally well for guitar or bass or anything else you want to plug into it. Overdrive + Fuzz means that the overdrive and fuzz channels can work in parallel, each channel receiving the instrument signal, working their magic and then mixed back together at the output. The Overdrive channel with it's Drive, Lo, Hi and Level controls is switched on via the OD/Bypass stomp switch while the Fuzz channel has it's own stomp switch and Tone, Sustain, Octave and Level controls. The Split switch allows the Overdrive and Fuzz channels to be run individually as well.
Stomp on the OVERDRIVE switch and you turn the pedal on and activate the Overdrive channel. It's a smooth overdrive which can go from completely clean to growling distortion

Review by The Gear Page

Demo by Dennis Kayzer

Battering Ram v2.6

Add some grind to your bass. Dial in full-on fuzz or just a little grit while keeping a solid low end.
The old school fuzz section has a thick tone with more than a hint of octave up, uses germanium clipping and is tuned especially for bass guitar.
The TONE control goes from mid-range heavy to mid-cut with tons of bass and treble. The BLEND knob can keep as much or as little of the clean bass signal as desired to keep that solid low end or go for over the top distortion.

Attack Goat Bass Fuzz