Matthew Voss

Electric Rig

Clayton Myers

Das Walrus Audio Monument Harmonic Tap Tremolo V2 ist ein vielseitiges Tremolo-Effektpedal, das sowohl harmonische Tremolo-Effekte als auch traditionelle Amplitudenmodulation erzeugt. Es verfügt über Tap-Tempo mit mehreren rhythmischen Teilungen, mit denen du die Modulationsrate an dein Spiel anpassen kannst, sowie fünf verschiedene Wellenformen von sanften Sinus- bis zu härteren Mustern. Eine seitliche Buchse kann für Expression-Pedal-Steuerung oder externes Tap-Tempo-Signal verwendet werden und das Pedal bietet True-Bypass mit Moment- und Ramp-Funktionen für kreative Performance-Möglichkeiten. Das kompakte Gehäuse mit oben liegenden Buchsen ist pedalboardfreundlich und liefert satte analoge Tremolo-Klänge, inspiriert von Vintage-Verstärker-Schaltungen.

The Walrus Audio Monument Harmonic Tap Tremolo V2 is a versatile tremolo effects pedal that delivers both harmonic tremolo and traditional amplitude modulation. It features tap tempo with multiple rhythmic divisions that let you lock the modulation rate to your playing, and it offers five different waveform shapes from smooth sine to more aggressive patterns. A side jack can be assigned for expression pedal control or external tap tempo input and the design includes true bypass with momentary/ramp functionality for creative performance options. The pedal’s compact enclosure and top-mounted jacks make it board-friendly while delivering rich analog tremolo tones inspired by vintage amp circuits.

Walrus Audio

Product Page

Review by The Gear Page

Review by Guitar.com

Review by bonedo

Manual

Demo by Living Room GD

Official Product Video

Monument Harmonic Tap Tremolo V2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

DELETED USER

Named after Jason and the Argonauts ship, the Argo easy to use fuzz box will transport you to new lands with blissful sonic exploration. Based on the much sought after C.O.B. pedal, the Argo allows you to have a boosted clean tone and a fuzz octave sound with a blend control to dial in the perfect level of filth. 

The Fuzz control when runs the gamut of classic octave fuzz tones, from Hendrix, SRV, Doyle Bramhall II and more. Like most vintage octave boxes the Argo reacts best with single coils above the 10th fret, rolling back your volume helps the octave jump out as well. The octave up effect is ever present, but fuzz control has a huge range of gain. With the fuzz set to minimum you get a slightly gnarly clean octave up, when set to max it’s an all out fuzz explosion.

Mythos Pedals

Argo

Peter Francis Dimayuga

Because vast ambient sounds shouldn’t just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient’s three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

Demo by Pedal Empire

Review by reddit /guitarpedals

Review by guitar pedal X

Review by musicradar

Fundamental Ambient

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Review by Talk Bass.com

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Géraud CHIEZE

The Universal Audio UAFX Heavenly Plate Reverb pedal is a compact stompbox that emulates the sound of classic 1950s studio plate reverbs, used on countless hit records. It’s built on the algorithms of the award-winning Golden Reverberator and features rich, haunting textures with a authentic, immersive sound.

The pedal offers three modes: Vintage Bright, Vintage Dark, and Modern Full, each delivering a unique tone. The Vintage Bright mode is ideal for bright, snappy plate sounds, while the Vintage Dark mode provides a warmer, more subtle ambiance. The Modern Full mode offers a more modern take on the classic plate sound.

Universal Audio

Review by Sound on Sound

Review by delicious audio

Demo by EytschPi42

Heavenly Plate Reverb

ch ray

Entwickelt aus unserer Flaggschiff-Starlight Echo Station, bringt das Orion Tape Echo die magischen, sanften Delay-Effekte der klassischen 70er-Jahre Maestro Echoplex EP-III Tape-Delays in einem eleganten, kompakten Format.

Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.

Review by Gearnews

Manual Page

Orion Tape Echo

Leszek Jakubczak

KingTone

Duellist

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Saulo Silveira

Rocker

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

1176 Studio Compressor Pedal

Tester

Whirly Verb’s MODULATION function lets you take that perfect reverb and thicken, twist and turn it to sound like something strange is going on... Combined with the REVERB and DECAY controls, MODULATION offers you a world of strange reverb sounds that will inspire your creativity and fascinate your audiences.

T-Rex

Demo by Pedal des Tages

Review by Mike B, pedal-of-the-day.com

Review by Jordan Wagner, premierguitar.com

Demo by Pedal of the Day

Whirly Verb

GREGORY GUENEAU

DAS ABELHA BIETET DREI VERSCHIEDENE FUZZ-ARTEN ÜBER EINEN KIPPSCHALTER IN DER MITTE DES PEDALS. „POLEN“ LIEFERT EINEN SCHLAGIGEN UND SPITZIGEN TON, DER AN EINE LEERE BATTERIE IM GERMANIUM-FUZZ-STIL ERINNERT. „NECTAR“ BIETET EINE RUNDE UND RIESIG KLINGENDE FUZZY-OPTION, WÄHREND „HONEY“ EINE ETWAS GEDÄMPFTERE VERSTÄRKUNG MIT BEEINDRUCKENDER VIELSEITIGKEIT BIETET. DIE „BUZZ“- UND „LOUD“-REGLER PASSEN FUZZ UND LAUTSTÄRKE AN, WÄHREND DIE „HI“- UND „LO“-REGLER EINE VIELSEITIGE REICHWEITE BIETEN, UM IHREN EQ PERFEKT ZU GESTALTEN.

TAUCHEN SIE MIT DEM „TROPICAL MODE“ IN PSYCHEDELISCHE Sphären ein, EINEM HOCHPASSFILTER, DER SIE DIREKT IN DIE TROPEN ENTFÜHRT. AKTIVIEREN SIE IHN DURCH DOPPELTIPPEN AUF DEN FUSSSCHALTER ODER HALTEN SIE IHN FÜR EINE KURZE KLANGERFAHRUNG HALT. DREI FUSSSCHALTERPROFILOPTIONEN ERMÖGLICHEN IHNEN, DIE TEMPOÄNDERUNGEN FÜR DIE KURZE FUNKTION NACH IHREN WÜNSCHEN ANZUPASSEN.

THE ABELHA OFFERS THREE DISTINCT FLAVORS OF FUZZ VIA A TOGGLE SWITCH AT THE PEDAL'S CENTER. "POLEN" DELIVERS A SAGGED AND SPITTY TONE REMINISCENT OF A DYING BATTERY ON A GERMANIUM FUZZ STYLE. "NECTAR" PROVIDES A ROUND AND HUGE-SOUNDING FUZZY OPTION, WHILE "HONEY" OFFERS SLIGHTLY MORE CONTAINED GAIN WITH IMPRESSIVE VERSATILITY. THE "BUZZ" AND "LOUD" CONTROLS ADJUST THE FUZZ AND VOLUME, WHILE THE "HI" AND "LO" CONTROLS PROVIDE A VERSATILE RANGE TO SHAPE YOUR EQ TO PERFECTION.

DIVE INTO PSYCHEDELIC REALMS WITH THE "TROPICAL MODE", A HIGH-PASS FILTER THAT TRANSPORTS YOU STRAIGHT TO THE TROPICS. ACTIVATE IT WITH A DOUBLE TAP ON THE FOOTSWITCH OR HOLD IT FOR MOMENTARY SONIC EXPLORATION. THREE FOOTSWITCH PROFILE OPTIONS ENABLE YOU TO ADJUST THE TEMPO CHANGES FOR THE MOMENTARY FUNCTION TO YOUR LIKING.

Beetronics

Review by Guitar World

Demo by TheGuitarGeek

Abelha Tropical Fuzz

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Demo by PMTVUK

Rat 2

Seung Ra

Das A.C.P Ham Multidimensional Reverb ist ein digitales Reverb-Pedal, das in Zusammenarbeit mit dem renommierten Gitarristen Andrew Cashen (A.C.P) entwickelt wurde. Die Schaltung basiert auf einem DSP-Algorithmus, der dichte, atmosphärische Texturen erzeugt, die über den Standard-Hall hinausgehen. Es bietet vier Hauptregler für Mix, Decay, Tone und einen speziellen "Dimension"-Regler zur Modulation der Reflexionsdichte. Das Design wurde darauf ausgelegt, sowohl subtile Räume als auch endlose, oszillierende Klanglandschaften ohne digitalen Schärfegrad zu ermöglichen. Gefertigt in kleinen Serien, zeichnet es sich durch ein hochwertiges, pulverbeschichtetes Gehäuse und ein True-Bypass-Schaltsystem aus. Das Pedal ist besonders für Ambient-Musiker und Sound-Designer konzipiert, die eine charakterstarke Alternative zu Mainstream-Reverbs suchen.

The A.C.P Ham Multidimensional Reverb is a digital reverb pedal developed in collaboration with acclaimed guitarist Andrew Cashen (A.C.P). The circuit is based on a DSP algorithm designed to create dense, atmospheric textures that push beyond standard reverberation. It features four primary controls for Mix, Decay, Tone, and a unique "Dimension" knob to modulate reflection density. The design was engineered to provide everything from subtle rooms to infinite, oscillating soundscapes without digital harshness. Built in small batches, it features a high-quality powder-coated enclosure and a true-bypass switching system. The pedal is specifically tailored for ambient musicians and sound designers seeking a characterful alternative to mainstream reverb units.

A.C.P

Ham Multidimensional Reverb

Provides natural wave and thick vivration, while taking over the REAL of PB-1. Switchable three mode allow you to choose from two different phase effects and high quality vivrato. Useful low-noise vivration for many different scenes.

Sobbat

Demo by Iga Massardi

PB-2

The Type One is a stereo analogue chorus ensemble effect.  It is loosely modelled around the DNA of the true sultan of chorus, the Boss CE-1 from the mid-1970s.  Both use a very unique LFO waveform unlike any other chorus or vibrato pedal.  Like the CE-1, the sound quality is ethereal and encompassing, especially when listened to in stereo.  It also does that John Frusciante thing.

The Type One has been finely tuned to give maximum clean headroom, so even a strummed bass, a synth, or a humbuckered guitar won't hit the stops.  Likewise, if you are a low frequency warrior, the Type One won’t rob you of Lo Hz.  The Type One features a very low quiescent noise floor, so it is as equally at home in a studio as in front of a cranked amp on a festival stage. 

Horrothia Effects

Demo by Ambient Endeavors

Demo by  Anne Sulikowski

Review by Pedal of the Day

Review by Gigs and Guitars

Type One

Der Milkman ist eine Kollaboration zwischen Josh Scott von JHS und Tim Marcus of Milkman Sound. Das Konzept ist einfach: ein einzelnes Pedal, dass dir ein Echo/Slap Delay und Boost bietet, dass du als Immer-an Klangverbesserer oder Overdrive für niederwattige Amps nutzen kannst. Zur Rechten hast du hier einen diskreten Verstärker-basierten Boost Schaltkreis mit Tonnen an Power und Charakter. Zur Linken liegt dir hier ein Echo/Slap Delay zu Füßen, designt um wie ein Hybrid aus Tape Echo und Eimerketten Delay zu klingen.

The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side - a discreet amplifier based circuit with tons of power and character. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay.

Official Product Page

JHS The Milkman Slapback Echo and Boost Demo by Pro Guitar Shop

JHS The Milkman - Livingroom Gear Demo

JHS The Milkman - Video Demo by Pedal of the Day

JHS Pedal The Milkman Test by Bonedo - DE

JHS Pedals, VCR (Featuring the Pulp'N'Peel, Milkman, Colour Box 500)- Official Bass Demo

Milkman

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Electro-Harmonix

Product Page 

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

User Manual

Demo by Premier Guitar 

Oceans 12 Dual Stereo Reverb

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Ronald Westland

Das UAFX Lion '68 Super Lead Amp Pedal liefert die klassischen britischen Verstärker-Sounds, die von legendären Künstlern wie Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC und vielen anderen berühmt gemacht wurden.

Lion '68 ist das einzige Pedal, das die originalgetreuen Sounds von drei verschiedenen 100-Watt-Plexi-Verstärkern liefert. Dank der leistungsstarken Dual-Engine-Verarbeitung und der erstklassigen UAD-Modellierung erhältst du die großartigen Cleans, den aggressiven Breakup und das heiße Röhren der Originale.

The UAFX Lion '68 Super Lead Amp pedal gives you the classic British amp sounds made famous by decades of legendary artists including Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC, and more.

Lion '68 is the only pedal that delivers the dead-on tones of three distinct 100-watt plexi amplifiers. Built on powerful dual-engine processing and world-class UAD modeling, you get all the gorgeous cleans, aggressive breakup, and hot-rodded roar of the originals.

Demo by Guitar Bonedo

Review by That Guitar Lover

Lion 68 Super Lead Amp

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

Jack Paulin

DEL/VERB/MOD 2.1

julien Tabarly

Del-Verb Ambience Companion basiert auf der preisgekrönten UAFX Dual-Engine Verarbeitung mit atemberaubender klanglicher Authentizität und liefert sofort einsetzbare Emulationen klassischer Reverb- und Delay-Effekte in einem Pedal, das für unmittelbare Inspiration konzipiert wurde.

Built upon award-winning UAFX dual‑engine processing and stunning sonic authenticity, Del‑Verb Ambience Companion packs ready‑to‑wear emulations of classic reverb and delay effects, in a pedal designed for immediate inspiration.

Demo by Jorb

Demo by CoreyCongilio

Demo by Joey Jones 

Official Product Video by Universal Audio 

Quick Start Manual

Del-Verb Ambience Companion

QuickMount Type UA 

Pedal-Montageplatte für die UNIVERSAL AUDIO UAFX Series

Pedal Mounting Plate for the UNIVERSAL AUDIO UAFX-Serie

Das Universal Audio UAFX Brigade Chorus & Vibrato ist ein kompaktes digitales Pedal, das den legendären Boss CE-1 Chorus Ensemble von 1976 authentisch emuliert. Es bietet warme, analog klingende Modulationseffekte, darunter üppigen Chorus und reichhaltiges Vibrato, sowie die charakteristische Vorverstärkerfärbung des Originals. Das Pedal verfügt über einfache Bedienelemente – Rate, Depth und Level – und bietet Schalter zur Auswahl zwischen Chorus- und Vibrato-Modus, True- oder Buffered-Bypass sowie zur Aktivierung des Vorverstärkers. Entwickelt für Mono-Ein- und -Ausgänge, ist das Brigade mit der renommierten Handwerkskunst von Universal Audio für zuverlässige Leistung gebaut.

Way back in 1976, the first commercially available chorus pedal was released. The massive tank-like piece of hardware is still touted by many guitarists as the finest chorus ever crafted due to its thick, watery, and rippling chorus (and vibrato) tones. The UAFX Brigade is Universal Audio’s ultra-precise sonic tribute to that long-discontinued pedal, sporting an immaculate bucket brigade chorus/vibrato digital emulation that builds off of UA’s modern-classic Astra Modulation Machine algorithms. However, unlike the pedal of Brigade’s inspiration (or even the Astra), this pedal comes equipped with a supremely straightforward setup of three simple knobs and a 2-way switch to swap between chorus and vibrato. Furthermore, the Brigade features spot-on modeling of an analog preamp modeling section to impart your signal with a touch of old-school character and potent vintage-style punch. Capture the chorus tone that started it all with Universal Audio’s UAFX Brigade!

Demo by Sweetwater

Demo by Guitar Center

Demo by Peach Guitars

Demo by BUZZBEE TV

Brigade Chorus & Vibrato

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Manual 

MXR Phase 95

M290 Phase 95

Jordan Lund

Taking its cue from Universal Audio’s Astra Modulation machine, the UAFX Flow vintage tremolo pedal delivers a vintage-tinged trio of tube-style tremolo effects. This pedal packages Universal Audio’s world-renowned digital algorithm technology into a compact enclosure, providing guitarists with the instantly gratifying feel of a traditional 3-knob stompbox. Flow offers two classic tube-driven tremolo algorithms, from the funky brown-panel magic of Dharma to the choppy optical tremolo of 65. In addition, Flow also sports a bold square-wave trem built from the ground up by UA that utilizes virtual optical photocell technology. Moreover, as the Flow’s sonic inspiration hails from history’s most sought-after tube amps, this pedal also boasts spot-on emulation of a tube preamp section's rich and character-filled voice. You also get a tap tempo function for effortless rhythmic synchronization. Tap into history’s most legendary tube-based tremolo circuits with Universal Audio’s Flow!

Flow Vintage Tremolo

David Litaba

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Strymon

Review by Bonedo 

Review by Amazona 

Demo by Pete Thorn

Demo by Andertons Music 

Cloudburst Ambient Reverb

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Berry Gibson

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

MachX Pedalboard

JCM 51

Der PastFx Hot for Flanger ist ein analoger Flanger-Effektpedal des australischen Herstellers PastFx, der vom klassischen 1970er-MXR M117 Flanger-Sound inspiriert ist, aber mit modernen Features und einem kompakten Gehäuse erweitert wurde. Er verwendet einen NOS MN3007-BBD-Chip, der klassische Jet-Plane- und modulierte Sweep-Sounds liefert, sowie Regler für Speed (Rate), Width, Manual, Regen (Feedback) und Blend zur Mischung von trockenem und Flanger-Signal. Ein spezieller Waldo/EVH-inspirierten Timing-Schalter verändert die Clock/Modulationscharakteristik, und eine zweifarbige LFO-LED zeigt die Modulationsgeschwindigkeit an. Das Pedal wird mit 18 V DC (Negativ-Tip) betrieben und bietet True Bypass.

The PastFx Hot for Flanger is an analog flanger effect pedal from Australian builder PastFx, inspired by the vintage 1970s MXR M117 Flanger sound and circuit but modernized with extra features and a compact enclosure. It uses an NOS MN3007 bucket-brigade delay (BBD) chip, providing classic jet-plane and swooshing modulation tones alongside controls for Speed (Rate), Width, Manual, Regen (feedback) and Blend for wet/dry balance. A unique Waldo/EVH-inspired clock/timing switch adds a different voicing or faster clock range, and a dual red/blue LFO LED gives visual feedback on modulation rate settings. The pedal runs on 18 V DC (negative tip) for optimal headroom and BBD performance, and is equipped with true bypass switching.

PastFx

Demo by Leon Todd

Demo by Michael Nielsen

Hot for Flanger

Das Digitech Luxe ist der erste autonome polyphone Detuner des Unternehmens, der die gleiche Pitch-Shifting-Technologie wie das Whammy in einem schlanken Gerät vereint. Die an die 80er Jahre erinnernden Chorus-Effekte, die mit diesem Pedal möglich sind, machen es zu einem idealen Kandidaten für Shoegaze, Dreampop oder Indie.

Packing the same pitch-shifting technology as the Whammy in a streamlined unit, the Digitech Luxe is the company's first autonomous polyphonic detuner. The 80s-tinged chorus-esque effects possible with this pedal make it an ideal candidate for shoegaze, dreampop, or indie.

DigiTech

Review by Reddit /guitarpedals

Demo by Prymaxe

Luxe Polyphonic Detune

Erfahre mehr über das Orion Tape Echo Delay-Pedal von Universal Audio auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr