Roland Lévai

Les Paul

Completely Analog Stuff

JCM 800

Tavish Stone

The LIGHT Pedal combines all the best features of a classic spring reverb with an innovative infrared optical sensor system and a unique effects section. Create countless new types of reverb textures that have never been possible before.

Gamechanger Audio

Game Changer Light Pedal Review by Ricky Tinez

Game Changer Light Pedal Demo by Game Changer Audio

Game Changer Light Pedal Review by 60 Cycle Hum

Game Changer Light Pedal Review by Andertons 

Product Page

Review by MOD WIGGLER

Review by reddit /guitarpedals

Review by Premier Guitar

Review by Sound on Sound

Manual

Light Pedal

Michael McCarron

I love nearly everything about the new Suhr Discovery Analog BBD Delay. It sounds fantastic, and does that smart Chase Bliss Audio thing of Analog Heart with a Digital Control Layer. You can scroll through 127 onboard Presets (via footswitches also) - and through smart filtering and Refine Up/Down controls you can vastly extend the delay time - without experiencing noisy artefacts.

Suhr

Review by guitar pedal X

Review by AMAZONA 

Demo by Rabea Massaad 

Demo by Suhr Custom 

Demo by Pete Thorn 

Discovery

Tester

Das Thermion Black Sun Pedal aus der spanischen Effektpedal- und Verstärkerschmiede soll laut Hersteller die meisten klassischen Rotary-Speaker-Sounds reproduzieren können, wobei der Name schon erahnen lässt, dass eine gewisse Band aus Seattle für die nötige Inspiration gesorgt hat.

A versatile, exclusive effect with unique tone, the Black Sun combines classic rotary speaker sounds with experimental phaser options. With two configurable (and instantly switchable) speeds, tap tempo and more, there’s not a lot this one won’t do. A two-band EQ lets you dial in the right tonal overtones to your sound, while Note Multiplier, Waveform, Cycle and Depth controls open up the sonic playground for you to run through and experiment with.

Thermion

Review by Bonedo 

Demo by TheGuitarGeek

Black Sun

Das Chase Bliss Audio Wombtone MKII ist ein wahrer Gigant unter den analogen Phaser-Pedalen. Mit bis zu 6 Phaser-Stages und umfangreichen Modulationsmöglichkeiten erzeugt das Wombtone MKII jeden erdenklichen Phaser-Sound von berühmten Settings im Stile Brian Mays oder Van Halens bis hin zu experimentellen pulsierenden Klanglandschaften.

Signalanteil und Gesamtlautstärke des Phaser-Sound werden mittels Volume und Mix bestimmt, während das Effekttempo wahlweise per Rate-Button justiert oder über den Tap Schalter links eigegeben werden kann. 2, 4 oder 6 simultane Phaser-Stages stehen per Stage Toggle zur Verfügung und verleihen dem Sound des Wombtone je nach Setting einen eher subtilen bis direkt extremen Phaser-Effekt.

Das volle Pontenzial des Wombtone MKII beweist sich in seinen Talenten der Modulation und Echtzeitsteuerung. Mit der von Chase Bliss Audio bekannten ModuShape Funktion lässt sich die Wellenform des LFOs individuell aus zwei Hälften zusammensetzen, um bisher ungehörte Geräusche, Sounds und Töne entstehen zu lassen. Natürlich lässt sich das umfangreiche Phaser-Pedal auch per Expression-Pedal oder MIDI steuern. Die stirnseitigen DIP-Schalter bestimmen, welche Effektparameter der Steuerung per Ramping oder Exp-Pedal zugewiesen werden.

The Chase Bliss Audio Wombtone MkII Analog Phaser Pedal features an analog signal path that offers a wide variety of vintage 70 tones and also psychadelic tones. Based on the original Wombtone analog Phaser pedal, the Mk ll has been modified to include a mix control, 16 Dip switches that are located on the top for easy access, and the ability to switch between 2,4 and 6 stages of phase. The Wombtone Mk ll offers a vast array of unique tones, that will add texture to your guitar playing.

Chase Bliss

Demo by Brett Kingmann 

Demo by chase bliss

Demo by ProGuitarShopDemos

Demo by Knobs

Midi Manual

Wombtone MK2

Bathe your tone in the iridescent glow of primordial bliss, while waves of smooth sonic neon sweep you into another realm of creative inspiration. The Aurora is an analog BBD flanger featuring an unparalleled level of custom waveform animation with a hypnotic and lustrous tone. Thoughtful control options make it easy to achieve a variety of flange, vibratro, lush chorus, phase, and filtery spatial effects, all primed for stretching and collapsing the acoustic vortex. The Aurora also marks an exciting expansion of Spaceman’s Standard Edition line with the introduction of colorways. Plug into Aurora and slip into the ephemeral night.

Spaceman Effects

Demo by Do Noise

Demo by ambienttrash

Review by The Gear Page

Aurora

Das Electro Harmonix Eddy Vibrato/Chorus-Pedal bereichert das beachtliche Sortiment der legendären New Yorker Effektschmiede um einen weiteren analogen Modulationseffekt. Genauso wie beispielsweise der Small Clone Chorus oder auch das Memory Man Analog Delay des Herstellers, arbeitet das neue Electro Harmonix Eddy Vibrato/Chorus mit einer analogen Eimerkettenspeicher-Schaltung, die in der Regel für warme und tiefgehende Sounds steht.

Get lush EHX vibrato and chorus in a compact, pedalboard friendly package with unique control options!

Electro-Harmonix

Review by GEARNEWS

Review by bonedo 

Demo by Pedal Experiments 

Demo by Guitar Bonedo 

Official Product Video

EDDY

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

ch ray

Dem beliebten MXR Ten Band EQ hat der amerikanische Hersteller ein Facelift verpasst und präsentiert ihn unter der Modellnummer M108S in einem neuen, leichteren Gehäuse mit True-Bypass-Schaltung, einer effektiveren Rauschunterdrückung und zwei Ausgängen. Geblieben sind das große Frequenzspektrum von 31,25 Hz bis 16 kHz, getrennte In- und Output-Levels sowie der Betrieb mit 18 Volt für mehr Headroom.
Da der MXR Ten Band EQ auch Frequenzbereiche unterstützt, die von einem Gitarrenlautsprecher eigentlich nicht mehr übertragen werden, empfiehlt er sich ebenso für den Betrieb am E-Bass, für Fullrange-Anwendungen oder fürs Direct-Recording. Nicht wenige Gitarristen schätzen den grafischen Equalizer

The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard. 

Review by awkwardsound 

Demo by Ryan Lutton

Demo by PMTVUK

Review by HOMETONEBLOG

M108S Ten Band EQ

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

KMA Machines

Review by Gitarre & Bass

Manual download

Demo by Eytschpi42

Moai Maea

BOSS

BD-2W Blues Driver (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Ibanez

TS-808DX Tubescreamer

Isen Ritchie

DS-1W Distortion

MT-2W Metal Zone (Waza Craft)

David Litaba

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

BIG MUFF PI

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on our users’ valuable feedback, we’ve taken everything great about our original Compressor and made it even better. 

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a ‘tilt’ tone eq control, and a selectable sidechain high pass filter built into the Compressor’s detection circuit. Oh, and the whole package is now half the size and available in two snazzy colours!

Empress Effects

Demo by JayLeonardJ

Demo by Mike Hermans

Demo by Kris Barocsi

Compressor MkII

Jonathan James

Demo by 

TU-3 Chromatic Tuner

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Dunlop

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

Review by musicradar

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

SW95 Slash Cry Baby Wah

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Der Breathe vereint Thermions 800 ms‑Tap‑Delay, Zero Amp‑Dual‑Reverb und einen +15 dB‑Clean‑Boost in einem kompakten Pedal.
Entwickelt mit Input von Thermions Artist‑Crew liefert es warme Wiederholungen, dichten Raumklang und sofortige Lautstärke‑Spitze für Soli.
Regler für Delay‑Zeit, Reverb‑Typ, Boost‑Level und Mix erlauben schnellen Wechsel von dezentem Glitzern bis zu schwebenden Leads.
True Bypass und ein gepufferter Preamp sorgen für glasklare Durchsicht bei jedem Schaltvorgang.
Robustes Gehäuse und platzsparendes Design machen es zum idealen Begleiter auf Bühne wie im Studio.
Ob sphärische Klanglandschaften oder präzise Grooves – Breathe meistert beides mühelos.

The Breathe crams Thermion’s analog‑style 800 ms tap delay, Zero Amp dual reverb, and a +15 dB clean boost into a single compact pedal that fits anywhere on your board.
Born from firsthand feedback by Thermion’s artist crew, it delivers warm, textured repeats, lush ambient wash, and an on‑demand volume lift for solos.
Intuitive Delay Time, Reverb Type, Boost Level, and Mix knobs let you dial in everything from subtle shimmer to soaring leads in seconds.
True bypass plus a buffered preamp keep your tone crystal‑clear whether the pedal’s on or off.
Built tough for the road, its compact footprint makes it a perfect fit for both pedalboards and studio rigs.
Versatile enough for ambient soundscapes or tight rhythmic work—Breathe does it all without fuss.

Review by My Guitar Hero

Review by Guitar Pedal X

Demo by My Guitar Hero

Breathe

Zero is the full stereo and simple to use portable amplification solution, that turns your pedals into a tool for your live shows, rehearsals and recordings.
Our Class D hybrid power technology, with two real 40 watt outputs, reproduces the behavior of a tube amp's transformers and all of their harmonics.
Discover its analog speaker modeling technology that recreates the sound of a classic combo with full dynamics and detail, through direct outputs and headphone jack.

The complete internal analog preamp, with three stereo integrated reverbs, creates the most detailed atmospheres.
Zero is dynamic. A clean platform with an open signal path where your pedals shine through. Get the most out of your pedalboard with its stereo effects loop and use its preamp loop with your favorite preamps as a second channel; define your tone to the maximum.

Review by delicious audio

Review by Gearnews

Demo by EytschPi42

Zero

Explore the fuzz world and build a unique tonal foundation. Stone Age is a multi-engine fuzz pedal capable of creating from classic and renowned to modern and experimental fuzz tones.
Choose between four engines: Single Transistor, Maestro, Face and a modern Muff 'Thermion' modified with improved dynamics and definition.
Add on demand clean signal or octaved fuzz to create the fuzz tones you've always had in your head.

Effectively cut any excess high or low frequencies to adapt your tones to virtually any amp, with its high Q two band equalizer that you can also bypass, to get the most classic feeling.
Maximize the dynamics with the volume and tone of your guitar with the improved input and output buffers.

Designed to be versatile and modifiable, while staying true to the most genuine fuzz tone, Stone Age is transistor based, with relay switching and true bypass for those guitarists who love pure fuzz tones and flexibility.

Review by Pedal of the Day

Review by Guitar World

Demo by The Tone Lounge

StoneAge

Freeway is the DI guitar amplifier, speaker modeler and recording interface that lets you play live shows, rehearsals or record your ideas anywhere, always with warm, analog and dynamic tones.
A tool in the size of a pedal, with full stereo capability and open signal path. It is specially designed to integrate all your effects, overdrives, modulations and preamps in a single all-road pedalboard.

Freeway is an amplifier and also studio interface. You can record or play over backing tracks using your computer or phone thanks to its USB compatibility with PC, iOS and Android.
Create complex atmospheres thanks to its eight stereo reverbs. Use your preamplifiers as a second channel through its preamp loop. Get the most out of your effects thanks to its stereo effects loop.

Review by Guitar Bomb

Freeway

Black Sun von Thermion