Christopher Kang

My Board Gen. 7_Top

Left

Right

Michael Hodgson

Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.

You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.

Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.

Strymon

Demo by LiamOConnorAudio

Ojai Power Adapter

Product Page

Review by reddit /guitarpedals

Review by The Gear Page

Quick Start Guide

Manual

Ojai

Nick Toye

BOSS

FS-6

ALBERTO DE LA VARA

FV-30L sind zwei neu designte, kompakte Volume-Pedals in gewohnter BOSS-Qualität. Speziell entwickelt, um mehr Platz auf dem Pedalboard zu schaffen, ohne dabei Kompromisse in Sachen Sound-Qualität, Zuverlässigkeit und Haltbarkeit einzugehen. Die Pedale in Profiqualität sind aus Aluminiumdruckguss hergestellt und haben einen sehr ausgeglichenen, weichen Pedalwiderstand, der feinste Lautstärkeabstufungen ermöglicht. Dank ihrer äußerst kleinen Abmessungen sind sie ideale Begleiter für Musiker, die viel auf Reisen sind und den Platz auf dem Pedalboard optimal ausnutzen möchten.

The Boss FV-30L is the newly designed, compact volume pedal in the usual BOSS quality. Specially designed to create more space on the pedalboard without sacrificing sound quality, reliability and durability. The pedal is made of die-cast aluminum and has a very balanced, soft pedal resistance, which allows for finest volume gradations. Thanks to the extremely small dimensions, the Boss FV-30L Volume Pedal is the ideal companion for musicians who travel a lot and want to make the most of the space on the pedalboard. The FV-30L-A with low impedance and stereo input/output for stompbox, keyboard and other electronic musical instruments.

Review by Charles Saufley, premierguitar.com

Demo by Juca Nery

Official Product Video

EV 30 Expression Pedal

Tester

Xotic

Xotic XW-1 Wah

Der BLOOM von Jackson Audio ist ein umfassender Dynamikprozessor, der Gitarristen eine bisher unerreichte maximale Kontrolle über die Klangdynamik ermöglicht. Der BLOOM v2 – MIDI bietet alle Vorzüge unseres ursprünglichen BLOOM und erweitert ihn um MIDI-Funktionalität! Der Bloom ist ein dreiteiliges Gerät, das die Dynamik des Instruments mithilfe präzise abgestimmter optischer Kompressions-, Entzerrungs-, Boost- und Sustain-Schaltungen beeinflusst, die separat oder zusammen aktiviert werden können.

The BLOOM from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. The BLOOM v2 – MIDI takes everything people love about our original BLOOM and updates it with MIDI! A three-fold device, the Bloom manipulates the dynamics of the instrument by way of precisely tuned optical compression, equalization, boost and sustain circuits which can be activated separately or in tandem with each other.

Jackson Audio

Review by Compressor Pedal Reviews

Manual Page

Demo by EytschPi42

Demo by Jackson Audio

Bloom v2 MiDi

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Simon Lo

HIDE&SEEK is a very convenient item with two pedal functions.
There are two models, Bright Horse and TSH-10, inside.
The left side is equipped with a KLON motif bright hose, and the right side is equipped with a Japanese TS10 motif.

The pedals are designed to connect two in series, but you can switch between the front and rear pedals with the switch on the front.
Each of the two pedals has a buffer on/off.

With this function, you can have a wide variety of sound variations even with two pedals.
For example, set the buffer to Bright Hprse and use only TSH10.You can choose to place the buffer in front or behind the TSH10 by simply flipping the front/rear switch.This has very surprising effects.

HTJ Works

Demo by Iga Massardi

Demo by Brett KIngman

HIDE&SEEK -Dual Overdrive

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Review by bonedo

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

DC-2W Dimension C (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.

Review by guitar pedal X

Demo by  Bernd Kiltz - Gitarrenvideos

GT-1000 CORE

This very clever design delivers a very clean, quiet, low impedance signal, and delivers a tone which is vibrant and natural without sounding harsh the way some buffers can. 

The GigRig

GRUMPYBOT BUFFER

Marco Bozzo

Patch bay for two distinct signal chains to easily manage IN, OUT, SEND and RETURN connections between your pedalboard and amp setup.

Thanks to the intelligent internal link between out and send/return fx chain, this device can instantly adapt to any amp and setup change, with or without fx loop, with no need of added cables or signal routing changes.

If nothing is connected in the send connection from the amp side, both effect chains will automatically run in series as a single one; just use the socket “to amp return” as signal output to connect into the amplifier.

The connections between inputs and outputs are full stereo, so, besides connecting stereo fx processors, you can also manage amp footswitches that use the same stereo jack connector directly in your pedalboard space.

Jad Freer Audio 

Patch Bay

Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here’s how it works: The Nano Q-Tron responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It’s all about how you play and it’s super interactive

Electro-Harmonix

Nano Q-Tron

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Alberto Lopez

True stereo analog zero watt solid state amplifier. Has 3 unique amp and analog cabinet models per side. Only the reverbs are digital. Has dual FX send/returns, XLR outputs, AUX input, and a headphone output. Includes a separate footswitch with 3.5mm jack input.

DSM & Humboldt

Review by delicious audio

Review by dshowmusic

Simplifier X

The Timmy pedal has always been known for it's ability to provide a transparent overdrive to your amplifier while retaining the amps original tone. It's a fairly common thing for an overdrive to color tone, so why invest in a $1500 plus amp only to change it's inherent sound, right?

At low settings you will be able to effortlessly achieve a sound that is simply "more" of what your amp already offers. As the gain is turned up, and the pedal's EQ adjusted accordingly, smooth, singing, round and reedy tones are at your fingertips.

The Timmy pedal's responsiveness is exactly like that of a great, tube amplifier in that it responds immediately to your right hand's attack.

The Paul Cochrane Timmy is absolutely a legend in the world of overdrive pedals, and has been copied to a large degree over the years by several knock offs. 

Paul Cochrane

Demo by Mass Street Music

Demo by Living Room GD

Timmy v3

Origin Effects

RevivalDRIVE

Kim Ulmer

Der Westminster Effects Buffered Splitter ist eines der nützlichsten Pedale überhaupt. Nutze es am Anfang deiner Signalkette als regulären Buffer (der nebenbei fantastisch klingt), in der Mitte deiner Signalkette, um von Mono auf Stereo zu wechseln ohne dabei deine Obertöne zu verlieren, oder am Ende deines Pedalboards für ein Dual-Mono Setup ohne für jedes Pedal ein zusätzliches Kabel zu brauchen.

The Buffered Splitter is one of the most useful pedals. Use it at the beginning of your chain as a regular buffer and use just one output (Which still sounds fantastic), throw it in the middle of your chain to go stereo without killing your high end, or even throw it at the end of your pedalboard to run dual mono without having to run an extra cable for every effect.

Westminster Effects

Official Product Page

Buffered Splitter

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

ch ray

Designed for use anywhere you need a dual foot switch, with two foot switches and a 1/4" stereo jack.
Compact size with full metal shell, lightweight and durable.
Please note that the channels cannot be changed.

Mosky

Demo by Djonathan Nagtalon

Demo by NOHC JAMS

Dual Foot Switch

Anders Rapanà

Mit dem Strymon Zuma stellt sich eine Mehrfach-Stromversorgung vor, die auch den Bedarf von großen Boards mit hungrigen Pedalen sättigen kann. Das kommt nicht von ungefähr, denn der amerikanische Boutique-Pedalhersteller hat selbst einige digitale Gerätschaften im Angebot, die zwar sehr viel und Gutes leisten, aber auch entsprechend ausreichend Strom für ihre Arbeit benötigen – von nichts kommt nichts.

Strymon Zuma is the quietest and most powerful pedal power supply of its kind, capable of powering a huge number of guitar pedals silently and reliably with a staggering 500mA of current available at each output. With nine high-current, individually isolated, ultra-low-noise outputs – each with its own dedicated regulator and custom transformer – Zuma is the most advanced isolated pedal power supply available today.
9 high-current, fully isolated outputs
9 outputs offer 9V DC option
500mA per 9V DC output powers nearly any pedal
2 selectable outputs offer 9V, 12V, or 18V DC options
12V option provides 375mA, 18V provides 250mA
Delivers a maximum of 48W
9 pedal cables included (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight cables)
Detachable IEC power cable included
24V OUT jack allows connection to additional outputs via Strymon Ojai or Ojai R30 (sold separately)

Review by bonedo 

Demo  By Reverb 

Zuma

Der legendäre und klassische Original-POG wurde von allen großen Magazinen auf allen Kontinenten für sein makelloses polyphones Tracking und seine musikalische Flexibilität ausgezeichnet. Der EHX Micro POG bietet das gleiche perfekte Tracking und glatte Polyphonie in einem vereinfachten Design. Der Micro POG ist jetzt in einem kleinen Pedalboard-freundlichen Druckguss-Gehäuse untergebracht und wird Sie schon bei der ersten Benutzung umhauen.

Mit dem MICRO POG können Sie Ihr ursprüngliches „trockenes Signal“ mit zwei verschiedenen Oktaven (eine oberhalb und eine unterhalb Ihrer ursprünglichen Note) mischen, um völlig neue, inspirierende Sounds zu erzeugen.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The EHX Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

With the MICRO POG, you can mix together your original “dry signal” with two different octaves (one above and one below your original note) to create totally new inspiring tones.

Review by Talk Bass.com

Review by musicradar

Demo by Nikita Astrakhantsev

Demo by Eric Merrow

Micro POG

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Bass EARl

A part of a CME Wireless midi system. Accepts Midi on 3,5 mm TRS jacks. Can use USB-C for power, but can also get power from the TRS MIDI connection.

Widi Jack

MIDI SPLITTY™ ist ein MIDI Splitter / Repeater zur Verstärkung, Pufferung und Wiederholung von MIDI-Signalen für lange Kabelwege und Pedalboards mit mehreren MIDI-Geräten. Das Splitten und Wiederholen deines PedalBoard MIDI-Signals war noch nie so einfach und zuverlässig! Die Konstruktion von Master Control und MIDI Splitty ist kugelsicher: Du hast drei gut gepufferte und ultra-solide MIDI-Ausgänge. MIDI Splitty splittet und wiederholt alle eingehenden MIDI-Befehle an seinen Ausgängen und stellt so die Integrität der MIDI-Daten sicher, ohne sich Gedanken darüber zu machen, ob durch die Verkettung mehrerer MIDI-Pedale eine Latenz entsteht oder nicht. MIDI Splitty ist ein perfekter Begleiter für das Routing von MIDI zu verschiedenen Pedalen und anderen Instrumenten. MIDI Splitty bietet eine einzigartige Möglichkeit, mehrere MIDI-Pedale verschiedenster Hersteller zu synchronisieren, die es bisher noch nicht gab.

MIDI SPLITTY™ is a MIDI Splitter / Repeater designed to amplify, buffer, and repeat MIDI signals for extended cable runs and pedalboards with multiple MIDI devices. Splitting and Repeating your PedalBoard MIDI Signal has never been easier or more reliable! The build of both the Master Control and MIDI Splitty is bulletproof. You've got three well-buffered and ultra-solid MIDI outputs. MIDI Splitty splits and repeats all incoming MIDI messages to its outputs, ensuring the integrity of the MIDI data without concern about whether or not any latency is being introduced by chaining together multiple MIDI pedals. MIDI Splitty is a perfect companion for routing MIDI to various pedals and other instruments. MIDI Splitty, offers a unique way to sync multiple MIDI pedals from a wide range of pedal makers that has never before been accomplished until now. 

Molten Voltage

Demo by Step Audio

MIDI Splitty

David Litaba

Der JHS Pedals Switchback ist eine kleine unscheinbare Box mit umfangreichen Features. Er begann als ein Routing Kästchen, das JHS nur für sich selbst entwickelt hatten, um Pedale in der JHS-Werkstatt zu testen und zu vergleichen, aber schnell wurde ihnen klar, dass es für jedermann auf der Bühne oder im Studio äußerst nützlich sein kann. Der Switchback verfügt über einen Eingang, einen Ausgang und zwei separate auswählbare Effekt-Loops (Send / Return) sowie einen A / B-Schalter, der von JHS Red Remote Schalter ferngesteuert werden kann. Es gibt Millionen von Möglichkeiten, den Switchback zu verwenden. (Naja, vielleicht nicht eine Million, aber ... du weißt was gemeint ist.) Dank dem Red Remote kannst du den Switchback und alle Effekte in seinen Loops völlig außer Sichtweite unter deinem Board verstauen, während nur der winzige Red Remote für jederzeitigen Fernzugriff griffbereit brauchst!!! Der Switchback kann zu einem unverzichtbaren Werkzeug in deinem Touring-Rig oder im Studio werden und hilft dir dabei, viele Schaltdebakel deinem Setup zu lösen. Hol dir also deinen Switchback und lege los!

The JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that JHS designed just for themselves to test and compare pedals in the JHS workshop but they soon realized that it was extremely useful for everyone's guitar rig on stage or in the studio. The Switchback has one input, one output and two separate selectable effects loops (Send/Return), plus an A/B toggle that is controllable by the JHS Red Remote switching system. There are millions of ways to use the Switchback. (Maybe not a million but… You get the idea.) Because of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1" Red Remote accessible!!! The Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!

JHS Switchback - Review by Muzikus [CZ], [09-2019]

JHS Switchback, Summing Amp, Active ABY - Review by Gitarre & Bass [DE], [05-2019]

Demo by Sound Affects

Demo by PJ and the Beard

Switchback

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Der Latchmo x 2 ist ein kompaktes, passives Schalt-Utility, mit dem Sie jeden standardmäßigen rastenden Fußschalter in einen momentanen Fußschalter verwandeln können. Mit zwei unabhängigen Kanälen in einem kleinen Gehäuse wurde es entwickelt, um Ihnen maximale Flexibilität auf Ihrem Pedalboard zu bieten. Dieses clevere kleine Gerät ist perfekt, um die Tap-Tempo- oder Ramp-Funktionen Ihrer Strymon-, Eventide- oder ähnlicher Pedale zu steuern. Es stellt sicher, dass Ihre Effektpedale die korrekte Schaltfunktion haben, um auf all ihre großartigen Funktionen zugreifen zu können.

The Latchmo x 2 is a compact, passive switching utility that allows you to turn any standard latching footswitch into a momentary footswitch. With two independent channels in one small enclosure, it is designed to give you maximum flexibility on your pedalboard. This clever little device is perfect for controlling the tap tempo or ramp features on your Strymon, Eventide, or similar pedals. It ensures your effects pedals have the correct switching to access all their great features.

LATCHMO x 2

Der MIDI Cinco fasst fünf Mono‑/TRS‑Ein‑ und Ausgänge plus einen 5‑poligen DIN‑MIDI‑Thru in einem kompakten, robusten Gehäuse zusammen.
Vollständig passive, isolierte Buchsen eliminieren Erdschleifen‑Brummen und ermöglichen sauberes Patchen von Gitarre, Amp‑Loop oder Remote‑Switches irgendwo auf dem Board.
Speziell für die Erweiterung von G3/G3S‑Switchern oder den Einsatz mit jedem MIDI‑Setup entwickelt, leitet er Signale puffigungsfrei weiter.
Das leichte Aluminiumgehäuse (125 × 77 × 40 mm) passt auf jedes Pedalboard und verträgt problemlos harte Bühneneinsätze.
Ohne Stromanschluss – einfach TRS‑ und MIDI‑Kabel einstecken und in Sekundenschnelle auf‑ und abbauen.
Ob Audio‑Patchbay oder MIDI‑Verteiler – der Cinco hält dein Setup kompakt und zuverlässig.

The MIDI Cinco consolidates five mono/TRS audio ins and outs with an extra 5‑pin DIN MIDI thru in one rugged, pedalboard‑ready chassis.
Its fully passive, isolated jacks eliminate ground‑loop hum, letting you patch guitars, amps, effects loops or remote switches cleanly anywhere on your board.
Designed to extend G3/G3S switching or sit alongside any MIDI‑equipped rig, it simply passes signals straight through with zero buffering.
Built from lightweight aluminium in a 125 × 77 × 40 mm footprint, it tucks into cramped boards while standing up to road duty.
No power required—just plug in your TRS and MIDI cables and go from quick setup to teardown in seconds.
Whether you need extra audio patching or a convenient MIDI hub, the Cinco streamlines your workflow without fuss.

Midi Cinco

14 isolierte Hochstromausgänge
8x9V@200mA
4x9x@500mA
2x9 oder 12V@1000mA
TheGigRig auf Länge zugeschnittene Gleichstromkabel

Funktioniert als eigenständige Stromversorgung oder als Teil des modularen Stromversorgungssystems von TheGigRig

14 high current isolated outputs
8x9V@200mA
4x9x@500mA
2x9 or 12V@1000mA
TheGigRig cut to length dc cables

Works as a stand alone supply or as part of TheGigRig Modular Power Supply System

Review by the Fretboard

Gen x 14 Power Supply

Das ursprüngliche Remote Loopy2 ermöglichte es, dein Setup mit zwei zusätzlichen programmierbaren Loops zu erweitern – doch zwei Fragen wurden uns immer wieder gestellt: Kann man es in Stereo nutzen? Und kann man es per MIDI schalten?

Ja, das können wir!

Hier ist das GigRig Remotest Loopy2.

Wir haben den Klassiker überarbeitet und einen parallelen Signalweg hinzugefügt, sodass du jetzt MONO- oder STEREO-Effekte verwenden kannst. Außerdem haben wir MIDI integriert, sodass du die Loops entweder mit einem TRS-Fußschalter oder per PC-/CC-MIDI-Nachrichten aktivieren kannst.

Die beiden True-Bypass-Passivloops sind mit allen Effekten kompatibel – von modernen digitalen bis hin zu klassischen analogen Pedalen und allem dazwischen. Sie können sowohl vor dem Verstärker als auch im Effektweg deines Amps eingesetzt werden.

Zusätzlich haben wir am Ausgang einen schaltbaren, hochwertigen True-Stereo-Puffer integriert, um die Impedanzen konstant zu halten.

Wenn du einfach ein paar zusätzliche programmierbare Loops für dein Board brauchst – mono oder stereo – bist du mit dem Remotest Loopy2 bestens bedient.


The original Remote Loopy2 enabled you to expand your rig by adding two extra programable loops, but there were two questions we were always asked. Can you make it stereo?

Can you switch it with MIDI?

Yes we can!

Introducing TheGigRig Remotest Loopy2

We’ve updated the classic by adding a parallel signal path so now you can use MONO or STEREO effects. We've also added MIDI so you can activate the loops using a TRS remote switch or via PC/CC MIDI messages.

The 2 True Bypass passive effects loops can be used with any effects from modern digital to vintage analog and everything in between. It can be placed in front of the amp or in your amp’s fx loop.

We’ve also added a switchable true stereo, high quality, buffer on the output to keep your impedances consistent.

If you just need a couple of extra programable loops for your board, mono or stereo, the Remotest Loopy2 will get you sorted.
