YTB Bass Pedal Board

BIGMINI

Gatekeeper Micro

MultiComp Blue Label

Digbeth DB-PRE

M292 Carbon Copy Deluxe

Bass Driver DI, Bass Driver DI v2

CEB-3 Bass Chorus

M82 Bass Envelope Filter

Nano Battalion

Hell Melter 

JUSTIN CHANCELLOR CRY BABY WAH (JCT95)

Bass Pedalboard 1

Fuzz-Tone FZ-M

Mod Rex

LS-2 Line Selector

FT-2Y Flight Time Digital Delay

Bass Compressor

Spark Mini Booster

Pedal Power 3 Plus

Main Bass Pedalbaord

Super Switcher (Programmable Effects Hub)

EQ-200 Graphic Equalizer

TU-3S Tuner

BF-3 Flanger

RV-6 Reverb

DD-8 Digital Delay

Sovtek Deluxe Big Muff Pi

M83 Bass Chorus Deluxe

POG2

Sentry Noise Gate

SY-1 Synthesizer

M87 Bass Compressor

Metal Bass actual

Hyper Luminal

Pitchblack Custom

Harmonic Booster

dUg DP3X

Sub Atomic

SA 270 - One Series EQ2

Element

MultiStomp MS-60B

Deci-Mate

Relay G30

Metal Bass

Aftershock Bass Distortion (SA246)

Wild Bass Rig

Bass Whammy

Billy Sheehan Ultimate Signature Drive

JCT95 Justin Chancellor Crybaby Wah

Bass Compressor Silver Sparkle

OctaBass Blue Label

Fly Rig Acoustic, Fly Rig Bass

Review by Bassic.de

Review by Bass Musician Mag

Official Website

Manual

Demo by The Bass Channel

Official Product Video

DP-3X dUg

Die Entwicklung des Chorus-Effekts scheint im Pop der 80er Jahre stecken geblieben zu sein, zusammen mit überarbeiteten Gitarren, kitschigen Synthesizern und geplatzten Kragen. Das ist nicht diese Art von Chorus. Als wir die Boost Chorus-Pedale entwickelten, gingen wir zurück in die 70er Jahre, als Chöre noch satt, weich und männlich waren. Wir haben herausgefunden, was diese Vintage-Stompboxen so gut klingen ließ, und haben dieses Wissen in ein neuartiges Chorus-Pedal mit deutlich verbesserter Leistung und einer ganzen Reihe nie zuvor gehörter Sounds einfließen lassen. Slapback, Echo, Flanging und Doubling-Effekte sind mit den bescheidenen Boost Chorus-Pedalen möglich.

The evolution of the chorus effect seems to have gotten stuck in ’80s pop, along with over-processed guitars, cheesy synths and popped collars. This ain’t that kind of chorus. When we designed the Boost Chorus pedals we went back to the ’70s, when choruses were rich, smooth and manly. We figured out what made these vintage stompboxes sound so good and poured that knowledge into a new kind of chorus pedal with greatly improved performance and a whole slew of never-before-heard sounds. Slapback, echo, flanging and doubling effects are all possible from the modestly named Boost Chorus pedals.

Product Page

Review by Premier Guitar

Review by Talk Bass.com

Review by musicradar

Review by Gitarre & Bass

Demo by Hollywood Rare Guitars

Boost Chorus, Bass Boost Chorus

Wanting to change things up a bit, we streamlined its architecture into a compact, easily portable pedal. The SansAmp PSA 2.0 offers the same 100% analog signal path for punchy, responsive, organic sounds that bring out the best in any instrument. Only the programming and memory sections are digital. It also offers the same operational simplicity, essential functionality and dizzying versatility.

In the studio, you can record direct, enhance existing tracks in mixdowns, as well as add interesting touches to any instrument. Live, the SansAmp PSA 2.0 can be used as a pre-amp direct into a power amp with guitar or bass speaker cabinets, as a “monster direct box” to a P.A. system (or both simultaneously), and as an outboard processor. Additionally, the PSA 2.0 features a Performance Mode, which turns it into a 3-channel stompbox.

Review by bonedo

Review by Guitar Player

PSA 2.0

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

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Bass Driver DI, Bass Driver DI v2

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YTB Bass Pedal Board

Bass Pedalboard 1

Main Bass Pedalbaord

Metal Bass actual

Weitere Pedals von Tech 21

Tech 21

Fly Rig Acoustic, Fly Rig Bass

Tech 21

DP-3X dUg

Tech 21

Boost Chorus, Bass Boost Chorus

Tech 21

PSA 2.0

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