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Hardwire HT-6

DB01B - Dimebag Cry Baby From Hell Wah

6182 MVP Mono Volume Pedal, 250k

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Quintessence Harmonizer

Cyclone

PH-3 Phase Shifter

EDDY

DC-2W Dimension C (Waza Craft)

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Starlight Flanger MKIII

Lester G

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Prometheus DLX

Quaverato Harmonic Tremolo

FLASHBACK TRIPLE DELAY

AC-3 Acoustic Simulator

SY-1000

RV-500 Reverb

EQ-200 Graphic Equalizer

Der Flying Tomato ist der Nachfolger des Birthday Fuzz. Er verfügt im Kern über fast genau die gleiche Schaltung, aber mit einigen Verbesserungen und einigen wichtigen Ergänzungen.

Im Gegensatz zu vielen anderen Fuzz-Schaltungen hat der Flying Tomato einen Eingangspuffer vor dem Effekt. Dadurch kann man ihn nach praktisch jedem Pedal oder mit aktiven Tonabnehmern verwenden. Ein hoher und ein niedriger Tonregler wurden hinzugefügt, sowie ein „Squish“-Regler.

Hier wird es verrückt. Der „Squish“-Regler senkt im Wesentlichen die Versorgungsspannung des Fuzz-Schaltkreises. Dies kann besonders bei der Aufnahme von Overdubs und Hintergrundgeräuschen im Studio nützlich sein. Wenn man einen Overdrive davor oder Delay- oder Modulationseffekte danach einsetzt, kann man sehr interessante Sounds erzeugen. Da dieser Regler die verfügbare Leistung direkt verändert, verursacht er beim Drehen leichte Kratzgeräusche.

The Flying Tomato is the successor to the Birthday Fuzz. It features almost exactly the same circuit at its core, but with a few improvements, and some major additions.

Unlike many fuzz circuits the Flying tomato has an input buffer in front of the effect. This allows you to use it after virtually any pedal, or with active pickups. A high and low tone control have been added, as well as a "squish" knob.

This is where it gets crazy. The squish knob essentially lowers the voltage supply to the fuzz circuit. This can be especially useful for recording overdubs, and back ground noises in the studio. Running an overdrive before it or delay or modulation effects after it can produce some very interesting sounds. Due to this knob directly altering the available power it will make some minor scratching sounds when its turned.

Review by Harmony Central

Review by Talk Bass.com

Review by The Gear Page

Demo by  HEWAN GITAR REBEL 

Demo by MrExcane

Official Website

Manual

Flying Tomato Fuzz

The Vagabond Tremolo embellishes upon one of the most tried and true effects of all time. Tremolo with vintage personality fused with added depth, more speed and more control. 

In the simplest terms tremolo modulates volume. This definition doesn’t exude the inflection of wah, the blunt weaponry of fuzz, or the obvious psychedelic ramifications of echo. In spite of the boring definition, tremolo is a defining sound of so many classic songs and artists. Like many other things in music the early classic designs were imperfect, and those imperfections made them what they were. It made them interesting.

Official Product Video

Demo by Deluxe Tone

Product Page

Review by Pedalpost Blog

Vagabond Tremolo

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

The Stupid Box from Sub-Decay Studios. This stomp box is not very intelligent, but works as a super versatile distortion. The Stupid Box employs soft clipping just like vintage tube screamers, but driven much harder and with a full range frequency response. This Dumb Box can go from high gain to blues, with a twist of the gain knob.

What's it all about?

If you play a clean open cab 6L6-based amp, and don't want to give up your great clean tone, but have always been jealous of those guys with the half stacks, the stupid box is what you have been waiting for. If you play a 2 channel high gain amp, and struggle for those in-between tones this is a great pedal to have as well. The Stupid Box has a variable frequency filter unlike most distortion boxes which only let you control the roll off, making it much easier to match the pedal to the natural voicing of your amp.

Demo by JAM's Factory 1996

Demo by Brett Kingman

Stupid Box

More than an envelope filter.
Once again we’ve knocked the world of filter pedals off its axis. Autowah, envelope filter, step filter, random sample/hold filter, even a pixelated envelope filter. This one does it all

Demo by TheGuacamoleXplosion

Prometheus DLX by Subdecay

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