Vorverstärkerpedal mit 11 vollständig analogen Verzerrungsmodi, digitaler Umschaltung und 9-Volt- oder 18-Volt-Eingang für die Headroom-Steuerung.

Preamp pedal with 11 fully analog distortion modes, digital switching, and 9 volt or 18 volt input for headroom control.

Subdecay

Demo by Premier Guitar

Demo by Brett Kingman

Product Page

Review by Delicious Audio

Review by Premier Guitar

Vector

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Manual

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

Review by The Gear Page

The Starlight MKIII brings back some favorite features of the Starlight DLX and introduces exciting new ones, including through-zero flanging, MIDI control, and savable presets. With an ultra-wide sweep range (0-21ms), the Starlight MKIII offers unparalleled versatility, allowing you to dial in everything from smooth, classic flanging to boldly experimental.

Official Product Video

Starlight Flanger MKIII

Erleben Sie die Fuzz-Zukunft mit dem Noise Theory. Unbegrenzt von der Tradition der 60er und 70er Jahre nutzt er Synthesizertechnologien wie Wave-Folding und Wave-Shaping-Verzerrungen. In der Gitarrenszene sind sie nicht üblich, aber in der modularen Synthese werden sie schon seit Jahren eingesetzt. Unerforschtes klangliches Territorium erwartet Sie. 

Wellenfaltung: Machen Sie sich das Chaos zunutze
Wenn der Edit Mode-Schalter auf Shaper steht, können Sie aus 11 Fuzz-Typen wählen. Die Fuzz-Typen 2 bis 9 stellen die Wave Folding-Fuzzes dar. Diese bieten ein Spektrum an verblüffenden Sounds mit Intermodulationsübersteuerung.

Experience the fuzz future with the Noise Theory. Unconfined by 60’s and 70s tradition, it embraces synth technology like wave folding and wave shaping distortions. Uncommon in the guitar world, but they’ve been used in modular synthesis for years. Unexplored sonic territory awaits. 

Wave Folding: Harness the chaos
With the Edit Mode switch set to Shaper you can choose from 11 fuzz types. Fuzz 2 through 9 introduce wave folder fuzzes. These offer a spectrum of mind-bending tones with intermodulation overload.

Demo by Pedal Experiments

Review by delicious audio

Review by reddit /guitarpedals

Noise Theory - Parallel Waveshaper Fuzz

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

Pixelwave Phase Distortion Synthesizer