The Hot Hand 3® Universal Wireless Effects Controller introduce an unprecedented level of expressive capability. Hot Hand translates motion into a dynamic and precise expression output, which can be applied to a range of Source Audio pedals, third-party effects pedals, rack systems. Control filter sweeps, drive levels, modulation, bit crushing, and much more.

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Review by Gitarre & Bass

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Demo by z.pex

Official Product Video

Review by guitartest.de

Hot Hand 3 Wireless Effects Controller

Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Official Product Page

Source Audio Collider Stereo Delay/Reverb Pedal Demo - The Pedal Zone

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

Source Audio Collider - Review by GrandGtrs [DE], [01-2020]

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video (Stacking Delays)

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - AndyDemos

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Sweetwater

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Mike Hermans

Source Audio Collider - Review by Muzikus [CZ], [03-2020]

Source Audio Collider - Review by Gitarre&Bass [DE], [04-2020]

Source Audio Collider - Review by Gitarzysta [PL], [02-2020]

SA 263 Collider Delay+Reverb

Source Audio SA 221 Soundblox2 Multiwave Bass Distortion - Official Demo Video

Soundblox 2 - Multiwave Bass Distortion

The Spectrum Intelligent Filter is the most powerful stereo filter effect pedal ever created. Building on almost 15 years of filter pedal technology and know-how, Spectrum is the culmination of Source Audio's finest envelope sounds and best thinking on how to easily incorporate those sounds into rigs of all types. The pedal not only features finely crafted envelope filter effects inspired by some of the most iconic and sought-after effects pedals on the market, it also includes buzzing, synth-like octave/distortion/filter effects. The pedal is a cleverly integrated, all-in-one funk/psych/electronic/jam machine. Whether you want to easily plug and play with its six carefully crafted factory sounds, browse the ever-growing Neuro library for additional sounds created by Source Audio and other Spectrum owners, or use the Neuro’s deep sound editing tools to create your own highly personalized presets, this filter pedal will satisfy the needs of any guitar, bass, keyboard, horn, or (insert your instrument here) player. 

Product Page

Review by Sound on Sound

Review by AMAZONA

Demo by BassTheWorld

 SPECTRUM Intelligent Filter

Put simply: a multi-band processor. In detail, this means that frequency bands are split up here and can be tackled separately. That doesn't sound exciting at first, but the Source Audio Ultrawave has 37 splitting options. You can arrange the bands in different ways and separate pairs of 2 to 10. The result is a huge number of potential sounds with their own character. The signal chain with a classic touch allows compressors and expanders to be packed before or after the distorted signal and modulated afterwards. Here you have the option of using an LFO to control what works and, in addition to flanger and phaser-like sounds, you can also create tremolo sounds, for example. The frequency bands are correspondingly flexible. In addition, you can use the morphing function to create completely wacky sounds. Two parameter constellations can be superimposed here and controlled via LFO or envelope. Typical Source Audio –thinking outside the box. 

A few words about the connections - stereo outputs make sense, but two instrument inputs don't make the whole thing unexciting - being able to manipulate guitar and synth at the same time from the same LFO. I don't think that's available in pedal format. But the routing options don't stop there, the individual source audio devices can be merged together. If you use one input to send commands from the Neuro app, you can let them travel through the entire Source Audio signal chain. As already mentioned: EXP connection, MIDI and USB are included here. Well - if you know the C4 or the Nemesis, you know about the Neuro Editor. In my opinion, the coolest and clearest editor of this kind ever.
Incidentally, calibrating Source Audio with an app or editor is surprisingly easy and a lot of fun. One of the few in-house editors that justifies having a laptop next to the pedalboard. This is perhaps also the biggest problem of the Source Audio brand: despite all efforts to keep it simple, the applications are heavily dependent on the neuro app or the editor. And many musicians still like to avoid both.

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