Bass Main Board w/FX to Amp (v.2)

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Der Source Audio SA 252 One Series Atlas Compressor bietet eine umfassende Sammlung unterschiedlicher Kompressor-Schaltungen, die den Klang und das Feeling der begehrtesten Kompressoren am Markt perfekt einfangen und mit einem Knopfdruck lässt sich Atlas einfach für Gitarre oder Bass optimieren. Mit den Factory Presets bietet Atlas sechs verschiedene Kompressor-Stilrichtungen, die von klassischen Stompbox-Kompressoren bis hin zu High-End Studio Rack Units reichen. Das Pedal verfügt außerdem über eine fortschrittliche Dual-Band Compression, die eine getrennte Kompression der Höhen und Bässe mit individuellen Einstellungen ermöglicht. Jede Compression Engine verfügt über Onboard-Regelmöglichkeiten für Threshold, Ratio, Attack, Release, Output, Tone und Mix, die eine fein abgestimmte Steuerung der kompakten Hardware der One Series ermöglichen. Wie bei allen Pedalen der One Series ist es möglich, noch mehr aus dem Atlas Compressor herauszuholen, wenn man das Pedal mit dem Neuro Desktop Editor oder der Mobile App verbindet. Der Neuro-Editor entfesselt die Leistung eines komplexen Studiokompressor-Moduls, ähnlich dem, was man in einem DAW Plug-In oder einem analogen Rackmount-Gerät sehen würden. Der Neuro Editor enthält eine Signalanzeige, die die Gain-Reduktion des Kompressors in Echtzeit anzeigt. Darüber hinaus verfügt der Neuro Editor über besonders tiefgreifende und leistungsstarke Parameter für weitere Optimierungen und klangliche Anpassungen. Mit dem One Series Atlas Compressor liegt Musikern die gesamte Geschichte der Audio-Kompression, von VCA über RMS bis hin zu Optical und mehr, sprichwörtlich vor den Füßen!

The Source Audio SA 252 One Series Atlas Compressor features a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors and with the push of a button, Atlas can be easily optimized for either guitar or bass. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors to high-end rack units. The pedal also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Mix, allowing for fine-tuned control over the compact One Series hardware. Like all One Series pedals, it is possible to get even more out of your Atlas Compressor by connecting to the Neuro Desktop Editor or Mobile App. Neuro editing unlocks the power of a full studio compressor module, similar to what you would see in a DAW plug-in or analog rack-mount gear. The Neuro Editor includes a signal readout display that shows the compressor's gain reduction in real time. In addition, the Neuro Editor features extra deep and powerful parameters for further tweaking and tonal exploration. Discover the full history of audio compression, from VCA to RMS to Optical and more with the one-of-a-kind Atlas Compressor.

Official Product Page

Source Audio SA 252 - One Series Atlas Compressor - Demo Video - HarryAndAGuitar

Manual

Source Audio SA 252 - One Series Atlas Compressor - Demo / Review Video - HarryAndAGuitar

Source Audio Atlas Compressor - Review by Gitarre & Bass, 11.22  [DE]

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Bass)

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Guitar)

SA 252 Atlas Compressor

Put simply: a multi-band processor. In detail, this means that frequency bands are split up here and can be tackled separately. That doesn't sound exciting at first, but the Source Audio Ultrawave has 37 splitting options. You can arrange the bands in different ways and separate pairs of 2 to 10. The result is a huge number of potential sounds with their own character. The signal chain with a classic touch allows compressors and expanders to be packed before or after the distorted signal and modulated afterwards. Here you have the option of using an LFO to control what works and, in addition to flanger and phaser-like sounds, you can also create tremolo sounds, for example. The frequency bands are correspondingly flexible. In addition, you can use the morphing function to create completely wacky sounds. Two parameter constellations can be superimposed here and controlled via LFO or envelope. Typical Source Audio –thinking outside the box. 

A few words about the connections - stereo outputs make sense, but two instrument inputs don't make the whole thing unexciting - being able to manipulate guitar and synth at the same time from the same LFO. I don't think that's available in pedal format. But the routing options don't stop there, the individual source audio devices can be merged together. If you use one input to send commands from the Neuro app, you can let them travel through the entire Source Audio signal chain. As already mentioned: EXP connection, MIDI and USB are included here. Well - if you know the C4 or the Nemesis, you know about the Neuro Editor. In my opinion, the coolest and clearest editor of this kind ever.
Incidentally, calibrating Source Audio with an app or editor is surprisingly easy and a lot of fun. One of the few in-house editors that justifies having a laptop next to the pedalboard. This is perhaps also the biggest problem of the Source Audio brand: despite all efforts to keep it simple, the applications are heavily dependent on the neuro app or the editor. And many musicians still like to avoid both.

Demo by R.J. Ronquillo

Demo by Mike Hermans

Product Page

Review by The Gear Page

Review by reddit /guitarpedals

Review by AMAZONA

Review by Sound on Sound

Ultrawave Multiband Processor

Mit dem Mercury Flanger hat Source Audio nicht nur einen beachtlichen Flanger mit einer Menge an sanften bis überwältigenden Flange Sounds geschaffen. Taucht man via Neuro App erst einmal in die fantastischen Möglichkeiten dieses Pedals ein scheinen den Soundwelten keine Grenzen mehr gesetzt. Nicht nur bietet der Flanger der Source Audio One Series drei enorm gelungene Presets – hierunter befindet sich das vielgesuchte Thru-Zero a.k.a. Tape Flanging – sondern auch die Möglichkeit über Verbindung mit dem Smartphone weitere Effektparameter zu steuern und in den Presets zu speichern. Der Nutzer hat hier Zugriff auf eine sich ständig erweiternde Sammlung von Presets oder, kann eigene Modulationswelten kreieren, die keineswegs auf Flanging beschränkt sind.

With the Mercury Flanger Source Audio has not only created an astonishing array of flanging sounds ranging from subtle to overwhelming in a handy stompbox. If one looks beneath the surface of the enclosure using the Neuro App, an entire world of sound, seemingly without limits opens up. Not only does the Mercury offer three very well designed presets, amongst which one will find the sought after thru-zero a.k.a. tape flanging. There is also the option to connect the pedal to your smartphone to control a multitude of further effects parameters and save them in the three preset slots. The user also gets access to a vast and ever increasing collection of presets or can create their own sounds which are not at all limited to mere flanging.

Source Audio SA 240 One Series Mercury Flanger - Review by Muzikus CZ

Source Audio SA 240 One Series Mercury Flanger - Review by Gitarre&Bass DE

Source Audio SA 240 One Series Mercury Flanger - Official Demo Video

Source Audio One Series - Review by Tone Report

Demo by Do Noise

Source Audio SA 240 One Series Mercury Flanger - Review by Bonedo DE

Mercury Flanger

The Soundblox Pro Multiwave Distortion caters to the sonic explorer, those musicians searching for unheard sounds. The Multiwave offers 23 different distortion tones ranging from classic sounds to extremely unique and aggressive synth-like distortions. It features a 7-band graphic EQ, six programmable user presets, a MIDI input, and an expression pedal input that allows users to seamlessly morph from one preset to another. Flexibility, programmability and a bold sense of adventure make the Multiwave Distortion a powerful tool for both studio and stage.

The Multiwave Pro’s effect types are divided in two categories: Multi Band and Single Band processing. Each processing category is also broken into three more subcategories: Normal, Foldback, and Octave.

Multi Band processing is an extraordinarily unique procedure that splits the input signal into 10 distinct frequencies, distorts each one separately then recombines them. The process produces a hugely diverse set of tone possibilities. Multi-band Normal offers a crisp distortion with sturdy attack, and heightened note articulation. Multi-band Foldback produces wild synth-like distortions nasty enough to please extreme fuzz fanatics. Multi Band Octave creates octave-up distortion tones unlike any harmonizing box on the market today.

The Multiwave Pro also offers Single Band processing which employs a more conventional approach by applying distortion to the entire signal. The result is a slightly more traditional, but equally diverse and expressive set of guitar tones.
​
The onboard 7-band graphic equalizer with a plus or minus 12 dB adjustment range provides serious tone manipulation capabilities. Customized tones can be saved in the 6 programmable user presets, available for speedy recall via three footswitches. Connect an expression pedal to the Multiwave Pro and gradually morph from one preset to the next, or leave the pedal in the middle of two presets and create a one-of-a-kind hybrid tone. Also, the Pro includes a MIDI input allowing external access to presets and parameters. 

SOUNDBLOX PRO MULTIWAVE DISTORTION

Soundblox Pro Multiwave Distortion demo by Pete Thorn

Soundblox Pro  Multiwave Distortion

What exactly does the Ultrawave Multiband Bass Processor do? Initially, the incoming bass signal is divided into different frequency bands. You can choose between 1, 2, 3, 4, 8 or 10 bands specially chosen for the bass. There are a total of 37 different options for combining different frequencies. In the next step, the different frequencies can be assigned different effects. On board are 44 different distortion/overdrive/fuzz effects, a dual-channel compressor, a multi-band tremolo and a graphic 8-band EQ. Everything is controlled via a Neuro Desktop Editor (Mac and Windows) or the mobile app (iOS and Android). The sounds are loaded onto the pedal via USB and can be called up there as presets and further processed with the controls.

To develop such a complex pedal requires a lot of know-how. The American company Source Audio, founded in 2005, has more than enough of them. Their innovative products have been setting the standards in the field of digital effects for years! It is not without reason that greats like David Gilmour, U2, David Bowie, John Mayer, Aerosmith, Phish, King Crimson, My Morning Jacket, The Cure and Victor Wooten trust the pedals of the Californians.

One reason for the company's success is definitely the willingness to work directly with the musicians. The Ultrawave Multiband Bass Processor was developed together with bassist Nathan Navarro , who is one of the most sought-after musicians in the prog rock scene and is also a big star on YouTube. The world of effects has long been his passion and his distinctive sounds are in demand around the world in the studio and on stage.

Endless possibilities - the new benchmark in the digital sector!

SOURCE AUDIO ULTRA WAVE BASS

How To Use Audio Compression For Bass

Ultrawave Bass by Source Audio

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