Hot blues/rock tones at your fingertips with emphasis on snarling yet transparent cranked-amp sounds; perfect for Page and SRV and any sweet, cleanish overdrive you'll need--this just works.
Goes from chimey to raucous with your guitar volume and responds to your picking intensity with nuance and authority.  Plenty of twang and sparkle that doesn't get lost behind the dirt!

Skreddy Pedals

Product Page

Manual

Demo by Guitarsenal

Demo by shnobel

Hybrid Overdrive

Skreddy Pedals™ Top Fuel strikes a balance between high gain, sustaining distortion and articulation.

No un-useable tones! Neither harsh nor mushy; the string attack is always preserved throughout the entire range of the fretboard, regardless of the sustain level. Tonal emphasis is placed on the midrange in order to showcase the player's technique.

Demo by Israel I

Demo by Sam Vilo

Official Website

Review by everythingSG

Review by Harmony Central

Review by The Gear Page

Top Fuel

Adjustable but not refined—an angry, raw, vintage-style 2-transistor fuzz with extra controls and tweaks to let you recreate oodles of classic fuzz sounds with minimum hassle
The Skreddy Pedals™ BC109 FUZZ is made from silicon transistors for power and temperature stability, but it's darkened so you can get germanium-ish effects out of it too.

The 2 transistors are piggybacked for better tone (smoother, lower noise than single transistors), giving this circuit 4 transistors total. 

Demo by Bluesful

Demo by The Tone Unknown

Review by guitar pedal X

BC109 Fuzz

The Skreddy Pedals™ BC239 FUZZ is a throwback to the late "rams head" era.  The BC239 transistor will tend to render less bass, resulting in a more biting and articulate muff tone.  Add to that the fact that the later rams heads employed plastic film capacitors instead of the softer, grittier tone of ceramic discs used in the triangle knobs and earlier rams heads, and you get a clear, cutting top end.  You'll hear every detail of its velvety distortion.  I'm preserving articulation by keeping the gain in check just enough and not letting it get too mushy or syrupy.  Nice and hot with ample harmonics and of course great sustain.  Rather than a round, fluty tone, you'll get a meaty grind even in your high notes. 

Demo by Marc Ahlfs

Demo by PSQRCL

BC239

The Skreddy™ Echo was designed to take over the duties of my old, green, tube tape echo.  My design goals were simple: 1) make it sound right; 2) it should inspire.  It is intended to emulate electro-mechanical units of the past and is not clean or pristine.

The repeats degrade very gradually into a musical, harmonic soup if you turn them up high enough.  Self oscillation is possible (though not in a touchy or unpredictable way) without the bothersome runaway volume some old analog delays have.

Echo Infinity