Nicholas Howerton

Made for a friend who is actually building this board.

Face Melter 5000 (Don't ask questions :p)

Tester

Der Name Orange steht für einen eigenen britischen Ampsound und natürlich ein unverwechselbares Design, das aufgrund der auffälligen, fruchtigen Farbe einen hohen Wiedererkennungswert hat. Effektpedale sind sicherlich nicht die Hauptdisziplin, mit der man die Marke in Verbindung bringt, doch das soll sich wohl ändern, denn 2015 hat Orange zum ersten Mal seit den 60er Jahren einen Schritt in den Bodentretermarkt gewagt.

The Amp Detonator from Orange is the ultimate tool for guitarists who want to use a guitar with two different amplifiers and/or effect chains. Two outputs, each with its own buffer amp, allow the guitar signal to be forwarded alternately or simultaneously, without the need for long cable runs. In addition, a specially developed isolating transformer and a switch for phase reversal ensure noiseless operation without loss of sound.

Orange

Product Page

Review by Bonedo 

Manual

Demo by Guitar Interactive Magazine 

Demo by Orange Amps 

Review by Guitar Interactive Magazine 

Amp Detonator ABY

Tavish Stone

 Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. 

JHS Volture Manual French

JHS Volture Manual Czech

JHS Volture Manual German 

JHS Volture Manual Polish

JHS Volture Manual Dutch

JHS Volture Manual Englisch

JHS Volture Product Page 

Review by Pedal PCB

Review by reddit /guitarpedals

Demo by Pedal Stacking

Demo by Tellurite Music Co.

Volture

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Phil Treu

Feel the need to express yourself fully? M-Audio’s EX-P expression controller pedal works with all M-Audio MIDI controllers that have an expression pedal input. A built-in polarity switch insures compatibility with most other brands of controllers and keyboards. Use the EX-P to control any assignable variable MIDI controller value including volume, modulation, panning, filter sweep and more. Durable molded construction with integral cable.

M-Audio

Demo by Rob L

Demo by Stamatis Stabos

Expression

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

Official Product Video

EQ-200 Graphic Equalizer

ch ray

With every AUTO Series pedal, your performance becomes an integral part of the sound effect!
Your touch, playing dynamics, and note choices shape the tones and textures, responding to your performance and evolving in real-time. Hence, the sound design is intricately woven into your musical expression, guiding you on a journey of continuous discovery and wonder.

Customize the adjustments with the DYNAMICS and PITCH knobs and dedicated mode switches. Adjust the DYNAMICS decay time, introduce glide to PITCH tracking, and tailor the response curves to match your playing style and the desired effect. Each of the primary effect knobs is paired with a corresponding smaller adjustment knob, also known as an attenuverter. This allows you to precisely dial in the variation amount and direction for each effect knob independently. Imagine the dynamic possibilities – a loud strum on a guitar can turn one knob clockwise significantly, while only slightly nudging another knob in the opposite direction. Explore the subtleties, from gentle parameter shifts to sweeping, full-parameter transformations.

Gamechanger Audio

Demo by Gear Sounds

Review by The Gear Page

Review by musicradar

Review by Sound on Sound

Review by AMAZONA

Auto Chorus

Gamechanger Audio’s AUTO Series M-Type pedals redefine classic audio effects with
cutting-edge parameter automation - carefully designed to become part of your performance.
Rather than overwhelming you with a variety of pre-made, quirky sounds, we provide you with
the essential toolset: three nuanced algorithms, four vital parameter controls, two exceptionally
precise dynamics & pitch tracker engines, and a set of patching accesories.
With these building blocks and the knowledge contained in this booklet - you will be able to
explore an endless array of sound possibilities. The combinations are virtually limitless, allowing
you to continuously breathe new life into the AUTO REVERB and create soundscapes that
naturally evolve with your playing, offering a unique musical experience every time.

Review by Guitar Bomb

Review by Gearnews

Auto Reverb

To shape the AUTOMATION, you can precisely calibrate both DYNAMICS and PITCH tracking engines – indicated by the led light strips in the patchbay. Furthermore, you can customize the automation with the DYNAMICS and PITCH knobs, along with dedicated switches featuring three distinct modes for both sides of automation. Thereby you tailor the response curves to suit your playing style and the desired automation effect.

The result – an unlimited breadth of touch-responsive effects – orchestrated in real time by the nuances of your playing. 

From subtle, tasteful settings, all the way up to wild experimentation – the AUTO Series is an endless platform for discovery.

Auto Delay

James  Thain

The ProD2 is a high-quality ultra-compact stereo passive direct box that features custom-made Radial transformers. Essentially two ProDIs in one compact enclosure the ProD2 is a great choice for stereo keyboards, DJ equipment and consumer hi-fi systems. Its high-performance transformer has an exceptionally linear frequency response from 20Hz to 18kHz and is able to handle high signal levels without saturation making it ideal for electronic instruments. The ProD2 is housed in an extremely rugged two piece 14 gauge steel enclosure with a book-end designed outer shell that prevents damage to the switches, features a -15dB PAD for high output sources and ground lift switch to troubleshoot noise from ground loops.

Radial Engineering

Demo by Adam Likes to Rock

Review by audiofanzine

Review by Gearspace

PRO D2

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Hologram Electronics

Quick Start Manual

Demo by Mark Johnston

Chroma Console

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

rudy iskandar

Pedal Board Power Supply With 8 Isolated Outputs

GATOR

Review by GUITAR WORLD 

Demo by Guitar World 

Power 8

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

NIck Costa

My pedal board for solo gigs, designed for my dual output Gibson J160.

4 Signal paths: Acoustic, Electric, Beat Buddy, Vocals. 

The guitar signal chain goes through the FX loop in the DI to share some FX on both guitars (delay, reverb, octaver) and allows me to capture both in loop. It also runs through the harmony pedal to guide the key on vocal harmonies. The DI sends one blended output to mixer.

Beat Buddy syncs to Loop pedal via MIDI.

Board has a white LED strip underneath.

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Looping Board - All in One

Pavle Ivanovic

Behringer

Behringer Xenyx 1002SFX

David Litaba

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Dunlop

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Bart Gijde

FS-7 ist ein kompakter Doppelfußschalter zur Fernsteuerung von Effektpedalen oder zur Kanalumschaltung von Verstärkern. Zwei Fußschalter sind hintereinander angeordnet, was Platz auf Effektpedalbrettern spart. Zwei wählbare Modi für Latch oder Momentary ermöglichen die Steuerung einer breiten Palette von Geräten.

FS-7 is a compact dual footswitch for remote control of effect pedals or amp channel switching. Two footswitches are arranged in tandem, which saves space on effects pedal boards. Two selectable modes for latch or momentary allow for control of a wide range of equipment.

FS-7

Simplifier features a 100% true analog preamp that recreates with obsessive detail the most useful and popular clean channel preamps in the market AC BRIT: Classic AC30 sparkly and tridimensional sound. A true British heritage since the 60's. AMERICAN: Classic blackface deluxe sound. Sweet and dynamic with a balanced response. By far the most used amp on studio recordings MS BRIT: Classic clean-to-crunch vintage plexi style amp. The sound that defined rock music.

DSM & Humboldt

Demo by Worship Tutorials

Review by bonedo

Review by Gitarre & Bass

Demo by Brett Kingman

Simplifier Classic

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

TC Electronic

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Polytune 3 Mini

Simon Katz

The Red-Eye Twin Instrument Preamp offers a simple, one-box, direct-connect solution for
musicians that play two instruments at the same gig or have an instrument with dual pickups. The
Red-Eye Twin works well with instruments having passive or active piezo pickups, electret
microphones or magnetic pickups such as electric guitars and basses. Performers that find the
Red-Eye Twin useful are, for example, those playing fiddle and mandolin, guitar and mandolin,
string bass and electric bass or dual pickup instruments

Fire Eye

Review by Fretboard Journal

Demo by Bass Whisperer TV

Review by acoustic guitar forum

Red Eye Twin

Cory Gage

Der K&K Sound Pure Preamp ist ein kompakter externer Vorverstärker, der entwickelt wurde, um das Signal von Akustikgitarren-Pickups und anderen passiven Tonabnehmern zu verbessern. Er bietet eine rauscharme Schaltung mit einer dreibändigen Klangregelung (Bass, Mitten und Höhen) sowie ein internes Gain-Trimmpoti zur Anpassung der Verstärkung. Der spezielle Breitband-Mittenfilter und die hohe Eingangsimpedanz sorgen für eine natürliche, breitbandige Wiedergabe von 10 Hz bis 30 kHz, was ihn besonders effektiv mit Piezo-Pickups macht. Der Pure Preamp wird mit einer 9-V-Batterie betrieben und bietet mit seiner robusten Belt-Clip-Bauform klare, kraftvolle Klänge und einfache Klangformung.

The K&K Sound Pure Preamp is a compact external preamplifier designed to enhance the signal from acoustic guitar pickups and other passive transducers. It features a clean, low-noise circuit with three-band EQ controls (bass, mid, and treble) and an internal gain trim that lets you adjust the amplification from subtle to stronger boosts. Its wide-band midrange filter and high input impedance provide a natural, full-range response from 10 Hz to 30 kHz, making it especially effective with piezo pickups. Powered by a 9 V battery with long life and housed in a rugged belt-clip case, it delivers clarity, power, and simple tonal shaping in a small form factor.

K&K Sound

Demo by Fabian Holland

Demo by Hiroya Tsukamoto

Pure Preamp

Antony Douch

Entdecke den RC-600 – den modernsten Looper der Welt. Mit ihrer erweiterten Bedienung und zahlreichen anpassbaren Funktionen führt die wegweisende Loop Station im Bodentreter-Format Gitarristen, Singer-Songwriter, Multiinstrumentalisten und andere Looping-Musiker in eine neue Ära kreativer Leistungsfähigkeit. Halte mehrere Mikrofone und Instrumente in hochwertigem Sound in 32-Bit auf sechs Stereo-Tracks fest und behalte jederzeit die Kontrolle. Hierfür sorgen neun frei zuweisbare Fußtaster sowie die umfangreichen externen Steuerungsoptionen. Und das ist erst der Anfang. Bearbeite den Sound deiner Loops mit der riesigen Effektauswahl, erhöhe den Groove mit den integrierten Rhythmen, route Audiosignale nach Belieben auf die drei Stereoausgänge, integriere deine DAW über USB und vieles mehr.

Meet the RC-600, the most advanced looper on the planet. Loaded with evolved features and customizable functions, this next-generation Loop Station ushers in a new era of creative power for guitarists, singer/songwriters, multi-instrumentalists, and other looping musicians. Capture multiple mics and instruments with six stereo tracks and premium 32-bit sound, and take full command with nine freely assignable footswitches and deep external control support. And that’s just the start—you can also color loops with a massive FX selection, groove with onboard rhythms, route audio as you like to the three stereo outputs, integrate with computer software via USB, and much more.

Demo by SoundCrunch

Review by Richard Purvis, guitar.com

Review by Loopstation

RC-600

Cameron Taylor

The CopperSound Passive ABY pedal is a simple and handy utility device designed to split one input into two separate outputs, or combine two separate inputs into one output. Being a Bi-directional Passive device, its applications are only limited by your imagination! Use it to run and organize your stereo rig, switch between two instruments on the fly, or even as a mute switch for silent instrument changes. To make connections simple, the footswitch washers are color-coordinated to their corresponding output jack. Since this ABY is a passive device, power is only required for the status LEDs.

Coppersound

Passive ABY Switcher

Vocal Effects Stompbox with Guitar-Controlled Harmony, Reverb and Tone

TC Helicon

Review by Guitar Fella

Demo by Andertons Music

Harmony Singer

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Review by Six String Sensei

Review by Guitar World

Demo by  Pepe Music

OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Bring professional drums to your pedalboard. Built like a guitar pedal
stompbox, the BeatBuddy delivers authentic, studio-quality drum beats
wherever you play. Experiment with 220+ styles and 24 genres to find
your perfect match. Customize your performance with fills, transitions,
intros and outros by simply tapping your foot.

BeatBuddy’s dynamic, award-winning samples play in 24-bit studio-grade sound with
32-bit floating point processing. Utilize near-endless memory to add up
to 3 million songs using an SD card. Included BeatBuddy Manager software
lets you create and edit custom beats, create set lists and more.

Singular Sound

Review by Guitar Interactive Mag

Demo by  60 Cycle Hum

Demo by  Zach Wirchak

Demo by Karl Golden Music

Beat Buddy

Session circuitry enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear.
Unlike standard compression that can squash the entire range of your signal, the Session’s Comp EQ features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real-time to your dynamics. The harder you strum, the more they compress and vice versa.

LR Baggs

Review by Guitar IQ

Demo by Guitar IQ

Demo by Clever Little Rodents

Align Series Session

Strymon

Ojai r30

Zuma r300

Die Radial BigShot ABY V2 ist einen kompakte ABY switcher, der es dir ermöglicht zwischen zwei Verstärkern zu schalten oder das Signal zu kombinieren, wenn beide Verstärker zur gleichen Zeit aktiv sein sollen. Mit netten Extras wie eingebauten Isolationstransformern, separatem Tuner Ausgang und Status LEDs, ist dies der wohl flexibelste True-Bypass Switcher am Markt.

The Radial BigShot ABY V2 is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time. Featuring nice extras like a built-in isolation transformer, separate tuner output and status LED’s, is the most versatile true-bypass switcher made today!

Official Product Page

Review by Musiker-Board

Demo by Landon Bailey

Demo by Hollywood Rare Guitars

Bigshot ABY v2

The Headbone VT is a specially designed switching device that lets you toggle between two tube amplifier heads using a single speaker cabinet. This provides the ability to experiment with different tonal options and perform without hauling two speaker cabinets to the gig.

Headbone VT

The Trimode is a true-bypass, dual-channel tube distortion pedal that utilizes the warmth and harmonics from a 12AX7 tube to deliver a wide array of American-style distortion tones.

Quick Start Guide

Demo by Pedal of the Day

Demo by Reverb

ToneBone Trimode

Es gibt genug verrückte Gitarristen, die sich gleichzeitig in mehrere Amps stöpseln. Warum fragst du? Mit einem breiten Repertoire an Songs und der Möglichkeit jeweils den richtigen Amp auszuwählen, klingt es nicht nur besser, sondern du groovest auf der Bühne auch leichter! Im Studio schnell mal zwischen Amps zu schalten ohne ein Rack und große Multi-Selektor-Switches rum zu schleppen macht die Sache auch um einiges einfacher… Für genau diese Leute ist der Headlight gemacht! Das Design beginnt mit Radials preisgekröntem Class-A Buffer und Drag™ Regler. Ein einfacher Fußschalter schaltet durch die, an den verschiedenen, durch Transformatoren isolierten Outputs angeschlossenen Amps. Ground Loops können per Knopfdruck eliminiert und das Signal um 180° in der Phase gedreht werden. Der Mute Schalter lässt dich entweder das Signal komplett stumm schalten oder per Knopfdruck die Sonne aufgehen lassen…!

There are plenty of crazy guitarists that will plug into four amps at the same time! Why, say you? With a catalog of songs, having the ability to select the right amp for the right tune not only sounds better, it makes them groove on stage. In the studio, quickly switching between one amp to another without having to bring a rack and large multi-selector footswitch makes things all that much easier. The Headlight is made for these folks. The design begins with Radial’s award winning Class-A buffer and Drag™ control load correction for absolute best tone and natural feel. A single rotational footswitch advances the signal to all of the outputs that are connected. A series of color-coded LEDs follow along for instant visual feedback. To ensure quiet performance, the outputs are transformer isolated. These eliminate ground loops and the hum and buzz that seems to always be present with other switchers. Ground lift and 180º polarity reverse switches are also available to further quiet down the system and ensure all amps play in phase. A mute switch works double duty to either turn all amps off for tuning, or turn them all on to unleash the power of the sun!