Uygar Yildiz

Best Single Coil Pedalboard Ever!!!

Lee Atkin

The Blues Power is a truly transparent overdrive, renowned for its versatility and for producing ‘always-on’ amp breakup tones. This pedal delivers a full-range, amp-like tone with responsive bass and treble controls. Its wide-range drive control allows for a broad spectrum of overdrive effects. Side switches provide adjustments to the mid-frequency range, compressed drive, and KingTone Switch tones. Additionally, the volume control offers ample output to drive even the most stubborn tube amps. With these combined features, the Blues Power might just be one of the  most versatile overdrive available. This is a mighty overdrive indeed.

KingTone

Product Page

Demo by JamesOnGuitar

Demo by jessetwohands

Blues Power

ch ray

After 1000’s of requests, Pedal Pawn® are proud to be doing another LTD Edition GERMANIUM version of the Pedal Pawn® Fuzz! Equipped with a specially hand selected pair of VINTAGE British CV7003 Texas Instruments transistors (military spec OC44) in custom colour ‘Olive Drab Green’ - this small run of hand-wired pedals are set to light the world on fire

Pedal Pawn

Official Product Video

Demo by  Advent of Gears

Review by FX Pedal Planet

Germanium Fuzz

RockBoard

The Centura is a true overdrive pedal, enhancing the tone and capability of your amp. Highly acclaimed one-one recreation of the Klon Centaur circuit.

Ceriatone

Review by Pedal of the Day

Manual Page 3

Manual Page 2

Manual Page 1

Demo by TheKlonWars

Demo by Andrew Cheng

Centura overdrive raw/clear coat version

Tester

The CHRONO DELAY features a simple interface that allows fast, intuitive control.

Delay time is adjustable from 1 to 2700 milliseconds. The A/B preset memory allows two different delay times settings to be memorized and recalled via the footswitch as needed.

Providence

Review by Premier Guitar

Review by bonedo

Manual

Demo by shnobel

DLY-4 Chrono Delay

David Litaba

Das British Pedal Company Dumble Blackface Pedal wurde von den klassischen Sounds des Dumble Overdrive Special aus den späten 1980ern und 1990ern inspiriert. Das Pedal verfügt über vier Regler für Gain, Dynamic, Tone und Volume und einen Boost Schalter. Um mehr Headroom zu bieten kann das Pedal sowohl mit 9 Volt als auch mit 18 Volt betrieben werden. Zu den Besitzern des Dumble Blackface Verstärkers gehören Eric Clapton, Joe Bonamassa, Larry Carlton, Robben Ford und John Mayer.

The British Pedal Company Dumble Blackface pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the Dumble Blackface amp include Eric Clapton, Joe Bonamassa, Larry Carlton, Robben Ford and John Mayer.

British Pedal Company

British Pedal Company - Dumble Overdrive Special Silverface & Blackface - Deutsch - W-Music Distribution

British Pedal Company - Dumble Overdrive Special Silverface & Blackface - English - W-Music Distribution

Dumble Blackface Overdrive

Der Vemuram Jan Ray ist ein handgefertigter analoger Overdrive-Pedal mit dem Ziel, die punchigen, klaren Klänge der Fender Blackface-Verstärker der 1960er Jahre – oft als „Fender Magic 6“-Sound bezeichnet – nachzubilden. Er bietet natürlichen Overdrive mit großem Sustain und minimaler Kompression und erhält dabei den Charakter der Gitarre, während er die dynamische Ansprache verbessert. Das Pedal verfügt über einfache, intuitive Regler für Volume, Gain, Bass, Treble und einen Saturation-Trimmer sowie einen True-Bypass-Schalter zur unverfälschten Tonübertragung im Bypass-Modus. Handgefertigt in Japan mit hochwertigen Bauteilen und robuster Haptik ist der Jan Ray sowohl für transparente Verzerrung als auch für amp-ähnliche Zerre geeignet.

The Vemuram Jan Ray is a boutique analog overdrive pedal designed to reproduce the punchy, clear tones of 1960s Blackface Fender amps, often described as the “Fender Magic 6” sound. It delivers natural overdrive with great sustain and minimal compression, preserving the guitar’s character while enhancing dynamic response. The pedal features simple, intuitive controls including Volume, Gain, Bass, Treble and a Saturation trimmer, along with true bypass switching for unaltered tone when off. Handcrafted in Japan with high-quality components and a robust enclosure, the Jan Ray is suitable for both transparent drive and amp-like breakup tones.

Vemuram

Jan Ray

The Protein is based around modified versions of two well-respected drive pedal circuits: the ‘Blue’ side is based on a 1990’s Marshall Bluesbreaker but has a tweaked tone control and extra output, while the ‘Green’ side takes its cue from that Nashville session favourite the Nobels ODR-1. 

Browne Amps

Review by ThatGuitarLover.com 

Review by Guitar World 

Demo by Alberto Barrero

Demo by Buddy Blues 

Protein

Pedro Delgado

The TCHULA was originally built for Josh Smith as a “one off” 2 stage, custom tuned, COT50 and quickly became a his #1 Dirt Box.

Highly sought after by professional guitarists and collectors worldwide it has been my mission to produce this unit from time to time in custom small batch builds.. This unit blows minds! It sounds and feels so natural you will swear there is an amp in this box!

Lovepedal

Demo by  Sean Gibson

Demo by Sebastian Falvo Music

Review by The Gear Page

Review by guitartest.de

Review by Sam Goffen Guitar

Tchula

Ditto Tiu

Our Katana Clean Boost is back and better than ever! We listened to what our players wanted and went back to our roots. The new Katana uses the original JFETs that made the original so special. We used the same component values from the original Katana, and updated the Boost mode to offer a more robust, clear sound, giving more clarity to bass notes when engaged. We updated the build with modern construction techniques to make this Katana the most dependable Clean Boost on the market, including an updated aluminium control knob, designed to be adjusted on the fly.

Keeley Electronics

Katana Clean Boost - Black

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Gleiches Design wie der ursprüngliche EHX Q-Tron, aber mit extrem nützlicher Effektschleife und einem Attack Response Schalter. Die Effektschleife gibt dem Musiker die Möglichkeit, einen zusätzlichen Effekt oder eine Kette von Effekten zwischen dem Vorverstärker und der Filtersektion des EHX Q-Tron Plus zu platzieren, ohne die Hüllkurvensteuerung zu ändern. Dies ist besonders wichtig bei den meisten Distortion-Geräten, da die meisten von ihnen keine Amplitudenhüllkurve haben. Die FX-Schleife regt auch Ihre Kreativität an, um alle möglichen Kombinationen in der Effektschleife auszuprobieren: Probieren Sie den Micro POG mit einem Deluxe Memory Man. Sie können alle Arten von neuartigen Effekten erfinden. Der hinzugefügte Response-Schalter wählt zwischen einem langsamen, weichen, vokalähnlichen Attack und der schnellen, geschlängelten Reaktion des ursprünglichen Q-Tron.

Same design as the original EHX Q-Tron but with extremely useful Effects Loop and an Attack Response Switch. The Effects Loop gives the musician the ability to place an additional effect, or chain of effects between the EHX Q-Tron Plus’s preamp and filter section without changing the envelope drive. This is particularly important with most distortion devices, as most all do not have much of an amplitude envelope. The FX loop will also fire up your creative juices to try all sorts of combinations in the effects loop: try the Micro POG into a Deluxe Memory Man. You can invent all sorts of novel effects. The added Response Switch selects between a slow, smooth, vowel-like attack and the fast, snaked response of the original Q-Tron.

Electro-Harmonix

Review by reddit /guitarpedals

Demo by Anıl Yazar

Demo by  Alberto Martinez Del Rio Guitar

Q-Tron Plus

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Antony Douch

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

BOSS

Review by Six String Sensei

Review by Guitar World

Demo by  Pepe Music

OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Sound on Sound

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus (Waza Craft)

Nobody does Reverse Delay like this! Invented by ­Danelectro® in 1999, this pedal has achieved cult status. Originals cost a small fortune. Why? Because of its warm violin-like, organ-like tone. It literally flips the phrase you just played and plays it ­backwards. There’s nothing like it! Party like it’s 1999. Because it is!

Danelectro

Review by Charles Saufley, premierguitar.com

Review by Bassel Hallak, bonedo.de

Demo by Andy Demos

Demo by Max Solo Music

Back Talk

Das Way Huge Supa-Puss (WHE707) Effektpedal wurde vom Delay-Mastermind Jeorge Tripps entwickelt um das Potential analoger Delay Effekt komplett auszuschöpfen und Musikern neben einer extrem langen Delay-Time Regelmöglichkeiten für alle denkbaren Parameter des Effekt-Signals zu bieten. Die Schaltung arbeitet mit sechs Bucket-Brigade Chips und bietet bis zu 900 ms Delay-Time. Über den Tap Tempo Schalter lässt sich die Delay-Time auf bis zu 3 Sekunden verlängern. Im einzigartigen Chase-Modus laufen die Repeats durch alle Subdivision-Werte und erzeugen so völlig abgedrehte Effekte. Der Tone-Regler verändert die Klangfarbe der Repeats, Gain gibt dem Signal einen schönen Grit, Speed und Depth verändern die Modulation und geben dem Signal einen wunderbaren Schimmer. Über den Mix-Regler lassen sich Effekt- und Original-Signal stufenlos mischen.

The Way Huge Supa-Puss Analog Delay was designed by delay master Jeorge Tripps for exploring the farthest reaches of true analog delay potential, featuring an eternity of delay time and fine control over numerous parameters of your delay signal.

Tripps equipped this pedal with a total of six bucket-brigade chips, delivering up to 900 milliseconds of delay time. With the Tap Tempo switch, you can program in real time up to three full seconds of delay time for ethereal ambience. The Subdivision control allows you to set how your repeats are subdivided, and by switching to the unique Chase mode, you can set your repeats to cycle through each of the Subdivision values in different ways for maximum freak-out effects.

In addition to standard Delay and Feedback controls, Tripps included several controls for fine-tuning the sound of your repeats: Tone for shaping color, Gain for adding grit, and Speed and Depth controls for adding shimmering, liquid textures with the Supa-Puss Analog Delay's LFO modulation circuit. For even further tweakability, Tripps added a true Mix control so you can set your desired blend of wet and dry signals.

Finally, the Supa-Puss Analog Delay has an expression pedal jack so you hook up an expression pedal for continuous, real-time control over the Supa-Puss' delay time.

Way Huge

Official Product Page

Way Huge Supa-Puss (WHE707) - Official Demo Video

Way Huge Supa-Puss (WHE707) - Demo Video -  Premier Guitar

Way Huge Supa-Puss (WHE707) - Demo Video - ProGuitarShopDemos

Way Huge Supa-Puss (WHE707) - Demo Video -  shnobel

Way Huge Supa-Puss (WHE707) - Demo Video - WMusicDistribution

Demo by The Pedal Picassos

Demo by N Stuff Music

Review by AMAZONA

Supa-Puss

PedalSafe Type WH3

QuickMount Type WH3

Pedal-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

 Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

The micro Vent 16 simulates the classic guitar leslie with a 10 inch speaker into a single drum rotor. Yes, we are talking about the vertically suspended magic of the Fender Vibratone. The algorithm simulates capturing the Vibratone with one mic and the distance from the cabinet is variable. Compared to the micro Vent 122, the micro Vent 16 sounds less complex and dominant. It is perfect for rhythm work and for giving lead tones the final touch.

Neo Instruments

Demo by Mike Hermans

Micro Vent 16

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Review by Amazona 

Review by Guitar.com

Demo by Made by Miike

Audio Examples

Flint

PedalSafe Type J

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

Introducing the Pedal Pawn® BluesPrint™ Dual Overdrive Guitar Pedal!

Side 1: After gaining confidential access to one of SRV’s original 1983 Screamer pedals, we've finally unlocked the BluesPrint™ to the juiciest, fat mid-hump overdrive tone ever! 
The reference unit we selected has a strong possibility of being the same pedal used during Stevie's legendary El Mocambo performance, boasting a distinctively clear and dynamic sound for a ‘green’ style circuit.

Side 2: Reverse-engineered to ‘break’ the original blues code, this second side delivers a 1:1 vintage warm and punchy tone that would continuum to put hairs on John Mayer's chest!
But here's where the real magic happens: When you combine Side 1 and Side 2, you can unlock a secret pathway to your own signature overdrive tone with the limitless tonal options at hand!

Demo by EytschPi42

Review by delicious audio

Review by Guitar Bomb

Bluesprint

Éloi Deraiche

To put it bluntly, we’ve spent thousands on both new & VINTAGE octave fuzz’s - in search of the holy grail! To our ears, we deemed a very rare vintage 1970’s Octavia the gold standard for its SPOOKY magic. Once faithfully recreating the voodoo of that FAT circuit, we souped up the parameters to also fulfil the ULTRA clean octave settings that are desired by so many. We can now proudly present the highly requested - Pedal Pawn® Octone™

Demo by Fret Junkies

Octone

Meet the Pedal Pawn® Cowboy King™, where the legendary 1980’s Screamer style circuit gets cranked up to 11—on steroids! This powerhouse pedal takes the classic mid-hump overdrive you love and dials in more clarity, gain, output, and a woody, thick tone for blues tones that absolutely scream!

Whether you want smooth, Texas-style smoke or stage-shaking leads, the Cowboy King™ nails that iconic tube tone with fat, juicy character and unmatched authority. Yeehaw!

Cowboy King

Step into a Time Machine for Your Tone with the Pedal Pawn® Gypsy Vibe™ V2.

Inspired by the Magical Vintage Units of the Past, We've Captured the Unmistakable "THROB" that Transforms Your Amp's Speaker into a Pulsing Heartbeat!

Immerse Yourself in a Hypnotic 3D Swirl of Magical Colors and Experience the Unmistakable Essence of the Psychedelic '60s - All Packed into a Compact Box that Perfectly Fits on Your Pedalboard.

Demo by  Fmaj13

Gypsy Vibe v2

Noam Chabbi

It’s been a lifelong journey to encapsulate our favourite Texan’s ‘Twang’ into a box! Alongside our countless hours of tweaking, we have received an outpouring of requests for this very creation! We listened to you, ourselves, (& Stevie on repeat for 20 years) &  can now proudly present the – Pedal Pawn ® Texan Twang ™.

This custom boost circuit is specifically tuned for an abundance of glassy clean-up, for when you roll back the guitars volume knob on each setting. Rolling up the guitars volume knob produces the Texan Twang ™ we have searched for our whole lives!

Demo by  Alberto Barrero

Texan Twang

Nicolas Wilfer

Es ist kein Geheimnis, dass das Pedal Pawn® Team einige der verrücktesten Fuzz-Freaks überhaupt sind! Nachdem wir hunderte, wenn nicht gar tausende von Vintage-Smiley-Fuzzs durch unsere Hände bekommen haben, haben wir unser Wissen verfeinert und das ultimative Fuzz entwickelt! Dieser Custom-Schaltkreis ist speziell für eine Fülle von glasigem Clean-up beim Zurückdrehen des Lautstärkereglers der Gitarre abgestimmt. Wenn man den Lautstärkeregler der Gitarre aufdreht, entsteht das fetteste Fuzz, das wir je gehört haben!

t's no secret that the Pedal Pawn® team are some of the craziest fuzz freaks ever! After having 100s if not 1000s of vintage smiley Fuzz's pass through our hands, we have refined our knowledge into the end-all Fuzz! This custom circuit is specifically tuned for an abundance of glassy clean-up when rolling back the guitars volume knob. Rolling up the guitars volume knob produces the fattest fuzz we've ever heard!

Demo by Alex Hamilton

FUZZ (ORIGINAL SILICON)

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Silver Sky

John Mayer 2024

Der NOTADÜMBLË ist ein DIY-Gitarrenpedal-Kit mit zwei Kanälen von JHS Pedals, mit dem Sie mithilfe eines einfachen Schalters zwischen Overdrive- und Clean-Boost-Modus wechseln können. Es verfügt über Regler für Input, Output, Drive, EQ und Volume sowie ein internes Trimpot zur Feinabstimmung der Präsenz. Das Kit ist für eine einfache Montage konzipiert und erfordert kein Löten.

The NOTADÜMBLË is a DIY dual-channel guitar pedal kit from JHS Pedals that lets you switch between overdrive and clean boost modes using a simple slider. It features controls for input, output, drive, EQ, and volume, plus an internal trimpot for fine-tuning presence. Designed for easy assembly, the kit requires no soldering. 

Review by Music Radar

Demo by Pedal Of The Day

Demo by Mango Guitar

NotADumble

Ein Jahr später, 1986, erschien die “Power Series”, bzw. die 10er Reihe, zu der der TS10 zählt, mit mehr Veränderungen in der Schaltung. Hier wurden sehr kostengünstige Komponenten verbaut, die Stecker sind nicht am Gehäuse, sondern auf der Platine verschraubt und das Chassis ist dünner. Gegen Ende der Produktion wurden einige TS10 in Taiwan gebaut und mit dem MC4558 Chip versehen. Die frühen Made in Japan TS10 sind mittlerweile trotz der erwähnten Abstriche sehr gefragt, nicht zuletzt, weil auch John Mayer mittlerweile dieses Pedal benutzt.

As with other Tube Screamers, the TS10 features the same three controls: Drive, Tone and Level. This model in particular is extremely responsive to the dynamics of your playing, making it a great pedal to crank up and then control via your guitar’s volume knob, for all the control over your overdrive you could want. Starting with the Tone and Drive around 9:00, it’s fun to try out different settings, both on the pedal itself, and playing with your guitar’s controls. The TS10 is also a joy to use with other pedals, especially a good boost, which can propel the overdriven sound to drive your amp beautifully, just beyond break-up, but still clean and clea

Ibanez

Review by pedal of the day 

Review by Gitarre & Bass 

Review by bonedo 

Demo by Pedalboards of Doom 

Demo by Hollywood Rare Guitars 

Demo by shnobel 

TS-10 Tubescreamer

Jack White, der renommierte Gitarrist und ehemalige Frontmann von The White Stripes, besitzt ein originales Klon Centaur Overdrive-Pedal, das speziell an seinen Stil angepasst wurde. Das Pedal befindet sich in einem schwarzen Gehäuse und weicht damit von den üblichen goldenen oder silbernen Ausführungen ab – dank der Unterstützung von Josh Scott von JHS Pedals.  

White's Klon Centaur ist eine relativ neue Ergänzung zu seinem Pedalboard auf der No Name Tour und wird für seine außergewöhnliche Klangqualität geschätzt. Es verleiht dem Gitarrenton eine besondere dreidimensionale Tiefe und wird besonders für seinen mittigen EQ gelobt, der die Klarheit der Noten verbessert und sowohl mit Single-Coil- als auch Humbucker-Tonabnehmern hervorragend harmoniert.  

Als eines der begehrtesten Pedale passt ein authentischer Klon Centaur perfekt zu Whites Ruf als Sammler seltener Musikinstrumente und Equipment.

Jack White, the renowned guitarist and former frontman of The White Stripes, owns a genuine Klon Centaur overdrive pedal customized to fit his style. The pedal is housed in a black enclosure, differing from the standard gold or silver finishes, thanks to the help of Josh Scott from JHS Pedals. White's Klon Centaur is a relatively new addition to his No Name Tour pedalboard and is celebrated for its exceptional sound quality, adding a unique 3D dimension to guitar tone. It's particularly praised for its midrange EQ, which enhances note clarity and complements both single-coil and humbucker pickups. As a highly sought-after pedal, owning an authentic Klon Centaur aligns with White's reputation for collecting rare musical equipment.

Klon By Bill Finnegan

Review by Jeff McErlain 

Review by Lead Guitar Workshop 

Demo by Kurtis Kent 

Demo by David Fisher 

Centaur Jack White Rehoused

Sebastian Hübner

Das RC-500 ist ein unverzichtbarer Partner für Gitarristen, Singer/Songwriter, Multi-Instrumentalisten und alle, die ihre Looping-Performance auf die nächste Stufe heben wollen. Erzeuge Kompositionen in Echtzeit: zur Verfügung stehen dir zwei Loop-Spuren, Eingänge für Mikrofon und Stereo-Instrument, Rhythmen und inspirierende Loop-Effekte in hochwertiger 32 Bit Audioqualität. Speichere Loops auf den internen Speicherplätzen und entdecke die erweiterten Steuerungsmöglichkeiten über externe Controller und MIDI. Das RC-500 ist vollgepackt mit Loop-Station-Funktionen der nächsten Generation und liefert kreativen Musikern sämtliche Werkzeuge, um neue Ideen auszuarbeiten und eindrucksvolle Performances zu kreieren, von denen das Publikum nicht genug bekommen wird.

The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.

RC-500 Loop Station

DLY-4 Chrono Delay von Providence