The Okko Diablo is a versatile, extremely transparent and dynamic Overdrive with lots of gain on tap. With its independent, discrete circuit (no ICs) and features such as its Feed and Body Knobs (see below), it allows a multitude of sounds from transparent chords to fat, singing lead lines with gobs of sustain. The Diablo also sounds great in front of a clean amp.

Okko FX

Official Website

Review by audiofanzine

Demo by Bratt Kingman

Demo by ambienttrash

DIABLO+

The Black Beast is a massive sounding fuzz/distortion pedal for guitar or bass.
As you can guess from its name, this is not a smooth vintage germanium fuzz but
a modern distortion machine for all kinds of dirty or heavy sounds.

The magic of the pedal is in the knob called KAPUTT (german for broken/out of order). This control changes the gain structure from plain harmonic distortion to all out nasty fuzz. You can dial in the exact sweet (or not so sweet) spot where you have both: great string separation and clarity of chords AND that buzzy, gnarly crazyness we all love a good fuzz for.

This box delivers loads of gain and sustain for days. The active 2-band tone control provides a wide range of sounds – warm or biting, with tight bass or massive low end.

Demo by Dennis Kayzer

Demo by MrExcane

Review by Stompbox Steals

Review by The Gear Page

Review by guitartest.de

Review by bonedo

Product Page

Black Beast

The Coca Compressor is a studio quality compressor and clean boost pedal.
It doesn’t color your tone but enhances it.

Use it for your clean sound to make it big, tight and punchy without squashing your attack... put it in front of your overdriven amp or overdrive pedals for dynamic singing lead tones, adding sustain but no distortion...
plug in your Piezo-equipped acoustic guitar (or any other stringed instrument) for a fatter, less harsh sound... use it with your bass guitar... the Coca makes everything sound better :-)
The CocaComp also works well with bass guitars. It just makes everything sound better balanced and easier to place in the mix.

The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors. Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.

Review by reddit /guitarpedals

Demo by BUZZBEE TV

Coca Comp MKII

If you read this, you have most likely spent quite some time reading and learning about the pros and cons of different types of bypass. You heard about impedance and capacity and how it affects the tone.
But did you have a chance to compare different combinations of these parameters and find out what works best for you?
That’s exactly what the V.I.B. is made for, a buffer circuit with adjustable input parameters. On this box we have two 6-position rotary switches:

IMP sets the input impedance, from 10 Megaohms (super brilliant) down to
10 Kiloohms (classic "tone suck")

CAP changes the input capacity. This capacity affects the resonant peak of your pickups. You’ll be surprised how different they can sound!
The lowest setting doesn’t add any capacity.

Review by Talk Bass.com

Review by Musiker-Board

V.I.B.

Gritty overdrive, low gain fuzz, vintage preamp – no matter how you call it, the Holy Grit combines the clarity and dynamic response of a great overdrive with the raw and complex texture of a vintage fuzz. The intuitive controls let you dial in anything from cleanish boost with a little grit to full-blown vintage „amp on 11“ sounds. Plug it into a clean or driven amp, stack with boosters, overdrives or fuzz pedals, Holy Grit will deliver – for guitar, bass, keys or whatever you want to spice up.

The circuit is based on the classic Fuzz Face/Tone Bender but heavily tweaked into something else. We’re using a set of matched low gain silicon transistors here (parts numbers may differ from one unit to another), voiced between germanium warmth and silicon presence.