Gritty overdrive, low gain fuzz, vintage preamp – no matter how you call it, the Holy Grit combines the clarity and dynamic response of a great overdrive with the raw and complex texture of a vintage fuzz. The intuitive controls let you dial in anything from cleanish boost with a little grit to full-blown vintage „amp on 11“ sounds. Plug it into a clean or driven amp, stack with boosters, overdrives or fuzz pedals, Holy Grit will deliver – for guitar, bass, keys or whatever you want to spice up.

The circuit is based on the classic Fuzz Face/Tone Bender but heavily tweaked into something else. We’re using a set of matched low gain silicon transistors here (parts numbers may differ from one unit to another), voiced between germanium warmth and silicon presence.

Review by guitar pedal X

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Review by The Gear Page

Official Product Video

Demo by Demos in the Dark

Holy Grit

The TwinSonic MkII brings back our classic TwinSonic and takes it to another level. What we got here is two OD circuits which can be used independently or stacked together.
Combining the both opens up plenty possibilities, you can go all the way from edge of breakup into heavy vintage distortion or fuzz territory.

The blue channel is the original TwinSonic circuit, a discrete OD with a bold, open, grainy sound like a cranked vintage amp. It’s incredibly dynamic and cleans up perfectly with the guitar volume control.
The newly designed red channel is a transparent Overdrive with a slightly smoother gain structure, designed to perfectly stack with the blue side or to add some dirt and harmonics to your base sound on its own. The gain range goes from sparkly clean to dynamic singing mid gain overdrive.

Review by bonedo

Twinsonic

Since the first Diablos hit the market 15 years ago they found a permanent place on thousands of pedalboards all over the world. The Dual adds some often requested features to the classic Diablo circuit.

Manual

Review by delicious audio

Review by Gitarre & Bass

Demo by Alberto Barrero

Diablo Dual

In memory of one of the (if not THE) last true rock’n’roll icons, OKKO presents the MOTÖRBASS pedal. You’re all familiar with Lemmy’s signature sound – ultra powered rumbling grind, distorted, slightly fuzzy but with a lot of edge and definition for high speed hammering powerchords.

It would be presumptuous to claim you could get the exact sound of the iconic modified Marshall Super Bass stack from a 9-volts-powered box... but we did a lot of tweaking to capture that sonic character and we’re pretty happy with the result.

When trying the recreate the Lemmy sound with distortion pedals you easily run into problems. Bass distortions often lack the aggressive edge or get muddy when playing chords. Guitar distortions usually cut too much low end and often sound too fizzy. The MOTÖRBASS runs on an internal voltage of 24 volts*. Paired with carefully chosen filtering, this massive headroom ensures for a raw but tight distortion sound all across the fretboard.

Controls are easy: FASTER controls the gain from almost clean to full blast. HARDER works on the upper mids. Lower settings sound more rounded, turning up adds aggressive bite and attack. LOUDER? Hmm....

The MOTÖRBASS is not only for die hard Motörhead fanatics but for every bass player wanting a powerful, tight rock sound. Now, grab a pick and PLAY HARD!
Btw., don’t lend it to your guitar player, chances are you’ll never get it back...

Review by Talk Bass.com

Demo by MrExcane

MOTÖRBASS

The T3 is our most complex build so far. This great-sounding, versatile Tremolo pedal can do everything from vintage amp style modulation to weird polyrhythmic chops and offers some features you won't find in any other Tremolo pedal.

Demo by BUZZBEE TV

Demo by Signal Path

T3 Tremolo

T3 Tremolo by OKKO FX

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