Francisco Adónis

This pedalboard takes my essential pedals and makes use of the extra space of the 5.3, the dual MOD slot and utilities to make sure it sounds the best it can in every possible scenario I find myself in. No matter what the crazy jungle that is the underground Portuguese music scene throws at it, this board can handle anything from the scrappiest PA-less basement gig to a full scale show with no compromises.

For amp-less (and the sake of what's left of my back) and amped operation ("Wet/Dry/Wet esque" arrangement or simple amp only operation) with parallel synth/vocoder chain and stereo capabilities.

In amp-less operation, the amp loop is patched on the MOD3 with a patch cable, with the ToneX pedal handling amp sim duties.

In amped operation, ToneX Capture sends a line output of the cabinet out of the JVM to the ToneX pedal (with IR, going stereo out to the Plethora and to FOH) and a dry signal to the cabinet. Combined with the FOH Stereo out from the pedalboard, it creates a W/D/W arrangement of sorts. In the case that I must use a backline amplifier and no PA, the MOD3 B/C outer jacks serve as unbalanced outputs that go into the effects loop return of 1 amp in mono, and 2 in stereo.

Other configurations are possible (using the JVM's fx loop, connecting the unbalanced outputs straight to backline amp's inputs, etc), I'm just showing the main ones in the diagram so I don't make an already convoluted overview even more convoluted lmao

The MODs I/O are as follows:

MOD3:
A - Guitar input
B/C -  Unbalanced pedalboard outputs
XLR 1/2 - Balanced pedalboard outputs
XLR 3 - Mic input

MOD2:
A/B - Amp insert send and return
C - Pitchfork+ Aux Out
D - ES5 CTL Out
MIDI I/O - Self explanatory

MIDI Chain:
Interface MIDI Output > MOD2 MIDI Input > ES5 > Plethora x3 > ToneX > SY200 > MOD2 MIDI Output > JVM MIDI Input (in amped operation with this particular amp)

Guitar to MOD3 A outer jack, which is patched into the Polytune input, into the noise gate. The "Return" and "Output" jacks on my gate are on a loop in ES5 so I can turn the gating on and off via ES5. 

The ES5 Loops are as follows:
Loop 1: Wah
Loop 2: Pitch Shifter
Loop 3: Gate
Loop 4: Eisenhower Fuzz
Loop 5: Big Muff

ES5 Output goes to the inner MOD3 B jack, where B/C outer jacks serve as the amp insert loop. Inner C jack goes to the ToneX, which in turn goes to Plethora x3 as a stereo chain for "post amp" effects. From the Plethora, the stereo output pair goes into 2 passive DI boxes, where the balanced XLR outputs go into the MOD3 1/2 XLR inputs, and the link outputs into the  MOD3 B/C inner jacks. MOD3 1/2 XLR Outs are the pedalboard's stereo L/R outputs.

ES5 parallel tuner out goes to the Boss SY200 input, creating an independent signal chain for the synth and vocoder. VO1 goes in the SY200 loop. The microphone input of the VO1 is connected to the MOD3 XLR 3 output, and a dynamic microphone is connected to the respective input. SY200 output goes direct to FOH since the output jack is top mounted.  

The ES5 is essentially the brains of the whole rig. Pedals and amp are either managed through the ES5 Loops, via MIDI, or in the case of the Pitchfork+, through one of the CTL Outs. The other CTL Out goes to MOD2 D inner jack so it serves as a footswitch for an external unit (like a backline amplifier). Since I mute the guitar with the Polytune, the Mute footswitch in the ES5 becomes a general purpose footswitch for the ES5's CTRL Outs. The EHX Dual Expression pedal has 1 output connected to the PitchFork+ and the other connected to the ES5 Expression in, so it can control CC parameters on the MIDI pedals. The Pitchfork Aux Output is connected to the MOD2 C inner jack in case I ever need/want to use it (like an -1 octave out to a bass amp ala Jack White). The whole rig could also be programmed on a DAW session by connecting the MOD2 MIDI Input to an interface.
 
This pedalboard is currently a work in progress IRL (missing the DI Boxes and the synth pedals) and all different scenarios accounted for are showcased in the diagram, usually only 1 (amp-less operation) is used at a time IRL. As soon as the full board is finished I will update this with photos.

(DI/Reamp boxes outside of the pedalboard are placeholders for the connections I cannot do in the board configurator, like Microphone > MOD3 XLR 3 Input and ToneX Capture Line Out > MOD2, where I would use an XLR cable and an XLR/TRS jack respectively)

Les Paul Custom Plus VS

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

A Nave Espacial (The Spaceship)

L/Mono

Synth

Left/Mono

Right

Marc  Bruckner

Passive DI-Box. Klinkeneingang mit parallelem Ausgang zum Durchschleifen des Signals. Trafosymmetrischer XLR-Ausgang. Eingangsempfindlichkeit schaltbar. Es können Line- und Lautsprechersignalpegel verarbeitet werden.

Passive DI box. Jack input with paralell "THRU" output, transformer balanced XLR output. Attenuable input sensitivity, can handle both line level and speaker level signals.

Palmer

Pan 01 DI Box

Isen Ritchie

Marshall

Review by Tony Mckenzie

JVM410H

Tester

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Product Page

Review by Charleston Classical Guitar

Review by musicradar

Manual

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

The VO-1 Vocoder is a unique and innovative stompbox that puts the massive expressive range of the human voice in the hands of every guitarist and bassist. By vocalizing into a connected mic as you play, it’s easy to transform your tone with electronic voices, classic talk box sounds, and tons of all-new colors that are perfect for modern music styles. It’s even possible to create impressive ensemble vocal sounds without the need to connect an external mic. When you plug into the VO-1, you can literally talk, sing, and cry with your axe, taking your playing to places you never dreamed of before.

BOSS

Demo by Mark Johnston

Demo by Guitar Gear

Review by reddit /guitarpedals

Review by VGuitar Forum

Review by bonedo

VO-1 Vocoder

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Das IK Multimedia TONEX Capture ist ein kompaktes, leistungsstarkes Tool zur verlustfreien Aufnahme und Re‑Amping von Gitarren- und Bassverstärkern – perfekt abgestimmt auf das TONEX-Ökosystem und die KI-basierte Tone‑Modeling‑Technologie. Es wird zwischen Audio-Interface und Verstärker geschaltet und stellt eine präzise Signalführung sicher, um Klangverfälschungen zu vermeiden. Dank galvanischer Trennung und schaltbarem Ground-Lift werden Brummschleifen und Störgeräusche effektiv unterdrückt. TONEX Capture ermöglicht es, das unverfälschte Verstärkersignal vor dem Lautsprecher abzunehmen – ganz ohne Mikrofone oder Loadbox – und eignet sich hervorragend für hochwertige Re‑Amping‑Setups im Studio. Im Lieferumfang enthalten ist zudem die TONEX SE Software mit 200 vorgefertigten Tone Models für den direkten Einstieg in das moderne Tone-Capturing.

The IK Multimedia TONEX Capture is a compact yet powerful device designed to seamlessly integrate with your studio setup for capturing and re-amplifying real guitar and bass amps. It works in tandem with the TONEX software to model your own amp and pedal tones with unparalleled accuracy using AI Machine Modeling. TONEX Capture sits between your audio interface and amplifier, ensuring correct signal levels and preserving your tone with pristine quality. Its galvanic isolation and ground lift switches help eliminate unwanted hum or noise, making it ideal for both professional recordings and creative reamping workflows. Whether you’re creating tone models, recording a DI signal, or sending your guitar through an amp again, TONEX Capture delivers studio-grade performance and flexibility right out of the box—and it even includes the TONEX SE software with 200 premium Tone Models to get you started.

IK Multimedia

Tonex Capture

Demo by Ola Englund

Review by MusicRadar

David Litaba

Mit dem TC Electronic Plethora X3 setzt die dänische Effektschmiede zum Nachschlag an und bietet neben dem 2020 erschienen Plethora X5 eine kompaktere und minimal reduzierte Form dieses Pedalboards. Die grundlegende Konzeption bleibt dabei bestehen und so wartet die X3-Version ebenfalls mit der Möglichkeit auf, ein eigenes, individuelles Floorboard mit sämtlichen Toneprint-Pedalen zusammenzustellen und damit das Beste aus der Funktionsweise von klassischem Pedalboard und Multieffektpedal zu vereinen.

TonePrint Pedalboard with up to 127 Boards, 3 Pedal Slots, All Your Favorite TC Effects, 75 TonePrint Slots Per Effect, 3 MASH Footswitches and Tape Deck Looper

Review by GEARNEWS 

Review by AMAZONA 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Andertons 

Plethora X3

Niclas Wego

Basierend auf dem gleichen Konzept und den Möglichkeiten des Flaggschiffs BOSS ES-8, ist der BOSS ES-5 eine minimal abgespeckte Version, die im deutlich kleineren Gehäuse daher kommt und somit ohne Mühe auch auf kleinere Pedalboards passt. Alle wesentlichen Bedürfnisse von Gitarristen und Bassisten werden auch hier bedient. Die kreativen Möglichkeiten für Pedalboard-Systeme, die der ES-8 ermöglicht, sind jetzt auch für kleinere Anwendungen erschwinglich. Erweitere dein Pedalboard mit dem kleinen ES-5 und du spielst in einer völlig neuen Liga. Von jetzt an wirst Du deine Effektpedale völlig anders einsetzen.

Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

Review by Paul White, soundonsound.com

Review by Thomas Dill, bonedo.de

Demo by GUITARGUITAR

Official Product Video

ES-5 Effects Switching System

Crank your stomp pedals to the extremes without the fear of any hiss or excess noise with the MXR Noise Clamp. By sensing your guitar's dry signal, The Noise Clamp reduces the noise level within the effect loop, coming down hard on even the noisiest signals. A single Trigger knob allows you to set the volume threshold at which the pedal is active, and a green LED shows whether the gate is on/off. This bad boy is capable of reducing Noise up to 26dB, maintaining riff definition at extreme gain levels.

Product Page 

User Manual 

MXR Noise Clamp: James

M195 Noise Clamp

Electro-Harmonix

DUAL EXPRESSION PEDAL

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Das Pitchfork von EHX ist neben dem Whammy und dem TC Electronic Sub ‚N‘ up das wahrscheinlich beliebteste Pitch-Pedal, das es auf den Pedal-Boards der Welt gibt. Von einem Bekannten, der sich ausgiebig mit dem Löten von Pedalen beschäftigt, habe ich mir sagen lassen, dass der Bau eines wirklich sauber arbeitenden und verlässlich trackenden Pitch-Pedals alles andere als leicht ist. Und das kann man sich gut vorstellen: Viele Pitch-Pedale tracken irgendwie seltsam, klingen entweder im Clean- oder Gain-Bereich jeweils zu matschig und undifferenziert oder können mit bestimmten Frequenzbereichen nicht gut arbeiten. Selbst das von mir hochgeschätzte Red Panda Tensor hat viele Stärken – die Klarheit des Pitch-Effekts ist es nicht.

The EHX Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it’s your ultimate harmonizer.

Review by Shawn Hammond, premierguitar.com

Review by Dimitri, amazona.de

Review by claudius, gearnews.de

Demo by Chords Of Orion

Demo by Pedal Experiments 

Pitch Fork Plus

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Angel Callejo Mellen

Das AI Machine Modeling Pedal bringt deine TONEX Tone Models live auf die Bühne! Performen mit Sounds, die von echtem Equipment nicht zu unterscheiden sind -  kein Computer erforderlich!
Spiele durch Hunderte von Verstärkern, Boxen, Pedalen und kompletten Rigs, einschließlich 1000 herunterladbarer Premium Tone Models und unbegrenzter Benutzer-Downloads. Er funktioniert auch als hochwertiges USB-Audio-Interface. Extrem rauscharme 24-Bit-, 192-kHz-Wandler, ein Frequenzgang von 5 Hz-24 kHz und ein Dynamikbereich von 123 dB bieten eine unglaubliche Klangqualität. Exklusive VIR™-Multi-IR-Kabinette und benutzerdefinierter IR-Loader, Noise Gate, EQ, Kompressor und 5 Stereo-Hall für leistungsstarke Klangformung auf der Bühne. Vollständige MIDI-Steuerung und Expression-Pedal-Eingang zur Integration in jedes Rig. Inklusive TONEX MAX Software, einem All-in-One-Player, Modeler und Librarian, und AmpliTube 5 Software.

AI Machine Modeling pedal brings your TONEX Tone Models live on stage! Perform with sounds indistinguishable from the real gear - no computer required! Play through hundreds of amps, cabs, pedals and full rigs, including 1000 downloadable premium. Tone Models and unlimited user downloads. Doubles as a high-quality USB audio interface, ultra-low noise 24-bit, 192 kHz converters, 5 Hz–24 kHz frequency response and 123 dB dynamic range offers incredible sound quality. Exclusive VIR™ multi-IR cabinets and custom IR Loader, Noise gate, EQ, compressor and 5 stereo reverbs for powerful on-stage tone shaping
Full MIDI control and expression pedal input integrate into any rig. Includes TONEX MAX software all-in-one player, modeler and librarian and AmpliTube 5 software.

Review by Sound on Sound

Review by AMAZONA

Demo by Kyle Bull

TONEX

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Big Muff Pi w/ Tone Wicker

V845 WAH PEDAL

Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

Demo by  Six-String Samurai

Review by The Gear Page

SY-200 Synthesizer

ch ray

Die häufigsten Ursachen für Brummen und Sirren von Beschallungsanlagen beseitigt dieses kleine Tool zuverlässig. Zum Betrieb benötigt die Millenium DI-E als passive DI-Box noch nicht einmal Phantomspannung oder eine Batterie, was nur einer der Gründe ist, warum sie seit Jahrzehnten bewährt und beliebt ist. Dabei geht die DI-E gegen Störungen des eingehenden Tonsignals auf gleich zwei Arten vor. Zum einen symmetriert die Box das anliegende unsymmetrische Signal, damit es auf langen Kabelwegen ohne Einstreuungen ans Ziel gelangt. Zum anderen durchbricht ein Ground-Lift-Schalter Masseschleifen. Besonders starke Eingangslevel kann die DI-E, da sie mit einem entsprechenden Umschalter ausgestattet ist, ebenfalls verarbeiten. Was sie sonst noch so drauf hat, verrät ein Blick aufs Gehäuse.

This small tool reliably eliminates the most common causes of humming and hissing in sound systems. As a passive DI box, the Millenium DI-E does not even need phantom power or a battery to operate, which is just one of the reasons why it has been tried and tested and popular for decades. The DI-E counteracts interference in the incoming audio signal in two ways. Firstly, the box balances the incoming unbalanced signal so that it reaches its destination over long cable runs without interference. Secondly, a ground lift switch breaks ground loops. The DI-E can also handle particularly strong input levels because it is equipped with a corresponding switch. A look at the housing reveals what else it can do.

Millenium

Review by ePanorama

Review by Recording.de

Review by audiofanzine

Demo by Basso Elettrico Carlo Chirio 

Demo by LiamOConnorAudio

DI-E

4x12

Travis Dom

Übertriebener Fuzz mit superheißer Oktavhöhe, der vom Univox/Shin-Ei Super Fuzz inspiriert ist.

Over the top Fuzz with super hot octave-up that takes its inspiration from the Univox/Shin-Ei Super Fuzz.

Danelectro

Review by Guitar Interactive Magazine

Demo by Brett Kingman

The Eisenhower Fuzz

Harley Benton

Powerplant ISO-12 Pro

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. 

Demo by Portal Gitarowy

Review by guitartoneoverload

JH-1 Jackhammer

FootSwitch for Marshall 6100/6101 30Th Annniversary

MPM3E

The Marshall PEDL-00001 Universal Single LED Footswitch, it's a single channel footswitch that'll work seamlessly with the majority of Marshall electric and acoustic guitar amps. It was also formerly known as the PED801 Footswitch for the ASD100 Combo Amplifier, making it perfect for any player seeking a replacement for their PED801 Footswitch as well. But if you're simply after a universal single button footswitch for your Marshall Amplifier, this PEDL-0001 is going to be perfect for the job. World renowned Marshall quality - at your feet.

Official Website

PEDL0001

The Marshall PEDL00041 Vintage Modern Twin Footswitch allows you to control Dynamic Range and Reverb.

ME-PEDL-00041

4x12 von Marshall