Landon Wolf

Dominic John Davis bass pedalboard for the Jack White No Name Tour 2024

Jonathan James

BOSS

Demo by 

Manual

TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Sergio Longoria

Triple Threat starts with a wide-range high gain distortion, with volume, gain, and tone controls to create a threatening rock sound. A classic phaser upgraded from the Pearl Tremor pedal by Donner is next with extended mod controls. Third in line is an analog voiced echo, originated from Donner’s first ever pedal, the Yellow Fall Delay released in 2013,  with warm analog tone and rich feedback. 

With upgraded circuit design and tuning the tone to Jack’s specifications, Donner combined three analog circuits into one metal enclosure, delivering unique analog sounds and versatile utility for musicians on the go. Third Man Hardware designed the external appearance of The Triple Threat, adding its signature patterns such as lightning bolts from the Tesla tower on the panel, three sharp stripes in front and  the signature diagrams from Third Man Hardware’s logo on both sides of the pedal. 

Donner

Official Product Video

Demo by Marty Music

Third Man Recors Website

Donner Music Website

Triple Threat (Limited Edition Yellow)

Bigger sound, smaller box! The Hulk is an update on our very popular Density Hulk subharmonic synth.
The controls have been streamlined to save space, as most people only used the 30hz and 60hz controls as "set and forget". They are still accessible, however, via internal trimpots. The default setting for both is max.

The max output volume has been increased.

An internal switch allows the footswitch to act as a "kill dry". This feature is for users who desire to run sub direct to FOH but don't want their uneffected signal to pass when the pedal is disengaged.
Unlike other updated sub pedals, we managed to keep the dedicated dry output on this model as well as offer a smaller footprint.

Mantic Effects

Product Page

Review by reddit /basspedals

Review by Talk Bass.com

Demo by Pedals and Effects

Demo by  Adam Aarts

Hulk

Tester

Der LAB ist ein optischer Kompressor. Er verwendet spezielle Optokoppler, um eine musikalisch klingende Kompression von bis zu 30 dB zu erreichen.
Wir fanden es toll, wie die alten optischen Kompressoren wie der LA-2A, der LA-3 und der LA-4 im Aufnahmestudio selbst bei starker Kompression weich und natürlich klangen.

Die Essenz des LAB-Klangs kommt von den schnellen Attack- und langsamen Release-Zeiten des speziellen Optokopplers. Das Verhalten des Optokopplers ist recht komplex und programmabhängig. Es kann nicht mit einfachen Widerstands-Kondensator-Netzwerken modelliert werden. Wir wollten, dass das reine Verhalten des Optokopplers die Dynamik des LABs bestimmt und nicht durch RC-Filterung ergänzt wird.

The LAB is an optical compressor. It uses custom optocouplers to achieve up to 30dB of musical-sounding compression.
We loved how in the recording studio even with tons of compression the old optical compressors such as the LA-2A, the LA-3, the LA-4 sounded smooth and natural.

The essence of the LAB's sound comes from the fast attack and slow release times of the custom optocoupler. The optocoupler's behaviour is quite complex, and program-dependent. It can't be modelled with simple resistor-capacitor networks. We wanted the pure response of the optocoupler to define the LAB's dynamics, and not supplement that with RC filtering.

Union Tube & Transistor

Demo by BASSED.

Demo by  Fretboard Journal

Review by TAPE OP

Review by The Gear Page

Review by Compressor Pedal Reviews

Das Sub Buzz ist für Bass konzipiert und kombiniert einen Fuzz mit einem parallelen Clean-Boost/Blend. Die Steuerung erfolgt über zwei Regler: Fuzz (links) und Clean (rechts). Beide Effekte arbeiten unabhängig voneinander und können vollständig heruntergeregelt werden. Die Clean-Gain-Seite des Sub Buzz bietet eine Verstärkung von bis zu +20 dB. Der Stromverbrauch beträgt 15 mA.  

Die Deluxe-Version kommt mit einer Holzbox, einem Bandana und einem lasergravierten Emblem.  

Die Bean Counter-Version besitzt ein siebgedrucktes Grafikdesign, das dem Emblem ähnelt, und wird ohne spezielle Verpackung geliefert.  

Eingangsimpedanz: 1 MΩ  
Ausgangsimpedanz: 100 Ω

This unit is intended for bass and has a fuzz with parallel clean boost/blend. Controls are simply Fuzz (on the left) and Clean (on the right). Both effects work independent of each other and can be completely dialed off. The clean gain side of the SUB BUZZ is capable of +20db. Draw is 15mA.

Deluxe version has a wooden box, bandana, and laser engraved badge.

Bean Counter version has a silkscreened graphic made to look like the badge, and no special packaging.

Sub Buzz input impedance: 1MΩ

Sub Buzz output impedance: 100Ω

Demo by Theo And His Pedals

Demo by JHS

Review by Equip Board

Sub Fuzz (top-jack)

john limebrook

Der POG (Polyphonic Octave Generator) ist ein vielseitiges Effektpedal, das aus Ihrem Eingangssignal gleichzeitig mehrere Oktaven erzeugen kann. Sie können damit Ihr ursprüngliches trockenes Signal mit drei verschiedenen Oktaven mischen: eine Oktave über, zwei Oktaven über und eine Oktave unter Ihrer Originalnote. Der POG verfügt über separate Lautstärkeregler für jede Stimme, Detune-Optionen für die oberen Oktaven, einen Tiefpassfilter mit umschaltbarer Resonanz und einen Eingangsverstärkungsregler für einen optimalen Dynamikbereich. Dieses Pedal kann eine breite Palette von Klängen erzeugen, von 12-saitigen Gitarrenemulationen bis hin zu orgelähnlichen Tönen, und Ihre Gitarre sogar in einen Bass verwandeln.

The POG (Polyphonic Octave Generator) is a versatile effects pedal that can simultaneously generate multiple octaves from your input signal. It allows you to mix your original dry signal with three different octaves: one octave above, two octaves above, and one octave below your original note. The POG features separate volume controls for each voice, detune options for the upper octaves, a lowpass filter with switchable resonance, and an input gain control for optimum dynamic range. This pedal can create a wide range of sounds, from 12-string guitar emulations to organ-like tones, and even transform your guitar into a bass.

Electro-Harmonix

Demo by shnobel

Demo by Nail Guitar Skills

Review by Musiker-Board

Review by audiofanzine

Review by Ultimate Guitar

POG Polyphonic Octave Generator

Das Loop-Master Pedalboard-Interface vereinfacht die Steuerung mehrerer Effekte mit einem einzigen Klick und bietet True-Bypass-Funktion, um Tonverluste zu vermeiden und sicherzustellen, dass kein Signal durchdringt, wenn Effekte ausgeschaltet sind. Es ermöglicht das Ketten von einem oder mehreren Effekten pro Loop, sodass Nutzer ganze Effektketten über den Loop-Master-Schalter aktivieren oder deaktivieren können, während die Effekte selbst eingeschaltet bleiben. Modelle mit einem „Tuner“-Schalter ermöglichen lautloses Stimmen, während Modelle mit einem „Bypass“-Schalter alle Loops gleichzeitig umgehen oder Loops zur schnellen Aktivierung vorwählen lassen. LED-Modelle nutzen einen 9V-Adapter zur Stromversorgung (ohne den Klang zu beeinflussen) und bieten anpassbare LED-Farben. Dieses vielseitige Tool ist ideal, um Pedalboard-Setups zu optimieren und gleichzeitig die Signalqualität zu erhalten.

The Loop-Master pedalboard interface simplifies controlling multiple effects with a single click, offering true bypass capability to eliminate tone-sucking effects and ensuring zero signal bleed when effects are off. It allows chaining one or more effects per loop, letting users activate or deactivate entire chains via the Loop-Master switch while keeping effects themselves turned on. Models with a "Tuner" switch enable silent tuning, while those with a "Bypass" switch allow bypassing all loops simultaneously or pre-selecting loops for quick activation. LED-equipped models use a 9v adapter for power (without affecting tone) and offer customizable LED colors. This versatile tool is ideal for streamlining pedalboard setups while maintaining signal integrity.

LOOP-MASTER

8 Looper

Teddy McBride

Der weltbeste Octave-Effekt ist jetzt noch besser! Der POG3 ist das leistungsstärkste Pedal in der renommierten Reihe polyphoner Octave-Generatoren von Electro-Harmonix und inspiriert weiterhin Musiker aller Stilrichtungen.  

Im Kern bietet der POG3 blitzschnelles Tracking und perfekte Polyphonie über vier Oktaven – mit noch geschmeidigerem Klang und besserer Performance als je zuvor. Von 12-saitigem Jangle bis hin zu sechsstimmigen Drawbar-Orgel-Sounds eröffnet der POG3 endlose Möglichkeiten der Klanggestaltung.  

Das Pedal wurde mit zahlreichen Updates ausgestattet, die seine klanglichen Anpassungsmöglichkeiten weiter erweitern – für eine noch beeindruckendere Performance auf der Bühne und im Studio.

The world’s best octave effect just got better! The POG3 is the most powerful pedal in Electro-Harmonix’s revered line of polyphonic octave generators that continues to inspire and captivate musicians of all styles. At its core, the POG3 delivers lightning-fast tracking and perfect polyphony over 4 octaves with smoother tone and performance than ever before. From 12-string jangle to 6-voice drawbar organ sounds, the POG3 delivers an endless possibility of tone creation. The pedal has received many updates that further expand its tone shaping possibilities to enhance your performance on stage and in the studio.

Demo by Pete Thorn

Review by Guitar Pedal X

Review by Guitar World

POG 3

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

As heard prominently on Jack White’s guitar solo in “Why Walk a Dog?”, this monophonic synth-fuzz has delighted and bewildered listeners since Jack began using it back in 2014. The Mantic Flex can provide an array of sounds from thick, phase sweeping squarewaves with pitch divebombs to brutal bitcrushed octaves and fluttery thereminesque squawks.

Demo by Na West

Review by Pedal of the Day

Review by reddit /guitarpedals

Review by Premier Guitar

Mantic Flex (Limited Edition Yellow)

Mantic Flex

Glitched out pitch-mod growls with cerebrum piercing sqwuelches, angry-duck-funk quack, and gargling stutters are all just at the surface of the Flex's sonic potential. With an added Mix control, Filter range selector, and variable speed LFO for tracking modulation, the Mantic Flex Pro shreds expectations like a phone book.

Initially released in 2014, the Mantic Flex continues to set itself apart from other PLL's. The Flex Pro is voiced and biased to offer what we found to be the most usable range of PLL sounds in a broad musical context, without compromising the users ability to experiment.

The Flex Pro comes with an expression jack to control the rate of the LFO.

"Get Flexed!"

Review by Talk Bas.com

Demo by Knobs

Demo by Pedal Experiments

Flex Pro (black)

PLAYED BY PAUL HINOJOS (At The Drive-In & The Mars Volta).

Very similar to the Mantic Proverb XS, except with a momentary Oscillation/Feedback/Swell Button and ATDI custom graphics curated by Cedric Bixler (At The Drive-In & The Mars Volta).

Limited to only 150 units.

Official Website

Axiom Proverb "At The Drive In" Limited Edition

Hulk von Mantic Effects