stevie  manson

Wolfgang

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

2025 pedalboard

Katana

Tester

Released in 1988, the Guv'nor set the bar for future generations of distortion pedals. This reissue faithfully recreates the classic sound of The Guv’nor, providing a smooth overdriven sound with a touch of compression. The pedal is housed in a casing that is accurately modelled on the original, from the unique shape right down to the individually coloured control knobs. All that’s missing are the stories collected over 30+ years of use, but that’s where you come in.

Marshall

Review by Gitarre & Bass

Review by Bonedo 

Demo by Marshall Amplification 

Demo by Guitar Village

Demo by Gear4music Guitars

Demo by Sweetwater

Product Page

Guv'nor

Anders Rapanà

Das LEHLE STEREO VOLUME ist ein verschleißfrei funktionierendes Volumenpedal, das mit einem sehr präzisen Magnet-Sensor ausgestattet ist. Dieser Sensor nutzt den Hall-Effekt, benannt nach Edwin Hall zur Messung der Stärke von Magnetfeldern. Beim LEHLE STEREO VOLUME wird der Hall-Sensor aus deutscher Produktion auf den eingebauten Magneten und den Regelweg des Pedals exakt kalibriert. Das Pedal bewegt nur den Magneten; dessen Abstand wird vom Hall-Sensor gemessen, der dann einen VCA ansteuert.
Der hochwertige Blackmer® Stereo-VCA (= Voltage Controlled Amplifier, also Spannungsgesteuerter Verstärker) aus den USA ersetzt hier das mechanische Potentiometer.

The LEHLE STEREO VOLUME is a wear-free volume pedal that is equipped with a very precise magnetic sensor. This sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the LEHLE STEREO VOLUME, the German-made Hall sensor is precisely calibrated to the built-in magnet and the control range of the pedal. The pedal only moves the magnet; its distance is measured by the Hall sensor, which then controls a VCA.
The high-quality Blackmer® stereo VCA (= Voltage Controlled Amplifier) ​​from the USA replaces the mechanical potentiometer here.

LEHLE

Review by Haiko Heinz, bonedo.de

Manual

Official Product Video

Stereo Volume

Edward Van Halen's Gitarrensound auf dem Debüt Album von1978 katapultierte ihn schlagartig in dem Olymp des Rock und selbst nach mehr als 25 Jahren hat die Gitarrenarbeit auf diesem Album nichts von ihrer Faszination eingebüßt. Den unglaublichen Sound, den EVH auf dieser Platte kreierte, gehört zu den absoluten Meilensteinen des Rock und ein wichtiger Bestandteil dieses Sounds war von vornherein der MXR Phase 90. Der Phase 90 trug maßgeblich zu den zeitlosen Gitarrensounds von “Eruption,“ “Ain't Talkin' 'Bout Love,“ “On Fire,“ und “Atomic Punk“, sowie vieler anderer klassischer Van Halen Stücke bei. Entstanden aus einer Zusammenarbeit zwischen Eddie Van Halen und Jim Dunlop ist der EVH 90 eine komplett neu designte Version des legendären Phase 90. Der EVH 90 zeigt genau die gleichen räumlichen Klangverwirbelungen und hypnotischen Phasenverschiebungen, die den Phase 90 so berühmt machten. Als neues Feature besitzt der EVH 90 den Script-Schalter, der es ermöglicht, zwischen dem Vintage 'Script Logo' und dem moderneren, aggressiveren 'Block Logo' Phasersound zu wählen. Außerdem präsentiert sich der EVH 90 mit einem rot, weiß und schwarz gestreiftem Outfit, ganz so wie Eddie´s legendäre Frankenstein Gitarre.

Edward Van Halen earned his spot in the guitar tone hall of fame with the first note on his debut album in 1978. The guitar work on that album still boggles minds more than 25 years later. The tones that EVH got on that classic record are among the greatest ever, and a huge part of Eddie‘s guitar sound has always been the MXR Phase 90. The Phase 90 contributed to the unbelievable tones on "Eruption," "Ain't Talkin' 'Bout Love," "On Fire," and "Atomic Punk," plus many other timeless Van Halen tracks. Now you can grab a piece of Eddie's magic with the new MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop Manufacturing that represents a totally redesigned, updated version of the legendary Phase 90. The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, "Script Logo" phase tone and a more modern, in-your-face "Block Logo" phaser. Plus, the EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar. Oh yeah—it's also got a bitchin' new blue LED. Now, how cool is that? Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter

Review by Amazona 

Review by Awkward sound 

Demo by SweetWater 

Demo by Reverb 

EVH90 - EVH Phase 90 Red

PedalSafe Type A1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Fabian Förster

Mit dem SDE-3000D erhältst du nicht nur eine, sondern gleich zwei authentische Nachbildungen des begehrten Vorbilds im kompakten Format eines Bodentreter-Pedals. Neben seinen vollständig unabhängigen Delays bieten die flexiblen internen Routing-Möglichkeiten und die erweiterten Ein- und Ausgangsoptionen jede Menge Vielseitigkeit für alle Arten von modernen Mono- und Stereo-Rigs. Auch die Möglichkeiten der Modulation und Klangformung wurden weiterentwickelt. Darüber hinaus stehen 100 Speicherplätze zum Ablegen favorisierter Setups zur Verfügung. Gleichzeitig lässt sich das SDE-3000D mit seinen inspirierenden Vintage-Sounds dank vielfältiger interner und externer Steuerungsoptionen, inklusive MIDI, problemlos in jedes Live- und Studiosetup einbinden.

The SDE-3000D brings you not one but two authentic reproductions of the much-loved SDE-3000 in a floor-based pedal. Fully independent delays, flexible internal routing, and expanded I/O offer modern versatility for all types of mono and stereo rigs. Modulation and tone-shaping capabilities have also been enhanced, and there are 100 memories for storing favorite setups. And with a wealth of onboard and external control options—including deep MIDI support—you can integrate this inspiring vintage voice with any stage or studio setup.

BOSS

Demo by  Guitar Bonedo

Demo by Tom Quayle

Demo by Brett Kingman

Review by Sound on Sound

Review by Gigs and Guitars

Review by Amazona

Review by Bonedo

SDE-3000D

Adrian Gutierrez

Strymon

Review by AMAZONA

Review by reddit /guitarpedals

Demo by Antoine Michaud

Demo by Vintage Guitar Workshop

Bluesky V1

"Es gibt eine neue Art Chorus und der klingt tatsächlich RICHTIG!

Die Tüftler von Keeley sind stolz, das neue Seafoam Plus Chorus vorzustellen, einen “echten“ Chorus und Automatic Double Tracker mit Reverb. 
Der Seafoam Plus wird ein für alle Mal verändern, wie du über Chorus denkst, denn er ist eine Art von Chorus, die du sonst nur in teurer DAW und Studios findest.
Er ist nicht nur auf Gitarre abgestimmt, sondern bietet speziell auf Bass abgestimmte Voicings und Modi inklusive Flanging und Tremolo.
DIE NEUE DEFINITION VON CHORUS – im Seafoam Plus findest du einen automatischen Doppler, den Keeley für den revolutionären 30ms Double Tracker entwickelt haben. Der ADT Chorus ist ein “echter“ Chorus, der eine zweite und dritte Stimme zum eingehenden Signal hinzufügt - wie bei Sängern in einem Chor.
Ebenso wie bei einem richtigen Chor “singen“ die Stimmen des ADT zu geringfügig versetzt und leicht andere Tonhöhen – voila! ECHTER Chorus!

There is a new style of chorus that actually sounds RIGHT.

Keeley are proud to announce the all new Seafoam Plus Chorus – True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because we have developed a new type of chorus that until now has only been available in expensive DAWs and in studios.  Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. 
THE NEW DEFINITION OF CHORUS.  In the Seafoam Plus Chorus you get the automatic doubler that Keeley developed in the revolutionary 30ms Double Tracker. Our ADT chorus is what they call True Chorus, because it creates a second and third voice–like singers in a choir. Not only do they sing at different times, they sing at different pitches. True Chorus.

Keeley Electronics

Official Product Page

Keeley Seafoam Plus

Keeley Electronics Seafoam Plus Tone Report Review

Seafoam Plus Chorus

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

OnionBelt

Willkommen in der fröhlichen Welt von Hello Kitty! Das japanische Katzenwesen ist Kult und verbreitet gute Laune. Bei der Fender x Hello Kitty Collection treffen bühnenerprobte Rock'n'Roll Ikonen auf die zuckersüßen Hello Kitty Designs und feiern gemeinsam eine Party, die Generationen, Kulturen und Stilrichtungen verbindet. Ob du nun Pop, Rock oder Blues spielst – mit Hello Kitty bringst du eine Extraportion Farbe in deinen Auftritt!

A fun-loving fuzz like no other—the Fender
Hello Kitty® Fuzz introduces a pop of color
and charm to one of the pedal world’s most
formative effects.
Sporting an opamp-based circuit with three
simple controls, this pink-clad pedal kicks your
guitar into woolly, splattering gain tones with
unmistakable character. Use the fuzz, tone and
level controls to cover a wide range of flavors
from overdrive-like grit to full-on ripping fuzz

Fender

Review by GEAR GODS

Review by musicradar

Review by gearnews.de

Manual download

Demo by Guitar Center

Fender® x Hello Kitty® Black Fuzz Pedal

The MXR® design team has collaborated with Eddie Van Halen to deliver a full range of powerful saturation and hyper-driven tones right at your feet. The resulting EVH 5150™ Overdrive joins hand-adjusted multi-stage MOSFETs with a full complement of controls to deliver overdriven tube-like tones and exceptional sonic flexibility through a wide variety of amps and speaker cabinets.

Whether on stage or in the studio, the EVH 5150 Overdrive's controls dial up the whole spectrum—from Eddie's groundbreaking early classic tones to the high gain, super-articulate sound he later used. Output and Gain controls set your volume and distortion levels, while the 3-band passive tone stack EQ section shapes your sound to taste. The Boost switch kicks the 5150 Overdrive into high gear with extra gain and compression, and the Gate control—powered by the Smart Gate® circuit—tames unwanted noise. 

Review by Premier Guitar

Review by bonedo

Demo by Elmo Karjalainen

Demo by ProGuitarShopDemos

EVH5150 5150 Overdrive

Richard Mckenney

Der MXR Rockman X100 Analog-Klangprozessor
erweckt den charakteristischen Klangcharakter von Tom Scholz' berühmten Kopfhörerverstärkers und Signalprozessors in Pedalform. Er bietet kristalline Cleans, knackige Obertöne und schimmernde Modulationen - das Original X100-Gerät den Sound des Arena-Rocks. Diese getreue, rein analoge Nachbildung bietet dieselben vier Klangvoreinstellungen, sorgfältig kalibrierte Kompression für einen klaren Sound, egal ob clean oder verzerrt, den gleichen wie das Original, sowohl Mono- als auch Stereomodus Mono- und Stereomodus sowie eine optionale externe Modus
Umschaltung für eine verbesserte Benutzererfahrung.

The MXR Rockman X100 Analog Tone Processor
revives the signature sonic character of Tom Scholz’s
celebrated headphone amp and signal processor
in pedal form. Offering crystalline cleans, crunchy
harmonics, and shimmering modulation, the original
X100 unit defined the sound of arena rock. This
faithful, all-analog recreation features the same four
tonal presets, carefully calibrated compression for
a clear sound whether clean or distorted, the same
bucket-brigade chorusing as the original, both mono
and stereo modes, and optional external mode
switching for an enhanced user experience.

Official Website

Review by Guitar Bomb

Review by The Gear Page

Review by Talk Bass.com

Rockman X100

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

RockBoard

ISO Power Block V10

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Mehmet Aycan Özek

Modern

Electro-Harmonix

Triangle Big Muff Pi

akai map

Ram's Head Big Muff Pi

David Litaba

GREEN RUSSIAN BIG MUFF PI

Der Lightspeed Organic Overdrive ist ein Overdrive mit sehr natürlichem Klang. Warum „organisch“? Nun, einfach gesagt, es ist der klarste, natürlichste und beste Overdrive, den wir je gehört haben, für Spieler, die einen natürlichen Drive-Sound suchen. Dieses Pedal harmoniert mit dem Klang der Gitarre und des Verstärkers und hat satte Obertöne und komplexes, aber sanftes Clipping. Der Lightspeed Overdrive reagiert empfindlich auf den Anschlag des Plektrums und hat ein anderes „Gefühl“ als andere Overdrives. Der Lightspeed kann auf „transparent“ eingestellt werden, kann Ihr Signal aber auch bis an den Rand treiben.

The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why "organic"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge. 

Greer Amps

Review by Sam Goffen Guitar

Review by Premier Guitar 

Demo by Premier Guitar

Demo by Andertons

Demo by Rabea Massaad

Lightspeed (Standard Blue)

Olivia Ferrante

THE DANE is a creation designed to meet the exacting needs of Danish Pete. However due to the design brief needing to cover the wide palette of sounds he uses, the pedal finished up being the most versatile pedal available on the market for such a clean design. THE DANE has two sides - a complex light to medium gain overdrive on the left and a high headroom super clean boost on the right. The pedal is designed so that the boost runs into the drive side. This yields three distinct tonal variations ranging from clean boost all the way through to full and fat saturation. The pedal is also designed to clean up impeccably from your volume control and as such it is ideal for dynamic players who like to adjust their playing style.

ThorpyFX

Demo by Demos in the Dark

Demo by Sasha Ivantic

Review by guitar pedal X

THE DANE MKII

David Joyce

Venus ist ein echter Röhren-Overdrive, inspiriert von einem der größten Meisterwerke des Pedal-Museums.  

Mit ultimativer Vielseitigkeit und Klangformung im Fokus haben wir es uns zur Aufgabe gemacht, eine klassische Röhren-Klangskulptur mit modernen Verfeinerungen nachzubilden – von einem sanften, leichten Röhren-Overdrive bis hin zu einem aggressiven High-Gain-Distortion im Fuzz-Bereich.  

Kompakte Größe, maximale Leistung  
Größe ist wichtig! Ohne Klangqualität zu opfern, haben wir unsere Schaltung in das kleinstmögliche Gehäuse gepackt: 12,6 x 6,6 x 5,7 cm (L x B x H). Anstelle eines internen Step-Down-Transformators haben wir Venus so konzipiert, dass es mit einem standardmäßigen 9V-DC-Netzteil betrieben wird – für minimale Hintergrundgeräusche und Brummen. Das Pedal kann mit dem mitgelieferten Netzteil oder jedem isolierten 9V-DC-Netzteil mit 500mA (Mitte negativ) betrieben werden. Ein speziell entwickelter interner Spannungswandler sorgt dann für die optimalen Betriebsbedingungen mit symmetrischen +/-15V DC.  

Röhrenwahl & Anpassung  
Das klassische Meisterwerk, das Venus inspiriert hat, wurde ursprünglich mit einer ECC83 (12AX7) Doppeltriode geliefert. Für einen sanfteren, saubereren Klang ersetzten viele Nutzer diese Röhre jedoch durch Varianten mit weniger Gain und höherem Headroom, wie die ECC81 (12AT7) oder ECC82 (12AU7). Deshalb haben wir uns für eine ECC832 als Standardröhre entschieden – eine ungewöhnliche Kombination, die eine Hälfte einer ECC83 und eine Hälfte einer ECC82 enthält. Dadurch bleibt der Charakter des Originals erhalten, jedoch mit mehr Klarheit, besserer Saitentrennung und einer breiteren Klangbühne.  

Alle gängigen Doppeltrioden wie ECC83/12AX7, 5751, ECC81/12AT7, 12AY7 oder ECC82/12AU7 können weiterhin eingesetzt werden, um unterschiedliche Klangnuancen zu erzielen. Mit dem Bias-Regler lässt sich der Röhren-Bias steuern, also der Stromfluss durch die Kathoden. Damit kann man den Sweet Spot für verschiedene Röhrentypen finden und gleichzeitig die Verzerrungstextur einstellen – von rau, aggressiv und "gated" (gegen den Uhrzeigersinn) bis hin zu weich und cremig (im Uhrzeigersinn). In der maximalen Rechtsdrehung bietet der Bias-Regler den saubersten Klang für die meisten Röhrentypen.  

Volle Klangkontrolle  
Ein 3-Band-Equalizer gibt dir absolute Kontrolle über das Frequenzspektrum. Mit dem Mittenregler kannst du gezielt zwischen den verschiedenen Klangcharakteristiken der ursprünglichen Einheit wechseln – besonders nützlich für Amps mit leicht abgesenkten Mitten.  

Zusätzlich haben wir einen Push-Schalter integriert, um die Tief- und Tiefmittenanhebung in den Röhren-Gain-Stufen zu steuern. So kannst du zwischen einem satten ("fat") oder straffen ("tight") Klang wählen.  

Ein schaltbarer Low-Output-Impedanz Line Driver (Buffer/Volume Booster) sorgt dafür, dass dein Signal verlustfrei an das nächste Pedal oder den Amp weitergeleitet wird, wobei alle Frequenzen erhalten bleiben. Venus arbeitet immer im True Bypass, unabhängig von der Einstellung des Push-Schalters. Der Line Driver wird nur dann aktiviert, wenn der Effekt eingeschaltet ist.

Venus is a real tube overdrive inspired by one of the greatest masterpieces of the pedal museum.

With ultimate versatility and tone shaping in mind, we set out to recreate a classic tube tone sculpture with modern refinements, generating anything from a smooth, light tube overdrive, to a high-gain, nasty distortion within the realm of fuzz. 

First of all, size matters! Without sacrificing tone, we squeezed our circuit into the smallest possible enclosure, measuring 12.6 x 6.6 x 5.7 cm (L x W x H).  Instead of an internal step-down power transformer, we designed Venus to operate from a standard 9V DC power supply to minimize background noise and hum. The user can operate the pedal from the included power supply or any isolated 9V DC, center-negative power supply output with 500mA current capability. Then a properly designed internal voltage booster/inverter circuit provides the correct voltage conditions (symmetrical +/- 15V DC).

While the classic masterpiece that inspired Venus originally shipped with an ECC83 (12AX7) dual triode tube, users looking for a smoother, cleaner sound replaced the tube with a lower gain/higher headroom variant like ECC81 (12AT7) or ECC82 (12AU7). With that in mind, we selected an ECC832 tube as stock for Venus. This kind of oddball tube features half of an ECC83 and half of an ECC82. The tone is as close as possible to the original “tube sculpture” but with more clarity, string separation and a wider soundstage.

You can still substitute with all the "usual suspects" of dual triode tube types like ECC83/12AX7, 5751, ECC81/12AT7, 12AY7, ECC82/12AU7 for a different sonic flavor. Use the bias knob to set the tube bias/control the current passing through the tube cathodes. By adjusting this knob, you can find the sweet spot for different tube types used and/or set the texture of the overdrive / distortion: from gnarly, nasty and gated (counter-clockwise) to smooth and creamy (clockwise). The full clockwise setting of the bias knob has the cleanest sound for most tube types used.

A full 3-band EQ gives you total control over frequency response. With the mid control, you can sweep through the sounds of all the variants of the unit that inspired Venus and also comes in especially handy if you are using slightly mid-scooped clean amps. To sculpt the tone further and match the pedal to different guitars and/or pickups, we have also added a push switch to set the amount of low and low-mid frequencies boost that hits the tube gain stages between the stock fat or tight sound (when pushed in). A switchable low-output-impedance line driver (buffer/volume booster) ensures that your signal gets properly pushed through to the next pedal or your amp, and all your audio frequencies are retained. The bypass state of Venus is always true bypass regardless of this push button switch setting. The selectable line driver is only placed at the output of the effect when engaged.

Crazy Tube Circuits

Demo by AndyDemos

Demo by MUSTY GUITAR

Review by Music Radar

Review by Gear News

Venus

Ennio miurin

For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. 

Demo by Portal Gitarowy

Review by guitartoneoverload

JH-1 Jackhammer

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

KMA Machines

Demo by Eytschpi42

Moai Maea

The Heavy Menace is the most versatile distortion pedal we’ve ever created.  It’s an evolution of our original Heavy with new features and a compact enclosure. 

In addition to the original Heavy and Heavier modes, the Heavy Menace adds a new Lite(ish) mode, covering any high-gain sound from classic hard rock to searing modern metal.  

Empress Effects

Review by delicious audio

Demo by LambChopper678

Demo by Sonic Drive Studio

Heavy Menace

Yakov Yakovlev

Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing, constantly looking to recreate its legendary tone.

We wanted players to be able to get that tone from their own rig, be able to drop it right in and feel the brutal power, articulation and depth of gain that made the NATAS amp the legend it is.

A staggering feat of engineering, a sound and response never experienced from a gain pedal includes cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (scooped or humped) tone shaper, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time.

Fortin Amplification

Review by Guitar World

Demo by Kyle Bull

Natas Distortion

DELETED USER

The Pentatone Gate is a standalone version of the GATE section in the Ibanez Pentatone Preamp. This gate achieves a quick response and natural sustain and has an added threshold mode switch which allows you to adjust the threshold in the appropriate range.
Furthermore, thanks to the 4 I/O jacks, the gate circuitry can work at a proper location, such as right after distortion pedals or in between the send/return of a guitar amplifier.

Ibanez

Pentatone Gate PTGATE

BONAFIDE BUFFER is the sonic remedy that will free your tone of any treble-sucking constraints put upon it by long cable runs. Just slam this high-quality, no-nonsense tone tool on your pedalboard and get ready to bask in your tone as it was meant to be. Transparent, crisp, alive and all you!

Demo by EytschPi42

Bonafide Buffer

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Product Page 

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

User Manual

Demo by Premier Guitar 

Oceans 12 Dual Stereo Reverb

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

The EHX Grand Canyon is Electro-Harmonix’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon’s 13 modes are:

1. ECHO – pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering
2. MOD – Modulated delay, yields rich flanger, chorus, vibrato, warble and more
3. MULTI – Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.
4. REVERSE – Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes
5. DMM – Deluxe Memory Man, re-creates the luscious tone of EHX ‘s legendary bucket-brigade delay pedal
6. TAPE – Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter
7. REVERB – Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay
8. PITCH – EHX’s critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats
9.SHIM – Shimmer generates a rich octave-shifted wash of shimmering soundscapes
10. SAMPLE/HOLD – Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected
11. DRUM – Magnetic drum echo that faithfully emulates a classic Binson Echorec® style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns
12. DOUBLE – Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs
13. LOOPER – Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

Grand Canyon

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Kevin Agiri

Building off the rich, warm, pulsating modulation of the Monument, the Monumental Harmonic Stereo Tremolo is an analog, optical tremolo bringing new controls, features, and width to the Walrus Audio line. New features available in the Monumental include the ability to save presets, blend between standard and harmonic tremolo modes, access to new wave shape and tap division options, and most importantly, a pan control to set the stereo spread of the tremolo to the right and left channels.

Monumental

Rockman X100 von MXR