Amilcare Portinaro

GAE45/N

Das RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay für Pedalboards bietet eine einfach zu realisierende, kabellose Verbindung zwischen deinem Instrument und deinem Pedalboard. Dabei nutzt es eine digitale Wireless Technologie, die eine beeindruckende Klangqualität, ein einfaches Setup und eine zuverlässige Nutzung für aktive Musiker garantiert. Das Wireless System arbeitet im 2,4 GHz ISM Band und kann so weltweit ohne Beschränkungen genutzt werden. Mit einem nutzbaren Frequenzbereich von 20 Hz - 20 kHz und nur 5 ms Latenz bleiben keine Wünsche offen. Die Patchbay-Sektion wurde entwickelt um Verbindungen und Anschlüsse des Pedalboards von der Unterseite nach außen zu führen, dir einen zentralen Zugangspunkt zu deinem Setup zur Verfügung zu stellen und um deine Kabelwege aufzuräumen und sortieren zu können. Die A, B, C und D TRS Buchsen sind als direkte, durchgängige Verbindungen von der Vorderseite des MOD 4 zu den entsprechenden Buchsen auf der Rückseite verkabelt. Damit kannst du deine Effekt-Kette so einrichten, dass du bei der Vorbereitung auf den Gig lediglich Kabel an der Vorderseite des Boards einstecken musst, anstatt unter dem Board zu hantieren.
- Wireless System Receiver + Patchbay für Pedalboards, inkl. Wireless Transmitter
- 2,4 GHz ISM Band für weltweite Nutzung
- 30 m durchschnittliche Reichweite (ohne Hindernisse)
- 24 bit / 48 kHz unkomprimierte digitale Signalübertragung
- 20 Hz - 20 kHz Frequenzbereich
- 5 ms Latenz
- 103 dB Dynamikbereich
- 85 dBm HF-Empfindlichkeit
- 0.2% Verzerrung (THD)
- 4 wählbare Kanäle
- passend für MOD Slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4x 6,3 mm Stereo-Klinke Thru (TRS)
- 1x 6,3 mm Mono-Klinke Receiver Audio Ausgang (TS)
- 1x DC 2,1 x 5,5 mm Hohlstecker Thru
- 1x AC IEC Thru
- 1x USB Type A Charge Ausgang
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Batteriebetrieb nicht unterstützt
- Stromaufnahme 500 mA
- passiver Betrieb möglich (nur Patchbay, ohne Wireless System)
- Abmessungen mit Frontplatte (B x T x H): 175 x 85 x 47 mm
- Abmessungen ohne Frontplatte (B x T x H): 160 x 85 x 33 mm
- Gewicht 500 g
- Wireless Transmitter, zwei Antennen, ein USB Kabel, Montageschrauben und Muttern im Lieferumfang enthalten

The RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay for Pedalboards offers an easy-to-use wireless connection between your instrument and your pedalboard, featuring digital wireless technology that delivers incredible audio quality, a simple setup procedure, and reliable use for any gigging musician. The wireless system works in the 2.4 GHz ISM band for unlimited worldwide use and offers a full 20 Hz - 20 kHz frequency range with only 5 ms of latency. The patchbay module is designed to route connections from underneath your pedalboard to its front, giving you a central access point and tidying up your connections. The A, B, C, and D TRS sockets are wiring thru-connections from the front of MOD 4 to the corresponding sockets on the back. This allows you to connect your pedals permanently underneath the board, so you only have to connect cables to and from the front of the board, instead of having to route underneath it when setting it up for a gig.
- wireless system receiver + patchbay for pedalboards, incl. wireless transmitter
- compatible with guitar wireless system
- 2.4 GHz ISM band for worldwide use
- 30 m / 100 ft. approx. range (without obstacles)
- 24-bit / 48 kHz uncompressed digital transmission
- 20 Hz - 20 kHz frequency range
- 5 ms latency
- 103 dB dynamic range
- 85 dBm RF sensitivity
- 0.2% total harmonic distortion
- 4 selectable channels
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- detachable front plate for mounting on top or underneath pedalboards
- 4x 6.3 mm / 1/4" stereo thru (TRS)
- 1x 6.3 mm / 1/4" mono receiver audio output (TS)
- 1x DC 2.1 x 5.5 mm barrel thru
- 1x AC IEC thru
- 1x USB Type A charge output
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- battery operation not supported
- current draw 500 mA
- passive operation possible (patchbay only, without wireless system)
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 500 g / 1.1 lbs
- incl. wireless transmitter, two antennas, USB charging cable, mounting screws, and counter nuts

2.4 GHz Guitar Wireless Receiver, Transmitter + TRS Patchbay

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Acoustic Pedalboard - Magic Ami

pol ice

Als Weiterentwicklung des DCB10 bietet dieses Netzteil die doppelte Leistung und verfügt über acht 9-V-Ausgänge, die jeweils mit einer roten LED zur Anzeige eines Kurzschlusses ausgestattet sind, sowie zwei 18-V-Ausgänge

A revamp of the DCB10, this power supply handles twice the power and comes with eight 9v outputs, each equipped with a red LED to indicate a short, and two 18v outputs

Demo by Paul Abbott

Demo by Guitars & Tea 

Product Page

Review by musicradar

Review by Produce Like A Pro

Manual

DC BRICK M237

ch ray

MOOER hat seine neueste Effektpedal-Innovation vorgestellt: den Vocal-Prozessor MVP1 AUTUNER. Im Gegensatz zu den meisten MOOER-Produkten ist dieses Pedal in erster Linie für den Einsatz mit Gesang konzipiert und bietet eine präzise Tonhöhenkorrektur und außergewöhnliche Funktionen zur Verbesserung von Gesang. Dennoch hat MOOER seine Hauptzielgruppe nicht vergessen, und so bietet AUTUNER auch viele Funktionen, die Gitarristen interessieren werden. 

Da das Pedal in erster Linie auf Gesang ausgerichtet ist, verfügt das Gerät über mehrere Funktionen, die speziell für die Verwendung von Mikrofonen entwickelt wurden. Dazu gehören XLR-Eingang und Ausgang sowie die Unterstützung von 48 V Phantomspeisung, so dass das Pedal sowohl dynamische als auch Kondensatormikrofone unterstützt. AUTUNER verfügt jedoch ebenfalls über einen Standard-¼"-Gitarreneingang und Gitarrenausgang sowie über eine praktische Fußschaltersteuerung zum Umschalten zwischen kombinierten oder individuellen Signalen.

Die Tonhöhenkorrekturfunktionen von AUTUNER sind äußerst vielseitig. Mit einer LED-Taste kann der Benutzer mit Flat, Warm und Bright die Klangfarbe des Gesangs beeinflussen, die jeweils durch eine andere Farbe angezeigt wird. Sobald eine Klangfarbe ausgewählt wurde, kann mit dem "Korrektur"-Regler die Empfindlichkeit der Tonhöhenkorrektur eingestellt werden. Durch Drücken und Halten des linken Fußschalters kann der Anwender den Vocal-Synthesizer-Modus der Tonhöhenkorrektur aktivieren.

MOOER has unveiled its latest effect pedal innovation, the MVP1 AUTUNER vocal processor. Unlike most of MOOER’s products, this pedal is designed primarily for use with vocals, offering precise pitch correction and exceptional vocal enhancement features. However, MOOER hasn’t forgotten about its primary audience, so AUTUNER still provides features that will interest guitarists.

Due to the pedal’s primary focus on vocals, the device includes several features specifically designed for microphone usage. This includes XLR input and output, in addition to support for 48V phantom power, ensuring that the pedal supports both dynamic and condenser microphones. However, AUTUNER also includes standard ¼” guitar inputs and outputs, along with convenient footswitch control to switch between mixed or individual signals.

The pitch correction features behind AUTUNER are highly versatile. With an LED button, users can choose between flat, warm, and bright vocal tones, each indicated by a different color. Once a tone has been chosen, the 'correction' dial can be used to define the sensitivity of the pitch correction. Users can also press and hold the left footswitch to trigger the pitch correction’s vocal synthesizer mode.

MOOER

Official Product Page

MOOER Vocal Pedal Series Autuner Official Video -  MooerAudio

Demo by  Давай Запишем!

Review by Music Instrument News

MVP1 Autuner - Vocal Effects Pedal

John Barker

Fender

The Bends

David Litaba

Mit 6 Effekt-Loops und 36 programmierbaren Presets (6 Bänke mit jeweils 6 Presets) bietet der Mooer Pedal Controller L6 MKII die volle Kontrolle über Effekt-Setups. Der programmierbarer 6-Kanal Loop Switcher bietet Musikern zwei unterschiedliche Wege, mit dem Controller zu arbeiten: Im Play Mode können bis zu 36 frei programmierbare Preset-Konfigurationen genutzt werden, um mehrere Loops mit einem Fußschalter zu aktivieren oder zu deaktivieren. Im Live Mode ist jedem Fußschalter genau ein Loop zugewiesen, so lassen sich die einzelnen Pedale schnell in den Signalweg schalten. Zusätzlich zu den zwei wählbaren Modi bietet der Pedal Controller L6 MKII ein integriertes Stimmgerät, einen Mute Switch, ein großes LED Display und einen schaltbaren Pre- oder Post-Signal Buffer um die Impedanz bei langen Kabelwegen oder großen Setups anzupassen. Ohne den schaltbaren Buffer arbeitet der Pedal Controller L6 MKII mit True Bypass.

Featuring support for 6 effects loops with 36 programmable presets (6 banks with 6 presets each), the Mooer Pedal Controller L6 MKII can enhance and control even the most robust pedal and multi-effects setups. The programmable 6-channel loop switcher allows users to choose between two ways to interact with the unit. By choosing Play Mode, the user can save and recall up to 36 preset configurations that allow for the simultaneous engagement / disengagement of multiple loops with the press of one footswitch. By choosing Live Mode, the Pedal Controller L6 MKII can function as a traditional pedal controller with each footswitch able to quickly toggle on/off the corresponding loop. In addition to two play modes, the Pedal Controller L6 MKII also has the choice of a pre- or post- signal buffer to choose from to reduce impedance caused by instrument cables or other electronic interference. Without the buffer engaged, the Pedal Controller L6 MKII will operate in true bypass. Other bonus features for the Pedal Controller L6 MKII include a built-in tuner, dedicated mute switch, and large LED display panels to read easily from a distance.

Mooer Pedal Controller L6 MKII - Official Demo Video

Review by  stephan, gearnews.de

Demo by Goodwood Audio

Review by Guitar World

Pedal Controller L6 MKII

Tester

Die RC-10R kombiniert songbasiertes Looping mit organischen Rhythmen in einem kompakten Gerät und liefert frische Inspiration für deine Live-Performances, Songwriting-Sessions und beim täglichen Üben. Mit dieser Loop Station der nächsten Generation kannst du Musik und Grooves spontan und in Echtzeit kreieren. Die RC-10R unterstützt dich mit zwei Song-Parts, Intros und Outros sowie einer Vielzahl von Groove-Fills. Über die Regler und die Loop-Anzeige auf der Bedienoberfläche hast du alles im Griff und Blick. Zudem kannst du die RC-10R bei Bedarf durch externe Umschalter und MIDI-Controller erweitern, um deine Performance noch flexibler zu steuern. Die umfangreiche Rhythmus-Bibliothek deckt nahezu jedes Musikgenre ab. Oder du importierst deine eigenen Rhythmen, um die RC-10R für bestimmte Songs und Stile ganz auf deine individuellen Bedürfnisse anzupassen.

Combining song-based looping and organic rhythms in a compact package, the RC-10R brings fresh inspiration to live performances, songwriting sessions, and daily practice. This next-generation Loop Station is a real-time creation machine, enabling you to develop spontaneous music that moves and grooves with two unique song sections, intros/endings, and rhythm fills. Onboard controls and visual loop indicators provide easy, self-contained operation, while expanded control is possible with external switches and MIDI. A vast rhythm library is on hand to cover nearly any music genre, and you can even import your own rhythms to personalize the RC-10R for specific songs and styles.

BOSS

Demo by Jackson Brooksby

Demo by Get Offset

Official Product Video

Demo by Andertons 

RC-10R Loop Station

Zixton Han

The MXR Ten Band Graphic EQ gives players
huge amounts of tone shaping and level control
in a bullet-proof enclosure. This pedal has
been upgraded with noise-reduction circuitry,
true bypass switching, a lightweight aluminum
housing, and a second output so you can run two
separate signal chains. With ten carefully chosen
frequencies and both input and output level
controls, the Ten Band EQ will let you tune your
bass or guitar rig to any room in seconds. 

Review by 

Demo by 

MXR M-108 Ten Band Graphic Equalizer Pedal

Eine akustische Gitarre mit Overdrive spielen? Knifflig. Das kann leicht unmusikalisch klingen oder störendes Feedback erzeugen. Unser vollanaloger Smolder Acoustic Overdrive löst das Problem elegant mit Fender Know-how: Mit der Funktion „Pickup Compensation” rundest du den spitzen Attack eines Piezo-Pickups ab, schon klingen die Höhen viel weicher. Der Drive-Regler dosiert den Distortion-Anteil, und der 3-Band-EQ mit Filter dient der Klangregelung. Smartes Detail: die Boxensimulation. Damit kannst du deinem Klang mehr Raum geben, wenn du über einen großen Amp oder eine PA spielst.\n \n Der Smolder Acoustic Overdrive samt Schaltkreis ist eine Original Fender Kreation. Das superleichte Gehäuse besteht aus stabilem eloxierten Aluminium. Die Amp Jewel LED ist natürlich ein stilistisches Zitat von unseren klassischen Fender Amps. Dank zuschaltbarer LED-Beleuchtung kannst du die Regler auch auf der dunklen Bühne gut ablesen.

It’s tough to add overdrive to acoustic guitars—not only can it sound un-musical, it can also cause tone-destroying feedback. Designed specifically for use with acoustic instruments, the all-analog Smolder® Acoustic Overdrive elegantly solves these issues with Fender know-how. To soften the bright attack of a piezo pickup we included a Pickup Compensation control that smooths out the highs. The Drive knob controls the amount of distortion, while 3-band EQ and Filter controls let you shape your sound to taste. We even included cabinet simulation to add some flavor when plugged into a full-range acoustic amp or PA.

Designed by our in-house team of experts, the Smolder® Acoustic Overdrive is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The switchable LED-backlit knobs show your control settings on a dark stage at a glance.

Demo by PMTVUK

Demo by Roy's Studio Adventures

Demo by Aaron Short Music

Review by gitarren-testen.de

Review by musicradar.com

Review by blairoutloud.com

Review by guitarplayer.com

Smolder Acoustic Overdrive

Mark Dodgeon

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Octave OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Electro-Harmonix

Stereo Memory Man w/ Hazarai

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

HALL OF FAME allows you to experiment and play with reverb the way you see fit. With 10 different reverb types from plates to springs to churches and back, you’ll never be without a great reverb sound the way you imagine it.

TC Electronic

Review by bonedo

Demo by Ryan Lutton

Review by Greg Cutshaw

Hall of Fame Reverb

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

We created the Venue DI so you can travel light, set up fast, and sound incredible anywhere you plug in. The Venue DI gives you complete control by combining a full-isolation DI output, 5-band EQ with adjustable low & hi-mid bands, variable clean boost, and chromatic tuner all in one acoustic pedal. With its all-discrete signal path, hi-graded semiconductors, and exclusive use of audiophile grade film capacitors, the Venue DI is on par with the world’s elite preamps and provides a studio quality sound for the stage.

LR Baggs

Review by Guitar Chalk

Review by Premier Guitar

Review by Acoustic Guitar

Demo by Strings Shop

Demo by Tony Polecastro

Venue DI

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Michael Todd Gordon, better known by his stage name Mk.gee, is an American singer-songwriter, music producer, and multi-instrumentalist.

 In 2024, Gordon released his debut studio album Two Star & the Dream Police. Aside from his own work, Gordon has worked as songwriter and producer with various artists, including Dijon, Omar Apollo, and Kacy Hill.

Mk.gee Pedalboard

Combo

Das Empress ParaEq MKII Deluxe ist ein parametrischer EQ und Boost-Pedal in Studioqualität, das für Gitarre, Bass, Synthesizer und andere Instrumente entwickelt wurde. Es bietet drei vollständig parametrische EQ-Bänder mit einstellbarer Frequenz, Verstärkung und durchstimmbarer Q-Einstellung für präzise Klangformung. Es verfügt über Baxandall-artige High-Shelf- und Low-Shelf-Shelving-Filter sowie umschaltbare 12-dB/Oktave-Hochpass- und Tiefpassfilter für eine fein abgestimmte Klangregelung. Eine Clean-Boost-Sektion ist ebenfalls enthalten und liefert bis zu +30 dB Signalverstärkung, um Verstärker oder lange Signalketten anzusteuern. Der Signalweg bleibt vollständig analog und rauschoptimiert und bietet auch bei intensiver Nutzung einen hohen Headroom und Transparenz. Das Pedal unterstützt je nach Ihren Routing-Anforderungen einen wählbaren True-Bypass- oder Buffered-Bypass-Modus.

The Empress ParaEq MKII Deluxe is a studio-grade parametric EQ and boost pedal designed for guitar, bass, synth or other instruments. It offers three fully parametric EQ bands with adjustable frequency, gain, and sweepable Q settings for precise tone shaping. It adds Baxandall-style high-shelf and low-shelf shelving filters plus switchable 12 dB/octave high-pass and low-pass filters for refined tone control. A clean boost section is included, delivering up to +30 dB of signal boost to drive amps or long signal chains. The signal path remains fully analog and noise-optimized, providing high headroom and transparency even under heavy use. The pedal supports a selectable true-bypass or buffered-bypass mode depending on your routing needs.

Empress Effects

Demo by Pete Thorn

Demo by AndyDemos

Review by Bass Gear Magazine

Para Eq MKII Deluxe

Das DD-20 Giga-Delay sprengt alle Erwartungen an ein Echo-Bodenpedal! Mit 23 Sekunden Verzögerungszeit, 11 verschiedenen Delay-Modes, darunter neu entwickelte und noch nie gehörte Echosounds, mit Loop-Funktion plus Overdubs, Speicherplätzen und vielen weiteren neuen Features werden hier alle Wünsche des Gitarristen an ein Delaypedal weit übertroffen.

The BOSS DD-20 Digital Delay offers more User memory and long delay time up to 23 seconds. Delay time can be quickly set using the push-button knob or via tap tempo. And with a choice of 11 modes—including new “Smooth” and “Twist” delays and sound-on-sound recording—this Twin Pedal raises the bar for delay effects.

Review by a.jungkunst, amazona.de

DD-20 Giga Delay

Kein Noise Gate und kein Rauschunterdrücker – sondern ein echter Brummentferner!

Jeder Musiker hat mit Brummen in seiner Signalkette zu kämpfen. Der EHX Hum Debugger verwandelt es dank ein wenig Electro-Harmonix-Magie in absolute Stille.

Egal, welche Art von Tonabnehmern Sie verwenden oder wie laut Sie spielen, der Hum Debugger bereinigt Ihre Signalkette, sodass das Brummen Ihr Gitarrensignal nicht mehr überlagert. Schließen Sie den Hum Debugger einfach wie jedes andere Effektpedal an Ihre Gitarre an und Sie können das Brummen für immer aus Ihrem Sound eliminieren!

Not a noise gate, and not a noise suppressor -- but a real hum extractor!

Every musician battles hum in their signal chain. The EHX Hum Debugger turns it into dead silence, courtesy of a little Electro-Harmonix magic.

No matter what type of pickups you use or how loud you play, the Hum Debugger will clean up your signal chain so that hum will no longer overtake your guitar signal. Simply connect the Hum Debugger to your guitar like you would any other effects pedal and you are ready to eliminate hum from your sound forever!

Demo by  Paul Stafford Cook

Review by reddit /Guitar

Review by The Gear Page

Review by Lone Phantom

Review by TAPE OP

Hum Debugger

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Sound on Sound

Review by reddit /guitarpedals

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus (Waza Craft)

This is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it you hear (the original guitar signal is always present).

Rainger FX

Review by Get Offset

Review by AMAZONA

Demo by collector//emitter

Demo by Knobs

Reverb-X

Emile Hillen

MOOD is a different kind of multi-effect. Its two channels are aware of each other, and work together. One half samples and loops brief moments, the other is a suite of real-time spatial effects.

You can even spill audio back and forth between the two channels for endless shaping: Run a time-stretched loop through a cloud of delay taps, re-sample it, and carry on.

It’s a musical chemistry set. Transfer, combine, and get lost.

Chase Bliss

Demo by Official Product Video

Midi Manual

MOOD MKI

Matthis LEMONNIER

The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your

DigiTech

Demo by Agufish

Demo by Reinaldo Lopez

Review by Guitar Gear Finder

Drop

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

Review by Charleston Classical Guitar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Featuring a unique circuit design, the MXR FET Driver captures the rich, creamy sound of an overdriven tube amplifier by cascading an op-amp gain stage into a FET stage. The FET Driver thickens up lead tones with musical, amp-like distortion and sustain without the fragility and inconsistency associated with tubes.

The FET Driver features a simple but responsive set of controls. Set your volume level with the Output control, and then use the Drive control to dial in the grit, from subtle soft-clipping to early stage distortion. Fine tune the FET Driver’s sound by tweaking Hi and Lo boost/cut controls, and push the Hi Cut switch to roll off high end frequencies when playing in high volume situations where excess noise is apparent.

Demo by Living Room GD

Official Website

Review by TDPRI

M264 FET Driver

The MXR Dookie Drive Pedal captures the tones of those amps in a single pedal so that you can dial in your own variations of that famous Dookie sound. We borrowed his amps so that the MXR team could carefully analyze all the sonic qualities that make them sound so darn good. After much analysis and A/B testing, our engineers rebuilt the amps from scratch in pedal circuit form and fit them into a single housing. The High Gain and Crunch Gain sections each have their own controls, while the Blend control allows you to mix them together just like Green Day did in the studio. If you want some extra scoop in the midrange of the overall output signal, just hit the Scoop switch.

The MXR Dookie Drive Pedal isn’t just for Green Day fans—it’s a totally unique pedal that provides a full harmonic range of overdriven tones for a playing experience that is full of depth and dimension. This special edition features an all-new finish to celebrate the 30th anniversary of Dookie’s monumental release in 1994.

Demo by  B's Music Shop

Demo by  Mountain Music Exchange

Review by Squier-Talk

DD30 Dookie Overdrive 30th Anniversary

Reverb

Ambient soundscapers and tonal experimenters rejoice, the MXR Layers lands to offer new angles on classic sustain effect formulas. Cool and compact, this pedal matches thoughtful MXR design with exceptional tonality to result in outstanding sustain effect equations.

Layers bases its main experience off a threefold sustain effect that deals in, its namesake, layers. Three onboard sustain layers play concurrently to one another to fashion complex and interesting weaves of notes, as triggered by a variety of methods. By utilizing the dedicated footswitch, Layers can be played manually to sustain notes or remotely by playing dynamics. The pedal’s Trigger knob control can be used to adjust the sensitivity of the automatic trigger sustain function or disable it altogether to offer early insight into this pedal’s options of interactivity.

Demo by  N Stuff Music

M307 Layers

DC BRICK M237 von MXR