A 60W power amp that runs from 12-24V, cares neither about polarity nor about AC or DC: it just works. 
In contrast to other solid state power amps it is designed to amplify analog setups rather than modelers: Pandora has a built in, analog impedance curve approximation and a negative feedback loop with presence and depth controls just like a tube amp. Just run a preamp pedal, distortion or EQ into it for a full setup - even with your guitar plugged straight into it it sounds amazing and will be loud enough to hang with a drummer! 
Built with the TPA3118-chip, a very powerful and efficient amplifier we added a lot of support circuitry to buffer the incoming signal and both shape it and pre-amplify it to maximize the output of the PandorA.
Just plug it right into your guitar cabinet (minimum 8 Ohm) and create the smallest, most portable full live-setup you’ve ever seen. Use it with stereo effects or a splitter to create stereo- or wet/dry-setups with ease!
To accommodate different power supplies we added a rectifier circuit, lots of power filtering and created a circuit that allows a wide range of power: center-negative, center-positive, AC-voltage, DC-voltage and anywhere from 12-24V with added headroom at higher voltages.
We also added a footswitch to mute the signal if needed!

Lichtlaerm Audio

Review by guitar pedal X

Demo by Sonic Drive Studio 

Demo by Max Power's Tasty Tones

Demo by Taylor Danley

Demo by The other John Browne 

Product Page

PandorA

As it’s been one of the most requested pedals for us to bring back to life we decided to not just re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market!
We took the first design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.

Manual

Demo by Keith Merrow

Demo by Rigs of Death Metal

Medusa

As always we tried to honor the original circuit and leave the core sound intact while offering something new that you won’t find on any similar pedal!
Enter: The King in Yellow!
With a saturation and frequency response clearly based on TS-style overdrives we added our revered active 4-band EQ - as always voiced to perfectly suit the pedal!
As we usually do we also added a charge pump to increase the operating voltage to 36V internally ensuring immense headroom, three times the output volume and a clear operation of the EQ while simultaneously keeping the noise floor low.
In addition to the classic symmetric clipping we added an asymmetric setting as well as LED clipping for more dynamic range - all available at the flick of a switch.


Demo by dots.sounds

Demo by Sonic Drive Studio

The King in Yellow

Aesahaettr (God Destroyer) is the name of a knife capable to cut through the very fabric of time and space in Phillip Pullmans epic novel “His Dark materials”.

Like its namesake our Aesahaettr is made to help your tone cut through any mix by boosting the signal and allowing for reduction of all frequencies that muddy up the sound: delivering up to 35dB of clean boost to push any amp into overdrive and a parametric low-cut up until 1500Hz that allows to dial in any taste of boost from thick, saturated or even blown up sounds over classic treble boost sounds up into modern metal territory and far beyond. This thing works great with down-tuned and extended range guitars and allows for the modern sounds everyones crazy about right now without being another TC-Integrated derivate. For ultimate flexibility we added an active 4-band EQ that’s capable of up to 16dB cut or boost on each band: 40-100hz, 400hz, 1000hz and 4000-1000hz.

Review by Rig-Talk

Review by reddit /guitarpedals

Review by Musiker-Board

Demo by Leon Todd

Demo by Xander Raymond Charles

Aesahaettr

Named after the tragical heroine from Greek mythology our Kassandra is a unique VCA-based phaser that offers you tap tempo, 8 different waveforms from classical sine and triangle shapes to more experimental random sloped and steps along with the possibility to be turned into a Univibe.
The resonance knob adjusts the amount of signal that is fed back to the first phasing stage, resulting in a crisper, more vocal like phasing without ever distorting - a thing that we always felt was annoying with JFET-based phasers.
The LFO has a way bigger range than usual giving you unprecedented depth and speeds way out of the range you’ve ever heard in a phaser!