Pipergate is our homage to the guitar tone of the psychedelic rock pioneer Syd Barrett and his sound presumably using the Selmer Buzz Tone booster/fuzz pedal.
While faithful to the three-transistor topology of the original pedal, we have improved the circuit so that today’s guitarists can easily use it on their pedalboards. The pedal runs now on standard DC9V instead of the 3V of the originals.

The improvements include a new function, namely the Buzz knob that allows the user to adjust the bass gain range. Every control went through a little fine tuning from us that now allows a way broader range of tones to be set. The same sound of the original with new possibilities added.

This is a specialty box built around three extremely rare, matched Germanium transistors. It is the imprint of the sound world of an era that does not belong to the mainstream these days.

Kasleder

Review by delicious audio

Demo by Kris Barocsi

Demo by Buddy Blues

Product Page

Pipergate

Based on the Timmy Overdrive with special EQ for Bass

Demo by  Subbeast Bass Pedals&Effects

Demo by Secret Bass

Official Website

Review by MaSa @note

Token Bass Overdrive

Kasleder Effects proudly introduces the Kasleder Germanium Acid Fuzz pedal. The circuitry of the light green fuzz pedal is based on two very rare NOS SFT 308 Germanium transistors inside. These - now are hard to find - transistors were responsible for the sound of the original Dallas Arbiter Fuzz Face and Tone Bender MK 1.5 pedals as well.
The Kasleder Germanium Acid Fuzz faithfully reproduces the tonal qualities of the original Fuzz Face stomp boxes so delivers a sound true to its great predecessors. However its circuitry is based on the classic Fuzz Face circuitry, it has a few modifications to meet the demands of the present day player. The GE Acid Fuzz effects pedal’s maximum gain level is relatively low so it delivers a true warm vintage “wooly” fuzz tone character to your sound.

Demo by DivKid

Germanium Acid Fuzz

The birth of the Kasleder Yeti Drive was inspired by the first incarnations of Big Muff pedals, but instead of it being just another clone, there is something more mysterious and sinister hiding under its bonnet, giving it a unique tone and drive texture. Typically, most Muffs are voiced with a very heavy low-end and piercing highs, however, their mid-range is usually very „scooped” and hollow. In order to create a less obtrusive and better balanced sound spectrum, the frequency range of the Yeti Drive has been re-tailored to give a tighter low-end, gentler highs and a slight hump in the mid-range, making the sound extremely controllable and versatile, allowing it to cut through the mix a whole lot better.

Demo by PEDAL GONG SHOW

Demo by Subbeast Bass Pedals&Effects

Yeti Drive

Just as the masterful flight of the majestic bird from whom it takes its name gracefully crosses the border of the sky and ocean, the Albatross is a blend between a modern JFET preamp and an old-school transistor fuzz.

Albstros