Ganz gleich, ob Sie Ihr Mono-Eingangssignal über zwei separate Ausgänge umschalten oder kombinieren möchten, oder ob Sie zwei separate Eingangssignale auf einen Ausgang schalten oder kombinieren möchten, das KMA Machines ABY-Pedal ist ein zuverlässiger kleiner Helfer für Ihre klangliche Suche. Dieser passive ABY-Switcher wurde mit dem Fokus auf Langlebigkeit, Zuverlässigkeit, Einfachheit und problemlosen Betrieb entwickelt und verfügt außerdem über eine aktive, geräuschlose, relaisbasierte Soft-Switching-Funktion (True Bypass), die mechanische Geräusche und unerwünschte Knackgeräusche während der Benutzung reduziert. Alles, was Sie tun müssen, ist Ihren Weg zu wählen und zu spielen!

Whether you’re looking to switch or combine your mono input signal using two separate outputs, or switch or combine two separate input signals into one output, the KMA Machines ABY pedal is a dependable little helper for your tonal quest. Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use. So, all you have to do is choose your path and perform!

KMA Machines

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AB/Y

Minos ist viel mehr als bloße Nachbildungen dieser Klassiker, es ist ein vielseitiges Werkzeug für viele verschiedene Arten von Fuzz-Sounds und -Musik. Mit dem INPUT-Regler können Sie die perfekte Menge an Pre-Gain und Bass-Eingang einstellen. Drehen Sie ihn nach links und Sie erhalten einen kernigen und knackigen Overdrive-Ton, der perfekt für Garage und Blues ist, während Sie ihn in die andere Richtung drehen, um einen dicken und wolligen Fuzz zu erhalten. Unser Versuch mit dem „Tonebender“-artigen Pedal bietet jedoch eine viel breitere Palette an Gain-Strukturen. Durchstreifen Sie alle Schattierungen schmutziger Töne, von der rauhen Low-Gain-Verzerrung bis hin zu dickem, wütendem Fuzz.

Much more than just mere recreations of these classics, Minos is a versatile tool for many different styles of fuzz sounds and music. With the INPUT control, you can dial in the perfect amount of pre-gain and bass input. Turn it to the left and it gives you a gritty and crisp overdriven tone, which is perfect for garage and blues, while turning it in the other direction gives you a thick and woolly fuzz. Our attempt of the ‘Tonebender-ish’ style of pedal has a much broader range of gain structures though. Sweep through any shades of dirty tone, from raunchy low gain distortion to thick angry fuzz.

Review by Stompbox Steals

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Demo by Ponderer Sounds

Minos

The Horizont’s mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that’ll kick phasing well into the 21st century.

Demo by Living Room GD

Demo by The Pedal Zone

Review by Pedal of the Day

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Review by Ultimate Guitar

Review by AMAZONA

Manual

Horizont

KMA Machines bring you Tyler – The Frequency Splitter. The ultimate tool for developing new sounds and pushing your creativity to new unprecedented heights.

Tyler is an active and variable two channel crossover/signal splitter, which divides your signal with HIGH PASS and LOW PASS paths. Both filters have a 12db/Oct. roll-off with a variable cut-off frequency from 20Hz to 3kHz. Each channel has its own foot-switchable buffered FX-Loop to process your lows (WOOD) or your highs (STEEL) with independent effects loops in parallel.

Review by Talk Bass.com

Tyler The Frequenzie Splitter

KMA Audio Machines brings you the legendary distortion sound from the out of production Boss HM2 MIJ pedal. Its sound was a key element of the Swedish chainsaw metal, invented by Bands like Dismember and Entombed.

Taking the essential ingredients of this classic, while in the process developing a way more flexible metal-distortion pedal, we kept the classic active EQ section and added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. Each band has an internal trim-pot to change the centre frequency and fine-tune your tone. To switch between the original HM2 high control and our own designed WURM mid-band, we added internal DIP switches for even more tonal variations.

Wurm