Das Archer Ikon ist ein 2-in-1-Pedal. Es kann einfach als cleaner Booster verwendet werden, indem den Gain-Regler ganz herunterschaltet. Sobald man Gain hinzufügt, wird das Clean-Signal abgedämpft. Aber hier gilt es einen magischen Zwischenbereich zu entdecken.

The Archer Ikon is sort of a 2 in one pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but you will find that there is a magical blend in between.

J. Rockett Audio Designs

Official Product Page

Manual

Rockett Archer Ikon - Demo / Shootout Video (Archer Ikon vs WHE Conspiracy Theory) - Pedal of the Day

Rockett Archer Ikon - Demo Video - Shawn Tubbs

Rockett Archer Ikon - Demo / Shootout Video (JHS-Modded Soul Food vs J.Rockett Archer Ikon) - Pedal of the Day

Review by reddit /guitarpedals

Review by Anatomy of Guitar Tone

Review by Sound on Sound

Review by The Gear Page

Archer Ikon

Das J. Rockett Alien Echo zielt darauf ab, den Sound der alten analogen Bucket Brigade Tape Delay Sounds zu replizieren. Die zufällige Modulation, die der eines abgenutzten Tape-Delays ähnelt, kann per Fußschalter eingestellt werden. Mit dem J. Rockett Alien Echo lassen sich außerirdisch anmutende, schleppende Delays oder twangiges Slapback erzeugen - ein Druck auf den Warble-Schalter genügt, um das Delay völlig außerirdisch klingen zu lassen.

The J. Rockett Alien Echo aims to replicate the sound of vintage analog bucket brigade tape delay tones. Randomized modulation similar to that of a worn-out tape delay is footswitchable for on-the-fly adjustments. Create alien-esque, trailing delays or twangy slapback with the J. Rockett Alien Echo - just tap on the Warble switch to bring your delay into totally extraterrestrial.

Product Page

Demo by J. Rockett Audio Designs

The Alien Echo

The Blue Note Select is a “V2” of our favorite circuit. The original Blue Note Pro Series was the first and that included the “Hot” switch. We then introduced the Tour Series that did not have the “Hot” switch. The newest Blue Note Select not only includes the”hot” switch but also includes major improvements to the looks, the sound and the overall feel, all in a very small package. We have gone so far as to have custom knobs made, a custom color mixed to achieve
the electric blue you see and by far the biggest improvement is the low end both in and out of “hot mode”. This could be our best overall low gain drive.

Demo by Shawn Tubbs

Demo by Buddy Blues

Review by mixdownmag

Review by delicious audio

Blue Note Select

Das Josh Smith Dual Trem ist eine Kollaboration zwischen dem Blues-Gitarristen Josh Smith, J. Rockett Audio Designs und dem Designer Tim Jauernig. Es verfügt über zwei unabhängige Tremolo-Sektionen (je mit eigenen Reglern für Geschwindigkeit und Tiefe) sowie eine globale Boost-Regelung zur Kompensation von Lautstärkeverlust oder als saubere Klangsteigerung. Es zielt darauf ab, den Tremolo-Klang klassischer „Leo“-Verstärker einzufangen, und ermöglicht das Einstellen von zwei unterschiedlichen Trem-Sounds, das Umschalten dazwischen oder das Stapeln beider.

The Josh Smith Dual Trem is a collaboration between blues artist Josh Smith, pedal designer J. Rockett Audio Designs and designer Tim Jauernig. It features two independent tremolo sections (each with their own Rate and Depth controls) along with a global Boost control to compensate for volume loss or to act as a clean boost. It is voiced to capture the tremolo sounds of classic “Leo” style amplifiers and allows you to dial two distinct trem settings, switch between them or stack them.

Demo by Brett Kingman

Review by ToneBox

Review by Pedal Of The Day

Josh Smith Dual Trem

The Tranquilizer is a swirly machine. One of our favorite effects of old was the original phase 45. We always thought it was more musical than the 90 and less “in your face”. We started out to make a recreation but then discovered features we needed. The tranquilizer is capable of classic phase 45 sounds, classic Univibe sounds, classic Leslie sounds and classic vibe only sounds. The key to everything morphing is in the Focus control, which is an external biasing feature. One of the things we never liked about the classic 45’s was that you could not control the low-end whomp, but you can with the Tranquilizer.