Der TS9 Tube Screamer Reissue belebt das legendäre Overdrive‑Pedal der 1980er neu, das zahllose Gitarrentöne prägte.
Sein charakteristischer Mitten‑Boost und das warme Clipping verleihen sanften Biss, ohne die Klarheit jeder Note zu opfern.
Drei einfache Regler—Drive, Tone und Level—formen den Sound von dezentem Boost bis zu sattem Overdrive.
Buffered Bypass sichert Ihr Signal auf dem Pedalboard, ob aktiv oder ausgeschaltet.
Kompakt und robust in seinem typisch grünen Gehäuse ist es sowohl bei Profis als auch Hobbyisten unverzichtbar.
Ob SRV‑Sparkle oder moderner Crunch—der TS9 liefert den unverwechselbaren Klassiker‑Sound.

The TS9 Tube Screamer reissue faithfully revives the classic 1980s overdrive that defined countless guitar tones.
Its signature mid‑hump and warm clipping add smooth grit while preserving note clarity and amp feel.
Three simple knobs—Drive, Tone, and Level—let you shape everything from a gentle boost to full‑bodied overdrive.
Buffered bypass ensures your signal stays strong on‑ or off‑board, with true pedalboard reliability.
Compact and rugged, its familiar green enclosure has been a staple on pros’ and hobbyists’ rigs alike.
Whether you’re chasing SRV sparkle or modern crunch, the TS9 delivers instantly recognizable tone.

Ibanez

Product Page

Review by The Gear Page

Review by Reddit /guitarpedals

Manual

Demo by intheblues

Official Product Video

TS9 Tube Screamer

Demo by Peach Guitars

Demo by Pete Thorn

TSV808 Vemuram Tube Screamer

Ein Jahr später, 1986, erschien die “Power Series”, bzw. die 10er Reihe, zu der der TS10 zählt, mit mehr Veränderungen in der Schaltung. Hier wurden sehr kostengünstige Komponenten verbaut, die Stecker sind nicht am Gehäuse, sondern auf der Platine verschraubt und das Chassis ist dünner. Gegen Ende der Produktion wurden einige TS10 in Taiwan gebaut und mit dem MC4558 Chip versehen. Die frühen Made in Japan TS10 sind mittlerweile trotz der erwähnten Abstriche sehr gefragt, nicht zuletzt, weil auch John Mayer mittlerweile dieses Pedal benutzt.

As with other Tube Screamers, the TS10 features the same three controls: Drive, Tone and Level. This model in particular is extremely responsive to the dynamics of your playing, making it a great pedal to crank up and then control via your guitar’s volume knob, for all the control over your overdrive you could want. Starting with the Tone and Drive around 9:00, it’s fun to try out different settings, both on the pedal itself, and playing with your guitar’s controls. The TS10 is also a joy to use with other pedals, especially a good boost, which can propel the overdriven sound to drive your amp beautifully, just beyond break-up, but still clean and clea

Review by pedal of the day 

Review by Gitarre & Bass 

Review by bonedo 

Demo by Pedalboards of Doom 

Demo by Hollywood Rare Guitars 

Demo by shnobel 

TS-10 Tubescreamer

Der Pentatone Equalizer ist eine eigenständige Version des 5-Band-Equalizer-Teils im Ibanez Pentatone Preamp. Mit einem kontinuierlich veränderbaren Q-Regler für jedes Band, der eine größere Vielfalt an Klangkreationen ermöglicht, bietet er noch präzisere Klanggestaltungsmöglichkeiten. Darüber hinaus sorgt die ±9V Stromversorgungstechnik für eine hohe Headroom. Damit eignet sich der parametrische Equalizer nicht nur für E-Gitarren, sondern auch für Signalquellen mit höherem Pegel wie E-Bässe und Keyboards.

The Pentatone Equalizer is a standalone version of the 5-band equalizer section in the Ibanez Pentatone Preamp. Adding a continuously variable Q control on each band, which allows for a wider variety of sound creation, enables even more detailed sound creation. Furthermore, the ±9V power supply circuitry provides a wide headroom. That makes the parametric equalizer suitable for not only electric guitars but also higher-level output signal equipment such as electric bass guitars and keyboards.

Demo by Sweetwater

Demo by EytschPi42

Review by sevenstring.org

Pentatone PTEQ

The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

Echo shifter 3