Chris McCown

Lion is the central point of the board.  It is the "amp", where the main tone, clean and dirty channels, and everything is connected to and from.  The Deco is the stereo split point.  Mono pedals come before it.  On the front of the signal chain, the receiver, guitar input on the Decimator, EP Booster, compressor,  phaser, and Super Sweet, are all connected the the noise gate circuit.  

Those all get connected to Decimator IN.  From Decimator OUT, the Carbon Copy Mini is first in the chain (so the repeats don't get chopped by the gate), and then it's off to the Deco, where the stereo split happens.  From the Deco's Left/Right outs, that goes to Lion Left/Right IN, and then it's off to the HX One, Starlight Echo, and Collider, all in stereo, and then out to a stereo DI, a mixing console, or audio interface.  

The Strymon switch accesses my favorite preset, which is the Super Wide mode with some saturation on the Deco (Super Wide mode is AMAZING!!!).

The Source Audio switch is actually the tap tempo, as the onboard tap tempo on Collider is not great.  A long press on the delay/tap tempo switch will allow you to scroll through the onboard presets, and the scroll speed is just right, not too fast, not too slow, so it works out well.

Underneath the board is a Walrus Audio Canvas 15, and a JHS active splitter/buffer, which I'm currently using as just an active buffer, as well as a Temple Audio LED strip light, which is just for fun but looks.  

It's a silent, stereo board that gives me all of my meat and potatoes that I enjoy, plus a lot of really cool delay types, reverbs that I'm able to FREEZE to create pads (very cool!) via the Collider, and HX One is AFTER the amp, very intentionally, to predominantly be a stereo VOLUME boost, but in addition has some great sounding modulation, time based, and other effects that I can access.  

I have it set up as a two channel amp, with a clean and a gain channel, but with two additional gain stages via the Super Sweet, and the Lion's onboard boost (EP Booster is always on, because I like what it does to the tone.  Compressor is always on as well. The Empress is the GUITAR version, not the bass version.) This is already built in real life, but seeing how the layout on a Rockboard would be, and I think it fits slightly better on the Rockboard than on the Pedaltrain. 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

UA Lion based board for rock, worship, ambient, and fun!

Scott Machalk

From recalling presets to tapping in tempos, MiniSwitch adds another layer of functionality to your Strymon pedals at the press of a button. 

Strymon

Demo by Sunday Tone 

Product Page

Quick Start Guide

Manual

MiniSwitch

David Litaba

Synchronisiere deine Modulations Rate per Knopfdruck mit dem Source Audio Toolbox External Tap Tempo Switch. Der Tap Tempo Switch ist kompatibel mit allen Source Audio One Series Modulations Pedalen. Nutze ihn um die LFO Geschwindigkeit des Vertigo Tremolo, Lunar Phaser, Gemini Chorus und Mercury Flanger auszutappen. Der SPEED Regler auf diesen Pedalen setzt dann die Unterteilung in Viertel-, Achtel-, Sechzehntelnoten oder Achtel-Triolen. Von 7-9 Uhr auf dem SPEED Regler der One Series Pedals gibt dir Viertel-Unterteilungen, 9-12 Uhr Einstellungen Achtelnoten, 12-3 Uhr Achteltriolen und bei 3-5 Uhr bekommst du Sechzehntel Unterteilungen des getappten Beats. Der Tap Tempo Switch kann außerdem auf dem One Series Nemesis Delay die Delay Time setzen und Presets schalten. Darüber hinaus verfügt der Tap Tempo Switch über einen Standard 6,3 mm TRS-Klinkenausgang und lässt sich somit auch mit kompatiblen Produkten (normally open [NO], single pull/single throw (SPST)) verschiedener Drittanbieter nutzen

Sync your modulation rate on-the-fly with the Source Audio Toolbox External Tap Tempo Switch. The Tap Tempo Switch is compatible with all Source Audio One Series modulation pedals. Use it to tap out the LFO speed of the Vertigo Tremolo, Lunar Phaser, Gemini Chorus, and Mercury Flanger. The Speed knob on each pedal sets the beat division to quarter, eighth, triplets, or 16th notes. 
South of 9 o’clock on the SPEED knob of Source Audio One Series Pedals will give you quarter note beat divisions, 9 to 12 o’clock gives you eighth notes, 12 to 3 gives you triplets, and 3 to 5 gives you 16th notes. 
The Tap Tempo Switch will also set the Delay Time or externally recall presets on the One Series Nemesis Delay. In addition, the Switch has a standard 1/4" output for use with compatible third-party products (normally open [NO], single pull/single throw (SPST)).

Source Audio

Official Product Page

SA 167 Tap Tempo Footswitch

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tester

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

Xotic

Demo by Mike Hermans

Official Product Video

EP Booster

The Super Sweet Boost (SSB) offers a dynamic and transparent +20dB clean boost perfectly tuned for transferring the articulation of your guitar playing.

The SSB is incorporated with a high performance Class A preamp built around the famous JRC4558 chip. The boost frequency can be selected by an external DIP switch offers a very versatile tone shaping capabilities.

Review by Pete Thorn

Demo by Mike Hermans 

Demo by Peter Honoré

Super Sweet

M299 Carbon Copy Mini Delay

ch ray

The Strymon Deco is not so much your typical effects pedal, but rather a tape simulation machine in a box, adding lush tape saturation and a "widening" effect to your sound. The Deco’s tape saturation smooths out your sound with tape-style compression, while the doubletracker feature thickens up your tone with subtle tape-driven transparent overdrive.

Review by mixdownmag

Review by reddit /guitarpedals

Review by The Gear Page

Review by Guitar.com

Demo by Duskmos

Deco v2

Edward Van Halen's Gitarrensound auf dem Debüt Album von1978 katapultierte ihn schlagartig in dem Olymp des Rock und selbst nach mehr als 25 Jahren hat die Gitarrenarbeit auf diesem Album nichts von ihrer Faszination eingebüßt. Den unglaublichen Sound, den EVH auf dieser Platte kreierte, gehört zu den absoluten Meilensteinen des Rock und ein wichtiger Bestandteil dieses Sounds war von vornherein der MXR Phase 90. Der Phase 90 trug maßgeblich zu den zeitlosen Gitarrensounds von “Eruption,“ “Ain't Talkin' 'Bout Love,“ “On Fire,“ und “Atomic Punk“, sowie vieler anderer klassischer Van Halen Stücke bei. Entstanden aus einer Zusammenarbeit zwischen Eddie Van Halen und Jim Dunlop ist der EVH 90 eine komplett neu designte Version des legendären Phase 90. Der EVH 90 zeigt genau die gleichen räumlichen Klangverwirbelungen und hypnotischen Phasenverschiebungen, die den Phase 90 so berühmt machten. Als neues Feature besitzt der EVH 90 den Script-Schalter, der es ermöglicht, zwischen dem Vintage 'Script Logo' und dem moderneren, aggressiveren 'Block Logo' Phasersound zu wählen. Außerdem präsentiert sich der EVH 90 mit einem rot, weiß und schwarz gestreiftem Outfit, ganz so wie Eddie´s legendäre Frankenstein Gitarre.

Edward Van Halen earned his spot in the guitar tone hall of fame with the first note on his debut album in 1978. The guitar work on that album still boggles minds more than 25 years later. The tones that EVH got on that classic record are among the greatest ever, and a huge part of Eddie‘s guitar sound has always been the MXR Phase 90. The Phase 90 contributed to the unbelievable tones on "Eruption," "Ain't Talkin' 'Bout Love," "On Fire," and "Atomic Punk," plus many other timeless Van Halen tracks. Now you can grab a piece of Eddie's magic with the new MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop Manufacturing that represents a totally redesigned, updated version of the legendary Phase 90. The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, "Script Logo" phase tone and a more modern, in-your-face "Block Logo" phaser. Plus, the EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar. Oh yeah—it's also got a bitchin' new blue LED. Now, how cool is that? Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter

Review by Amazona 

Review by Awkward sound 

Demo by SweetWater 

Demo by Reverb 

EVH90 - EVH Phase 90 Red

PedalSafe Type A1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video (Stacking Delays)

Source Audio Collider Stereo Delay/Reverb Pedal Demo - The Pedal Zone

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Sweetwater

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Mike Hermans

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - AndyDemos

Source Audio Collider - Review by Gitarre&Bass [DE], [04-2020]

Source Audio Collider - Review by Muzikus [CZ], [03-2020]

Source Audio Collider - Review by Gitarzysta [PL], [02-2020]

Source Audio Collider - Review by GrandGtrs [DE], [01-2020]

SA 263 Collider Delay+Reverb

PedalSafe Type SR2

QuickMount Type SR2

Pedal-Montageplatte für SOURCE AUDIO Ventris Dual Reverb, 263 Collider & Nemesis Delay Pedale

Pedal Mounting Plates for SOURCE AUDIO Ventris Dual Reverb, 263 Collider & Nemesis Delay pedals

Schutzabdeckung & RockBoard-Montageplatte für SOURCE AUDIO Ventris Dual Reverb, 263 Collider & Nemesis Delay Pedale

Protective Cover & RockBoard Mounting Plate For SOURCE AUDIO Ventris Dual Reverb, 263 Collider & Nemesis Delay pedals

Schutzabdeckung & universelle Montageplatte für SOURCE AUDIO Ventris Dual Reverb, 263 Collider & Nemesis Delay Pedale

Protective Cover & Universal Mounting Plate For SOURCE AUDIO Ventris Dual Reverb, 263 Collider & Nemesis Delay pedals

David Joyce

The Decimator G String X from ISP Technologies uses patented Decimator X Technology to deliver advanced adaptive noise reduction, ensuring smooth transitions between fast staccato notes and long sustained tones while eliminating undesirable noise and modulation. This pedal tracks the signal directly from your guitar for seamless transitions from clean to high gain without adjusting the threshold, and it includes linking functionality for dual-channel or stereo setups. Ideal for both live performances and studio recordings, the Decimator G String X offers unparalleled transparency and smoothness in noise reduction.

ISP Technologies

Review by Thomann 

Review by ISP Tech

Decimator X G String

Schnall Dich an und begib Dich auf eine klangliche Zeitreise mit der UAFX Starlight Echo Station, mit atemberaubende Emulationen klassischer Bandechos, Bucket Brigade und Digital Delays in einer einzigen, extrem leistungsstarken Stompbox.

Basierend auf futuristischem UAFX Dual Engine Processing und der unnachgiebigen klanglichen Präzision setzt Starlight neue Maßstäbe für Delay-Effekte, die über Jahrzehnte hinaus in die weitesten Bereiche Deiner Vorstellungskraft reisen werden.

Fasten your seatbelts for sonic time travel with UAFX Starlight Echo Station, featuring jaw-dropping emulations of classic tape echo, bucket-brigade, and digital delay units in a single, uber-powerful stompbox. 

Built upon futuristic UAFX dual-engine processing and unflinching sonic accuracy, Starlight sets a new benchmark in delay effects, beautifully crafted to travel the farthest reaches of your imagination for decades to come. 

Universal Audio

Review by TAPE OP

Review by bonedo

Manual Pages

Demo by  Andrew Cheng - Guitarist

Starlight Delay

Ronald Westland

Das UAFX Lion '68 Super Lead Amp Pedal liefert die klassischen britischen Verstärker-Sounds, die von legendären Künstlern wie Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC und vielen anderen berühmt gemacht wurden.

Lion '68 ist das einzige Pedal, das die originalgetreuen Sounds von drei verschiedenen 100-Watt-Plexi-Verstärkern liefert. Dank der leistungsstarken Dual-Engine-Verarbeitung und der erstklassigen UAD-Modellierung erhältst du die großartigen Cleans, den aggressiven Breakup und das heiße Röhren der Originale.

The UAFX Lion '68 Super Lead Amp pedal gives you the classic British amp sounds made famous by decades of legendary artists including Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC, and more.

Lion '68 is the only pedal that delivers the dead-on tones of three distinct 100-watt plexi amplifiers. Built on powerful dual-engine processing and world-class UAD modeling, you get all the gorgeous cleans, aggressive breakup, and hot-rodded roar of the originals.

Demo by Guitar Bonedo

Review by That Guitar Lover

Lion 68 Super Lead Amp

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Premier Guitar

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

Walrus Audio

Canvas Power 15

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

SP Technologies introduces the new DECI-MATE™ Micro Decimator pedal. The DECI-MATE pedal is a full implementation of the world renowned Decimator circuit with new tracking improvements in a small, micro pedal package. When real estate is critical, the DECI-MATE is the answer.

Review by Pedal of the Day

Demo by  Simon Gotthelf Gear Demos

Demo by Louis Torres

Deci mate Micro Decimator

ISP Technologies introduces the revolutionary patent pending HUM EXTRACTOR™ + DECIMATOR G, two channel, ultimate noise reduction system. After years of musicians fighting the major noise problem of power line frequency hum, ISP Technologies eliminates this dreaded noise with the new patent pending HUM EXTRACTOR™. Power line frequency hum is most commonly caused by stray magnetic fields generated from transformers or power lines in close proximity to the instrument pickups. While Hum Bucking pickups have been in use for years to help reduce this problem, if the level of hum is severe, even Hum Bucking pickups are not enough and many players still prefer the sound quality and tone of single coil pickups.

Demo by mofongotron

Demo by Sweetwater

Review by the Gear Page

Hum Extractor + Decimator G

The Decimator guitar pedal offers a new approach to noise reduction processing. Most noise suppression systems suffer from one major problem inherent in their design: The system cannot be immediately responsive to very short-term staccato notes. The typical downward expander sound reduction system suffers from a dead zone in the release response characteristic that causes a compromise in tracking both fast decaying notes and long sustained notes. The Decimator pedal's design offers a novel approach to tracking the envelope of the input signal called Time Vector Processing.

Due to this novel approach in controlling the expander, the Decimator system will instantly respond to short staccato notes and, at the same time, will provide a very slow ripple free control of long sustained notes. The Decimator noise suppression system is very transparent delivering high performance.

Official Website

Review by sevenstring.org

Review by 300Guitars

Demo by EnsiGear

Demo by Reverb

Decimator

Mit dem Beta Bass Preamp-Pedal von ISP Technologies haben Sie praktisch unbegrenzte klangliche Möglichkeiten für jeden Musikstil. Es beginnt mit dem ultra-cleanen Vorverstärker und dem EQ, während du deinen Ton mit den Reglern für Bässe, Höhen und zwei durchstimmbare Mitten formst. Anschließend können Sie den Kompressor nach Belieben einschalten, um den Klang zu verfeinern. Mit den Effekten Exciter, Decimator und Distortion kannst du alles von subtiler harmonischer Verstärkung bis hin zu vollmundiger Verzerrung hinzufügen. Mit dem Beta Bass Preamp-Pedal von ISP Technologies erhalten Sie einen hervorragenden Klang, robuste Zuverlässigkeit und die Flexibilität der Fußschalter, die Sie bei Live-Auftritten benötigen.

With the ISP Technologies Beta Bass preamp pedal, you've got practically unlimited tonal options for any style of music. It starts with the ultra-clean preamp and EQ as you shape your tone with bass, treble, and two sweepable mid controls. Then dial in the compressor to taste for extra fatness. Add anything from subtle harmonic enhancement to full-bore distortion with the Exciter, Decimator, and Distortion effects. You've got stellar tone, rugged reliability, and the footswitch flexibility you need when performing live with the ISP Technologies Beta Bass preamp pedal.