Zach  Januse / Fuzzed Drones

Fuzzed Drones Pedalboard 

Jeff O'Connor

Paying homage to the sacred bass rig embodied by Al Cisneros in the early days of OM, GIZA is a JFET emulation of a modified Green Matamp GT120 preamp combined with the hypnotic pairing of DOD 250 Overdrive and Boss DS-1 Distortion.

Does It Doom

Facebook Page

Product Page

Review by Doomed & Stoned

Official Product Video

Demo by Fuzzed Drones

Giza

David Graves

Der Witchfinder ist eine stark modifizierte Version der Boss FZ-2 Hyperfuzz. Im Vergleich zum Original wurde der 3-Wege-Mode-Schalter entfernt, ebenso der Boost-Modus. Fuzz 1 und Fuzz 2 wurden vereinfacht – statt eines festen Mitten-Cuts gibt es jetzt eine aktive Mittenregelung mit einem 3-fach umschaltbaren Mittenfrequenz-Schalter.

The Witchfinder is a highly modified version of the Boss FZ-2 Hyperfuzz. Compared to the original, the 3 way mode switch has been removed along with the Boost mode. Fuzz 1 and Fuzz 2 have been simplified where instead of a fixed mid-cut there is now an active mid range control with a 3-way center frequency toggle.

Magic Pedals

Demo by Dirty Demos

Demo by Does it Doom?

Witchfinder

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tester

One of the best versions of the Ram's Head is the "Violet" version.

The overall tone of the pedal is very balanced from low to high and it has a ton of warm, smooth fuzz that make chords full while retaining string clarity. 
Lead tones are very smooth, punchy and warm. Harmonics jump out with very little effort.

Stomp Under Foot

Vintage 1975 Violet Ram's Head

ch ray

The Seabee is a multi-chorus pedal that delivers the finest analog bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.
Three Chorus modes provide the classic, lush chorus and vibee sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.
Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

Beetronics

Review by bonedo

Review by Guitar.com

Manual

Official Product Video 1

Official Product Video 2

Seabee Harmochorus

Esben Dyrhovden

If there were a Venn Diagram showing the overlap between ‘90s British shoegaze and ‘90s Swedish death metal, Jugendstil would feel right at home in the middle. The circuit starts with a simple, high-gain silicon fuzz section which cleans up extremely well and can even be used as a clean boost at low settings. That’s all well and good, but Jugendstil’s secret weapon is a fully maxed out HM-2 style EQ, labelled “loud” and wired as a parallel blend — use the loud control to blend in as much or as little of the HM-2 sound as you like!  The sweep control (labelled "focus" on these blemished units) controls the center frequency of the mid boost.  Set it around 1 o'clock for the classic HM-2 sound.  

God City Instruments

Official Website

Review by reddit /guitarpedals

Demo by AlphaDelta Recording Studios

Jugendstil

Deforming is a PT2399 based delay with an envelope controlled warp function.

We've all played a show where you get to the end of your set, click on your delay pedal, crank the feedback knob and manically twist the time knob for walls of time bending chaos.

The concept behind Deforming was to make that time knob manipulation possible without having to drop to your knees and put your hands on the pedal. Meaning you can keep playing while the delay signal bends and warps around your playing.

Deforming features an input preamp which can be driven hard to saturate the unit and emulate the preamps of old tape machines. This preamp control also helps you reduce the input volume to balance out the signal when driving the unit with loud dirt pedals.

The warping effect can range from subtle pitch wobbles for shoegazey chord movement through to all out warped chaos at the most extreme settings.

Holy Island Audio

Review by delicious audio

Demo by Fuzz Eater Gear Demos

Demo by Tunnel of Reverb

Deforming

EarthQuaker Devices

Time Shadows II DBA Edition

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Das StroboStomp HD verfügt über das größte Stimmdisplay, das Peterson Tuners je in eines seiner Pedal-Stimmgeräte integriert hat, und besticht durch einen hochauflösenden LCD-Bildschirm mit einer LED-Hintergrundbeleuchtung in variablen Farben. Die vom Benutzer wählbaren Farben können genutzt werden, um das Stimmgerät individuell anzupassen oder die Ablesbarkeit des Displays je nach Einsatzumgebung bei unterschiedlichen Lichtverhältnissen zu verbessern. Die leuchtenden Bildschirmfarben können zudem Standard- oder Benutzer-Presets zugewiesen werden, um die Zeit für die Menüführung deutlich zu verkürzen und die Sicherheit beim Stimmen auf der Bühne zu erhöhen.

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Review by The Gear PAge

Review by TDPRI

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

StroboStomp HD

Paulo  Duarte

The M-EQ DRIVER is a Mid Booster & Drive pedal, based on a vintage Pultec® studio EQ. Still sought after today, these legendary passive EQs from the 1950s can be heard on thousands of hit records thanks to their highly musical, versatile EQ curves and the ability to overdrive their push-pull output stage. Rather than making an exact replica, we have chosen to reimagine this classic piece of studio gear as a guitar-oriented, compact pedal.

Craft the perfect mid boost, add some studio-inspired saturation or push the pedal’s valve-like output stage into fierce “cocked wah” distortion. With the addition of our Adaptive Circuitry, the M-EQ DRIVER is always responsive and precise, with a character all of its own.

Origin Effects

Demo by JayLeonardJ

Review by The Gear Page

Review by AMAZONA

Review by guitar pedal X

M-EQ DRIVER BLACK

RockBoard

ISO Power Block V10

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Der Holy Island Audio Spectral Fire ist ein analoges Overdrive- und Preamp-Pedal, das entwickelt wurde, um aggressive, klirrende Drive-Sounds mit scharfer Artikulation und Noise-Rock-Sättigung zu liefern. Im Kern basiert die Schaltung auf einer Weiterentwicklung firmeneigener Designs und nutzt die klassische Marshall-Bluesbreaker-Topologie als grundlegende Architektur. Diese Basisschaltung wird durch Designelemente ergänzt, die von diskreten, transistorbasierten Fuzz-Einheiten sowie der Vorverstärker-Sektion des legendären Traynor TS50B Bassverstärkers inspiriert sind. Das Pedal verfügt über eine passive Drei-Band-Klangregelung sowie einen dedizierten Kippschalter, der das Verhalten der Kernschaltung zwischen zwei unterschiedlichen Klangcharakteristiken umschaltet. In der oberen Position arbeitet das Gerät als klarer Preamp mit hohem Ausgangspegel, während die untere Position eine sekundäre Gain-Stufe aktiviert, die starke Kompression und eine ungezähmte Sättigungsstruktur erzeugt.

The Holy Island Audio Spectral Fire is an analog overdrive and preamp pedal designed to capture aggressive, clangy drive tones with sharp articulation and noise rock saturation. At its core, the circuit evolves from the company's previous designs and utilizes a Marshall Bluesbreaker topology as its baseline architecture. This foundational circuit is modified by incorporating design elements inspired by discrete transistor-based fuzz units alongside the preamp characteristics of the classic Traynor TS50B bass amplifier. It features a passive three-band equalizer section alongside a dedicated toggle switch that alters the core circuit between two distinct operational voicings. In the upward position, the unit behaves as a clear, high-output preamp, while the downward position engages a secondary gain stage that introduces heavy compression and an unruly saturation structure.

Demo by Kai Down

Demo by 

Review by Stomp Box Steals

Spectral Fire

Das Micro Mountain Mover verkleinert das Design seines Vorgängers in ein deutlich kompakteres, pedalboardfreundliches Gehäuse. Die Schaltung ist eine Hybrid-Kombination, die Elemente eines klassischen Fuzz-Effekts im Big-Muff-Stil mit einer aggressiven Super-Fuzz-Architektur verschmilzt, um eine gewaltige Verzerrung zu liefern. Es behält den immensen und schweren Charakter des Originalgeräts bei, verzichtet jedoch auf die zweite per Fußschalter aktivierbare Ringmodulator-Schaltung, um Platz im Gehäuse zu sparen. Das Design bietet Musikern einen stark gesättigten, aggressiven Fuzz-Sound mit einer markanten harmonischen oberen Oktave auf dem Signal. Jedes Gerät wird von einem Boutique-Entwickler in Wales von Hand bedruckt und montiert.  

The Micro Mountain Mover shrinks down the design of its predecessor into a much more compact, pedalboard-friendly enclosure. The circuit is a hybrid combination that merges elements of a classic Big Muff style fuzz with an aggressive Super-Fuzz style architecture, delivering a thunderous dirt effect. It retains the immense and heavy character of the original unit but omits the second foot-switchable ring modulator circuit to optimize enclosure space. The design offers players a heavily saturated, aggressive fuzz tone with a prominent harmonic upper octave on top of the signal. Handbuilt by a boutique developer, each unit is fully printed and assembled in Wales.  

Mountain Mover - Copy

Der Holy Island Audio Blast Radius ist ein fuzz pedal mit Ausdruckssteuerung und oszillierenden Eigenschaften, das entworfen wurde um unvorhersehbare und chaotische Klangtexturen in eine Effektkette einzubringen. Es besitzt drei unabhängige Gain Stufen die über Kippschalter aktiviert oder deaktiviert werden können um verschiedene Kombinationen aus Gain und Oszillation zu erzeugen. Das Pedal verfügt über einen Starve Regler der die Spannung reduziert um Instabilität und Oszillation einzuführen sowie einen Blast Regler der die Fuzz Intensität und den Charakter beeinflusst. Es kann eine Bandbreite von Klängen erzeugen von schweren Fuzz Tönen bis zu trashigem lo fi Oszillationen und chaotischen Klangartefakten. Ein Expression Pedal kann angeschlossen werden um den Blast Regler freihändig zu steuern.

The Holy Island Audio Blast Radius is an expression controlled oscillating fuzz pedal designed to add unpredictable and chaotic textures to an effects chain. It features three independent gain stages that can be toggled in and out to create combinations of gain and oscillation. The pedal includes a starve control that reduces voltage to introduce instability and oscillation alongside the main blast control that affects overall fuzz intensity and character. It can produce a range of sounds from heavy fuzz tones to trashy lo fi oscillations and chaotic sonic artifacts. An expression pedal can be connected to control the blast knob hands free.

Review by Guitar Pedal X

Demo by Project louder

Blast Radius

Tides ist im Grunde ein hochgradig anpassbares „Dirty Reverb. Eine genauere Beschreibung des Pedals wäre ein Atmosphärengenerator, der es dir ermöglicht, perfekte, rauschende Wellen von Reverb zu erzeugen. Normalerweise würde man dir raten, alle Verzerrungen vor dein Reverb-Pedal zu schalten, aber Tides ignoriert diese Konvention und ist so konzipiert, dass es Verzerrung hinzufügt, nachdem dein trockener Signalanteil mit dem Effektanteil gemischt wurde. Dieser Ansatz ermöglicht es dir, übertriebene, fuzzige Klangwände zu erschaffen, durchsetzt mit interessanten Harmonischen und klanglichen Artefakten, die sonst nicht erreichbar wären.


Tides is fundamentally a highly tweak-able dirty reverb. A more accurate description of the pedal would be an atmosphere generator that allows you to craft perfect noisy waves of reverb. Usually you would be advised to place all dirt before your reverb pedal but Tides ignores this convention and is designed to add dirt after your dry signal has been blended with the wet signal. This approach enables you to create over the top fuzzy walls of sound sprinkled with interesting harmonics and sonic artefacts that would not be achieved otherwise.