Onslaught is a simple yet highly useful one-knob distortion for pushing medium-gain tube amps.  It's also an awesome transparent boost for guitar or bass. 

This updated version expands upon the original with the addition of a "Mode" switch.  "B" for boost is the original sound, "D" for distortion adds hard clipping to increase distortion and decrease output, and "S" for sub, which applies hard clipping to only the high frequencies, resulting in a perceived sub frequency boost.  

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Review by reddit /guitarpedals

Onslaught

Inspired by Rat and Muff circuits and with a new old stock LF351 at its heart, Bad Larry forges its own path through a forest of daggers into a putrid sea of grime.  A favorite around the studio for clanky bass, it's also fun for thick, saggy fuzz tones.   

"Bass" switch affects how much low end is allowed into the clipping stage.

"Clip" switch changes between hard clipping, boost, and bass boost modes. 

"Mid" switch affects the character of the Muff-style tone stack, allowing for the traditional mid cut sound, as well as flat and boosted mid responses. 

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Bad Larry

A collaboration between veteran producers Will Putney and Kurt Ballou, Pariah is a devastating fuzz with extreme tone-shaping capabilities inspired by one of Will’s favorite dirt boxes. At its heart are four silicon transistors hand selected to produce harmonically rich yet articulate fuzz. Modern passive components and relay bypass switching ensure low self-noise and reliability for years to come. The three tone controls—Tilt, Mid, and Shape—are quite interactive. Tilt adjusts the overall balance between bright and dark. Mid controls the amount of mid scoop. Shape (along with the position of the Tilt knob) adjusts the mid frequency.

Review by sevenstring.org

Demo by  Rawwwburrrt's Reviews 

Pariah

HIGH-GAIN DISTORTION

Not Brutalist Jr., not BJR, this is BRUTALIST!  After over 10 years of development, this pedal is finally dialed and ready to be unleashed on the masses.  Its a high gain distortion with a boost-only active Baxandall EQ, but the real magic is in the band-pass and all-pass filters which work in tandem to create deeply affected distortion textures ranging from massively scooped brickwalls of fuzz, to cocked-wah lofi lead tones, to almost saw-like bass tones.  

Demo by AndyDemos

Review by guitar pedal X

Brutalist

Designed in collaboration Electronic Audio Experiments, OGR is a versatile compressor pedal designed to add punch, sustain, clarity and control to both bass and guitar.  With a 2-band active BAX EQ, a wide sweep of gain adjustment, and a 7 LED gain reduction meter, OGR can handle all of your compression needs.  

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