rudy iskandar

s series iron label

main Pedal Board

Tester

Das TC Electronic Fluorescence Shimmer Reverb verpackt den gesuchten Hall-Sound mit modulierter Hallfahne in ein kompaktes Effektpedal mit äußerst attraktiven Preis. Mithilfe der Regler für Reverb, Tone, und Mix lässt sich der Sound des eigentlichen Halls präzise anpassen, während das Shimmer-Poti einfluss auf die Intensität der Modulation in der Hallfahne nimmt. Auf diese Weise lassen sich sowohl eindringliche Solo-Sounds als auch weite Ambient-Klanglandschaften problemlos realisieren.

Shimmer reverb is one of those effects that you have to hear for yourself before you really know what it is.
Originally pioneered by recording legends Daniel Lanois and Brian Eno, shimmer is produced by layering a tail of reverb that is pitched up an octave and sent through a feedback loop on top of the dry signal.
This produces lush soundscapes that take on a life of their known, ranging from voluptuous chimes, to interstellar travel-like sounds that will evoke memories of Carl Sagan's Cosmos while you're playing.

TC Electronic

Review by The Ugly Guitar Truth

Review by AMAZONA

Manual

Official Product Video

Demo by Mike Hermans 

Product Page

Flourescence Shimmer Reverb

Pedal Board Power Supply With 8 Isolated Outputs

GATOR

Review by GUITAR WORLD 

Demo by Guitar World 

Power 8

Tomsline Engineering

PURE ECHO Digital Delay

For the gigging guitarist or bassist, the CHROMATIC TUNER TU300 is an absolutely essential piece of gear that goes above and beyond the capabilities of ordinary tuners. No matter what musical situation you find yourself in, the TU300 is always ready to help you put your best performance forward!

Behringer

Review by ultimate-guitar.com

Demo by officialbreezer

Demo by Poor Man Pedals

Demo by Lost Groove Music

TU300 Chromatic Tuner

Der Behringer NR300 Noise Reducer ist ein erschwingliches Utility-Pedal, das entwickelt wurde, um unerwünschtes Brummen und Hintergrundrauschen zu eliminieren, ohne die Signalintegrität zu beeinträchtigen. Es ist weithin als Schaltungsklon des Industriestandards Boss NS-2 Noise Suppressor bekannt und verfügt über eine ähnliche Dual-Mode-Bedienung und Erkennungslogik. Das Gerät bietet einen Reduction-Modus für dynamisches Noise-Gating und einen Mute-Modus, der als sofortiger Signal-Ausschalter fungiert. Es verfügt über einen integrierten Send/Return-Loop, der es Benutzern ermöglicht, Rauschen von bestimmten Gain-lastigen Pedalen innerhalb der Signalkette zu isolieren und zu unterdrücken. Spezielle Regler für Threshold und Decay ermöglichen eine präzise Einstellung, wann das Gate schließt und wie natürlich es ausklingt. Dieses Pedal ist besonders bei High-Gain-Gitarristen beliebt, die eine kostengünstige Lösung zur Bereinigung komplexer Rigs suchen.

The Behringer NR300 Noise Reducer is an affordable utility pedal designed to eliminate unwanted hum and background hiss without compromising signal integrity. It is widely recognized as a circuit clone of the industry-standard Boss NS-2 Noise Suppressor, featuring a similar dual-mode operation and detection logic. The unit offers a Reduction mode for dynamic noise gating and a Mute mode that functions as an immediate signal kill-switch. It includes an integrated send/return loop, allowing users to isolate and suppress noise from specific gain-heavy pedals within the signal chain. Dedicated controls for Threshold and Decay provide precise adjustment over when the gate closes and how naturally it fades. This pedal is particularly popular among high-gain guitarists seeking a cost-effective solution for cleaning up complex rigs.

Review by Simon Morgan, killerguitarrigs.com

Review by pedalauthority.com

Demo by Gearfacts

NR300 Noise Reducer

Whether it’s a million-dollar hook or a soul-wrenching solo, some licks are just begging for some undivided attention from the COMPRESSOR/ LIMITER CL9. By pumping up quieter notes and bringing down the louder ones, this little magic box packages your sound into one velvety-smooth and consistent volume. With the CL9 in your pedalboard – you’ll enjoy virtually-endless sustain and ultra-stable dynamics!

CL9 Compressor/Limiter

Das TC Electronic Dark Matter Distortion präsentiert sich als äußerst flexibel einsetzbares Distortion Pedal. Dank 2-Band Equalizer und weitreichenden Gain-Regler bietet das Dark Matter von Vintage Sounds bis zu modernem Metal alles, was das Gitarristenherz begehrt.

The TC Electronic Dark Matter Distortion pedal is a robust and cost effective addition to the overflowing distortion pedal market, and despite its name, the Dark Matter pedal is more of an all around distortion pedal than a unit solely capable of metal saturation. The pedal is designed to sound like a classic, plexi-style amp, and the manual promises “high headroom, low compression, and amazing bottom-end”.

Review by Pedal Authority

Review by Bonedo 

Demo by EytschPi42

Demo by Tc Electronic 

Dark Matter Distortion

Don Jordan

Das TS Mini ist eine kompakte Version des legendären Overdrive-Pedals von Ibanez aus der Tube Screamer-Reihe. Es bietet die klassischen Regler für Drive, Tone und Level in einem Gehäuse mit etwa halber Größe des Originals. Es verwendet True-Bypass-Schaltung und eine vollständig analoge Elektronik, um den saubersten Signalweg zu gewährleisten. Es ist für Pedalboards mit begrenztem Platz konzipiert, ohne den typischen Mitten-Boost-Charakter der Tube Screamer-Serie zu verlieren.

The TS Mini is a compact version of Ibanez’s legendary Tube Screamer overdrive pedal. It delivers the same classic drive, tone and level controls in a form-factor roughly half the size of the original. It uses true-bypass switching and 100% analog circuitry to preserve the cleanest signal path. It is optimized for pedalboards where space is at a premium while retaining the characteristic “mid-hump” overdrive that made the Tube Screamer family iconic.

Ibanez

Demo by Andertons Music Co

Demo by Marty Music

Review by Music Radar

Review by Premier Guitar

TS Mini

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Nicholas Howerton

Made for a friend who is actually building this board.

Face Melter 5000 (Don't ask questions :p)

Gilles Peynet

Feel the need to express yourself fully? M-Audio’s EX-P expression controller pedal works with all M-Audio MIDI controllers that have an expression pedal input. A built-in polarity switch insures compatibility with most other brands of controllers and keyboards. Use the EX-P to control any assignable variable MIDI controller value including volume, modulation, panning, filter sweep and more. Durable molded construction with integral cable.

M-Audio

Demo by Rob L

Demo by Stamatis Stabos

Review by reddit /guitarpedals

EX-P

Der Name Orange steht für einen eigenen britischen Ampsound und natürlich ein unverwechselbares Design, das aufgrund der auffälligen, fruchtigen Farbe einen hohen Wiedererkennungswert hat. Effektpedale sind sicherlich nicht die Hauptdisziplin, mit der man die Marke in Verbindung bringt, doch das soll sich wohl ändern, denn 2015 hat Orange zum ersten Mal seit den 60er Jahren einen Schritt in den Bodentretermarkt gewagt.

The Amp Detonator from Orange is the ultimate tool for guitarists who want to use a guitar with two different amplifiers and/or effect chains. Two outputs, each with its own buffer amp, allow the guitar signal to be forwarded alternately or simultaneously, without the need for long cable runs. In addition, a specially developed isolating transformer and a switch for phase reversal ensure noiseless operation without loss of sound.

Orange

Demo by Guitar Interactive Magazine 

Demo by Orange Amps 

Review by Guitar Interactive Magazine 

Amp Detonator ABY

Tavish Stone

 Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. 

JHS Volture Manual French

JHS Volture Manual Czech

JHS Volture Manual German 

JHS Volture Manual Polish

JHS Volture Manual Dutch

JHS Volture Manual Englisch

JHS Volture Product Page 

Review by Pedal PCB

Demo by Pedal Stacking

Demo by Tellurite Music Co.

Volture

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

ch ray

With every AUTO Series pedal, your performance becomes an integral part of the sound effect!
Your touch, playing dynamics, and note choices shape the tones and textures, responding to your performance and evolving in real-time. Hence, the sound design is intricately woven into your musical expression, guiding you on a journey of continuous discovery and wonder.

Customize the adjustments with the DYNAMICS and PITCH knobs and dedicated mode switches. Adjust the DYNAMICS decay time, introduce glide to PITCH tracking, and tailor the response curves to match your playing style and the desired effect. Each of the primary effect knobs is paired with a corresponding smaller adjustment knob, also known as an attenuverter. This allows you to precisely dial in the variation amount and direction for each effect knob independently. Imagine the dynamic possibilities – a loud strum on a guitar can turn one knob clockwise significantly, while only slightly nudging another knob in the opposite direction. Explore the subtleties, from gentle parameter shifts to sweeping, full-parameter transformations.

Gamechanger Audio

Demo by Gear Sounds

Review by The Gear Page

Review by musicradar

Review by Sound on Sound

Auto Chorus

Gamechanger Audio’s AUTO Series M-Type pedals redefine classic audio effects with
cutting-edge parameter automation - carefully designed to become part of your performance.
Rather than overwhelming you with a variety of pre-made, quirky sounds, we provide you with
the essential toolset: three nuanced algorithms, four vital parameter controls, two exceptionally
precise dynamics & pitch tracker engines, and a set of patching accesories.
With these building blocks and the knowledge contained in this booklet - you will be able to
explore an endless array of sound possibilities. The combinations are virtually limitless, allowing
you to continuously breathe new life into the AUTO REVERB and create soundscapes that
naturally evolve with your playing, offering a unique musical experience every time.

Review by Guitar Bomb

Review by Gearnews

Auto Reverb

To shape the AUTOMATION, you can precisely calibrate both DYNAMICS and PITCH tracking engines – indicated by the led light strips in the patchbay. Furthermore, you can customize the automation with the DYNAMICS and PITCH knobs, along with dedicated switches featuring three distinct modes for both sides of automation. Thereby you tailor the response curves to suit your playing style and the desired automation effect.

The result – an unlimited breadth of touch-responsive effects – orchestrated in real time by the nuances of your playing. 

From subtle, tasteful settings, all the way up to wild experimentation – the AUTO Series is an endless platform for discovery.

Auto Delay

James  Thain

The ProD2 is a high-quality ultra-compact stereo passive direct box that features custom-made Radial transformers. Essentially two ProDIs in one compact enclosure the ProD2 is a great choice for stereo keyboards, DJ equipment and consumer hi-fi systems. Its high-performance transformer has an exceptionally linear frequency response from 20Hz to 18kHz and is able to handle high signal levels without saturation making it ideal for electronic instruments. The ProD2 is housed in an extremely rugged two piece 14 gauge steel enclosure with a book-end designed outer shell that prevents damage to the switches, features a -15dB PAD for high output sources and ground lift switch to troubleshoot noise from ground loops.

Radial Engineering

Demo by Adam Likes to Rock

Review by audiofanzine

Review by Gearspace

PRO D2

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Hologram Electronics

Quick Start Manual

Demo by Mark Johnston

Chroma Console

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Pedal Board Power Supply with 5 Isolated Outputs

Review by Guitar World

Demo by Guitar World

GTR-PWR-5 Power Supply

Multi-Output Power Supply for Guitar Effects Pedals. Built-In Short Circuit Protection with Reset. Heavy-Duty Aluminum Housing. 4 Holes for Mounting to Any Pedal Board. Brass Cylinders Within Mounting Holes Protect Circuitry. Eight (8) 9v Outputs and Three (3) 18v Outputs. Can Power Up to 11 Standard Stomp Box Pedals. Includes Eight (8) 9 Volt 24" Straight End Cables. Includes One (1) 18 Volt 24" Straight End Cable.