flat zilla

BASS PEDALBOARDSMALL

The Cat King is the “king sized” version of our Cat Tail, a low to high gain distortion with overdrive capabilities (some even say at high gain settings, it sounds like a fuzz). This circuit is based on a well-loved, classic distortion that make a clean amp dirty and a dirty amp disgusting. We have tweaked the original circuit to better meet the needs of guitarists and bassists alike. With the addition of a diode toggle for extra tweakability for clipping options, we have added to the modifications the Beavis double resistor mod (Clipping 1 and 2 pots) to allow the user to subtly fine tune how the signal clips on the highs and lows.

Fuzzrocious

Review by guitar.com

Manual

Demo by Julien Bitoun

Demo by Everyday Guitarist

Product Page

CAT KING

David Litaba

Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich clean preamplifier.

Darkglass Electronics

Demo by Stuart Clayton

Official Product Video

Review by TalkBass.com

Review by Rainer Wind, bonedo.de

Review by Naris Sebastian Stolz, amazona.de

Demo by BassTheWorld

Harmonic Booster

Der VONG Filter ist ein multifunktionales Tool. Er hat eine Eingangsimpedanz von 10M und kann so für magnetische und piezoelektrische Tonabnehmer verwendet werden. Mit dabei sind ein HighPass-Filter, ein LowPass-Filter sowie ein DI-Out mit Groundliftschalter. Am Klinkenausgang sind außerdem ein Boost und ein Polaritätsschalter verfügbar.

The VONG filter is a multifunctional tool. It has an input impedance of 10M and can therefore be used for magnetic and piezoelectric pickups. It includes a high-pass filter, a low-pass filter and a DI-out with ground lift switch. A boost and a polarity switch are also available at the jack output.

Schalltechnik_04

Web Shop

Review by reddit /basspedals

Review by bassic.de

VONG

Tester

Darkglass hat den gleichen Aufbau wie beim B7K Ultra verwendet. Alle Potis und Hebelchen sitzen an der gleichen Stelle, auch die Fußschalter für Bypass und Distortion sitzen an den gleichen Stellen. Auch ein DI Out ist wieder dran. Einen signifikanten optischen Unterschied gibt es aber doch: Die Front ist silbern statt schwarz. In meinen Augen sieht das Pedal dadurch sehr viel edler aus.

Classic tone, refined. The upgraded Vintage Ultra with Aux in features: (1) Single user loadable cabinet simulation impulse response. (2) Micro-USB B port to connect to PC/Mac to load a different Virtual Cabinet through the Darkglass Suite. (3) 3.5mm headphone output with cabinet simulation.

Demo by  EytschPi42

Review by Doug Robertson, thebasschannel.net

Review by Guitar Interactive Magazine

Demo by tone zone 

Demo by the bass channel 

Vintage Ultra

With its ultra-bright display, groundbreaking polyphonic tuning mode, insanely fast and accurate strobe tuner, POLYTUNE 2 MINI serves up a massive upgrade for your pedalboard – while claiming very little of your precious pedalboard real estate.
Pure POLYTUNE Win!

TC Electronic

Review by Premier Guitar

Review by Guitar Gear Finder

Demo by Ryan Kiesshauer

Polytune 2 mini

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

The GREY STACHE is based upon the GGG-tuned and Civil War versions of a muff fuzz, creating one versatile guitar AND bass-friendly monster! The tone stack features the ability to scoop mids to allow a heavy, deep sound, flatten the mids for an even-keeled sound, or boost the mids for a more modern sound that allows one to punch through in the mix and drive speakers well. It’s more than just a fuzz in that if you dial back the sustain, one can achieve more of an overdrive sound.

Review by Pedal of the Day

Review by musicradar

Quick Start Guide

Demo by Greg's Guitar Lessons

Demo by  Harsh Tones, Inc.

Grey Stache

The Cat Tail is a low to high gain distortion with overdrive capabilities (some even say at high gain settings, it sounds like a fuzz). This
circuit is based on a well-loved, classic distortion that make a clean amp dirty and a dirty amp disgusting. We have tweaked the original
circuit to better meet the needs of guitarists and bassists alike. With the addition of a diode toggle for extra tweakability for clipping
options, we have added to the modifications the Beavis double resistor mod (Clipping 1 and 2 pots) to allow the user to subtly fine tune
how the signal clips on the highs and lows. 

Demo by Guitar Interactive Magazine

Cat Tail

Der Big Fella vereint Overdrive, Distortion, Gate‑Fuzz und Feedback in einem kompakten 1590BB‑Gehäuse. Er lässt sich mit 9–18 V DC (center‑negative) betreiben und bietet dadurch erhöhten Headroom und mehr Klarheit. Der Gate‑Fussschalter aktiviert eine synthähnliche Fuzz‑Gate‑Funktion, ideal für Palm‑Mutes oder abrupte Sounds. Ein oben platzierter Momentary‑Feedback‑Schalter löst direktem Chaos mittels Feedback‑Regler und internem Trimmpoti aus. Ein Modusschalter wählt zwischen Demon (Volume, Tone, Drive) und Li’l Fella (zusätzlicher Gain‑Regler und wärmerer Klang) Modi. Alle Anschlüsse sind oben angeordnet für platzsparenden Pedalboard‑einsatz.

The Big Fella combines overdrive, distortion, gated fuzz and feedback in one compact 1590BB enclosure. Its architecture allows operation at 9–18 V DC (center‑negative), offering extended headroom and clarity. A Gate footswitch engages a synth‑like fuzzy gate ideal for palm‑mutes or abrupt silence. A top‑mounted momentary Feedback footswitch triggers controlled chaos via a dedicated Feedback knob and internal trimmer. A mode toggle switches between Demon (basic Volume, Tone, Drive) and Li’l Fella (adds Gain and a warmer tone stack) voicings. All jacks and power are top‑mounted for pedalboard efficiency.

Big Fella

The Fuzzrocious Pedals Cat Tail is a low to high gain distortion with overdrive capabilities, some even say at high gain settings, the Fuzzrocious Pedals Cat Tail sounds like a fuzz.  The Fuzzrocious Pedals Cat Tail circuit is based on a well loved, classic distortion that make a clean amp dirty and a dirty amp disgusting.  Fuzzrocious Pedals have tweaked the original circuit to better meet the needs of guitarists and bassists alike.  With the addition of a diode toggle for extra tweakability for clipping options, Fuzzrocious Pedals have added to the modifications the Beavis double resistor mod (Clipping 1 and 2 pots) to allow the user to subtly fine tune how the signal clips on the highs and lows