Berry Gibson

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

MachX Pedalboard

JCM 51

Tester

Das Digitech Luxe ist der erste autonome polyphone Detuner des Unternehmens, der die gleiche Pitch-Shifting-Technologie wie das Whammy in einem schlanken Gerät vereint. Die an die 80er Jahre erinnernden Chorus-Effekte, die mit diesem Pedal möglich sind, machen es zu einem idealen Kandidaten für Shoegaze, Dreampop oder Indie.

Packing the same pitch-shifting technology as the Whammy in a streamlined unit, the Digitech Luxe is the company's first autonomous polyphonic detuner. The 80s-tinged chorus-esque effects possible with this pedal make it an ideal candidate for shoegaze, dreampop, or indie.

DigiTech

Product Page

Review by Basschat

Review by Harmony Central

Review by Reddit /guitarpedals

Review by Guitar

Demo by Eirik Stordrange

Demo by YSOLIFE

Demo by ProGuitarShopDemos

Manual

Demo by Reverb

Luxe

With just one look, you know exactly what it sounds like.
Pure.
True.
Love at first sight.
Love at first sound.
The perfect 10...

Inside you'll find free-standing Switchcraft jacks, a heavy-duty Italian on/off switch, double-clad circuit board, low-noise inductor, exclusive RMC-ICAR potentiometer, and tight tolerance through-hole components. Outside you've got a black crinkle-finish base and a chrome rocker with black footpad.

Italian soul.

Plain and simple.

Just like all RMC wahs, the RMC10 is developed and built by me, Geoffrey Teese, and includes licensed Foxrox Electronics fuzz-friendly technology, true-bypass, easily adjustable rocker tension, and AC adapter jack, and is covered by our limited one year warranty.

Real Mccoy Custom

Review by reddit /guitarpedals

Review by bonedo

Demo by David Curtis

Demo by Sam Vilo

RMC10

David Litaba

The Timmy Overdrive provides a versatile range
of overdrive tones that enhance the natural sound
of your guitar and amp setup. With three different
clipping options and ingeniously configured Bass
and Treble controls, this pedal offers players a ton
of options to make the most of their playing and
recording experience.

Review by guitarguitar

Demo by Blake Hall

Demo by Audiofanzine

Demo by emit works

Demo by Gear4music

Official Product Video

CSP027 TIMMY OVERDRIVE

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Friedman

Buxom Boost

Franko Teston

Der HeadRush® Flex Prime ist der ultimative, kompakte Multi-Effektprozessor für Gitarristen und Bassisten, die ihr Klangspektrum erweitern möchten. Dieses leistungsstarke All-in-One-Pedal bietet eine umfangreiche Bibliothek realistischer und extrem reaktionsschneller Gitarreneffekte, Verstärker-, Boxen- und Mikrofon-Emulationen.

Neben seinem beeindruckenden Angebot an Klangmöglichkeiten ermöglicht der Flex Prime die mühelose Gestaltung des perfekten Sounds dank eines hochwertigen 4-Zoll-Touchdisplays und WLAN für die cloudbasierte Preset- und Klon-Nutzung sowie die Fernbearbeitung. Egal, ob Sie Arenen füllen oder Ihre ersten Barré-Akkorde üben – mit dem Flex Prime erhalten Sie Ihr Traum-Rig per Fingertipp.

The HeadRush® Flex Prime is the ultimate, compact multi-FX processor for guitar and bass players looking to expand their sonic horizons. This powerful all-in-one pedal boasts an extensive library of realistic and ultra-responsive guitar effects, amps, cabs, and microphone emulations.

In addition to its impressive catalog of tonal possibilities, the Flex Prime allows players to craft the perfect tone with unprecedented ease via a high-quality 4” touch display and Wi-Fi for cloud-based preset/clone sharing and remote editing. Whether you're selling out arenas or diving into your first barre chords, the Flex Prime delivers the rig of your dreams with the touch of a screen.

HeadRush

Review by The Gear Forum

Review by Sound on Sound

Review by reddit /HeadRush

Demo by Taylor Danley

Flex Prime

David Graves

The Bonetender is a fuzz pedal designed with germanium diodes and intended to emulate classic British fuzz effects of the 1960s. It features a compact design and controls for level and gain.

Lovepedal

Official Website

Review by The Gear Confessions

Demo by Strings Shop

Demo by Mike Hermans

Review by The Gear Page

Bonetender

PAUL MARSHALL

Das ThorpyFX Veteran V2 [Si] ist ein Dual-Effektpedal aus der "Vintage Reimagined"-Serie, das einen hochwertigen Silicon-Fuzz im Stil der Sechziger (ähnlich einem Fuzz Face) mit einem Rangemaster-ähnlichen Silicon-Treble-Booster kombiniert. Die beiden Effekte sind unabhängig und verfügen jeweils über einen eigenen Fußschalter, wobei der Fuzz-Bereich in den Boost-Bereich geleitet wird, um ein kraftvolles Stapeln zu ermöglichen. Der Fuzz-Bereich verfügt über Regler für Fuzz, Volume, Smooth (Eingangsimpedanz/Basswiedergabe) und Bias (Schaltungs"hitze"/Mitten). Die Boost-Seite hat Regler für Boost und Range, mit denen Frequenzen von basslastig bis höhenbetont ausgewählt werden können. Die V2-Version ist kleiner als die V1 und wurde für den Betrieb mit einem standardmäßigen 9V Netzteil mit Center-Negative-Polarität entwickelt.

The ThorpyFX Veteran V2 [Si] is a dual-effect pedal that is part of the "Vintage Reimagined" series, combining a high-quality Sixties-style silicon Fuzz (akin to a Fuzz Face) with a Rangemaster-style silicon treble booster. The two effects are independent, each with its own footswitch, with the Fuzz side running into the Boost side for powerful stacking. The Fuzz section features controls for Fuzz, Volume, Smooth (input impedance/bass response), and Bias (circuit heat/mids). The Boost side has controls for Boost and Range, allowing selection from bass-heavy to treble-focused frequencies. The V2 version is smaller than the V1 and is designed to run from a standard 9V center-negative power supply.

ThorpyFX

Review by guitar pedal X

Review by the Fretboard

Demo by  Jackson Brooksby

Veteran V2 [Si ]

The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard. The tonal flexibility is provided through a tonestack bypass foot switch that allows you to have two different fuzz sounds from the same pedal. The balance control is linked to the tonestack bypass and can be set to the same volume as your core sound or as a boosted fuzz for solos.

Demo by R.J.Ronquillo

Demo by Living Room GD

Review by Guitar World

Field Marshal

Was haben die Sounds berühmter Gitarristen wie Page, EVH und Johnson gemeinsam? Sie alle nutzten die legendäre Echo-Maschine EP-3 als Vorverstärker. Wir haben diese Magie in einem neuen Xotic Effects-Pedal eingefangen: dem EP Booster. Wir haben die hochwertigsten verfügbaren Bauteile verwendet. Mit einem diskreten FET-Design und einem Ausgang mit niedriger Impedanz liefert der EP Booster bis zu +20 dB unverfälschten Boost mit multidimensionalen, schimmernden Höhen und Tiefen, ohne das Gehör zu ermüden. Über die internen DIP-Schalter können Sie die Boost-Frequenzen und EQ-Einstellungen wählen. Ein einfacher, reiner Boost, der dem magischen EP-3 Tribut zollt und die gefeierten Sounds der berühmtesten Spieler der Welt einfängt. Der EP-Booster – großartiger Sound beginnt hier!

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here!

Xotic

EP Booster

Taras Kireev

Description:
The FILTRATION II G String Noise Reduction pedal is
 the latest generation in noise reduction technology.
The Decimator features improved Linear Time Vector
 Processing that offers the smoothest, ripple free
approach in tracking the envelope of the input signal.
The LTVP will instantly respond to short staccato notes and at the same time provide ripple free control of long
sustained notes while downward expanding.
The FILTRATION II G String Noise Reduction pedal is
 easy to use and simple to operate.
Features:
The FILTRATION II G String has 4 ¼ inch jacks.
Connect the guitar directly to the Guitar IN. Connect the Guitar OUT to the input of the amplifier.
Connect the DEC IN to the loop send and DEC OUT to
 the loop return. For best performance place all gain
pedals in front of the amplifier and DEC IN.
You can put Delay and Reverb effects pedals after
 the FILTRATION II G String and before the loop return
to avoid cutting off reverb and delay tails.

DemonFx

Demo by Dr. Mad Tone

Demo by Eric Normand

Review by Strat-Talk

Review by New Gear Day

G-STRING Filtration II

ch ray

Entwickelt aus unserer Flaggschiff-Starlight Echo Station, bringt das Orion Tape Echo die magischen, sanften Delay-Effekte der klassischen 70er-Jahre Maestro Echoplex EP-III Tape-Delays in einem eleganten, kompakten Format.

Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.

Universal Audio

Review by Gearnews

Manual Page

Demo by EytschPi42

Orion Tape Echo

Das OD-3 OverDrive Pedal steht in der Tradition der legendären BOSS Overdrives und bietet dem Gitarristen eine stark erweiterte Palette an sanften Overdrive-Sounds und eine verbesserte Ansprache, ohne das Original zu vernachlässigen.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

BOSS

Review by Guitar Pedal X

Review by The Gear Check

Demo by sonicstate

Demo by Jack Fossett

Demo by Michael Banfield

Demo by intheblues

OD-3 Overdrive

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Tobias Elliott

Mit 15 dB an möglichem Boost oder Cut pro Band wurde der EQ700 sorgfältig auf sieben Frequenzbänder abgestimmt, um dir das ultimative Werkzeug zur Klangformung deiner Gitarre zu bieten. Um das volle Potenzial des EQ700 auszuschöpfen, ist es hilfreich, die Grundlagen des Frequenzspektrums deiner Gitarre zu verstehen. Der EQ700 deckt den Bereich von unter 100 Hz bis über 6,4 kHz ab, wodurch du eine Vielzahl von Frequenzen gezielt anheben oder absenken kannst, um deinem Sound mehr Fokus zu verleihen. Besonderes Augenmerk liegt auf den entscheidenden Mittenfrequenzen – sie können deinen Klang machen oder brechen. Der nächste Abschnitt gibt dir Tipps an die Hand, mit denen du im Handumdrehen deinen perfekten Gitarrensound formen kannst.

With 15 dB of available boost or cut per band, the EQ700’s seven frequency bands were carefully optimized to provide the ultimate tools for EQ’ing your guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe. The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. Special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.

Behringer

Demo by Ryan Lutton

Review by KillerGuitarRigs

EQ700 Guitar Graphic Equalizer

Géraud CHIEZE

The Universal Audio UAFX Heavenly Plate Reverb pedal is a compact stompbox that emulates the sound of classic 1950s studio plate reverbs, used on countless hit records. It’s built on the algorithms of the award-winning Golden Reverberator and features rich, haunting textures with a authentic, immersive sound.

The pedal offers three modes: Vintage Bright, Vintage Dark, and Modern Full, each delivering a unique tone. The Vintage Bright mode is ideal for bright, snappy plate sounds, while the Vintage Dark mode provides a warmer, more subtle ambiance. The Modern Full mode offers a more modern take on the classic plate sound.

Review by delicious audio

Heavenly Plate Reverb

Anthony Biondo

The Ceriatone Horse Breaker is a 2-in-1 Overdrive Pedal, consisting of our Ceriatone Centura
overdrive on the left and the “BB” overdrive on the right. As is the case with all our products,
we have paid excruciating attention to each circuit. Both are 100% accurate down to part
composition, and even manufacture where important. We have gone so far as to reverse
personal vintage samples of each, measure, and compare exhaustively. We’re confident you’ll
agree that it is worth the effort.
Having two accurate, sought-after circuits in one pedal would be neat enough, but we didn’t
stop there. Obviously, each pedal can be played individually, or can be stacked together. We
also added two important toggle controls to home in on your tones and sit properly in your
greater rig.

Ceriatone

Demo by TheKlonWars

Review by Ultimate Guitar

Review by Pedal of the Day

Horse Breaker

When we decided to create a studio-class pedal that faithfully recreates the classic, unmistakable sound of the most sought-after rotating speaker system, we prepared to study every nuance and finest detail. The Strymon sound design labs have been filled with those signature, swirling, three-dimensional sounds, as we painstakingly analyzed and recreated the physics and mechanics behind these systems.

Strymon

Demo by Vintage Stompboxes

Review by Premier Guitar

Review by musicradar

Lex V1

PastFx

Hot for Flanger

Matthis LEMONNIER

The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your

Demo by Agufish

Demo by Reinaldo Lopez

Review by Guitar Gear Finder

Drop

With its ultra-bright display, groundbreaking polyphonic tuning mode, insanely fast and accurate strobe tuner, POLYTUNE 2 MINI serves up a massive upgrade for your pedalboard – while claiming very little of your precious pedalboard real estate.
Pure POLYTUNE Win!

TC Electronic

Demo by Ryan Kiesshauer

Polytune 2 mini

CS-MDV mkII...the world's smallest, yet biggest sounding "real vintage Univibe clone."
It's the biggest sounding 'vibe we've ever made or heard, power it with our 18 volt DC power supply (included when bought direct from us) or power it by using 2 x 9CVDC outlets on your pedalboard multi-power supply while using the Voodoo Lab PPY "series voltage doubling cable."

Fulltone

Demo by musictoyznetwork

Demo by fulltoneeffects

MDV-2 Mini Dejá Vibe Mk II

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Michael Mac

I'm about a 1/3rd of the way to having my dream pedalboard. Still have more pedals and the board to purchase, then of course there's the building process but that won't be an issue. Many years ago, I rebuilt Fender Deluxe Reverb reissue amps by stripping the chassis bare, then rebuilding the entire amp by installing my PTP hand-wired G10 board, along with Mercury Magnetics power, output, and reverb transformers and choke, along with rewiring the entire amp with Teflon silver coated wire.

After adding some good tubes, biasing them up correctly, and popping in a nice speaker like a Weber C12N, the difference in tonal complexity was astounding. I had some great pedals at the time that everyone raved about, but through my stock reissue DR, they only sounded "OK" to my ears, so I didn't see what all the fuss was about. But after rebuilding the amp, my pedals suddenly sounded incredible, and I could hear nuances that I'd never heard before. It was literally like someone removed a blanket from the front of the speaker. So, wiring up the pedalboard won't be an issue, it will just take time, testing and will be a bit tedious.  

I'm so glad I found Rockboard. I've been planning and working on the design of my board for the last 8 months or so and have been checking out tons of different pedalboards. No matter what board I looked at, I either couldn't fit all of the pedals I wanted onto the board or had to buy a board so large that I would wind up with a lot of unused space. But the Rockboard Cinque 5.2 pedalboard looks to be absolutely perfect for what I need and have been looking for. It's not too large and I was able to place every pedal I wanted to use on the board with enough space between pedals for cable routing. And IMHO, it's very reasonably priced and comes with a soft case. Many other board companies don't have or offer cases for their boards, so you'd have to scour the internet to try to find a suitable case. 

I designed this board with the primary focus on worship & ambient tones to play on a silent stage at church. But at the same time, I'm old school rock & roll so I also needed the board to have the flexibility to play hard rock, blues, funk, etc. 

TIP: the addition of the KMA EndGame pedal will be a gamechanger and it's the most incredible utility pedal I've ever seen. That pedal does so many things it just blows my mind. Just off the top of my head, it contains a stereo effects loop, so I'll run my mono pedal chain into the EndGame and then use the stereo effects loop to run my stereo modulation pedals. Since it handles stereo, there's also a ground/phase switch to keep everything in line. 

It has a doubler for thickening tone, 2 headphone outputs so I can jam with another player, along with Bluetooth so I can run tunes wirelessly into the EndGame for jamming or practice. 

There's built in Cab IR's. I can use the built in IR's, download more IR's from KMA's software, or I can upload any IR's I'd like. Or I can bypass the KMA IR's and use the IR's built into the Friedman IR-D, so lots of choices and flexibility.

Another biggie is that it contains buffers so the output signals to either the house mixer or amps will be strong. That will complement the Source Audio Zio, which is the first pedal in the signal chain that I'll be plugging my guitar into. The Zio has a buffer with a 1M ohm input impedance, perfect for a guitar's pickups, and has a 
150ohm output impedance, as close to perfect as I've seen. So, I'll plug into the Zio first, which will then send a strong buffered signal into the rest of the effects chain. Then, the last pedal in the effects chain will be the EndGame, which with its buffers, will send a strong & clean buffered signal into either the house mixer or amps.

But IMO, the main benefit of the EndGame is that it's also a direct box and has 2-XLR outputs so I can run stereo directly to the stage box, which then sends my stereo signals directly to the house mixer. But it also contains 2-1/4" outputs so I can also run stereo into my 2 Deluxe Reverb's or any other amps. Or I could use those 1/4" outputs to run a pair of powered stage monitors. It also has the capability of running the signals into in-ear monitors, but I haven't checked into that as the church has a separate IEM system that player's use. There's more that I'm forgetting, but the EndGame has so many features that it was the first pedal I bought when initially designing this board.

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Worship and Rock & Roll

Manuel K.

Der TC Electronic Ditto+ Looper ist ein kompakter digitaler Looper, der für eine einfache und intuitive Loop-Aufnahme entwickelt wurde. Er ermöglicht das Aufnehmen, Overdubben, Rückgängigmachen und Wiederherstellen von Loops über eine einzelne Fußtaste. Das Pedal verfügt über einen internen Speicher für mehrere Loops sowie über eine USB-Verbindung zum Sichern und Importieren von Audiodateien. Die hochwertige, unkomprimierte Audioverarbeitung erhält den Originalklang ohne Klangverfärbung. Der Ditto+ Looper richtet sich an Gitarristen, die eine unkomplizierte Loop-Lösung ohne komplexe Menüs suchen. Das robuste Metallgehäuse eignet sich ideal für den Einsatz auf dem Pedalboard.

The TC Electronic Ditto+ Looper is a compact digital looper pedal designed for simple and intuitive loop recording. It allows players to record, overdub, undo, and redo loops with a single footswitch interface. The pedal features internal loop storage that can hold multiple loops and enables transferring audio via USB for backup or import. Its high-quality uncompressed audio preserves the original signal without coloration. The Ditto+ Looper is designed for guitarists who want straightforward looping without complex menus. It is housed in a compact metal enclosure suitable for pedalboards.

Demo by Andertons

Demo by Aaron Short Music

Review by Looper Pedal Reviews

Quick Start Guide

DITTO+ LOOPER

DIG gräbt die wahre Seele des digitalen Delays aus und verdoppelt sie — zwei gleichzeitig arbeitende, integrierte Delays mit faszinierenden Rack-Delay-Sounds aus den 1980er Jahren und der Gegenwart, für ein unglaubliches expressives Potenzial.

Erstelle mühelos deine eigene Welt aus komplexen und synchronisierten Echos sowie hypnotischen und atmosphärischen Wiederholungen, die die Grenze zwischen Delay und Reverb verwischen. Erweitere deine klanglichen Horizonte mit fünf musikalisch befriedigenden rhythmischen Unterteilungen und drei Dual-Delay-Routing-Optionen. Gehe von syncopierten, pulsierenden Delay-Mustern zu evocativen, weit auseinander gezogenen Echo-Spuren — alles in einem kompakten, pedalboardfreundlichen Format.

Unsere gründliche Untersuchung der digitalen Delay-Technologie enthüllt die einzigartigen Persönlichkeiten, die diese Delays besitzen. Tauche ein in die drei digitalen Delay-Sounds von DIG: den adaptiven Delta-Modulationsmodus der frühen 80er Jahre, den 12-Bit-Puls-Code-Modulationsmodus der mittleren 80er Jahre und den modernen High-Resolution 24/96-Modus.

DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Demo by Rabea Massaad

DIG v2

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Dojin Park

Der Fender Switchboard ist ein Pedalboard-Effekt-Loop-Switcher und Controller, mit dem du mehrere Pedale in anpassbaren Signalketten mit Presets verbinden und steuern kannst. Er bietet fünf umordnare Relais-True-Bypass-Effekt-Loops, ein großes Farbdisplay mit Encoder-Regler für einfache Bearbeitung, hunderte von Benutzer-Presets und Favoriten, einen integrierten professionellen Tuner und ein eingebautes bewegliches Volume-Pedal. Er verfügt außerdem über MIDI-Ausgang und Anschluss für Expression-Pedal zur erweiterten Steuerung mit Verstärkern und anderem Equipment sowie umschaltbare hochwertige Input- und Output-Buffer zur Erhaltung des Tons.

The Fender Switchboard is a pedalboard effects loop switcher and controller that lets you connect and manage multiple pedals in customizable signal chains with presets. It features five rearrangeable relay true bypass effects loops, a large full-color display with an encoder knob for easy editing, hundreds of user presets and favorites, an integrated professional tuner and a built-in moveable volume pedal. It also includes MIDI output and expression pedal control for advanced routing and integration with amps and other gear, and switchable high-fidelity input and output buffers to preserve tone.

Fender

Review by MixDown

Switchboard

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.