nicolas GARNCARZ

NITRO BOY

Tester

KHDK

KHDK Scuzss Box Product Page 

KDHK Scuzz Box Manual 

KHDK Scuzz Box Teaser by KHDLK 

Scuzz Box

Das Klirrton Oh My Goat! ist ein High-Gain-Verzerrungspedal, das für modernen Metal entwickelt wurde und brutale, straffe und gesättigte Klänge liefert. Es verfügt über einen hochwirksamen Dreiband-EQ mit kräftigen Bässen, komplexen Mitten und scharfen Höhen und kann mit einem Clean-Amp oder einer Endstufe verwendet werden. Das Pedal enthält außerdem einen integrierten Boost-Regler für zusätzliche Sättigung und ein internes Noisegate mit drei Modi und einstellbaren Schwellenwerten. Es ist wie ein Panzer gebaut und eignet sich für verschiedene harte Musikgenres.

The Klirrton Oh My Goat! is a high-gain distortion pedal designed for modern metal, delivering brutal, tight, and saturated tones. It features a highly effective three-band EQ with powerful bass, complex mids, and searing highs, and can be used with a clean amp or power-amp. The pedal also includes a built-in boost control for added saturation and a three-mode internal noisegate with adjustable thresholds. It is built like a tank and is suitable for various heavy genres.

Klirrton

Demo by Silas Fernandes

Demo by Shred Ain't Dead

Product Page

Review by Guitar Pedal X

Oh My Goat

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Looking Glass Overdrive

The Creamer never digitizes your beloved guitar signal. It simply mixes in the reverb sound with the analog dry signal, so your tone is not tampered with in any way. It features three different reverb algorithms, which can be further adjusted to your liking with the knobs – set them fairly low and you can get the classic, more subtle reverbs, but there are lots of spaciousness available once you start to dime the knobs!
The Creamer Reverb is your no nonsense, easy-to-use, great sounding reverb pedal that should enhance your playing in such a way, that you never really turn it off – things just sound better with a bit of cream on top!

T-Rex

Official Product Video

Demo by Sweetwater

Review by Trevor Curwen, musicradar.com

Manual

Demo by HaarGuitars

Creamer Reverb

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Nico Dritsch

Alchemy MKII is a stereo BBD (Bucket-brigade device) full analog audio path chorus, featuring tap tempo control, six editable presets and a delay control that sets the center delay time that the LFO modulates around. Behind this gem is the re-issued version of the legendary 3207 delay chip that produce smooth warm modulation to nauseating detune sounds . Each knob is controlled by a small microprocessor while your guitar signal stays 100% analog and never gets digitally processed. This unique concept allows you to control, save and recall multiple modulated tones instantly.

VS Audio

Demo by EytschPi42

Demo by Buddy Blues

Review by delicious audio

Review by bonedo

Alchemy MkII

Andrew Lieberman

Das Way Huge Smalls Green Rhino Overdrive MKV (WM22) ist die kompakteste aller bisherigen Version, überzeugt aber wie seine Vorgänger mit einem breiten Spektrum an knurrigen, kratzigen Overdrive-Sounds. Die Regelmöglichkeiten für Volume, Tone und Drive decken die Basis-Funktionen des Pedals ab, während Freq und Curve eine gezielte Feinjustierung des Sounds ermöglichen. Der Freq-Regler bietet - je nach internem Setting - einen Boost oder Cut bei 100 Hz bzw. 500 Hz, der Curve-Regler bedämpft je nach Bedarf die Höhen im Signal, falls der Sound zu aggressiv im Treble-Bereich wird. Das Spektrum an möglichen Sounds reicht von klar und definiert über einen satten, kräftigen Drive bis zu einer extrem 'dreckigen', rauen Verzerrung.

The Way Huge Green Rhino Overdrive MkV is the smallest of the herd, but it unleashes a stampede of gnarly, gritty tones that rivals its larger companions'. The Volume, Tone, and Drive controls cover the basic functions, while the Freq and Curve controls offer finer adjustment of your beastly sonic yield. The Freq control cuts or boosts at either 100Hz or 500Hz—set internally—while the Curve control allows you to soften the creature's roar if it gets too aggressive on the high end. With this level of versatility, you can take any amp from pristine to punchy, from dirty to thunderous. This pedal will have your amp showing a whole new side of itself.

Way Huge

Official Product Page

Way Huge Smalls Green Rhino Overdrive MKV - Review by Delamar [DE], [04-2021]

Demo by shnobel

SMALLS GREEN RHINO OVERDRIVE MKV

PedalSafe Type WH1

QuickMount Type WH1

Pedal-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

G-LAB

Wowee Wah WW-1

G lab ww-1 manual

Rob Chapman - Wowee Wah Demo

WW-1 Wowee-Wah

Greg Dunn

Heavy Bat is a modern take on the classic Rat circuit with modifications. The pedal has a true bypass and a rotary switch to select op-amp chips: NOS LM308, UD1408 (Soviet LM308 clone), TLC2272, and NOS 741. The EQ section has two options: classic Rat filter tone control and three-band EQ similar to Boss™️ HM-2. In addition, you'll get the clean blend controls and 8 clipping diodes options, and two of them could be selected footswitch.

Drunk Beaver

Review by guitar pedal X

Review by reddit /guitarpedals

Demo by We As A Company

Demo by Pair of Pandas

Heavy Bat

David Litaba

G8’s controls will let you dial in that sliced & diced metal rhythm tone when you need it - but most importantly it is designed to maintain the sonic integrity of your guitar tone. You will feel the same & sound the same all you’ll be wondering is where the noise went. Hear the silence!

REVV

Demo by Trey Xavier

Review by

Review by Gear Gods

G8 Noise Gate

The overdrive+ is an original circuit with a whole range of both familiar and unique tones - from low gain always-on tonal enhancer to ripping high gain lead machine. With a combination of JFETs, op-amps and a few diodes inside it really covers a lot of ground. 
The op-amp is used for gain and buffering and is raised to around 30 volts so it never clips, even when another pedal is stacked in front. All clipping is crafted from the JFETs or the diodes.

In addition to standard VOL, TONE, and GAIN controls you'll find a bass cut switch for perfectly tightening things up and a clipping mode switch to swap between symmetric or asymmetric clipping styles (symmetric is smoother, asymmetric is more natural and textured).

Silktone

Review by Guitar World

Quick Start Guide

Review by The Gear Page

Demo by Mark Johnston

Overdrive+

The Blade is a custom-designed boost that allows any metal player to sculpt their tone and find total sonic perfection. We had to ensure that guitarists Zach, Alex, and Ben had a pedal that would perfectly shape each part of Whitechapel’s Signature tone.

Fortin Amplification

Review by Rig Talk

Demo by Xander Raymond Charles

Blade

Als wir uns entschieden, ein Stereo-Delay-Effektpedal in Studioqualität zu entwickeln, wussten wir, dass wir weit über das bisher Erreichte hinausgehen mussten – in Sachen Klangqualität, klanglicher Flexibilität, Hardware-Design und Verarbeitungsleistung. Wir verbrachten Monate in den Sounddesign-Laboren von Strymon und träumten von den geräumigsten, üppigsten, kreativsten und anpassbarsten Delay-Effekten, die man je gehört hat. Es war eine monumentale Aufgabe – ein unermüdliches Studium von Delays und ihren Nuancen und ein kontinuierliches Streben nach innovativen und musikalisch inspirierenden Klängen. Durch die Verwendung eines unglaublich leistungsstarken SHARC DSP wird jedes bisschen Verarbeitungsleistung genutzt.

TimeLine bietet Ihnen zwölf einzigartige Delay-Maschinen, jede mit umfassender Kontrolle über Klangcharakter und -gefühl. Gehen Sie von knackigen und klaren digitalen Delays in Studioqualität bis hin zu den gesättigten und schwankenden Klängen von Band-Delay-Maschinen. Erhalten Sie warme und unscharfe Wiederholungen im analogen Stil bis hin zu schimmernden, funkelnden und kristallinen Eis-Delays.

Optimieren Sie nach Herzenslust und speichern Sie bis zu 200 Voreinstellungen Ihrer Lieblingssounds. Krönen Sie das Ganze mit einer vollständigen MIDI-Implementierung und einem routingfähigen 30-Sekunden-Stereo-Looper und schon sind Sie auf dem Weg zum Delay-Glück.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.

Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

Strymon

Demo by Mike Hermans 

Review by Amazona 

Timeline

ch ray

La Grotte is the new analog spring reverb by Anasounds. It may look like a mere evolution of the Element with the spring inside the main pedal, but in fact it offers a brand new sound and brand new features, designed in close collaboration with Jack White for his Third Man Hardware brand.

At its core, La Grotte is a mechanical reverb that includes a three-spring tank, but it also features a warm preamp with a distinct sonic personnalité, and a very powerful two-band EQ that only affects the reverberated sound. Independent volume settings for the dry and wet sounds allow you to find the perfect balance you’ve been searching for.

La Grotte is a secret weapon of choice on the pedalboard of any demanding guitar player, regardless of their musical approach: vintage or modern, blues or pop, garage or soul. Other musicians and sound engineers alike will also enjoy the sonic depths of La Grotte.

Anasounds

Review by GEAR GODS

Manual Page

Demo by TheGuitarGeek

La Grotte

Nicolas Wilfer

Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Walrus Audio

Video Manual

Official Product Video 

Canvas Tuner

Benoît Stefani

Le SP-9 is a "Switcher" / "selector of’programmable effects" allowing in one press a ''footswitch'' to activate until 9 Mono effects / stereo, switch your’amp channels, send midi information and adjust your volume... 

DESS

SP-13S

CIOKS

8 Expander

DC 7

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Mike kam dem Klang und, was noch wichtiger ist, dem Spielgefühl des Amps so nahe wie möglich. Wenn du das MESHUGGAH-Pedal in die Endstufe eines MESHUGGAH-Amps oder in die IR-Sektion der Neural DSP Nameless X Suite spielst, sind die klanglichen Unterschiede extrem schwer zu erkennen.

Mike got as close as he could to the tone, and most importantly, the feel of the amp. If you are to run the MESHUGGAH into the power section of a MESHUGGAH amp, or even into the IR section of the Neural DSP Nameless X suite, the tonal differences are extremely hard to hear.

Review by Music Radar

Demo by Ola Englund

Meshuggah PreAmp

Meshuggah’s legendary guitarist Fredrik Thordendal’s signature 33® pedal is a sonic detonation tool that will transform any gain fueled amplifier into an unrelenting wrecking ball of metal!

At Fortin, we are renowned for chasing only the greatest metal tones imaginable. We have nothing short of lazer focus to develop the most crushing modern guitar tones, tones that are worthy of an artist like Fredrik - to make a pedal he can proudly put his name to.

Through countless hours of research, design, development, prototyping, sampling, planning, reviewing and almost endless tweaking, we are proud to present the Fredrik Thordendal signature 33® pedal!

The boost level control provides up to +22dB of clean boost with added side remote 1/4” jack for channel switching with a mini slide switch. There is no need to tap dance, if you want one channel on your amp boosted and the other not, the 33® changes the channel on your amp and automatically applies the boost.

There are two things to remember when using the 33®. You may not need as much gain as you usually do, as the front of the amp is being hit hard, the gain will be increased the more you open up the 33®.

The 33® has top mounted jacks and DC inlet for tight pedal board mounting applications. Matte black powder coat finish with gloss black screening for a killer blacked out look. As with all Fortin pedals, the 33® is proudly built in North America.

Technical Details:
Built in U.S.A.;
Designed with, and for, Fredrik from Meshuggah;
Highest grade materials selected for superior sound, response and reliability;
Industry Standard 4DPT true bypass mechanical stomp;
9vDC or center-pin negative (fully regulated) external adapter/power supply or battery (not included);
Power draw: 27mA (9v);
Pedal Dimensions (W/D/H): 4.4” x 2.38” x 1.06” (112mm x 60mm x27 mm) excluding knobs and switches;
Shipping Weight: 360g;
Includes Fortin’s limited 1-year warranty;
Ships globally – all published prices are USD

Demo by killertonetexas

33® - FREDRIK THORDENDAL SIGNATURE PEDAL

Treffen Sie das KALI® Pre-Amp / Distortion – die nächste Evolution im Fortin-Ton. Direkt nach den bahnbrechenden NATAS®- und MESHUGGAH-Pedalen ist KALI® die dritte Ausgabe unserer Preamp-Serie und bringt das Feuer unserer legendären Verstärker direkt auf Ihr Pedalboard. Inspiriert vom ikonischen Fortin® CALI® Amp – entstanden aus Mike Fortins langjähriger Amp-Modding-Arbeit (und als Hommage an Jose Arredondo) – fängt KALI® alles ein, von vintage Plexi-Glanz bis hin zu voller moderner Metal-Zerstörung. Mit schaltbaren Gain-Modi (VINT, SAT, RAW), einem drei-stelligen Bright-Schalter pro Gain-Regler und einem aktiven 3-Band-EQ bietet KALI® eine Klang-Universum an Ihren Füßen. Hergestellt in den USA mit hochwertigen Materialien und True-Bypass Relais-Schaltung.

Meet the KALI® Pre-Amp / Distortion – the next evolution in Fortin tone. Hot off the heels of the game-changing NATAS® and MESHUGGAH pedals, KALI® is the third installment in our preamp series, bringing the fire of our legendary amps straight to your pedalboard. Inspired by the iconic Fortin® CALI® Amp — born from Mike Fortin’s deep roots in amp-modding (and a nod to Jose Arredondo’s revolutionary work), KALI® captures everything from vintage Plexi sparkle all the way to full-throttle modern metal mayhem. With switchable gain modes (VINT, SAT, RAW), a three-position Bright switch for each gain control, and an active 3-band EQ, KALI® puts a universe of tones at your feet. Built in U.S.A with highest-grade materials, and featuring true bypass relay switching.

Review by Premier Guitar

Manual on Product Page

Kali

All the same features as the original Zuul® but in mini-form factor!
The mini Zuul®'s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source because of the high quality studio specifications.
Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass.
The KEY input signal can be directly from your guitar (r.e. split from Roach or Spliff) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the ZUUL®. Side switch (internal jumper on early versions) to change the threshold range to compensate for different input signal levels. Industry standard true bypass switching.

Demo by Peter Geltat

zuul mini

Blade von Fortin Amplification