MIME is a reverb pedal, built using an AI chat bot service.
The AI couldn't figure out how to use the onboard control set, so we wrapped the code into a sweet analogue package to provide you with a full wet/dry mix as well as a feedback control for reverb length.

The secondary foot switch short circuits the feedback to 100% for psychedelic swells, pads and faux amplifier feedback effects.



Fjord Fuzz

Official Product Manual

Demo by JHS Pedals

Product Page

Review by guitar pedal X

Mime

Midnattssol bedeutet “Mitternachtssonne” – eine wahrhaft magische Erscheinung für jene in nördlichen Breiten, wenn der Sommer zurückkehrt und die Sonne kaum untergeht. MIDNATTSSOL ist wie der Endgegner der Fuzz‑Face‑ und Uni‑Vibe‑Schaltungen – der partyfreundlichste, charmanteste und magischste aller Schaltkreise. Er bietet zahlreiche neuartige – und vor allem nützliche – Erweiterungen dieser klassischen Schaltungen und bildet eine einfache, aber umfassende Hommage, bevor der Schöpfer sich anderen Designs zuwendet. Intern kann man zwischen klassischen Uni‑Vibe‑Tönen und ReslyTone‑Sounds sowie Fuzz Face, Zonk II oder einer ganz neuen Hybrid‑Stufe wählen. Die Phasing‑Sektion erlaubt eine tiefgehende Anpassung mit insgesamt 256 Kombinationsmöglichkeiten. Der eigentliche Star ist die Expression‑Steuerung, die den Klangbereich dramatisch erweitert und ungeahnte Sounds freilegt. 

Midnattssol means “midnight sun” — a truly magical thing for those of us up north to look forward to when summer finally returns and the sun barely sets. MIDNATTSSOL is like the final boss of Fuzz Faces and Uni‑Vibes — the most party‑friendly, lovely, and magical circuits of all. It features a host of novel — and more importantly, useful — additions to these classic circuits, forming a simple yet comprehensive final little hômmage before the creator moves on to different designs. Internally switchable options let you choose between classic Uni‑Vibe tones and ReslyTone sounds, as well as Fuzz Face, Zonk II fuzz tones, or an all‑new in‑between mode. On top of that, the phasing section offers deep customization — with 256 possible combinations, to be precise. The real star is the expression control, which dramatically expands the range of this beautiful circuit, unlocking sounds never heard before. 

Demo by AndyDemos

Official Product Video

Review by Guitar Pedal X

Midnattsol

LOKE gives you two almost identical signals.
Each one has enough output to drive your preamp into overdrive.
One of the signals has a slight tape tint to it and can be shifted in time by either 0-100mS or 0-400mS.
You can quickly switch between delay modes via the secondary foot switch and the expression
control gives you the option of warping the time parameter with hands-free operation.
We also added a very exciting random LFO using the least-significant-bits method of calculation,
as well as a sort of servo control for the delay time operation.

All of this together offers you the full suite of exciting effects found on old school reel-to-reel tape gear,
but perhaps even more intriguing, it lets you dwell within the spaces left between the classic staples
of recording tricks and discover new and wonderful textures, never heard before.

Demo by Ponderer Sounds

Loke

BERSERK III expands on the circuit family tree that started with the octave section of ODIN. That same circuit can be configured in four different, equally useful and exciting ways. There’s a loud and strong octave fuzz, a precise and pointy octave fuzz, a wide and kind regular fuzz and a bright and loud regular fuzz. For ODIN II and now III, I used the loud octave fuzz and the kind regular fuzz, for a very fun 1-2-punch kind of live package. The regular fuzz lets you fall back into the mix and the octave fuzz allows you to punch through anything when needed. 

Demo by Ambient Endeavors

Berserk V3

ODIN takes one of the best octave-up fuzz circuit designs of all time, strips away all the fluff and over-engineering and leaves you with a simple, yet powerful device. Turn it on and you are greeted by a wonderful, saggy, yet open and carefully compressed fuzztone, not too dissimilar from a Fuzz Face. ODIN is much louder, more mids-forward, less compressed and just a joy to work with. It also cleans up really nicely, but not as abruptly as you would expect from a Fuzz Face type pedal.

Odin