Francesco Padova

h90 pedalboard

Tester

Das Fulltone Clyde Wah-Wah Pedal entstand nach eingehender Analyse von Michaels Fullers 25 Stück umfassender Sammlung alter VOX-Pedale. Da ihm die alten VOX-Teile nicht genug Regelweg hatten, entwickelte er sein eigenes, seinen Vorstellungen entsprechendes Pedalgehäuse. Auf der handverdrahteten Platine des Clyde Deluxe findet man denn auch erlesene Bauteile wie z. B. Kohleschicht-Widerstände, NOS(New old Stock)Tropical Fish 0,22 Kondensatoren, GE (General Electric) 0,1 Kondensatoren sowie natürlich eine speziell nach Fulltone-Vorgaben gefertigte Spule. Durch die s. g. Resonance Control, ein Trimpoti auf der Platine, läßt sich die Bass-Wiedergabe nach persönlichem Geschmack regeln. Das ebenfalls speziell für Fulltone angefertigte Tone Poti verfügt über die gleiche Kennline, welche man bei den Icar Potis der 60er Jahre VOX-Ära findet.

The Fulltone Clyde wah-wah pedal was created after analysing Michael Fuller's collection of 25 old VOX pedals. Since the old VOX parts didn't have enough control travel, he developed his own pedal housing according to his ideas. The hand-wired circuit board of the Clyde Deluxe features exquisite components such as carbon film resistors, NOS (New Old Stock) Tropical Fish 0.22 capacitors, GE (General Electric) 0.1 capacitors and, of course, a coil specially manufactured according to Fulltone specifications. The so-called Resonance Control, a trimpot on the circuit board, allows the bass response to be adjusted to personal taste. The tone pot, also specially made for Fulltone, has the same characteristic curve as the Icar pots of the 60s VOX era.

Fulltone

Product Page 

Review by GUITAR PLAYER

Manual

Demo by delamar Guitar

Demo by YourGuitarSage

Review by The Gear Page

Review by Tony McKenzie

Clyde Deluxe Wah

Dojin Park

Der Fender Switchboard ist ein Pedalboard-Effekt-Loop-Switcher und Controller, mit dem du mehrere Pedale in anpassbaren Signalketten mit Presets verbinden und steuern kannst. Er bietet fünf umordnare Relais-True-Bypass-Effekt-Loops, ein großes Farbdisplay mit Encoder-Regler für einfache Bearbeitung, hunderte von Benutzer-Presets und Favoriten, einen integrierten professionellen Tuner und ein eingebautes bewegliches Volume-Pedal. Er verfügt außerdem über MIDI-Ausgang und Anschluss für Expression-Pedal zur erweiterten Steuerung mit Verstärkern und anderem Equipment sowie umschaltbare hochwertige Input- und Output-Buffer zur Erhaltung des Tons.

The Fender Switchboard is a pedalboard effects loop switcher and controller that lets you connect and manage multiple pedals in customizable signal chains with presets. It features five rearrangeable relay true bypass effects loops, a large full-color display with an encoder knob for easy editing, hundreds of user presets and favorites, an integrated professional tuner and a built-in moveable volume pedal. It also includes MIDI output and expression pedal control for advanced routing and integration with amps and other gear, and switchable high-fidelity input and output buffers to preserve tone.

Fender

Product Page

Review by MixDown

Official Product Video

Switchboard

Xotic

Xotic XW-1 Wah

CS-MDV mkII...the world's smallest, yet biggest sounding "real vintage Univibe clone."
It's the biggest sounding 'vibe we've ever made or heard, power it with our 18 volt DC power supply (included when bought direct from us) or power it by using 2 x 9CVDC outlets on your pedalboard multi-power supply while using the Voodoo Lab PPY "series voltage doubling cable."

Review by bonedo

Demo by musictoyznetwork

Demo by fulltoneeffects

MDV-2 Mini Dejá Vibe Mk II

Scott Smith

The miniFUZZ V2 combines the tones and options of both the miniFUZZ Si and the miniFUZZ Ge, giving you the option to switch between the distinctive  tones of silicon or germanium. The miniFUZZ has a plethora of controls  which allow you to dial in authentic vintage silicon or germanium  tones and much more! The side Dip-Switch gives fast and easy access to the amazing new tonal options.  We have added a switchable  buffer to the miniFuzz. If you chose to engage the buffer you will be able to drive long cables and complex pedal setups with no loss of tone or change of tone when engaging  the miniFUZZ. We have added a four setting tone control for tweaking the texture of the fuzz. Leave it off for bright gritty tones or select one of the options for a smoother, silkier tone.  We still have controls for boosting the output or lifting the bass response. Most fuzz pedals can sound poor when using an external DC power-supply but the  miniFUZZ’s built in battery simulator makes sure all DC plug in power sounds as good and as quiet as a battery.

KingTone

Review by

Review by delicious audio

Demo by Buddy Blues

Mini Fuzz V2 (Black Panel)

This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.

If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.

Demo by The Bedroom Rocker

Demo by Jack Fossett

69 MkII Fuzz

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

The Protein is based around modified versions of two well-respected drive pedal circuits: the ‘Blue’ side is based on a 1990’s Marshall Bluesbreaker but has a tweaked tone control and extra output, while the ‘Green’ side takes its cue from that Nashville session favourite the Nobels ODR-1. 

Browne Amps

Review by ThatGuitarLover.com 

Review by Guitar World 

Demo by Alberto Barrero

Demo by Buddy Blues 

Protein

Kevin King

The Mayer Screamer meets the Robben Dumble. unleash the power of two great classic sounds paired together to offer a unseen combination of tones.

Cornerstone Music Gear 

Review by Sam Goffen Guitar

Demo by Kris Barocsi 

Demo by Sasha Ivantic

Demo by Peach Guitars

Imperium

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Review by musicradar

Demo by Andertons Music Co

H90 Harmonizer®

gavin lee

Musicom Lab

EFX ME

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Michael Mac

I'm about a 1/3rd of the way to having my dream pedalboard. Still have more pedals and the board to purchase, then of course there's the building process but that won't be an issue. Many years ago, I rebuilt Fender Deluxe Reverb reissue amps by stripping the chassis bare, then rebuilding the entire amp by installing my PTP hand-wired G10 board, along with Mercury Magnetics power, output, and reverb transformers and choke, along with rewiring the entire amp with Teflon silver coated wire.

After adding some good tubes, biasing them up correctly, and popping in a nice speaker like a Weber C12N, the difference in tonal complexity was astounding. I had some great pedals at the time that everyone raved about, but through my stock reissue DR, they only sounded "OK" to my ears, so I didn't see what all the fuss was about. But after rebuilding the amp, my pedals suddenly sounded incredible, and I could hear nuances that I'd never heard before. It was literally like someone removed a blanket from the front of the speaker. So, wiring up the pedalboard won't be an issue, it will just take time, testing and will be a bit tedious.  

I'm so glad I found Rockboard. I've been planning and working on the design of my board for the last 8 months or so and have been checking out tons of different pedalboards. No matter what board I looked at, I either couldn't fit all of the pedals I wanted onto the board or had to buy a board so large that I would wind up with a lot of unused space. But the Rockboard Cinque 5.2 pedalboard looks to be absolutely perfect for what I need and have been looking for. It's not too large and I was able to place every pedal I wanted to use on the board with enough space between pedals for cable routing. And IMHO, it's very reasonably priced and comes with a soft case. Many other board companies don't have or offer cases for their boards, so you'd have to scour the internet to try to find a suitable case. 

I designed this board with the primary focus on worship & ambient tones to play on a silent stage at church. But at the same time, I'm old school rock & roll so I also needed the board to have the flexibility to play hard rock, blues, funk, etc. 

TIP: the addition of the KMA EndGame pedal will be a gamechanger and it's the most incredible utility pedal I've ever seen. That pedal does so many things it just blows my mind. Just off the top of my head, it contains a stereo effects loop, so I'll run my mono pedal chain into the EndGame and then use the stereo effects loop to run my stereo modulation pedals. Since it handles stereo, there's also a ground/phase switch to keep everything in line. 

It has a doubler for thickening tone, 2 headphone outputs so I can jam with another player, along with Bluetooth so I can run tunes wirelessly into the EndGame for jamming or practice. 

There's built in Cab IR's. I can use the built in IR's, download more IR's from KMA's software, or I can upload any IR's I'd like. Or I can bypass the KMA IR's and use the IR's built into the Friedman IR-D, so lots of choices and flexibility.

Another biggie is that it contains buffers so the output signals to either the house mixer or amps will be strong. That will complement the Source Audio Zio, which is the first pedal in the signal chain that I'll be plugging my guitar into. The Zio has a buffer with a 1M ohm input impedance, perfect for a guitar's pickups, and has a 
150ohm output impedance, as close to perfect as I've seen. So, I'll plug into the Zio first, which will then send a strong buffered signal into the rest of the effects chain. Then, the last pedal in the effects chain will be the EndGame, which with its buffers, will send a strong & clean buffered signal into either the house mixer or amps.

But IMO, the main benefit of the EndGame is that it's also a direct box and has 2-XLR outputs so I can run stereo directly to the stage box, which then sends my stereo signals directly to the house mixer. But it also contains 2-1/4" outputs so I can also run stereo into my 2 Deluxe Reverb's or any other amps. Or I could use those 1/4" outputs to run a pair of powered stage monitors. It also has the capability of running the signals into in-ear monitors, but I haven't checked into that as the church has a separate IEM system that player's use. There's more that I'm forgetting, but the EndGame has so many features that it was the first pedal I bought when initially designing this board.

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Worship and Rock & Roll

Manuel K.

Der TC Electronic Ditto+ Looper ist ein kompakter digitaler Looper, der für eine einfache und intuitive Loop-Aufnahme entwickelt wurde. Er ermöglicht das Aufnehmen, Overdubben, Rückgängigmachen und Wiederherstellen von Loops über eine einzelne Fußtaste. Das Pedal verfügt über einen internen Speicher für mehrere Loops sowie über eine USB-Verbindung zum Sichern und Importieren von Audiodateien. Die hochwertige, unkomprimierte Audioverarbeitung erhält den Originalklang ohne Klangverfärbung. Der Ditto+ Looper richtet sich an Gitarristen, die eine unkomplizierte Loop-Lösung ohne komplexe Menüs suchen. Das robuste Metallgehäuse eignet sich ideal für den Einsatz auf dem Pedalboard.

The TC Electronic Ditto+ Looper is a compact digital looper pedal designed for simple and intuitive loop recording. It allows players to record, overdub, undo, and redo loops with a single footswitch interface. The pedal features internal loop storage that can hold multiple loops and enables transferring audio via USB for backup or import. Its high-quality uncompressed audio preserves the original signal without coloration. The Ditto+ Looper is designed for guitarists who want straightforward looping without complex menus. It is housed in a compact metal enclosure suitable for pedalboards.

TC Electronic

Review by Guitar World

Demo by Andertons

Demo by Aaron Short Music

Review by Looper Pedal Reviews

Quick Start Guide

DITTO+ LOOPER

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

ch ray

DIG gräbt die wahre Seele des digitalen Delays aus und verdoppelt sie — zwei gleichzeitig arbeitende, integrierte Delays mit faszinierenden Rack-Delay-Sounds aus den 1980er Jahren und der Gegenwart, für ein unglaubliches expressives Potenzial.

Erstelle mühelos deine eigene Welt aus komplexen und synchronisierten Echos sowie hypnotischen und atmosphärischen Wiederholungen, die die Grenze zwischen Delay und Reverb verwischen. Erweitere deine klanglichen Horizonte mit fünf musikalisch befriedigenden rhythmischen Unterteilungen und drei Dual-Delay-Routing-Optionen. Gehe von syncopierten, pulsierenden Delay-Mustern zu evocativen, weit auseinander gezogenen Echo-Spuren — alles in einem kompakten, pedalboardfreundlichen Format.

Unsere gründliche Untersuchung der digitalen Delay-Technologie enthüllt die einzigartigen Persönlichkeiten, die diese Delays besitzen. Tauche ein in die drei digitalen Delay-Sounds von DIG: den adaptiven Delta-Modulationsmodus der frühen 80er Jahre, den 12-Bit-Puls-Code-Modulationsmodus der mittleren 80er Jahre und den modernen High-Resolution 24/96-Modus.

DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Strymon

Review by reddit /guitarpedals

Demo by Rabea Massaad

DIG v2

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Review by Amazona 

Review by Guitar.com

Review by Pedal of the Day

Review by Six String Sensei

Demo by Made by Miike

Audio Examples

Flint

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Review by Elektronauts

Demo by strymon

El Capistan v2

Danielo Olivera

Kontrolliere ein Volumen und FX-Parameter ohne dein Pedalboard mit einem weiteren großen Pedal noch voller zu packen. Platzsparen muss nicht heißen auf Funktionalität zu verzichten – das DVP Volume (X) Pedal macht alles das, was sein großer Bruder das DVP3 kann – bei halber Größe und genauso robust gebaut im leichten Alu-Gehäuse. Wie das DVP3 hat es auch die rutschfeste Pedaloberfläche und den patentierten Low-Friction-Band-Drive, der für einen sanften und gleichmäßigen Regelweg und zuverlässige Performance sorgt. Für maximalen Komfort ist die Leichtgängigkeit des Pedals vollkommen einstellbar.

Der AUX Ausgang vereint Tuner und Expression Funktion in einer Buchse, die per internem Schalter festgelegt werden kann. Über interne Trim-Potis kann das Minimum-Volumen des Pedals eingestellt werden und wenn du willst, kannst du auch die Funktionsrichtung umkehren – ein weiterer interner Schalter macht’s möglich.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. 

The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so.

Dunlop

Demo by Nick Riley

Demo by Marty Music

Review by Teh Gear Confessions

Dunlop Volume (X) Mini Pedal Review Premier Guitar EN

VOLUME (X) MINI (DVP4)

Zixton Han

The Friedman IR-D dual-channel tube preamp is an entire Friedman rig in a compact pedalboard-friendly package. IR-D boasts two fully independent identical foot-switchable channels which are based on Friedman’s legendary designs. This Dave modded JTM45 circuit delivers the signature British tone for which Friedman is known for.

Powered by two high-voltage 12AX7 preamp tubes, each channel delivers the harmonic richness and touch response of Dave Friedman’s finest designs. DSP IR cabinet/power amp simulation sends a studio-quality mic’d-up tone to your DAW or Front-of-House. 

Friedman

Demo by Bernd Kiltz

IR-D

Das Source Audio ZIO ist ein komplett analoges Preamp / Boost Pedal, das eine Auswahl von vier unterschiedlichen Preamp-Schaltungen mit jeweils bis zu +20 dB zusätzlichem Output Boost bietet. Das Ziel bei der Entwicklung des ZIO Analog Front End + Boost war einfach, aber ehrgeizig: 'Make Everything Sound Better!' ZIO ist das erste komplett analoge Effektpedal von Source Audio und wurde in Zusammenarbeit mit Christopher Venter, dem Eigentümer und alleinigen Ingenieur von SHOE Pedals, entwickelt. Das ZIO ist ein extrem flexibles Pedal, das für viele Anwendungsmöglichkeiten an verschiedenen Stellen im Signalweg genutzt werden kann: Am Anfang der Effekt-Kette, um den Gesamt-Sound zu verändern, nach den Drive Pedalen entweder als 'Tone Sweetener' oder als Clean Volume Boost, sowie am Ende des Signalwegs, um lange Kabelstrecken auszugleichen oder um den Klang einer Gitarre nachzubilden, die direkt in den Eingang des Verstärkers geht. Das ZIO lässt sich auch im FX-Loop nutzen, um die Endstufe in die Sättigung zu bringen oder um einen Level-Unterschied zwischen zwei Kanälen auszugleichen. Das Wort 'ZIO' ist ein Akronym für Impedanz ('Z' ist das elektrische Symbol für Impedanz), Eingang (Input - 'I') und Ausgang (Output - 'O'). Das Pedal ist so konzipiert, dass es das hochohmige Signal einer Gitarre aufnimmt, den Sound mit einer der vier Preamp-Schaltungen aufwertet und ein starkes, niederohmiges Signal ausgibt, das nicht durch die gebufferten Dry Tones von Effektpedalen im weiteren Verlauf der Signalkette verändert wird. Rauscharme High-Fidelity Burr-Brown Op-Amps geben dem Source Audio ZIO eine extreme Klarheit und ein schnelles, dynamisches Ansprechverhalten und erhalten gleichzeitig den Charakter und die Wärme des Instruments. Das ZIO bietet vier wählbare Preamp-Schaltungen: JFET bietet einen komplett transparenten Signal Boost ohne Färbung oder Verzerrung. LOW-CUT reduziert 'mulmige' Bass-Anteile für einen strafferen Sound mit zusätzlichem Headroom. STUDIO wurde vom altehrwürdigen 'Pultec Trick' inspiriert - einer Studio-Technik, die Klarheit im Sound schafft und 'Schwammigkeit' im Signal reduziert. E-PLEX fängt den fokussierten, subtilen Grit der Vorverstärker ein, die in Vintage Tape Delays zu finden sind. Der Tone-Kippschalter des ZIO bietet drei verschiedene Kapazitätsstufen (oder simulierte Kabellängen), um den Klang aufzuhellen oder abzudunkeln.

The Source Audio ZIO is an all-analog preamp/boost pedal that includes a choice of four distinct preamp circuits, each with up to +20dB of additional output boost. The goal in creating the ZIO Analog Front End + Boost was simple yet ambitious: 'Make Everything Sound Better!' ZIO is Source Audio's first all-analog effects pedal and designed in collaboration with Christopher Venter, the owner and sole engineer at SHOE Pedals. ZIO is a deceptively flexible unit that can serve many different purposes at various places in your signal path. Use it at the front of your chain of effects to shape the rest of your outgoing tone, after your drive pedals as an overall tone sweetener or clean volume boost, or at the the end of your pedalboard to drive a long cable run or as a restorative device to recreate the sound of your guitar going directly into the input of your amplifier. You can also use the ZIO in your amp's effects loop if you want to drive your power amp even harder, or to compensate for a level mismatch between two channels. The word 'ZIO' is an acronym for Impedance ('Z' is the electrical symbol for impedance), Input ('I'), and Output ('O'). The pedal is designed to take a guitar's high impedance signal, sweeten the tone with any of its four preamp circuits, and output a strong, low impedance signal that won't be altered by the buffered dry tones of effect pedals further down the signal chain. High fidelity, noise-free Burr-Brown op amps help give ZIO extreme clarity and responsive pick dynamics, while maintaining ideal body and warmth. ZIO has four distinct preamp circuits. JFET offers a completely transparent signal boost with zero coloring or distortion. LOW-CUT reduces 'tubby' bottom-end for a tighter sound with added headroom. STUDIO finds inspiration from the time-honored 'Pultec Trick', a studio technique that adds clarity by cutting the 'mud frequencies' and adding mid-range articulation. E-PLEX captures the focused and subtle grit of the preamps found in vintage tape delay units. The ZIO's Tone toggle offers three different levels of capacitance (or simulated cable length) to brighten or darken the tone.

Source Audio

Official Product Page

Source Audio SA 271 - ZIO - Official Demo Video

Source Audio SA 271 - ZIO - Demo / Review Video - AndyDemos

Source Audio SA 271 - ZIO - Demo / Review Video - Pete Thorn

Source Audio SA 271 - ZIO - Demo / Review Video - CoreyCongilio

Source Audio SA 271 - ZIO - Demo Video - Mike Hermans

Source Audio SA 271 - ZIO - Demo Video - Nobes Music

Source Audio SA 271 - ZIO - Demo / Review Video - Tri Pedal Reviews

Source Audio SA 271 - ZIO - Demo Video - R.J. Ronquillo

Source Audio SA 271 - ZIO - Demo Video - Do Noise

Source Audio SA 271 - ZIO - Demo / Review Video - Sweetwater

SA 271 - ZIO Analog Front End + Boost

Buxom Boost

Dave Friedmans Vollröhren-Verstärker Small Box ist bekannt dafür, einer der flexibelsten und anschlagdynamischsten Verstärker auf dem Markt zu sein.  Die gleiche klangliche Vielseitigkeit, Empfindlichkeit und harmonische Übersteuerung wie bei diesem legendären Verstärker kannst du jetzt mit Friedmans neuem Small Box Overdrive-Pedal erreichen.  Das Small Box-Pedal verfügt über die gleichen intuitiven Regler wie der Verstärker, mit denen du deinen perfekten Rock-Sound einstellen kannst - von Vintage-Plexi bis hin zu High-Gain-Wahnsinn.  Egal, ob du einen cleanen Ton mit hohem Output willst, um deinen Verstärker hart zu pushen, oder einen dicken, körnigen Drive, der in jeder klassischen bis modernen Rockband gut ankommt, ein Dreh am Gain-Regler bringt dich schnell ans Ziel. Wenn du den Gain noch mehr zügeln willst, legst du einfach den seitlich angebrachten Gain-Schalter um und simulierst damit den Plexi-Kanal des Small Box-Verstärkers.  Um den akkreditierten Friedman-Ton der Small Box zu erleben, solltest du dieses Overdrive-Pedal noch heute auf dein Board stellen.

Dave Friedman’s Small Box all-tube amplifier is well known for being one of the most flexible and touch-responsive amplifiers on the market today.  You can now get the same tonal versatility, sensitivity and harmonically rich overdrive as this legendary amp with Friedman’s new Small Box overdrive pedal.  The Small Box pedal packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock, from vintage Plexi goodness to high gain madness.  Whether you want a high-output cleaner tone for pushing your amp hard, or a thick gritty drive that will sit well in any classic to modern rock band, a sweep of the gain control easily gets you there. If you want to reign in the gain some more, simply flip the side mounted gain switch and it will simulate the Plexi-Channel of the Small Box amplifier.  To experience the Small Box’s accolade-garnering Friedman tone, put this overdrive pedal on your board today.

Review by Guitar Pedal X

Review by Z-Talk

Review by Premier Guitar

Demo by Guitar Bonedo

Demo by Premier Guitar

Demo by Pete Thorn

Demo by Official Edi Roque

Small Box Overdrive

Die Pitch Fork von Electro Harmonix in unserem aktuellen bonedo-Test beweist einmal mehr, dass auch Pitch-Shifter Effektpedale inzwischen für jedes Budget erschwinglich sind. Dieser Effekt, der in den Achtzigern in einigen berühmten Gitarrenaufnahmen auftauchte, war damals für uns “normale” Musiker kaum erschwinglich. Aber diese Zeiten haben sich glücklicherweise geändert. Pitch-Effekte sind inzwischen im Effektangebot vieler Hersteller zu recht günstigen Kursen zu finden.

The EHX Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

Electro-Harmonix

Demo by Chords of Orion

Demo by Reverb 

Review by musicradar 

Review by bonedo 

Pitch Fork

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

The Sir-Compre is an optical compressor pedal with a Friedman twist. The compressor controls include volume, treble, compression and a tight knob. The twist is the included wide-range gain knob. This gain control is the mastermind of the Sir-Compre and allows you to shape the overall sound of the pedal from ultra-clean to semi-overdriven. This combination of compression and overdrive delivers epic tone versatility - semi gritty compression, warm compressed overdrive, singing compressed drive, or adding that special channel to your clean amp - it's all here with the Sir-Compre. And the twist is in the name itself!

Review by TDPRI

Review by Compressor Pedal Reviews

Friedman Sir-Compre Manual

Demo by Masaki Murashita

Demo by Strings Shop

Sir-Compre

Das StroboStomp HD verfügt über das größte Stimmdisplay, das Peterson Tuners je in eines seiner Pedal-Stimmgeräte integriert hat, und besticht durch einen hochauflösenden LCD-Bildschirm mit einer LED-Hintergrundbeleuchtung in variablen Farben. Die vom Benutzer wählbaren Farben können genutzt werden, um das Stimmgerät individuell anzupassen oder die Ablesbarkeit des Displays je nach Einsatzumgebung bei unterschiedlichen Lichtverhältnissen zu verbessern. Die leuchtenden Bildschirmfarben können zudem Standard- oder Benutzer-Presets zugewiesen werden, um die Zeit für die Menüführung deutlich zu verkürzen und die Sicherheit beim Stimmen auf der Bühne zu erhöhen.

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Review by The Gear PAge

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

StroboStomp HD

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Review by Bonedo 

Demo by Andertons Music 

Cloudburst Ambient Reverb

Step on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe.

Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dia


Zelzah is actually two different phasers, side by side in one pedal.

 Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. 

Zelzah may become the only modulation pedal you keep on your board.

Review by AMAZONA

Review by sound on sound

User Manual 

Product Demo 

Zelzah

Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

SA 263 Collider Delay+Reverb

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