Jan Ole Zingel

A first idea of a possible Board for my yet-to-found Ska Band. No preamp necessary as my guitar and amp produce the perfect clean sound for up- and offbeat rhythm. Delay for dub sounds, Overdrive and EQ for boosting solos. And why should anybody play reggae without a Wah Wah...? ;-)

Meteora

Ska & Reggae

Blues Junior IV

Tester

The Echoplex EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the '70s onward. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR.

That's where the EP103 Echoplex Delay comes in. It's the size of a Phase 90, and it delivers the EP-3's legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 65ms to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats.

Dunlop

Product Page

Review by Gitarre & Bass

Review by bonedo

Review by Premierguitar

Manual

Demo by Guitarist

Official Product Video

EP103 Echoplex Delay

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Roland Schmidt

Fuel Tank Junior is a lean, mean power supply that will handle virtually any 9-Volt effects pedal – and then some. It features 5 isolated outputs that deliver clean, quiet power to your pedals. And it’s switchable between 115 and 230V, so you can use it worldwide. Don’t let the compact size of this unit fool you – Fuel Tank Junior is a real powerhouse!

T-Rex

Review by musicradar.com

Fuel Tank Junior

Fame

LEF-317 Equalizer

Das EHX East River Drive ist ein Pedal mit JRC4558-IC, so kühn wie New York City selbst. Die symmetrische Overdrive-Schaltung verleiht Biss und Gain, ohne den Klang zu verfärben. Mit Volume und Drive geht es von sanft bis schneidend, während der Tone-Regler genau die richtige Portion Durchsetzungskraft liefert. Egal, wie stark du es antreibst – du behältst stets die Kontrolle. True Bypass und ein kompromisslos guter Sound zu einem musikfreundlichen Preis!

The EHX East River Drive is a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you’re always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Electro-Harmonix

Review by 

Demo by 

East River Drive

Naturkonstante Pedal Tuner

David Litaba

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Official Product Page

Guitar World Demo

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

GCB95 Cry Baby Standard Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Diese Konfiguration benutze ich zur Zeit für beide Bands. Durch die beiden Kanäle des Le Clean plus East River Drive plus The Rat kann ich ein beliebiges Maß an Volume, Gain und Zerre "stacken". Das ist dringend nötig,  weil unsere Songs sehr stark in Lautstärke und Härte variieren.
Delay und Tremolo werden für Klangteppiche und Rockabilly-/Surf-Sounds eingesetzt. 
Das Wah kommt hauptsächlich im Solo zur Geltung. Der Equalizer dient ausschließlich als Booster.

Warhawk DAW

Blues, Rock & Psychobilly

Seit Mitte der sechziger Jahre wird der Großvater unter den Wah-Wah Pedalen in nahezu unveränderter Weise gebaut. Ein Cry Baby hat fast jeder Gitarrist schon einmal unter seinen Füßen gehabt.

The Cry Baby Classic Wah is a modern take on a classic sound. Dunlop's engineers re-tuned the Cry Baby Standard Wah circuit to have a lower frequency center and a more subtle effect while adding the legendary Fasel® Inductor to create the gorgeous tone, voice, and sweep of early Cry Baby pedals. For tonal purists, the Cry Baby Classic Wah also features true bypass switching.

Demo by SweetWater 

Demo by jimdunlopusa

GCB-95F Cry Baby Classic Wah

Marshall

EH-1 Echohead

Vintage-Flavored All-Analog Tremolo Pedal with 3-Knob Design and Seamless Morphing Between LFO Styles

TC Electronic

Review by Guitar Brothers 

Demo by Tc Electronic

Demo by Mike Hermans 

CHOKA TREMOLO

Two Notes Le Clean ist inspiriert von den klassischen Verstärkern Südkaliforniens in allen Braun-, Schwarz- und Silbertönen. Kanal A hat eine reine, ultrareine Textur. Kanal B bringt den klassischen, süßen Overdrive einer dunklen Wüstenautobahn. Der Cold-Fusion-Modus bringt Sie direkt ins Herz von Texas, während Hot Fusion Sie aus heiterem Himmel in die krassesten Tweed-Töne entführt.

Two Notes Le Clean its inspiration from the classic amps of southern California in all shades of brown, black and silver. Channel A has a pure ultra clean texture. Channel B lets you bring in classic sweet overdrive of a dark desert highway. The Cold Fusion mode gets right to the heart of Texas while Hot Fusion takes you out of the blue and into the gnarliest Tweed tones.

Two Notes Audio Engineering

Review by The Gear Page

Demo by Shawn Tubbs 

Demo by Living Room GD 

Review by delamar 

Le Clean Dual Channel Preamp

This is the T-Rex Classic FuelTank that has 3 different output sections: 9 volt DC, 12 volt DC and 12 volt AC. Each section is isolated.

No more batteries to change. No more tangled cables to trip over. FuelTank is the perfect power supply unit for guitarists who want to focus on their performance, not their gear.

Delivering 1.500 mA through ten DC plugs, FuelTank powers all your pedals – keeping you running on full power night after night.

With a compact design, FuelTank fits conveniently every pedal board including the T-Rex ToneTrunk effect board. And it comes with all the cables you need to get you up and running.
FuelTank delivers 1.500 mA of reliable power. Two of the ten outputs provide 12-volt power with isolated ground – one DC and the other AC, for AC pedals.

Demo by A Mediocre Guitarist

Fuel Tank Classic

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Dirty distortion, an equalized booster for bad soloing and one of the cheapest tuners available. Nothing more to ask for.

Meteora HH

Punk Rock Minimalist

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Rat 2

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

Fernfeld

Das AD-10 „Repeat That!“ ist ein preisgünstiges Delay-Pedal im Analog-Stil aus der Fame Sweet Tone-Serie, das für seine warmen und klassischen Echo-Texturen bekannt ist. Obwohl es als analoges Delay vermarktet wird, nutzt es den PT2399-Digitalprozessorchip, der speziell darauf abgestimmt ist, die Signalverschlechterung und den organischen Roll-off klassischer Bucket-Brigade-Einheiten zu emulieren. Die Benutzeroberfläche verfügt über Standardregler für Time, Repeat und Blend sowie einen Kippschalter, mit dem zwischen zwei Verzögerungszeitbereichen gewechselt werden kann: einer kürzeren Slapback-Einstellung bis zu 600 ms und einem erweiterten Bereich bis zu 1100 ms. Das robuste schwarze Metallgehäuse und die True-Bypass-Schaltung sorgen für Langlebigkeit und Signaltransparenz auf dem Pedalboard. Das Pedal ist in der Lage, bei extremen Repeat-Einstellungen in die Selbstoszillation zu gehen, was es ideal für psychedelische und atmosphärische Klanglandschaften macht.

The AD-10 "Repeat That!" is a budget-friendly analog-style delay pedal from the Fame Sweet Tone series, known for delivering warm and vintage echo textures. Although marketed as an analog delay, it utilizes the PT2399 digital processing chip, specifically tuned to emulate the signal degradation and organic roll-off characteristic of classic bucket-brigade units. The interface features standard controls for Time, Repeat, and Blend, along with a toggle switch that allows users to shift between two delay time ranges: a shorter slapback setting up to 600ms and an extended range reaching 1100ms. Its robust black metal enclosure and true bypass switching ensure durability and signal transparency on a pedalboard. The pedal is capable of achieving self-oscillation at extreme repeat settings, making it suitable for psychedelic and ambient soundscapes.