Thomas & Simone RhPf Electronics

Silvio from Loopy Demos is a web developer, musician, and gear nerd from Germany, known for turning pedal demos into interactive web experiences. His compact pedalboard is built for quick jam sessions but reflects his refined tone philosophy and deep technical chops. At the start is a Polytune 2 Noir keeping things in tune, followed by the Boss DM-2W for warm analog delays that sit perfectly in a mix. The RhPf Mosferatwo is his main drive — delivering anything from snappy edge-of-breakup to thick, swampy fuzz, depending on how it's dialed. He complements this with the Smallsound/Bigsound Mini, a dynamic fuzz/overdrive hybrid that rewards nuanced playing. Rounding it out is the Fairfield Shallow Water, adding characterful pitch wobble and murky ambience, ideal for lo-fi textures. His primary guitar is a Fidelity Guitars Stellarosa Lite II, equipped with Lollar Firebird pickups and a Descendant vibrato, offering a glassy, punchy tone that balances Tele-style clarity with extra heft. Silvio records all his demos by reamping prerecorded DI tracks through each pedal, captured via his UAD Volt 4 interface and most recently routed through a Benson Chimera amp sim in Logic. His setup is clean, efficient, and highly musical — just like his website loopydemos.com, where visitors can tweak pedal knobs in real-time and hear the sonic results instantly.

Stellarosa Lite II

Loopy Demos - Silvio

Volt 4

Tester

Smallsound / Bigsound

Mini

Shallow water
K-Field Modulator

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.

Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.

K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours.

The water is shallow on this side of the pool. Do not dive and you will not drown.

Fairfield Circuitry

Product Page

Manual

Product Video by FairfieldCircuitry

Shallow Water

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

RhPf Electronics

Demo by We As A Company

Demo by Philip Czarnecki

3D Viewer and AR tool

Interactive Demo

Interactive Frequency Response

News Letter

Mosferatwo

BOSS

DM-2W Delay (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

ch ray

The first POLYTUNE NOIR raised the bar for how über-cool a tuner could be with its compact design and sleek black look. Now POLYTUNE 2 NOIR is here to rock pedalboards around the world! Featuring a super-bright LED display, an insanely-accurate strobe tuner and our groundbreaking polyphonic tuning mode, POLYTUNE 2 NOIR packs the most-innovative tuning technology into a tiny enclosure in the coolest color of all – basic Black. Tuning has simply never been more rock ‘n’ roll!

TC Electronic

Demo by Daniel Seriff

Demo by Nick Rees

Polytune 2 noir

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Jack Sole

NUHN

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Das RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay für Pedalboards bietet eine einfach zu realisierende, kabellose Verbindung zwischen deinem Instrument und deinem Pedalboard. Dabei nutzt es eine digitale Wireless Technologie, die eine beeindruckende Klangqualität, ein einfaches Setup und eine zuverlässige Nutzung für aktive Musiker garantiert. Das Wireless System arbeitet im 2,4 GHz ISM Band und kann so weltweit ohne Beschränkungen genutzt werden. Mit einem nutzbaren Frequenzbereich von 20 Hz - 20 kHz und nur 5 ms Latenz bleiben keine Wünsche offen. Die Patchbay-Sektion wurde entwickelt um Verbindungen und Anschlüsse des Pedalboards von der Unterseite nach außen zu führen, dir einen zentralen Zugangspunkt zu deinem Setup zur Verfügung zu stellen und um deine Kabelwege aufzuräumen und sortieren zu können. Die A, B, C und D TRS Buchsen sind als direkte, durchgängige Verbindungen von der Vorderseite des MOD 4 zu den entsprechenden Buchsen auf der Rückseite verkabelt. Damit kannst du deine Effekt-Kette so einrichten, dass du bei der Vorbereitung auf den Gig lediglich Kabel an der Vorderseite des Boards einstecken musst, anstatt unter dem Board zu hantieren.
- Wireless System Receiver + Patchbay für Pedalboards, inkl. Wireless Transmitter
- 2,4 GHz ISM Band für weltweite Nutzung
- 30 m durchschnittliche Reichweite (ohne Hindernisse)
- 24 bit / 48 kHz unkomprimierte digitale Signalübertragung
- 20 Hz - 20 kHz Frequenzbereich
- 5 ms Latenz
- 103 dB Dynamikbereich
- 85 dBm HF-Empfindlichkeit
- 0.2% Verzerrung (THD)
- 4 wählbare Kanäle
- passend für MOD Slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4x 6,3 mm Stereo-Klinke Thru (TRS)
- 1x 6,3 mm Mono-Klinke Receiver Audio Ausgang (TS)
- 1x DC 2,1 x 5,5 mm Hohlstecker Thru
- 1x AC IEC Thru
- 1x USB Type A Charge Ausgang
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Batteriebetrieb nicht unterstützt
- Stromaufnahme 500 mA
- passiver Betrieb möglich (nur Patchbay, ohne Wireless System)
- Abmessungen mit Frontplatte (B x T x H): 175 x 85 x 47 mm
- Abmessungen ohne Frontplatte (B x T x H): 160 x 85 x 33 mm
- Gewicht 500 g
- Wireless Transmitter, zwei Antennen, ein USB Kabel, Montageschrauben und Muttern im Lieferumfang enthalten

The RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay for Pedalboards offers an easy-to-use wireless connection between your instrument and your pedalboard, featuring digital wireless technology that delivers incredible audio quality, a simple setup procedure, and reliable use for any gigging musician. The wireless system works in the 2.4 GHz ISM band for unlimited worldwide use and offers a full 20 Hz - 20 kHz frequency range with only 5 ms of latency. The patchbay module is designed to route connections from underneath your pedalboard to its front, giving you a central access point and tidying up your connections. The A, B, C, and D TRS sockets are wiring thru-connections from the front of MOD 4 to the corresponding sockets on the back. This allows you to connect your pedals permanently underneath the board, so you only have to connect cables to and from the front of the board, instead of having to route underneath it when setting it up for a gig.
- wireless system receiver + patchbay for pedalboards, incl. wireless transmitter
- compatible with guitar wireless system
- 2.4 GHz ISM band for worldwide use
- 30 m / 100 ft. approx. range (without obstacles)
- 24-bit / 48 kHz uncompressed digital transmission
- 20 Hz - 20 kHz frequency range
- 5 ms latency
- 103 dB dynamic range
- 85 dBm RF sensitivity
- 0.2% total harmonic distortion
- 4 selectable channels
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- detachable front plate for mounting on top or underneath pedalboards
- 4x 6.3 mm / 1/4" stereo thru (TRS)
- 1x 6.3 mm / 1/4" mono receiver audio output (TS)
- 1x DC 2.1 x 5.5 mm barrel thru
- 1x AC IEC thru
- 1x USB Type A charge output
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- battery operation not supported
- current draw 500 mA
- passive operation possible (patchbay only, without wireless system)
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 500 g / 1.1 lbs
- incl. wireless transmitter, two antennas, USB charging cable, mounting screws, and counter nuts

2.4 GHz Guitar Wireless Receiver, Transmitter + TRS Patchbay

Jack Sole Studio/Live Pedalboard 

chris wilson

You always wanted to have the perfect, organic drive tone. Jump into the Kernom world and take your creativity to the next level with the RIDGE.
No matter if you are looking for an overdrive to play blues or heavy guitar riffs, the MOOD knob on the RIDGE is an intuitive and unique way to access all clipping flavors : symmetrical, asymmetrical, soft or hard clipping, and everything in between. 

Kernom

Demo by Tone Factory

Demo by Andertons

Ridge

julien Tabarly

The Protein 2 in 1 Overdrive is a collaboration between David Brown and guitarist/producer Adam Sniegowski.  After years on the road and in the studio using backline amps that could be very inconsistent,  Adam came to Dave wanting to create a dual overdrive that would sound great with any backline he encountered. They started with two drives they loved, stacked well together, but had a few inherent issues. Dave set out to fix those issues without losing the soul of the originals.

Browne Amps

Review by ThatGuitarLover

Review by Guitar World

Overdrive Comparison by That Pedal Show 

Demo by Michael W. Westbrook 

 Demo by Alberto Berrero

Demo by Jackson Brooksby

Demo by Ben Neal

Demo by Buddy Blues

Protein Dual Overdrive V3 (Black)

The Strymon Deco is not so much your typical effects pedal, but rather a tape simulation machine in a box, adding lush tape saturation and a "widening" effect to your sound. The Deco’s tape saturation smooths out your sound with tape-style compression, while the doubletracker feature thickens up your tone with subtle tape-driven transparent overdrive.

Strymon

Review by mixdownmag

Review by reddit /guitarpedals

Review by The Gear Page

Review by Guitar.com

Demo by Duskmos

Official Product Video

Deco v2

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Hologram Electronics

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Review by musicradar

Review by AMAZONA

Quick Start Manual

Demo by Mark Johnston

Chroma Console

David Litaba

Das Meris LVX ist ein modulares Delay-System, das mit Pro-Audio Technologie, fortschrittlichem Processing, einem True-Stereo 60 Sekunden Looper und einem High Performance Signalweg überzeugt. Das Pedal bietet konfigurierbare Delay-Strukturen und -Typen sowie weitere Elemente der Signalbearbeitung für ein ultimativ flexibles und vollständig anpassbares Delay-Processing. LVX bricht das Paradigma der voreingestellten Delay-Typen zugunsten von Kreativität, Freiheit und Flexibilität. Die komplett neue Benutzeroberfläche wurde von Grund auf neu gedacht und entwickelt, um die Navigation im LVX sofort intuitiv zu gestalten und Musikern eine perfekte Benutzererfahrung zu ermöglichen. Die Architektur des LVX ermöglicht eine ultimative kreative Freiheit beim Entwerfen von benutzerdefinierten Delays. Das Pedal verfügt über diskrete Processing-Elemente und Modifikatoren für Steuersignale, die beliebig verbunden werden können, um nahezu unbegrenzte Flexibilität bei der Erstellung benutzerdefinierter Sounds zu bieten.

The Meris LVX is a modular delay system with pro audio heritage, advanced processing, always available true stereo 60 second looper and high performance signal path. The pedal features configurable delay structures, types, and processing elements for the ultimate customization in delay processing! LVX breaks the paradigm of pre-set delay types in favor of creativity, freedom and flexibility. A completely new user interface and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay. The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds.

Meris

Official Product Page

Meris LVX - Official Demo Video

Meris LVX - Review

Meris LVX - Demo / Review Video - OoraMusic

Meris LVX - Demo Video - Pedalboard of the Day

Meris LVX - Demo Video - Guitar Bonedo

Meris LVX - Demo / Review Video - ThePedalZone

Meris LVX - Demo / Review Video (First Impressions) - Zachary Rizer

Meris LVX - Demo / Review Video (Deep Dive) - Zachary Rizer

Meris LVX - Demo Video (Synthesizer) - Richard Devine

Meris LVX - Modular Delay System / Looper - Review by Bonedo.de, 02/2023

Meris LVX - Modular Delay System / Looper - Review by Amazona.de, 12/2022

Meris LVX - Demo Video - ThePedalZone

Robin Boyd

MercuryX nimmt das Herz und die Seele von Mercury7 und erweitert es weit über Sci-Fi hinaus in den qualitativ hochwertigsten und flexibelsten Studio-Hall, der jemals in einem Pedalformat entwickelt wurde. Sein modulares Hallsystemformat durchbricht das Paradigma der voreingestellten Halltypen und inspiriert zu neuen Entdeckungen. MercuryX verfügt über die gleiche einfach zu bedienende Benutzeroberfläche wie das LVX-Pedal, wodurch es sofort intuitiv zu bedienen ist. Das Pedal verfügt über 8 eigene Reverb Algorithmen, diskrete Processing-Elemente und Steuersignal-Modifikatoren, die nach Belieben angeschlossen werden können für unendliche Flexibilität bei der Erstellung eigener Reverbs. Begeben Sie sich in neue Welten.

Reverb Effektpedal
modulare Reverb-System-Architektur
8 Custom Meris Reverbs: Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Hall, Spring, Prism und Gravity
erweitertes 2,54 Sekunden Stereo Predelay mit modularer Feedback-Routing-Position
fortschrittlicher ARM-Prozessor
konfigurierbare Reverb-Strukturen, Typen und Verarbeitungselemente für die ultimative Anpassung
intuitive Benutzeroberfläche basierend auf einem Farb-Display
expressiver Hold Modifier-Schalter für spontane Steuerung
99 Preset-Locations in 33 Bänken
Favorite Preset Bank für direkten Zugriff auf 3 Lieblings-Presets
eingebauter Instant-Access-Tuner mit konfigurierbarem Referenz- und Output-Modus
Deep Modifier Section erlaubt Routing von Control Signals auf Processing Parameter
neues unabhängiges Stereo-Freeze zusammen mit dem Reverb
Gate Envelope Controls für jeden Reverb-Typ
neue Processing-Elemente wie 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi und mehr
wählbare Note Divisions für jede Seite des Stereo Predelay
digital gesteuerter analoger Mix-Bus
umschaltbares Input / Output Headroom Level für Instrumenten- oder Line-Level
zuweisbare Expression Pedal Steuerung für mehrere Parameter gleichzeitig
Senden und Empfangen von MIDI-Presets
MIDI Beat Clock Synchronisation
hochwertiger analoger Signalweg und JFET Input Section
Bildschirm und Logo-Helligkeit dimmbar
24-Bit A/D und D/A Conversion
32-Bit Floating Point DSP
Regler für Decay, Predelay, Mod, Mix, Control 1, Control 2, Control 3 (Save)
4x LED-Taster (Preset Bypass und Hold Modifier-Funktion für Desktop-Nutzer)
4x Fußschalter
Metallgehäuse
2x 6,3 mm Mono-Klinken Ein- / Ausgang (True-Stereo)
6,3 mm Expression Pedal Eingang
MIDI IN und MIDI THRU Anschlüsse (5-Pin DIN)
USB-C Anschluss (nur für Firmware Updates)
Stromversorgung via optionalem 9V DC Netzteil, 2,1 mm x 5,5 mm Hohlstecker, Polarität (-) innen
Stromaufnahme 300 mA
Batteriebetrieb nicht unterstützt
Abmessungen (L x B x H) 184 x 114 x 51 mm
Gewicht 680 g
hergestellt in den USA

MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate. The pedal features 8 custom reverb algorithms, discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs. Transcend to New Worlds.

reverb effects pedal
modular reverb system architecture
8 Custom Meris Reverbs; Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Hall, Spring, Prism and Gravity
expanded 2.54 secs of Stereo Predelay with modular Feedback Routing Location
advanced ARM Processor
configurable Reverb Structures, Types, and Processing Elements for the ultimate customization
intuitive color screen-based user interface
expressive Hold Modifier Switch for on the fly control
99 preset locations in 33 banks
favorite preset bank for instant access to 3 favorite presets
built-in instant access tuner with configurable reference and output mode
deep modifier section allows routing of control signals to processing parameters
new independent Stereo Freeze alongside reverb
Gate Envelope Controls for every reverb type
all new Processing Elements including 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi and more
selectable Note Divisions for each side of the stereo Predelay
digitally controlled analog mix bus
switchable input / output headroom level for instrument or synthesizer / line levels
assignable expression pedal control for multiple parameters simultaneously
MIDI preset send and receive
MIDI beat clock synchronization
premium analog signal path and analog devices JFET input section
dimmable screen and logo light
24-bit A/D and D/A conversion
32-bit floating point DSP
controls for Decay, Predelay, Mod, Mix, Control 1, Control 2, Control 3 (Save)
4x LED buttons (preset bypass and Hold Modifier function for desktop user)
4x footswitches
metal housing
2x 6.3 mm mono in / output jacks (true stereo)
6.3 mm expression pedal input
MIDI IN and MIDI THRU connections (5-pin DIN)
USB-C port (for firmware updates only)
power supply via optional 9V DC adapter, 2.1 mm x 5.5 mm barrel plug, polarity (-) center
current draw 300 mA
battery operation not supported
dimensions (L x W x H) 184 x 114 x 51 mm / 7.25" x 4.5" x 2"
weight 680 g / 1.5 lbs
made in the USA

Demo by Meris

Mercury X

Mike Grippi

Thermae is constructed around four reissued versions of the legendary MN3005 bucket-brigade delay chip, that can be sequenced, modulated, and overworked to reveal all the character analog delay has to offer. 

It lets you push these chips beyond their intended purpose to generate melodies, reveal hidden textures and explore impossibly long delay times (up to 32 seconds). Round that out with synth-inspired controls, and you’re set to filter, glide and step your way somewhere new.

Chase Bliss

Product Page 

MIDI Manual

Introducing: Thermae by Knobs

Demo by Knobs

Mini-Doc 

Thermae

Stephen Walton

Video Manuel

MOOD MKII

Yamile Butler

eneration Loss MKII is a study of tape in all its forms.

We decided to start from scratch this time and really explore what tape is all about. Get into those crinkles that make it so magical. We took apart VCRs, we analyzed anything we could find with a tape in it, from camcorders to cassette decks. 

All available for you to saturate, fail and flutter, until everything sits just right. And if you prefer the way it was before, you can do that too. In stereo. 

Review by delicious audio

Generation Loss MKII

Jonathan Bailey

The exp expression roller works like any other expression pedal, but comes with two completely independent outputs. The roller is attached to a dual linear 10k pot that’s compatible with any TRS expression input. You can also change the polarity of either output. The body of exp is identical in size and build to classic Chase Bliss pedals, making it the perfect companion to your existing gear.

Review by Gearnews

Review by SynthesizerWriter

Demo by shnobel

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

CIOKS

DC 7

RockBoard

POWER MOD ISO DC 1

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

William W

Dream Board

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

Review by KAHFA

Demo by Philomena Music and Demo

Capharnaüm

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

Mo(s)ghoul

Sylvain Puysegur

Dark Star ist ein charaktervoller Lo-Fi-Reverb – ideal für langsame Anschläge und die Erzeugung atmosphärischer Pads. Rund um den Kernklang bieten zahlreiche Regler Möglichkeiten zur Klangverfremdung: Signalabbau, Filterung, Pitch-Shifting, zusätzlicher Delay sowie nützliche Parameter wie Mix und Volume.

Für maximale Integration in verschiedenste Setups verfügt der Dark Star über Stereo-Ein- und Ausgänge, analoges Dry-Through sowie wahlweise Trails- oder True-Bypass-Schaltung. Presets, Expression-Steuerung für jeden einzelnen Regler und vollständige MIDI-Kontrolle über sämtliche Parameter runden das leistungsstarke Feature-Set ab.

Ein Reverb für jede Position in deiner Signalkette – fast schon ein eigenes Instrument.

Dark Star is a characterful lo-fi reverb, ideal for slow attack and pad generation. Around the core voice are a number of controls for signal degradation, filtering, pitch shifting, added delay, and utilities like mix and volume. For integration into many different rigs, Dark Star has stereo in and out with analog dry through and trails or true bypass switching. Presets, expression control over every knob, and MIDI control over every element round out the robust feature set.  This is a reverb for anywhere in your signal chain, and almost an instrument of its own.

Old Blood Noise Endeavors

Review by guitar pedal X

Demo by Harp Lady

Demo by The Pedal Zone

Dark Star V3

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Demo 

Old Blood Noise Black Fountain Product Page 

Black Fountain-copy

GREGORY GUENEAU

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

KMA Machines

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

Manual Page

ENDGAME - Duality Calibrator

The Gravity Well analog tremolo/wavefolder/refractor is your sonic submersible for exploring subaquatic psychedelic netherworlds of sound. It's a dual pedal featuring a tremolo on one side and a wavefolder on the other. When both sides are active a third effect emerges, a refractor, a first-of-its-kind style of modulation effect produced by integrating the tremolo and wavefolder to rhythmically and fluidly warp and un-warp your signal, producing a dazzling variety of never-before-heard sounds and textures.

Possibilities are endless, but include analog synthesizer sounds, touch sensitive envelope filter-esque sweeps, heavy cinematic pulsing rhythms, splatty gnarly alien fuzz, ring mod like bell tones, science fiction sound fx and textures, and surfy tremolo warbles, just to name a few!

Cosmodio Instruments

Review by Pedal of the Day

Demo by rob. robn

Gravity Well

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Walrus Audio

Demo by Rabea Massaad

Demo by Walrus Audio

Julianna

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Ein paralleler 3-Band-Enhancer mit unabhängigem Gain- und Level-Setup für Bässe, Mitten und Höhen. Der Tri-Hormonic Phalanx formt jede Frequenz separat – mit Klarheit und Kontrolle. Verleihe deinem Sound Druck im Bass, Präsenz in den Mitten oder Glanz in den Höhen, ohne Überschneidungen. Für transparente Klangformung oder gezielte Sättigung – immer phasenstabil, immer musikalisch.

A parallel 3-band enhancer with independent gain and level controls for lows, mids, and highs. The Tri-Hormonic Phalanx lets you shape each frequency band separately—add grit to the mids, shimmer to the highs, or body to the lows, all without overlap. Whether for clean sculpting or stacked harmonic saturation, it delivers clarity, power, and phase-coherent balance.

Tri-Hormonic Phalanx

Fabian Förster

Wenn du Bass auf einem Track spielst, hast du vielleicht das Gefühl, dass der Bass-Sound nicht gut in den Track „passt“. Vor allem bei Songs, die intensiver oder härter klingen. Wenn du mit deinem Bass einen aggressiveren Ton erzeugen willst, kann eine extreme Verzerrung wie ein Fuzz eingesetzt werden - oder du kannst eine leichtere Gain-Lösung verwenden, die den Ton deines Basses beibehält. Dies ist der Surfing Polar Bear Bass OD (MOD BY BJF)

Basierend auf dem beliebten Surfing Bear Overdrive-Pedal von Animals Pedal haben wir mit Hilfe des genialen Effektdesigners Björn Juhl von BJFe den bestmöglichen Bass-Overdrive geschaffen - den IT'S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. Er hilft nicht nur dabei, den übersteuerten Sound klassischer Röhrenbass-Amps aus den 60er und 70er Jahren zu erzeugen, sondern moderne E-Bassisten spielen auch härtere Linien im Einklang mit den Rhythmusgitarren, um massive Riffs zu kreieren.

Probiere den SPBBOD mit deinen Fingern aus und sieh, wie dynamisch er auf jede Note reagiert. Du kannst mit dem Lautstärkeregler oder deiner Spielstärke von Clean auf Overdrive umschalten. Schlage ihn hart an und erhalte die OD-Kante. Spielen Sie sanft und Sie werden mit einem satten, fast cleanen Ton belohnt. Die Wahl liegt bei deinen Fingern. Es ist nicht nur der Rest der Band, sondern auch der Sound und das Gefühl des Overdrive, bei dem du die tiefen und tiefen Töne deutlich hören kannst, mit einer schönen Kante auf deinem Basston, die dich ins Rampenlicht katapultieren kann!

When you’re playing bass on a track, you may feel that the bass sound doesn’t “sit” well within the track sonically. Especially with songs that are more intense or fierce sounding. If you want to make a more aggressive tone with your bass, distortion can be extreme like a fuzz – or you can use a more light-gain solution that retains the tone of your bass. This is the Surfing Polar Bear Bass OD (MOD BY BJF)

Based on Animals Pedal’s popular Surfing Bear Overdrive pedal, we have made the best bass overdrive possible with the help of genius effects designer Björn Juhl from BJFe – the IT’S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. In addition to helping create an overdriven sound from classic tube bass amps from the 60s and 70s, modern electric bassists are also playing heavier lines in unison with the rhythm guitars to create massive riffs.

Try the SPBBOD with your fingers and see how it responds dynamically to every note. You can switch from clean to overdrive with your volume knob or your playing strength. Hit it hard and get the OD edge. Play softly and be rewarded with rich almost clean tone. The choice is up to your fingers. It’s not only the rest of the band, but also the sound and feel of the overdrive where you can clearly hear the low end and root notes with a beautiful edge on top of your bass tone that can propel you into the spotlight!

Surfing Polar Bear Bass OD MOD

Shallow Water von Fairfield Circuitry