nicolas GARNCARZ

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

NITRO BOY

Grégory Katschnig

Die Teisco Distortion ist Gain mit Charakter und wird all Ihre Drive-Bedürfnisse befriedigen. Mit starkem britischen Flair, fünf Reglern, zwei Kippschaltern und zwei unabhängigen Kanälen bietet diese Box jede Menge EQ-Möglichkeiten und endlose Gain-Mengen auf Abruf. Verwenden Sie den MORE-Kanal allein als sauberen Boost oder stapeln Sie ihn mit der Verzerrungsschaltung für – Sie haben es erraten – MEHR. Der MUSCLE-Kippschalter fügt eine weitere Gain-Stufe für noch besseres Clipping hinzu.

The Teisco Distortion is gain with attitude and here to satiate all your drive needs. With strong British flavor, five knobs, two toggle switches and two independent channels, this box provides plenty of EQ possibilities and endless amounts of gain on tap. Use the MORE channel by itself as a clean-ish boost, or stack it with the distortion circuit for — you guessed it — MORE. The MUSCLE toggle switch adds yet another gain stage for even more glorious clipping.

Teisco

Demo by Dennis Kayzer

Demo by gearfever

Product Page

Review by delicious audio

Review by Gitarre & Bass

Review by reddit /guitarpedals

Review by The JHS Show

Distortion

Tester

Die Legende besagt, dass Eddie Van Halen lange Zeit ein Standard Crybaby-Wah gespielt hat, das in den 90ern nach seinen Vorstellungen modifiziert wurde

The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his "Holy Grail" Cry Baby Wah—a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep.

Dunlop

Review by Bonedo 

Manual

Demo by SweetWater 

Demo by Guitar World 

EVH95 EVH Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Unterschätze niemals den Wert von hochwertigem Artwork – das hat KMA Audio Machines verstanden und versehen ihre Pedale regelmäßig mit John Baizley- und Skinner-inspirierten Kunstwerken. Das Auge spielt mit und das KMA Audio Machines Logan ist mit seinem dunkelgrünen Hintergrund und dem wölfischen Schamanen darauf keine Ausnahme. Das Verzerrer-Pedal soll vor allem mit zwei Aspekten punkten: die Reaktivität des Gains bei der Anschlagsdynamik und dem damit verbundene Headroom, der einen offenen, saturierten Sound gewährleisten soll. Bis zu 25 dB soll das Logan durch das Headroom-Design draufpacken können, womit das gute Stück in Preamp-Gefilde vorstößt. Es ist kein rückkopplungsfreudiges High-Gain-Pedal, sondern ein Tone-Shaper und Boost, der sich darauf konzentriert, Mitten und Bässe hervorzuheben. Treble und Bass verstärken den Sound um bis zu 15 dB, eignen sich also hervorragend dazu, bei einem größeren Cabinet ein ordentliches Fundament zu liefern. Die eigentliche Stärke des Logan liegt in der Flexibilität der Mitten – doch dazu später mehr.

Take a walk in the gritty dirt and breathe in the crystal-clear mountain air, exactly as Logan once did on his journey to glean the beauties of both nature and mankind. Once you hear Logan's sweet and graceful sounds you will be driven to find your own way into the transcendental tone kingdom. So plug-in and let Logan guide you into a new era of overdrive.

KMA Machines

Review by Gitarre & Bass 

Review by AMAZONA 

Demo by Rabea Massaad 

Demo by Pedal of the Day 

Logan

Arnold Hablewitz

Fortin Amplification

Hexdrive

Benoît Stefani

Le SP-9 is a "Switcher" / "selector of’programmable effects" allowing in one press a ''footswitch'' to activate until 9 Mono effects / stereo, switch your’amp channels, send midi information and adjust your volume... 

DESS

SP-13S

Nicolas Wilfer

Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Walrus Audio

Video Manual

Official Product Video 

Canvas Tuner

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

ch ray

La Grotte is the new analog spring reverb by Anasounds. It may look like a mere evolution of the Element with the spring inside the main pedal, but in fact it offers a brand new sound and brand new features, designed in close collaboration with Jack White for his Third Man Hardware brand.

At its core, La Grotte is a mechanical reverb that includes a three-spring tank, but it also features a warm preamp with a distinct sonic personnalité, and a very powerful two-band EQ that only affects the reverberated sound. Independent volume settings for the dry and wet sounds allow you to find the perfect balance you’ve been searching for.

La Grotte is a secret weapon of choice on the pedalboard of any demanding guitar player, regardless of their musical approach: vintage or modern, blues or pop, garage or soul. Other musicians and sound engineers alike will also enjoy the sonic depths of La Grotte.

Anasounds

Review by GEAR GODS

Review by guitar pedal X

Review by Guitar World

Manual Page

Official Product Video

Demo by TheGuitarGeek

La Grotte

Als wir uns entschieden, ein Stereo-Delay-Effektpedal in Studioqualität zu entwickeln, wussten wir, dass wir weit über das bisher Erreichte hinausgehen mussten – in Sachen Klangqualität, klanglicher Flexibilität, Hardware-Design und Verarbeitungsleistung. Wir verbrachten Monate in den Sounddesign-Laboren von Strymon und träumten von den geräumigsten, üppigsten, kreativsten und anpassbarsten Delay-Effekten, die man je gehört hat. Es war eine monumentale Aufgabe – ein unermüdliches Studium von Delays und ihren Nuancen und ein kontinuierliches Streben nach innovativen und musikalisch inspirierenden Klängen. Durch die Verwendung eines unglaublich leistungsstarken SHARC DSP wird jedes bisschen Verarbeitungsleistung genutzt.

TimeLine bietet Ihnen zwölf einzigartige Delay-Maschinen, jede mit umfassender Kontrolle über Klangcharakter und -gefühl. Gehen Sie von knackigen und klaren digitalen Delays in Studioqualität bis hin zu den gesättigten und schwankenden Klängen von Band-Delay-Maschinen. Erhalten Sie warme und unscharfe Wiederholungen im analogen Stil bis hin zu schimmernden, funkelnden und kristallinen Eis-Delays.

Optimieren Sie nach Herzenslust und speichern Sie bis zu 200 Voreinstellungen Ihrer Lieblingssounds. Krönen Sie das Ganze mit einer vollständigen MIDI-Implementierung und einem routingfähigen 30-Sekunden-Stereo-Looper und schon sind Sie auf dem Weg zum Delay-Glück.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.

Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

Strymon

Demo by shnobel

Demo by Mike Hermans 

Review by bonedo

Review by Amazona 

Timeline

The Blade is a custom-designed boost that allows any metal player to sculpt their tone and find total sonic perfection. We had to ensure that guitarists Zach, Alex, and Ben had a pedal that would perfectly shape each part of Whitechapel’s Signature tone.

Review by Rig Talk

Demo by Xander Raymond Charles

Blade

The overdrive+ is an original circuit with a whole range of both familiar and unique tones - from low gain always-on tonal enhancer to ripping high gain lead machine. With a combination of JFETs, op-amps and a few diodes inside it really covers a lot of ground. 
The op-amp is used for gain and buffering and is raised to around 30 volts so it never clips, even when another pedal is stacked in front. All clipping is crafted from the JFETs or the diodes.

In addition to standard VOL, TONE, and GAIN controls you'll find a bass cut switch for perfectly tightening things up and a clipping mode switch to swap between symmetric or asymmetric clipping styles (symmetric is smoother, asymmetric is more natural and textured).

Silktone

Quick Start Guide

Review by The Gear Page

Demo by Mark Johnston

Overdrive+

David Litaba

G8’s controls will let you dial in that sliced & diced metal rhythm tone when you need it - but most importantly it is designed to maintain the sonic integrity of your guitar tone. You will feel the same & sound the same all you’ll be wondering is where the noise went. Hear the silence!

REVV

Demo by Trey Xavier

Review by

Review by Gear Gods

G8 Noise Gate

Greg Dunn

Heavy Bat is a modern take on the classic Rat circuit with modifications. The pedal has a true bypass and a rotary switch to select op-amp chips: NOS LM308, UD1408 (Soviet LM308 clone), TLC2272, and NOS 741. The EQ section has two options: classic Rat filter tone control and three-band EQ similar to Boss™️ HM-2. In addition, you'll get the clean blend controls and 8 clipping diodes options, and two of them could be selected footswitch.

Drunk Beaver

Demo by We As A Company

Demo by Pair of Pandas

Heavy Bat

G-LAB

Wowee Wah WW-1

G lab ww-1 manual

Rob Chapman - Wowee Wah Demo

WW-1 Wowee-Wah

Andrew Lieberman

Das Way Huge Smalls Green Rhino Overdrive MKV (WM22) ist die kompakteste aller bisherigen Version, überzeugt aber wie seine Vorgänger mit einem breiten Spektrum an knurrigen, kratzigen Overdrive-Sounds. Die Regelmöglichkeiten für Volume, Tone und Drive decken die Basis-Funktionen des Pedals ab, während Freq und Curve eine gezielte Feinjustierung des Sounds ermöglichen. Der Freq-Regler bietet - je nach internem Setting - einen Boost oder Cut bei 100 Hz bzw. 500 Hz, der Curve-Regler bedämpft je nach Bedarf die Höhen im Signal, falls der Sound zu aggressiv im Treble-Bereich wird. Das Spektrum an möglichen Sounds reicht von klar und definiert über einen satten, kräftigen Drive bis zu einer extrem 'dreckigen', rauen Verzerrung.

The Way Huge Green Rhino Overdrive MkV is the smallest of the herd, but it unleashes a stampede of gnarly, gritty tones that rivals its larger companions'. The Volume, Tone, and Drive controls cover the basic functions, while the Freq and Curve controls offer finer adjustment of your beastly sonic yield. The Freq control cuts or boosts at either 100Hz or 500Hz—set internally—while the Curve control allows you to soften the creature's roar if it gets too aggressive on the high end. With this level of versatility, you can take any amp from pristine to punchy, from dirty to thunderous. This pedal will have your amp showing a whole new side of itself.

Way Huge

Official Product Page

Way Huge Smalls Green Rhino Overdrive MKV - Review by Delamar [DE], [04-2021]

Smalls Green Rhino Overdrive MkV

PedalSafe Type WH1

QuickMount Type WH1

Pedal-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Nico Dritsch

Alchemy MKII is a stereo BBD (Bucket-brigade device) full analog audio path chorus, featuring tap tempo control, six editable presets and a delay control that sets the center delay time that the LFO modulates around. Behind this gem is the re-issued version of the legendary 3207 delay chip that produce smooth warm modulation to nauseating detune sounds . Each knob is controlled by a small microprocessor while your guitar signal stays 100% analog and never gets digitally processed. This unique concept allows you to control, save and recall multiple modulated tones instantly.

VS Audio

Demo by EytschPi42

Demo by Buddy Blues

Alchemy MkII

The Creamer never digitizes your beloved guitar signal. It simply mixes in the reverb sound with the analog dry signal, so your tone is not tampered with in any way. It features three different reverb algorithms, which can be further adjusted to your liking with the knobs – set them fairly low and you can get the classic, more subtle reverbs, but there are lots of spaciousness available once you start to dime the knobs!
The Creamer Reverb is your no nonsense, easy-to-use, great sounding reverb pedal that should enhance your playing in such a way, that you never really turn it off – things just sound better with a bit of cream on top!

T-Rex

Demo by Sweetwater

Review by Trevor Curwen, musicradar.com

Demo by HaarGuitars

Creamer Reverb

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Looking Glass Overdrive

Das Klirrton Oh My Goat! ist ein High-Gain-Verzerrungspedal, das für modernen Metal entwickelt wurde und brutale, straffe und gesättigte Klänge liefert. Es verfügt über einen hochwirksamen Dreiband-EQ mit kräftigen Bässen, komplexen Mitten und scharfen Höhen und kann mit einem Clean-Amp oder einer Endstufe verwendet werden. Das Pedal enthält außerdem einen integrierten Boost-Regler für zusätzliche Sättigung und ein internes Noisegate mit drei Modi und einstellbaren Schwellenwerten. Es ist wie ein Panzer gebaut und eignet sich für verschiedene harte Musikgenres.

The Klirrton Oh My Goat! is a high-gain distortion pedal designed for modern metal, delivering brutal, tight, and saturated tones. It features a highly effective three-band EQ with powerful bass, complex mids, and searing highs, and can be used with a clean amp or power-amp. The pedal also includes a built-in boost control for added saturation and a three-mode internal noisegate with adjustable thresholds. It is built like a tank and is suitable for various heavy genres.

Klirrton

Demo by Silas Fernandes

Demo by Shred Ain't Dead

Review by Guitar Pedal X

Oh My Goat

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

KHDK

KHDK Scuzss Box Product Page 

KDHK Scuzz Box Manual 

KHDK Scuzz Box Teaser by KHDLK 

Scuzz Box

CIOKS

8 Expander

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

Everyone has a legendary DS-1, your brother, sister, and granny 😅. The modern variant of DS-1 by Boss has several critical disadvantages for a current rig that we've addressed in the modified original '78 MIJ circuit:

The mids toggle has 3 presets stock DS-1, less scooped, and flat mids.
Modern (RC4580) and vintage (NOS MIJ, similar to one used from 94 till 2000) op-amp toggle.
Eight clipping options.
True bypass.
High-quality components.

Distortion V2.5

The Forest Song is a bold reinvention of the classic Tube Screamer, transformed to offer unparalleled versatility in tone. Boasting both loud and transparent qualities, it can effortlessly switch between clean and dirty sounds. Unique to this pedal is its ability to operate at two high voltages, 18V and 30V, while still using a standard 9V power supply (don't try to feed the pedal with a power supply higher than 9V; this will damage the electronics). An integrated LED display conveniently indicates the current voltage in use. Further enhancing its capabilities are six distinct clipping options and innovative resonance filters control.

Demo by Mind the G.A.S.

The Forest Song

The Drunk Beaver Bat Cold War V2 is a mutant Rat circuit, using NOS US-made LM308 and NOS Soviet UD1408B op-amps as well as 6 different clipping modes to give 36 different iterations, enabling you to dial in your perfect Rat sound!

Facebook Page

Review by Boost Guitar Pedals

Demo by Riffs and pancakes

Demo by Mind the G.A.S

Bat Cold War V2

Fat BAT is our take on Ibanez FC10 Fat Cat circuit with the ability to enter Ibanez LA Metal and Fat Rat territory. We've used NOS (new old stock) NE5534 and NOS 741 operational amplifiers. You can explore different voicing selecting between 6 clipping options: red LEDs (like Turbo Rat), LA (op-amp clipping - very loud), NOS Soviet D9 Germanium diodes (similar to Your Dirty Rat), Si 1N914 diodes (same as classic Fat Cat), soft (op-amp feedback loop), Si BAT85, Fat Rat style BS170 MOSFET and Si 1N914.

Demo by SOUNDFARE

Fat Bat

Heavy Bat von Drunk Beaver