Landon Wolf

Boss TU-3W → Radial Engineering Bigshot ABY → Dunlop Cry Baby 535Q MULTI-WAH → Digitech Whammy DT → Electro-Harmonix Big Muff Pi → Third Man Hardware × Donner Triple Threat → Third Man Hardware × Coppersound Triplegraph (send/return Third Man Hardware × Anasounds La Grotte) → Black Mountain Tremolo (unreleased/prototype) → Black Mountain Octave (unreleased/prototype) → Black Mountain Volume → JHS Echo (unreleased/prototype) →Third Man Hardware × Eventide Knife Drop  → Third Man Hardware × Union Tube and Transistor Bumble Buzz → Third Man Hardware × Mantic Effects Mantic Flex → Electro-Harmonix Nano Q-Tron → Third Man Hardware × Gamechanger Audio Plasma Coil → Klon Centaur →Isp Technologies Deci-Mate

Jack White 2024 Pedal Board

Tester

The Klon Centaur is an overdrive pedal developed between 1990 and 1994 by Bill Finnegan and engineers at MIT. The pedal was made by Bill Finnegan, by hand, from 1994 to 20093, then reissued in 2012 with industrial manufacturing. This is one of the first "boutique" pedals. It quickly became very popular among guitarists and acquired a "legendary" status, selling for very high prices on the second-hand market. Several brands have created copies, or Klones, of the Klon Centaur.

Klon By Bill Finnegan

Review by Jeff McErlain 

Review by Lead Guitar Workshop 

Demo by Kurtis Kent 

Demo by David Fisher 

Centaur

ch ray

As heard prominently on Jack White’s guitar solo in “Why Walk a Dog?”, this monophonic synth-fuzz has delighted and bewildered listeners since Jack began using it back in 2014. The Mantic Flex can provide an array of sounds from thick, phase sweeping squarewaves with pitch divebombs to brutal bitcrushed octaves and fluttery thereminesque squawks.

Mantic Effects

Product Page

Review by Pedal of the Day

Review by reddit /guitarpedals

Review by Premier Guitar

Official Product Video

Demo by Na West

Mantic Flex

Das Bumble Buzz Pedal, handgefertigt von Chris Young von Union Tube & Transistor (der das Pedal gebaut hat, das für Jack Whites Gitarrensounds bei „Sixteen Saltines“ und den Gesang bei „I'm Shakin‘“ aus dem 2012er Album Blunderbuss verwendet wurde), ist bereit Summen und stechende Geräusche. Entworfen vom Third Man Creative Hive.

The Bumble Buzz Pedal, handmade by Chris Young of Union Tube & Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by the Third Man Creative Hive.

Union Tube & Transistor

Union Tube & Transistor Website

Third Man Records Website

Review by guitar pedal X

Review by The Gear Page

Demo by gearmandude

Jack White Demos Third Man Hardware Effects Pedals

TMR Bumble Buzz pedal (Readyman Studio Nashville with Jack White)

Bumble Buzz

Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here’s how it works: The Nano Q-Tron responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It’s all about how you play and it’s super interactive

Electro-Harmonix

Manual

Nano Q-Tron

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

MXR und Third Man Hardware haben sich zusammengetan, um den perfekten Booster für Gitarristen zu entwickeln. Das Double Down Pedal kombiniert zwei separate MXR Micro Amp Schaltungen in einer einzigen Box, so dass du zwei separate Signalketten mit genau der richtigen Menge an klassischem Micro Amp Bump anheizen kannst.
 
Die einzelne Eingangsbuchse des Double Down Pedals splittet das Signal auf zwei separate Ausgänge, die jeweils über einen eigenen Gain-Regler verfügen und das Signal um bis zu +26 dB verstärken. Auf der linken Seite des Gehäuses befindet sich ein Phase-Schalter, der für einen ausgeprägten stereophonen Effekt sorgt, indem er die Phase des zweiten Ausgangssignals invertiert. Auf der rechten Seite des Pedals befindet sich ein Buffer-Schalter, mit dem Sie zwischen echtem Bypass - für Puristen - und gepuffertem Bypass wählen können, um Ihren Sound beim Betrieb von zwei Signalketten intakt zu halten. 
 
Schließe das Double Down Pedal von MXR und Third Man Hardware an und verstärke deinen Double Stack doppelt.

MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players. The Double Down Pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of classic Micro Amp bump.
 
The Double Down Pedal’s single input jack splits your signal to two separate outputs, each with its own Gain control for up to +26dB of signal-boosting power. On the left side of the housing is a Phase switch that adds a pronounced stereophonic effect by inverting the phase of the second output signal. On the right side of the pedal is a Buffer switch so that you can choose between true bypass—for the purists—and buffered bypass switching to keep your sound intact when driving two signal chains. 
 
Plug into the Double Down Pedal from MXR and Third Man Hardware, and double boost your double stack. 

Review by reddit  /guitarpedals

Demo by Guitar World

Double Down

David Litaba

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

BIG MUFF PI

From the twisted minds at Third Man Hardware and the mad scientists at Eventide, comes Knife Drop—a pedal so maniacal, so drenched in sonic chaos, you’ll wonder if you’re dreaming… or already trapped in a nightmare.

Summon the filter before your distortion glows green with sonic menace, or bathe it in the blood-red glow of post-distortion mayhem. Exclusive presets handcrafted with Jack White, pulse with +6db of additional gain, each one more terrifying than the last. Store your own creations alongside his, then unleash them at will through an LED ladder to guide you through the darkest of nights. 
Not for the faint of heart, this pedal is for those who want to conjure walls of fuzz that sound like they’re crawling out from the depths of a cursed VHS tape. Combining Jack White’s unholy fascination with subversive tones and Eventide’s cutting-edge sonic sorcery, Knife Drop is the soundtrack to your own personal horror film. Plug in, turn up, and cut loose the beast within.

Eventide

Third Man Records Page

Eventide Page

Review by GEAR GODS

Review by Guitar World

Review by bonedo

Demo by Reverb

Knife Drop

Das Black Mountain Roller Volume Pedal ist ein revolutionäres, ultrakompaktes Volume-Pedal, das die herkömmliche Wippe durch ein hochpräzises Scrollrad ersetzt. Es ist etwa halb so groß wie ein Standard-Volumepedal und spart somit maximalen Platz auf dem Pedalboard. Die „Freewheel“-Technologie ermöglicht extrem schnelle Bewegungen für Effekte wie rasante Tremolos oder Volume-Swells, die auf herkömmlichen Pedalen schwer umsetzbar sind. Trotz der geringen Größe ist das Gehäuse so robust konstruiert, dass es das volle Körpergewicht des Spielers trägt. Die passive Schaltung nutzt ein hochwertiges Potentiometer, das auf 7 Millionen Zyklen ausgelegt ist.

The Black Mountain Roller Volume Pedal is a revolutionary, ultra-compact volume pedal that replaces the traditional "rocker" treadle with a high-precision roller wheel. Approximately half the size of a standard volume pedal, it is designed to save maximum space on crowded pedalboards. The "freewheel" technology allows for incredibly fast movements, enabling effects like rapid tremolos and swells that are difficult to achieve on traditional pedals. Despite its small size, it is built to be "stomp-proof," with an enclosure designed to withstand full body weight. It features a passive circuit with a high-quality potentiometer rated for 7 million cycles, ensuring professional-grade durability.

Black Mountain

Review by Guitars Canada

Demo by Sophie Burrell

Volume pedal

The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.

Coppersound

Third Man Records

Demo by BOB BRADLEY

Third Man Triplegraph

Richard Lagerweij

The PLASMA product series is a revolutionary approach within the realm of overdrive and distortion, as it is a new and previously unexplored method of achieving signal clipping.
Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, PLASMA technology transforms your instrument’s live signal into a series of continuous high-voltage discharges within a xenon-filled tube.

Gamechanger Audio

Product Page 

Demo by AndyDemos

Demo by Rabea Massaad

Demo by intheblues

plasma coil

La Grotte is the new analog spring reverb by Anasounds. It may look like a mere evolution of the Element with the spring inside the main pedal, but in fact it offers a brand new sound and brand new features, designed in close collaboration with Jack White for his Third Man Hardware brand.

At its core, La Grotte is a mechanical reverb that includes a three-spring tank, but it also features a warm preamp with a distinct sonic personnalité, and a very powerful two-band EQ that only affects the reverberated sound. Independent volume settings for the dry and wet sounds allow you to find the perfect balance you’ve been searching for.

La Grotte is a secret weapon of choice on the pedalboard of any demanding guitar player, regardless of their musical approach: vintage or modern, blues or pop, garage or soul. Other musicians and sound engineers alike will also enjoy the sonic depths of La Grotte.

Anasounds

Manual Page

Demo by TheGuitarGeek

La Grotte

Katherine Copanic

SP Technologies introduces the new DECI-MATE™ Micro Decimator pedal. The DECI-MATE pedal is a full implementation of the world renowned Decimator circuit with new tracking improvements in a small, micro pedal package. When real estate is critical, the DECI-MATE is the answer.

ISP Technologies

Demo by  Simon Gotthelf Gear Demos

Demo by Louis Torres

Deci mate Micro Decimator

Deci-Mate

Triple Threat starts with a wide-range high gain distortion, with volume, gain, and tone controls to create a threatening rock sound. A classic phaser upgraded from the Pearl Tremor pedal by Donner is next with extended mod controls. Third in line is an analog voiced echo, originated from Donner’s first ever pedal, the Yellow Fall Delay released in 2013,  with warm analog tone and rich feedback. 

With upgraded circuit design and tuning the tone to Jack’s specifications, Donner combined three analog circuits into one metal enclosure, delivering unique analog sounds and versatile utility for musicians on the go. Third Man Hardware designed the external appearance of The Triple Threat, adding its signature patterns such as lightning bolts from the Tesla tower on the panel, three sharp stripes in front and  the signature diagrams from Third Man Hardware’s logo on both sides of the pedal. 

Donner

Demo by Marty Music

Donner Music Page

Review by Guitar Interactive Mag

Triple Threat

Introducing a new addition to the DigiTech Whammy Family – Whammy DT! We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

DigiTech

Whammy DT

Das Premium Wah Pedal. Hier kann der Gitarrist den Wah-Effekt genau so zuschneiden, wie er es will. Mit Kontrolle über die Centerfrequenz (6 anwählbar), stufenloser Regelung der Wah-Bandbreite (Q-Control) und schaltbarem Volume Boost, stufenlos einstellbar von 0 bis satte +26dB.

 The Crybaby 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this powerful wah will deliver it. Once you've got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note. This is the wah pedal of choice for guitar master Joe Satriani. The 535Q offers versatility never heard before. This pedal allows the player to customize and shape the sound of the wah. By a simple turn of the "Q" dial, you can shape your wah from a narrow, sharp wah to a broad, subtle wah. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version)---Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version) The CRYBABY 535Q also offers six new guitar wah ranges, a variable boost from 0 to +16 dB and a hard wire on/off switch. It's new custom circuitry consumes less power and eliminates unwanted distortion. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version) Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version)

Dunlop

Official Product Page

Guitar World Demo

 535Q Cry Baby Multi-Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Nathan Turnbull

Die Radial BigShot ABY V2 ist einen kompakte ABY switcher, der es dir ermöglicht zwischen zwei Verstärkern zu schalten oder das Signal zu kombinieren, wenn beide Verstärker zur gleichen Zeit aktiv sein sollen. Mit netten Extras wie eingebauten Isolationstransformern, separatem Tuner Ausgang und Status LEDs, ist dies der wohl flexibelste True-Bypass Switcher am Markt.

The Radial BigShot ABY V2 is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time. Featuring nice extras like a built-in isolation transformer, separate tuner output and status LED’s, is the most versatile true-bypass switcher made today!

Radial Engineering

Review by Musiker-Board

Demo by Landon Bailey

Demo by Hollywood Rare Guitars

Bigshot ABY v2

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Boss TU-3W → Radial Engineering Bigshot ABY → Dunlop Cry Baby 535Q MULTI-WAH → Digitech Whammy DT → Electro-Harmonix Big Muff Pi → Third Man Hardware × Donner Triple Threat → Third Man Hardware × Coppersound Triplegraph (send/return Third Man Hardware × Anasounds La Grotte) → Black Mountain Tremolo (unreleased/prototype) → Black Mountain Octave (unreleased/prototype) → Black Mountain Volume → R2R Electric Treble Booster pProfessional →Third Man Hardware × Eventide Knife Drop  → Third Man Hardware × Union Tube and Transistor Bumble Buzz → Third Man Hardware × Mantic Effects Mantic Flex → GFI System Rossi → Third Man Hardware × Gamechanger Audio Plasma Coil → Klon Centaur →Isp Technologies Deci-Mate

Jack White 2024 Pedal Board (alternate set-up)

Der Treble Booster Professional ist eine verfeinerte Adaption des klassischen Rangemaster-Schaltkreises, die meine bevorzugten Modifikationen zur Leistungssteigerung integriert. Diese Verbesserungen umfassen einen vergrößerten Ausgangskondensator für ein breiteres Frequenzspektrum sowie einen Potentiometer mit höherem Wert in Kombination mit einem Transistor mit mehr Gain, um einen kräftigeren Klangcharakter zu erzielen.  

Jede Einheit wird mit hochwertigen Komponenten sorgfältig gefertigt, darunter ein modifizierter Dallas-Rangemaster-Schaltkreis mit einem 6-stufigen Tone-Switch und der Wahl zwischen einem Mullard OC45 Germanium- oder OC202 Silizium-Transistor. Das Gerät verfügt über Vintage-Potentiometer renommierter Hersteller, hochwertige Elektrolytkondensatoren und einen 6-stufigen Drehschalter für den Eingangskondensator, der mit audiophilen Papier-in-Öl- oder Mylar-Kondensatoren bestückt ist.  

Weitere herausragende Merkmale sind ein NOS (New Old Stock) Ausgangskondensator, eine Auswahl an Carbon-Composition-Widerständen, True-Bypass-Schaltung und eine LED-Anzeige. Der Treble Booster Pro ist handverdrahtet auf einer phenolischen Lötleiste, untergebracht in einem Hammond 125b-Gehäuse mit Hammerschlaglackierung und ausgestattet mit klassischen Daka-Ware-Reglern. Das Ergebnis ist ein professionelles Effektpedal, das Vintage-Charme mit moderner Zuverlässigkeit und klanglicher Vielseitigkeit vereint.

The Treble Booster Professional is a refined adaptation of the classic Rangemaster circuit, incorporating my preferred modifications to enhance its performance. These enhancements include an enlarged output capacitor value for a broader frequency spectrum and an increased potentiometer value paired with a higher-gain transistor to achieve a more robust tonal character. Each unit is meticulously crafted with a range of premium components, including a modified Dallas Rangemaster circuit featuring a 6-position tone switch, and a choice between a Mullard OC45 germanium or OC202 silicon transistor. The device boasts vintage potentiometers from renowned manufacturers, high-quality electrolytic capacitors, and a 6-position rotary input capacitor switch utilizing audiophile-grade paper-in-oil or mylar capacitors. Other notable features include a new old stock (NOS) output capacitor, an assortment of carbon composition resistors, true bypass switching, and an LED indicator. The Treble Booster Pro is hand-wired on a phenolic terminal strip, housed in a hammered-finish Hammond 125b enclosure, and adorned with classic Daka-Ware control knobs, resulting in a professional-grade effect pedal that combines vintage charm with modern reliability and tonal versatility.

R2R Electric

Demo by Edge of Breakup - Guitar, Amp & Pedal Demos

Demo by Elliot Knapp

Review by Pedal Of the Day

Treble Booster Professional

Rossie ist ein dynamisches Multi-Filter-Pedal, das drei essenzielle, klangveredelnde Filtereffekte kombiniert. Es umfasst einen Envelope Filter, einen farbenreichen, resonanten Filter, der auf deine Anschlagsdynamik reagiert, einen Step Filter, der ein grooviges, arpeggiertes Muster mit vollständig einstellbaren Schritten erzeugt, sowie einen Manual Filter, der sich ideal für statische Klangformung eignet oder mit einem Expression-Pedal als steuerbarer Wah-Effekt genutzt werden kann.  

Jeder dieser Filtermodi bietet vier Filtertypen: Lowpass, Bandpass, Highpass und Peaking, mit einstellbarem Sweep-Bereich und Resonanzbreite. Ein dedizierter Mix-Regler ermöglicht es, das Verhältnis zwischen trockenem und gefiltertem Signal zu bestimmen, sodass du den Grad der Filterung deines Gitarren- oder Bass-Signals vollständig kontrollieren kannst.  

Zusätzlich verfügt Rossie über zwei Presets, drei wählbare Filter-Algorithmen, einen Mono-Eingang und -Ausgang sowie Anschlüsse für ein Expression-Pedal und Tap-Tempo. Die Momentary-Funktion erlaubt es, Filtereffekte spontan ein- und auszublenden, wodurch ein vielseitiges und individuell anpassbares Filter-Erlebnis entsteht.

Rossie is a dynamic multi-filter pedal that combines three essential tone-enriching filter effects. It includes an Envelope Filter, which is a colourful resonant filter that responds to your picking dynamics, a Step Filter that offers a groovy, arpeggiated effect with fully adjustable steps, and a Manual Filter ideal for static tone shaping or creating a sweep-able wah-like effect when used with an expression pedal. Each of these filter modes offers four filter types: lowpass, bandpass, highpass, and peaking, with adjustable sweep range and resonance width. Additionally, a dedicated Mix knob allows you to blend the wet and dry signals, giving you complete control over the amount of filtering applied to your guitar or bass signal.

Rossie also features two presets, three select filter algorithms, a mono input and output, and inputs for an expression pedal and tap-tempo. It supports momentary action, providing a versatile and customizable filtering experience.

GFI SYSTEM

Demo by Jay Leonard J

Demo by Brett Kingman

Review by  The Gear Page

Review by Guitar Pedal X

Rossi Filter

Boss TU-3W → Radial Engineering Bigshot ABY → Dunlop Cry Baby 535Q MULTI-WAH → Digitech Whammy DT → Electro-Harmonix Big Muff Pi → Third Man Hardware × Donner Triple Threat → Third Man Hardware × Coppersound Triplegraph (send/return Third Man Hardware × Anasounds La Grotte) → Black Mountain Tremolo (unreleased/prototype) → Black Mountain Octave (unreleased/prototype) → Black Mountain Volume → WEM CCB-1 Copicat →Third Man Hardware × Eventide Knife Drop  → Third Man Hardware × Union Tube and Transistor Bumble Buzz → Third Man Hardware × Mantic Effects Mantic Flex → Electro-Harmonix Nano Q-Tron → Third Man Hardware × Gamechanger Audio Plasma Coil → Klon Centaur →Isp Technologies Deci-Mate

Michael  Pavia

Der WEM CCB-1 ist eine Nachbildung der Vorstufe des legendären WEM Copicat Tape-Echo-Geräts.  

Der Watkins Copicat nimmt einen unbestreitbaren Platz in der Rockgeschichte ein. Als eines der ersten kommerziell erhältlichen Bandecho-Geräte prägte er den Sound der 60er- und 70er-Jahre, genutzt von innovativen Künstlern wie Robert Fripp, Rory Gallagher und Phil Manzanera.  

Diese britischen Tape-Echos waren eine beliebte Alternative zu den selteneren amerikanischen Modellen und sind auf zahlreichen legendären Studio- und Live-Aufnahmen dieser Ära zu hören. Der CCB-1 bringt die Boost- und Klangformungsmöglichkeiten der Copicat-Vorstufe in einem modernen, kompakten Format zurück.

The WEM CCB-1 is a recreation of the preamp section of the famous WEM Copicat tape echo unit.

The Watkins Copicat holds an undeniable place in rock history. One of the first tape delay units that was commercially available, it shaped the sound of the '60s and '70s thanks to innovative artists like Robert Fripp, Rory Gallagher, and Phil Manzanera.

These British made tape echos were a popular alternative to rarer American models and can be heard across many legendary studio and live recordings from the sixties and seventies - the CCB-1 gives you access to the boost and tone-shaping capabilities of the Copicat preamp in a modern, convenient format.

Official Website

Review by Stompbox Steals

Demo by Working Class Music

Copicat Preamp + Boost

Lachlan Koumis

My Current Board

Das Digitech Freqout Natural Feedback Creator Effektpedal gehört zu den eher exotischen Vertretern im Pedalboard. Es widmet sich der Erzeugung von Rückkopplungen, die zwar zum Repertoire jedes gepflegten (Rock-) Gitarristen gehören, aber üblicherweise nur mit entsprechender Lautstärke und der Interaktion zwischen Amp, Box und Gitarre möglich sind. Mit dem E-Bow, der seit Mitte der 70er Jahre erhältlich ist, gibt es bereits ein Werkzeug, das die Saiten per Magnetfeld beliebig lang in Schwingung versetzt, indem es über die gewünschte Saite gehalten wird. Oder den Sustainer von Fernandes, ein Pickup, der ebenfalls die Saiten zum Schwingen bringt, wenn er per Schalter dazu aufgefordert wird. Und natürlich muss beim Umbau der Gitarre einer der vorhandenen Tonabnehmer dem Sustainer weichen.

The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

Review by Bonedo 

Review by Amazona 

Demo by Mike Hermans 

FreqOut

Third Man Hardware und Black Mountain freuen sich, das innovative Roto-Echo Delay-Pedal anzukündigen. Anstatt die Delay-Parameter mit den Fingern einzustellen, ermöglicht die Freewheel®-Technologie den Spielern, diese in Echtzeit mit den Füßen während des Spiels zu verändern – eine kleine Änderung, die zu unzähligen kreativen Möglichkeiten führt. Das Roto-Echo ist robust gebaut, und die Spieler können ihr volles Gewicht auf das Pedal legen, ohne Probleme. Es hat die gleiche Größe wie ein gewöhnliches Boss-Style Gitarrenpedal und passt auf jedes Pedalboard.

Third Man Hardware and Black Mountain are excited to announce the innovative Roto-Echo delay pedal. Instead of tweaking delay parameters with your fingers, the pedal’s
Freewheel® Technology allows players to change them with their feet in real-time as they play –
a small change that leads to tons of creative possibilities.
The Roto-Echo is built tough and players can put their full weight onto the pedal with no
problem. It’s the same size as a regular Boss-style guitar pedal, and fits on any pedal board.

Demo by R.J. Ronquillo

Review by Music Radar

Roto Echo

xyra jones

Das Warm Audio Centavo ist eine exakte Nachbildung eines der unerreichbarsten Overdrive-Pedale der Gitarrengeschichte. Bekannt für seine gelobten Boost- und Overdrive-Sounds, hält die Begeisterung für dieses äußerst beliebte Pedal auch heute noch an, lange nach seiner ursprünglichen Produktion von 1994 bis 2009. Mit Preisen, die für einen Overdrive mit drei Knöpfen ins Unvorstellbare steigen, ist es kein Wunder, dass Gitarristen wie Jeff Beck, Joe Perry, John Mayer und Josh Homme die mythische Magie der Originalpedale für den Hype wert befunden haben. Das Warm Audio Centavo ist ein originalgetreues Overdrive-Pedal, das die legendäre Erfahrung und die bewunderten Sounds der legendären Originalbox authentisch wiedergibt.

The Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.

Warm Audio

Demo by Sweetwater

Demo by Riffs, Beards & Gear

Demo by session

Review by Guitar.com

centavo overdrive

Das MIKU STOMP ist ein Effektpedal, das die von Ihnen auf der Gitarre gespielten Noten* in den Gesang von Hatsune Miku „übersetzt“. Hierfür brauchen Sie nur Ihre Gitarre anzuschließen. Die Technologie für diese Stimmensynthese beruht auf dem eVocaloid™, einem Gesangseffekt des NSX-1 Tongenerators von Yamaha. Der Gesang von Hatsune Miku verwandelt Ihre Gitarrenparts in eine expressive Performance mit einem ganz anderen Charakter als bei Verwendung eines Step-Sequenzers oder Keyboards.

Hatsune Miku sings when you play your guitar!
A design that fuses the worlds of Hatsune Miku and guitar effects.
Nearly unlimited possibilities; 11 lyric patterns are provided.
Lyrics for "Senbonzakura" (a Japanese song) are preset.
An iPhone app for entering lyrics is available, so you can make MIKU STOMP sing your original lyrics.

KORG

Review by Amazona

Review by musicradar

Demo by Ola Englund

Demo by Rob Chapman

Demo by Korg

Demo by Living Room GD

Miku Stomp

BassBalls Nano

Mantic Flex (Limited Edition Yellow)

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!