Zach  Januse / Fuzzed Drones

Fuzzed Drones Pedalboard 

Jeff O'Connor

Paying homage to the sacred bass rig embodied by Al Cisneros in the early days of OM, GIZA is a JFET emulation of a modified Green Matamp GT120 preamp combined with the hypnotic pairing of DOD 250 Overdrive and Boss DS-1 Distortion.

Does It Doom

Facebook Page

Product Page

Review by Doomed & Stoned

Official Product Video

Demo by Fuzzed Drones

Giza

David Graves

Der Witchfinder ist eine stark modifizierte Version der Boss FZ-2 Hyperfuzz. Im Vergleich zum Original wurde der 3-Wege-Mode-Schalter entfernt, ebenso der Boost-Modus. Fuzz 1 und Fuzz 2 wurden vereinfacht – statt eines festen Mitten-Cuts gibt es jetzt eine aktive Mittenregelung mit einem 3-fach umschaltbaren Mittenfrequenz-Schalter.

The Witchfinder is a highly modified version of the Boss FZ-2 Hyperfuzz. Compared to the original, the 3 way mode switch has been removed along with the Boost mode. Fuzz 1 and Fuzz 2 have been simplified where instead of a fixed mid-cut there is now an active mid range control with a 3-way center frequency toggle.

Magic Pedals

Demo by Dirty Demos

Demo by Does it Doom?

Witchfinder

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tester

One of the best versions of the Ram's Head is the "Violet" version.

The overall tone of the pedal is very balanced from low to high and it has a ton of warm, smooth fuzz that make chords full while retaining string clarity. 
Lead tones are very smooth, punchy and warm. Harmonics jump out with very little effort.

Stomp Under Foot

Vintage 1975 Violet Ram's Head

ch ray

The Seabee is a multi-chorus pedal that delivers the finest analog bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.
Three Chorus modes provide the classic, lush chorus and vibee sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.
Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

Beetronics

Review by bonedo

Review by Guitar.com

Manual

Official Product Video 1

Official Product Video 2

Seabee Harmochorus

Esben Dyrhovden

If there were a Venn Diagram showing the overlap between ‘90s British shoegaze and ‘90s Swedish death metal, Jugendstil would feel right at home in the middle. The circuit starts with a simple, high-gain silicon fuzz section which cleans up extremely well and can even be used as a clean boost at low settings. That’s all well and good, but Jugendstil’s secret weapon is a fully maxed out HM-2 style EQ, labelled “loud” and wired as a parallel blend — use the loud control to blend in as much or as little of the HM-2 sound as you like!  The sweep control (labelled "focus" on these blemished units) controls the center frequency of the mid boost.  Set it around 1 o'clock for the classic HM-2 sound.  

God City Instruments

Official Website

Review by reddit /guitarpedals

Demo by AlphaDelta Recording Studios

Jugendstil

Deforming is a PT2399 based delay with an envelope controlled warp function.

We've all played a show where you get to the end of your set, click on your delay pedal, crank the feedback knob and manically twist the time knob for walls of time bending chaos.

The concept behind Deforming was to make that time knob manipulation possible without having to drop to your knees and put your hands on the pedal. Meaning you can keep playing while the delay signal bends and warps around your playing.

Deforming features an input preamp which can be driven hard to saturate the unit and emulate the preamps of old tape machines. This preamp control also helps you reduce the input volume to balance out the signal when driving the unit with loud dirt pedals.

The warping effect can range from subtle pitch wobbles for shoegazey chord movement through to all out warped chaos at the most extreme settings.

Holy Island Audio

Review by delicious audio

Demo by Fuzz Eater Gear Demos

Demo by Tunnel of Reverb

Deforming

EarthQuaker Devices

Time Shadows II DBA Edition

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Paulo  Duarte

The M-EQ DRIVER is a Mid Booster & Drive pedal, based on a vintage Pultec® studio EQ. Still sought after today, these legendary passive EQs from the 1950s can be heard on thousands of hit records thanks to their highly musical, versatile EQ curves and the ability to overdrive their push-pull output stage. Rather than making an exact replica, we have chosen to reimagine this classic piece of studio gear as a guitar-oriented, compact pedal.

Craft the perfect mid boost, add some studio-inspired saturation or push the pedal’s valve-like output stage into fierce “cocked wah” distortion. With the addition of our Adaptive Circuitry, the M-EQ DRIVER is always responsive and precise, with a character all of its own.

Origin Effects

Demo by JayLeonardJ

Review by The Gear Page

Review by AMAZONA

Review by guitar pedal X

M-EQ DRIVER BLACK

RockBoard

ISO Power Block V10

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Das Matt Pike Signature Masochist verwandelt Leid in Klanggewalt und liefert Sounds für alle, die mehr von ihrem Ton verlangen. Seine Schaltungen bringen unterschiedliche Schmerzformen zum Ausdruck: „Adverto“ konzentriert sich auf präzise Mitten, während „Ecce“ eine überwältigende, zerstörerische Kraft entfesselt. Gemeinsam bieten sie eine klangliche Reise durch das Leiden – hin zu unvergleichlicher Sound-Kontrolle.

The Matt Pike Signature Masochist transforms suffering into sonic power, delivering tones crafted for those who demand more from their sound. Its circuits wield distinct pain: “Adverto” focuses on midrange precision, while “Ecce” unlocks overwhelming, crushing force. Combined, they offer a journey through suffering toward unparalleled sonic mastery.

Demo by Metal Head Productions

masochist

Demo by Ola Englund

Sabbathi

Das Does it Doom Doomsaw ist ein Ein-Knopf-Distortion-Pedal, das den "Kettensägen"-Sound des "gedimten" Boss HM-2 nachbildet, aber für modernen Doom, Sludge und Drone Metal angepasst ist. Es verfügt über ein internes LEVEL-Einstellpoti, um den Ausgang bei geringer Lautstärke zu regeln oder ihn für maximale Zerstörung voll aufzudrehen. Das Pedal ist speziell mit donnernden Bässen, wuchtigen Mitten und einem modifizierten Höhen-EQ für reduzierte Härte abgestimmt. Es wurde für tiefer gestimmte Gitarren und Bässe entwickelt.

 The Does it Doom Doomsaw is a one-knob distortion pedal designed to replicate the "chainsaw" sound of the dimed Boss HM-2, but tailored for modern doom, sludge, and drone metal. It features an internal LEVEL control trimpot for dialing back the output or leaving it cranked for maximum punishment. The pedal is specifically EQ'd to have thundering lows, punishing mids, and a modified high EQ to reduce harshness. It is designed for downtuned guitar and bass.

Review by Stombox Steals

Doomsaw

Der Fuzzcoven V2 ist ein One-Knob-Silizium-Fuzz-Pedal, das speziell für modernen Doom, Drone und Stoner Metal EQ’d wurde. Dieser Schaltkreis erzeugt massive Sustain und wolligen, verzerrungsähnlichen Fuzz, ideal für tiefer gestimmte Gitarren und Bässe. Verwenden Sie ihn als Ihre Hauptverzerrungsquelle in einen Hochleistungsverstärker oder mischen Sie ihn mit dem Ton Ihres übersteuerten Vorverstärkers für einen dicken Bassbereich und ausgeprägte Mitten, während die Höhenklarheit erhalten bleibt. Von Kyuss bis Conan und alles dazwischen reagiert der Fuzzcoven extrem empfindlich auf die Lautstärke- und Toneinstellungen Ihrer Gitarre und kann mit dem Drehen eines Knopfes von einem dicken, gesättigten Fuzz zu glasklaren Klängen wechseln. Ein niedriger Rauschpegel wird durch Stromfilterung, hochwertiges Oberflächenmontagedesign und rauschfreie Transistoren erreicht.

The Fuzzcoven V2 is a one-knob silicon fuzz pedal specifically EQ’d for modern doom, drone, and stoner metal. This circuit produces massive sustain and wooly, distortion-like fuzz, ideal for downtuned guitar and bass. Run it as your main dirt source into a high headroom amplifier or blend it with the tone of your overdriven preamp for a thick low end and pronounced midrange, while maintaining high end clarity. From Kyuss to Conan and everything in between, the Fuzzcoven is extremely responsive to your guitar’s volume and tone control settings, with the ability to go from a thick, saturated fuzz to glassy cleans with the roll of a knob. A low noise floor is achieved via power filtering, high quality surface-mounted design, and low noise transistors.

Demo by Eric Faries

Fuzzcoven v2

Giza von Does It Doom