Wizavd Poolsup

BTB7MS 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Wizavd 1

Tester

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Product Page

Review by Premier Guitar

Review by Guitar World

Manual

Demo by Basscoach Denis Busch

Official Product Video

GLXD16+

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

Diedrich Rivera

Der Canvas Mono ist ein Direct Box/Line Isolator, der jeden Widerstand zwischen Ihnen und Ihrem Publikum beseitigt und eine makellose Klanggrundlage schafft, auf der Sie Ihr Meisterwerk aufbauen können. Von Gotteshäusern bis zur Kneipe in der Innenstadt ist Canvas Mono als Performance-Tool konzipiert, das Sie überall hin mitnehmen können, wo Sie Ihre Musik machen.

The Canvas Mono is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Mono is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Demo by

Canvas Line Isolator / D.I.

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

ISP Technologies

Deci-Mate

Mit dem Opus Two Notes bringt der französische Hersteller eine Kombination aus DI-Box, IR-Loader und Modeling-Amp auf den Markt. Das Opus basiert auf dem C.A.B. M aus gleichem Hause und kann als digitale Speakersimulation (IR-Loader) zwischen Amp und Box verwendet werden. Dank eines neu entwickelten Pre- und Power-Amp-Modelings namens TSM („Tube Stage Modeling“) ist zusätzlich möglich, das Opus im Standalone-Modus als (MIDI-fähigen) Pedalboard-Amp zu betreiben. Hierzu liefert Two Notes eine eigens entwickelte Sammlung von über 600 Impulsantworten (DynIRs), von denen 32 bereits auf dem Opus vorinstalliert sind und mit einer Auswahl an Effekten (Reverb, Enhancer und EQ) kombiniert werden können.

Two Notes has unveiled the “next milestone evolution” of its highly acclaimed Torpedo CAB IR loader, the Opus – a “masterpiece” of a product that expands its predecessor's feature set with pre and power-amp simulation.

Prior to the arrival of the Opus, Two Notes’ CAB – and, later, CAB M+ – were considered some of the industry’s leading cabinet simulation units, offering at first exclusively DynIR Virtual Cabs from Victory, Celestion, Engl and more (with an assortment of mic types and room emulation), and then later a sole clean preamp for added versatility.

To that end, the Opus goes above and beyond just cab sims, and brings to the table fully fledged Tube-Stage Modeling pre- and power-amp sims, MIDI integration and USB-C connectivity.

Two Notes Audio Engineering

Official Product Page

Ensemble Queen Top Guitar Review - PL

Ensemble Queen - Bass Chorus Review Muzikus CZ

Mooer Ensemble Queen - Review

Demo by Andertons 

Demo by Pete Thorn 

Review by GUITAR WORLD 

Review by bonedo 

Opus

Le Bass Dual Channel Preamp

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

ch ray

"When you see an aging building or a rusted bridge, you are seeing nature and man working together"

OAMP is an output driver designed to replace a conventional output buffer or gain pedal at the end of your chain. If you’re familiar with EUNA, it’s a similar concept but with a few key differences. High headroom, clean gain, great drive capability. They key features are labeled below. There are subtle tonal variations in the gain settings. Maximum clean output level is 20dB. 29dB of gain available. OAMP makes enough gain to drive your amp into breakup without adding it’s own distortion, or you can use it to trim hot signals from your pedalboard. The insert loop is active when OAMP is OFF, so you can easily swap from clean drive to a dirt pedal, alternative preamp or anything you want really. With nothing plugged into the insert OAMP is True-Bypass when switched off.

29 Pedals

Review by American Songwriter

Review by Guitar.com

Review by The Gear Page

Demo by collector//emitter

Demo by MAS Distro

OAMP

Dave Burnett

The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.

Radial Engineering

Demo by Radial Engineering

J48 Stereo

Review by American Songriter

Review by reddit /guitarpedals

EUNA

Matthis LEMONNIER

The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your

DigiTech

Demo by Agufish

Demo by Reinaldo Lopez

Review by Guitar Gear Finder

Drop

Vitoos

AD5S LINK

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Kevin Anthony

The DOITALL

cedric monnier

Duophony is our take on the lowly 'parallel blender' pedal. We took the basic concept of blending two effects together to the next level by integrating the classic signal blender functionalities with modern features and intuitive user interface. The result is a solid blending machine, optimized to help you unleash the unexplored ideas of parallel blending and discover new ways of sculpting limitless soundscape!

GFI SYSTEM

Demo by Demos In The Dark 

Demo by Mark Johnston

DUOPHONY

Nathan Rapheld

Chase Bliss

Automatone Preamp MkII

Isaac Goldstein

Das UAFX Dream '65 Reverb Amp Pedal liefert Dir den unverkennbaren amerikanischen Röhrenverstärker, der seit 60 Jahren von Künstlern und Produzenten verwendet wird, von Muddy Waters über die Beatles bis hin zu Mac Demarco.
Aufbauend auf leistungsstarker Dual-Engine-Verarbeitung und erstklassigem UAD-Modeling liefert Dream '65 fette Cleans, sanften Breakup und traumhaften Federhall und Vibrato.

The UAFX Dream '65 Reverb Amplifier pedal gives you the essential American tube amp used by artists and producers for 60 years, from Muddy Waters to The Beatles to Elvis Costello.
Built on powerful dual-engine processing and UAD audio modeling expertise, the Dream '65 effects pedal delivers bold cleans, sweet breakup, and divine spring reverb and vibrato.

Universal Audio

Demo by TomoFujitaMusic

Dream '65 Reverb-Amp

QuickMount Type N

Pedal-Montageplatte für TC Harmony Singer 2, Duplicator & MicMechanic Pedale

Pedal Mounting Plates for TC Harmony Singer 2, Duplicator & MicMechanic pedals

Der Source Audio C4 Synth kombiniert alle Sound Construction Tools eines klassischen Eurorack Modular-Synthesizers in einem kompakten, einfach zu nutzenden Effektpedal für Gitarre und Bass. Grundlegend handelt es sich bei dem C4 um ein Modular Synth, der vor allem durch ein beispiellos akkurates Tracking, extrem schnelle Reaktionen und fast unendliche Sound-Möglichkeiten überzeugt. 

Für eine einfache Plug-And-Play Anwendung kommt das Pedal mit sechs wählbaren Presets, die sich über den Toggle Switch auswählen lassen. Über einen MIDI-Controller lassen sich außerdem die 128 Factory Presets auswählen. In Kombination mit dem kostenlosen Neuro Desktop Editor oder der ebenfalls kostenlosen Neuro Mobile App erkennt man erst das eigentliche Potential des Pedals. Über die Software hat man Zugriff auf einen Editor, der sich an Euroracks orientiert und 4 parallele Voices, 3 Oszillator-Wellenformen, 11 Envelope Follower, 24 modulierende Filter, Distortion, Tremolo, Pitch Shifting, einen intelligenten Harmonizer, programmierbares Sequencing und mehr bietet. Von klassischen Synthie-Tones bis zu allen Sounds, die du dir jemals vorstellen konntest - der C4 Synth macht es möglich!

The Source Audio C4 Synth unites all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. It is essentially a modular synth in a box with unprecedented tracking abilities, lightning-fast response, and vast universe of easy-to-access sound options.

The C4 offers multiple methods of preset storage and recall. For a straightforward plug-and-play experience, simply select one of the pedal’s six onboard presets with the center toggle switch. The addition of a third-party MIDI controller with USB host provides access to any of the C4 Synth’s 128 Factory presets. Connect the C4 to the Neuro Desktop Editor (a free download for Mac and Windows) or the Neuro Mobile App (iOS and Android) and unlock the pedal’s true power. The Neuro software features a Eurorack inspired editing interface with 4 parallel voices, 3 oscillator wave shapes, 11 envelope followers, 24 modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, programmable sequencing, and more. Use the editor to create anything from classic synth tones to the sounds you've imagined, but never actually heard. Finally, for a world of great tones without all the tweaking, download sounds from the ever-expanding collection of published presets created by the C4 Neuro Community.

Once you’ve found your sound, burn it directly to the pedal in any of the C4 Synth’s 128 preset positions, save it to your own personal effects library, or share it with the rest of the C4 Neuro Community. Never before has a guitar synth pedal offered so much is such a small package.

Source Audio

Source Audio SA 249 - One Series C4 Synth - Demo Video (No Talking) - Guitar Bonedo

Source Audio SA 249 - One Series C4 Synth - Demo Video - Mike Hermans

Source Audio SA 249 - One Series C4 Synth - Bass Demo - Nathan Navarro

Source Audio SA 249 - One Series C4 Synth - Bass Demo - The Bass Channel

Source Audio Spectrum Intelligent Filter & C4 Synth - Review by Gitarre&Bass [DE], [01-2020]

Source Audio C4 Synth - Review by GrandGtrs [DE], [01-2020]

Source Audio C4 Synth - Review by Bonedo [DE], [12-2019]

Source Audio C4 Synth - Review by TopGuitar [PL], [11-2019]

Source Audio C4 Synth - Review by PremierGuitar [EN], [10-2019]

Source Audio SA 249 - One Series C4 Synth - Review by TopGuitar [PL], [08-2019]

SA 249 One Series C4 Synth

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Hologram Electronics

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

Zixton Han

The Walrus Audio Black Edition Monument is a limited edition version of the popular Harmonic Tap Tremolo pedal. It is a two-in-one harmonic and standard tremolo that produces a rich, luscious, warm pulsating modulation. The pedal is inspired by the sandstone formations of Monument Valley and is designed to emulate the wide expanses and jagged edges of this iconic natural wonder.

Demo by Living Room GD

Official Website

Review by Gitarre & Bass

Black Edition Monument

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Specular Tempus is a powerful reverb and delay effect processor in a compact pedal. Featuring 32 hand-crafted algorithms, 32 presets. stereo in/out, tap-tempo, and extensive inter-connectivity.
Using the SpecLab software (free download) users get access to an extended set of parameters for deep-editing of the algorithms.

Review by Sound on Sound

Review by AMAZONA

Demo by marbinmusic

Demo by Do Noise

Specular Tempus

Ben Wells

Zunächst einmal ist der Singular Sound AEROS Loop Studio zwar nicht der einzige Looper mit Display, jedoch der einzige mit einem farbigen 4,3 Zoll Touch-Display. Der Singular Sound AEROS Loop Studio beruht auf einer SoC-Lösung, auf der eine Linux-Variante läuft.

Transcend boundaries with the Aeros multi-track looper pedal. Create and perform with simultaneous parallel and sequential loops. That's up to 6 song parts (sequential loops) each with up to 6 tracks layered over each other (parallel loops). Plus, experiment with unlimited overdubs for limitless live looping action.

Singular Sound

Review by Bass Gear Magzine 

Review by Amazona 

Demo by loopop

Demo by Singular Sound 

Aeros Loop Studio

Anders Rapanà

Parallelizer is a parallel effect loop system that has 3 Mono SENDs and can mix 3 Stereo RETURNs and dry signal.You can preserve your dry signal by using the Parallelizer, which can result in loss of dry signal when using the digital effect pedals or when connecting the effect pedals in series.
 128 memory locations (when using MIDI PC)
 The 9V power input is converted to a +/-12V internally for anyaudio level
Firmware update is available via MIDI

Musicom Lab

Official product Video 

Demo by Musicom Lab 

Parallelizer II

David Litaba

Besessen vom fettesten, vollsten Drive? Weit bevor andere blaue LEDs nutzten und non-diode Clipping Stages nutzten war der Katana von Keeley…
Kaskaden an FET Stages, die das Tube-Amp Ding machen wie nichts anderes.
Willst du ein Spiegelbild deines Sounds, nur lauter? Hier bist du richtig. Der Katana Boost ist außerdem ein fetter, obertonreicher Boost. Zieh am (Push-Pull) Volume Knob und erweitere deine Vorstellungskraft an Overdriven Tone! 
Grad mal nicht laut genug? Kein Problem, der seitlich angebrachte Volume Regler kann einfach mit dem Fuß bedient werden. Du kannst ihn immer an lassen um deinen Amp etwas härter zu pushen, oder für den gelegentlichen Boost um dich im Mix nach vorn zu bringen.

Want a mirror image of your tone, only louder? This is it. The Katana Boost is also a fat, harmonically rich boost, just pull out on the volume knob and stretch your imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.

Obsessed or Compelled with the Fattest, Fullest Drive? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else!

Keeley Electronics

Keeley Katana - Demo Video - ProGuitarShopDemos

Keeley Katana - Demo Video - TheToneShack

Katana Clean Boost

QuickMount Type A

Tim TURPIN

When designing the temperature controlled fuzz, we tried some unusual approaches. One false start utilized a voltage controlled error correction circuit to bias a single germanium transistor. It ultimately didn’t work for the fuzz, which is comically sensitive to transistor gain attributes. 

We did find a place for it though. 

It turns out it was PERFECT for achieving a germanium clean boost that, (like our fuzz) is impervious to component drift, leakage, and temperature....moreso in fact. We also fixed a couple other issues preventing the germanium transistor from being used as a convinc- ing linear boost...we increased the input headroom (even a normal guitar signal will drive a germanium transistor into unwanted input distortion without some tweaks) and increased the input impedance (a BJT transistor would normally thin out bass frequencies and interact negatively with whatever flows into it). 

The result is a germanium clean boost that can utilize a germanium transistor WITHOUT the weird artifacts that were previously accepted as part of the deal...temperature sensitivity, drift, and suboptimal input impedance and headroom. 

After the boost is first powered up, it takes about ten seconds before the error correction circuit correctly biases the germanium transistor After this things get interesting....we can hear how having the boost engaged makes guitar signals sound more musical...even when set at the same volume as the bypassed tone. Notes are given a simultaneously smoother and more detailed character, like a compressor but different. Some people we’ve shown it to have noted that it appears to deemphasize the unwanted parts of a signal and enhance the good. It’s killer on bass. It helps acoustic guitar pickups sound more natural. And of course it’ll push your amp into a frenzy. 

Benson Amps

Demo by JayLeonardJ

Demo by Demos In the Dark

Demo by AndyDemos

Germanium Boost (Black)

Der BE-OD Overdrive/Distortion wird in USA zusammengeschraubt und soll den sahnigen Sound des BE-100 auf Knopfdruck generieren.

The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken up overdrives to straight up gain nirvana. Built in the USA and designed to withstand decades of abuse the BE-OD is a must have pedal for any tone enthusiast.

Friedman

Review by Bonedo 

Demo by SweetWater 

BE-OD

The MXR Sugar Drive Pedal provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion. It's based on a rare overdrive pedal that has acquired a mythical reputation among fanatical tone-seekers thanks to its unique circuit design.

The key elements of that circuit design are the Drive control and something called a voltage doubler. First, the Drive control on this pedal doesn't just increase the intensity of the overdrive pedal. It starts with your clean signal and then blends it with the overdrive effect as you turn it up, replicating the smooth transition of an amplifier going from clean to dirty. The voltage doubler increases overall headroom, which opens everything up nicely.

Review by Hometone Blog

Demo by  Made by Miike

Review by bonedo

M294 Sugar Drive

Patrick Dougherty

GFI Synesthesia Manual v2.x.x

Synesthesia

dewey hwang

Das UAFX Ruby ’63 ist das dritte Amp-Modeling-Pedal aus dem Hause Universal Audio und widmet sich der präzisen Nachbildung eines Vox AC30 aus der JMI-Ära der 1960er-Jahre. Drei Kanäle stehen zur Verfügung und natürlich auch eine Nachbildung des typischen Vibrato/Tremolo-Effekts. Dazu gibt es diverse Boost-Funktionen und auf der Lautsprecherseite stehen sechs verschiedene Cabs zur Auswahl.

I know that Universal Audio did a good job of capturing the spirit of an AC30 in the UAFX Ruby ’63 amp emulation, because excitement is the first thing I felt. The Ruby ’63 is lively, explosive, reactive, clear, and, yeah, even pretty chimey. And I was very impressed at how it imparted those qualities to decidedly non-Vox-y black-panel Fender amps, and vintage Fender cabinet emulations in UA’s OX Amp emulator. You know how a lot of pedals claiming to be an amp-in-a-box tend to be vaguely similar in terms of EQ and gain structure, but miss the details? The Ruby ’63 is not that. It’s an exhaustively executed emulation that takes you several miles further down the road to true amp-ness. And it sounds and feels awfully close to the real thing.