Lorenz1897

This is a work in progress board. Based on classic die cast enclosure Hammond 1590B, since I usually build pedals in that size and they fit well in the Rockboard 3.0. The purpose is to assembly a pedalboard mainly with diy pedals, small but with plenty of options, with the pleasure of switching the single effects and not the looper. Usual routing with Crybaby (a made in Italy vintage Jen cry baby) then a TS style pedal used to boost overdrive, distortion, fuzz and amp. In this case a replica of the Xotic BB preamp, a TS circuit with a nice active eq. Instead of this i can place my tube screamer inspired circuit. Then OCD diy replica or a Pantheon diy replica, and as a distortion, a Riot diy replica that has a great tone said by a professionist who use the Suhr pedal. A Room 40 (replica) for an optional Marshall sound as needed, then a Tone bender Mk3 diy replica of the EArthquake Tone reaper, or in alternative a Small Stone phaser. Finally three purchased pedals, a Analogman Mini Chorus replica from DemonFX (GREAT) and two delays, a slapback (Carbon copy) and long modulated delay, a good replica of the Keeley Mag echo. This pedalboard covers many genres, Blues, Rock, Pop Rock, and so on.

Rockboard 3.0 - 1590B Pedals

Márton Áron

The THE DUALGUN Based on KING TONE THE DUELLIST.

DemonFx

Demo by  Gear Hoarders

Demo by Wat Suwat

Product Page

Review by Strat-Talk

Review by Squier-Talk

Review by reddit /guitarpedals

Manual

Dualgun

The Mosky Sky Reverb Delay is a digital pedal that combines two essential effects in one unit: delay and reverb. It features a digital pathway with up to 1300ms delay and a superb reverb section that can rival more expensive offerings.

Mosky

Demo by ALLMUSIC

Demo by  Aaron J Livecchi

Sky Reverb & Delay

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

MARCOS TAVARES

Ein hochwertiges, satt klingendes Chorus-Pedal! Demonfx MINI CHORUS basierend auf dem Analogman Mini Chorus. Das Mini Chorus-Pedal ist ein wunderbar warmer, schimmernder Chorus mit einer deutlichen Klangcharakteristik. Es bietet Regler für Speed und Depth bei allen Modellen, mit einem optionalen Mix-Regler und einem Depth-Toggle-Schalter. S-Speed steuert die Geschwindigkeit des Chorus. D-Depth steuert die Breite des Chorus, von recht flach und dezent bis hin zu super tiefem, verrücktem Pitch-Wahnsinn. Mix (Blend) steuert das Verhältnis zwischen trockenem Signal und Chorus-Signal. Mix hat eine Rastung bei zwölf Uhr, da dies eine 50/50-Mischung ist, aber wie andere erwähnt haben, ermöglicht es das Spielen mit dem Mix-Regler, einen sehr subtilen Chorus zu erzeugen, indem man ihn von zwölf Uhr zurückdreht. Wenn man den Mix-Regler voll aufdreht, kann man sogar einen richtig schönen Vibrato-Effekt erzielen. Zusätzlich kann man mit einem Kippschalter zwischen normalem und tiefem Modus umschalten, um einen tieferen Chorus-Sound zu erhalten. Depth-Option: Depth-Toggle-Schalter-Optionen – 3-Positionen-Kippschalter: satter Sound, dünner Sound und normal. Effektpedal für Gitarre Chorus True Bypass Regler für Speed, Depth, Mix (Blend), Depth-Toggle-Schalter. Design aus Japan. Betrieben mit DC 9V, Negative Center (nicht enthalten).

A high-class, rich-sounding chorus pedal!
Demonfx MINI CHORUS Based on Analogman Mini Chorus.
Mini Chorus pedal is a fabulously warm, shimmery chorus with a distinct voice.
It offers controls for Speed and Depth on all models, with an optional Mix knob and Depth toggle switch.
S-speed  controls the rate if the chorus.
D-depth" controls the width of the chorus, from pretty shallow and subtle to super deep, weird and wacky pitch craziness.
Mix(blend)" controls the wet/dry blend between your dry signal and the chorused signal;
Mix" has a detente at noon because that's a 50/50 blend, but as others have mentioned, playing with the mix knob allows you to mix in a very subtle chorus by backing it down from noon. I've found that by maxing out the "mix" control you can even achieve a really neat vibrato effect.

In addition, you can switch between normal and deep with a toggle switch, enabling a deeper chorus sound.

Demo by Budget Pedal Chap

Demo by  Federico Kajganić

Mini Chorus

Nicolas Wilfer

Basierend auf dem 3-Knopf-Tone-Bender hat EarthQuaker Devices mit dem Tone Reaper ein Vintage-Style-Fuzz herausgebracht, das alle beliebten Tone-Bender-Sounds in einem Pedal vereinigt. Das EQD Tone Reaper ist ein Silizium-Germanium-Hybrid, mit einem kräftigen Mittenbereich für mehr Durchsetzungsvermögen im Mix. Außerdem verfügt das analog aufgebaute Pedal über mehr Gain-Reserven als ein originaler Tone Bender und einen True Bypass. Der Tone Reaper wird in Handarbeit in Ohio/USA hergestellt.

The Tone Reaper is a vintage style fuzz based on the “3 Knob” bender featuring all its popular sounds. The EQD Tone Reaper silicon/germanium hybrid has a strong mid-range for more assertiveness in the mix. In addition, this is an all analog pedal with more headroom than the original Tone Bender and True bypass. The Tone Reaper is hand built in Ohio, USA.

EarthQuaker Devices

Official Product Video

Demo by GearManDude

Review by Guitar Pedal X

Review by Ultimate Guitar

Tone Reaper

David Litaba

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Dunlop

Official Product Page

Guitar World Demo

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

GCB95 Cry Baby Standard Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Demo by  EvgenyIsaiev

Demo by Andrew Walker Music

Solo

Das Mosky Audio Magnetic Delay ist ein analog klingendes digitales Tape-Delay-Pedal, das entwickelt wurde, um klassische Bandechogeräte nachzubilden. Die Schaltung basiert auf dem Keeley Mag Echo und kombiniert eine warme Delay-Engine mit integrierter Tonhöhenmodulation. Es verfügt über Regler für Time, Level und Regen sowie Depth- und Speed-Parameter zum Einstellen von Modulations- und Flutter-Effekten. Untergebracht in einem kompakten Standard-Metallgehäuse, arbeitet es mit einer Standard-True-Bypass-Schaltung zur Wahrung der Signalreinheit.

The Mosky Audio Magnetic Delay is an analog-voiced digital tape delay pedal designed to emulate vintage tape echo units. The circuit is based on the Keeley Mag Echo, combining a warm delay engine with built-in pitch modulation. It features controls for Time, Level, and Regen, along with Depth and Speed parameters to dial in sub-tone tape modulation and flutter. Housed in a standard compact metal enclosure, it operates via standard true bypass switching to ensure dry signal integrity.

Demo by D Man Guitar

Demo by Theo And His Pedals

Magnetic Delay

MATTEO Di Pagina

 Over the years, we have had many different types of Marshall™ amps on our workbench, some for repairs and others for customization. Being huge fans of the sound of these classic amplifiers, that still continues to excite us through the music of so many artists, we decided to try and capture its mojo – the true essence of the soul of this sound – and carefully place it in a little box. Thus the Room #40 was born!
Using jfet technology, we tried to stay loyal to the tone and feel of the following legendary Marshall™ amps: the non master volume series PLEXI™ Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP™ & JCM800™ (2203/2204).
We emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI™) and mod #34 (JMP™ & JCM800™). Of course the manifestation of our love for the late great Eddie Van Halen, who created the so called “brown sound” using an ohmite variac (variable transformer used to lower or raise the voltage going into the amplifier), could not be absent from this endeavor.

Tsakalis Audioworks

Review by bonedo

Demo by TheGuitarGeek

Review by The Gear Page

Review by Premier Guitar

Demo by Leon Todd

Room #40

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Rock Blues 3.1 Board 1590B

Bastian McAllister

Harley Benton

Vintage Overdrive

Tester

Der Small Stone von Electro Harmonix ist ein Phaser-Pedal, das 1974 von David Cockerell entwickelt wurde. Im Gegensatz zu seinem Hauptrivalen, dem MXR Phase 90, der einen JFET-Transistor verwendet, um die Frequenz seiner vier Stufen zu variieren, ist seine Schaltung um einen Transkonduktanz-OP-Verstärker herum aufgebaut. Der Small Stone wurde unter anderem von David Gilmour und David Bowies Gitarristen Carlos Alomar verwendet und war von Anfang an ein großer Erfolg, so dass er noch immer im Katalog der in Long Island ansässigen Marke zu finden ist.

The Small Stone from Electro Harmonix is a phaser pedal that was developed by David Cockerell in 1974. Unlike its main rival, the MXR Phase 90, which uses a JFET transistor to vary the frequency of its four stages, its circuit is built around a transconductance op-amp. Used by David Gilmour and David Bowie's guitarist Carlos Alomar, among others, the Small Stone was a huge success from the start, so much so that it can still be found in the Long Island-based brand's catalog.

Electro-Harmonix

Demo by Musicmaker

Review by Reddit /guitarpedals

Review by MusicRadar

Small Stone

James Morse

Anyone who's had the pleasure of turning a tube-amp all the way up knows all too well just how good their sound can get. Hit a chord and you're not just hearing notes any more, but a rich tapestry of complex overtones. If you have a good ear, you could even sing along to them... Pull the volume of your guitar down, and all of the character and natural tone of your instrument is given full presence and clarity. A little more compact, much lighter, and maybe a little less unruly than a valve amp but able to do all of the above, is the Fulltone OCD overdrive. This legend of a pedal is now available with a limited edition Candy Apple Red paint-job.

The Wide Open, OCD Sound
With other, merely-mortal overdrive pedals, you're often forced to sacrifice a mass of dynamics and run the risk of suffocating your tone with a flat-sounding blanket. The remarkably open sounding Fulltone OCD, however, is gifted with an awesome dynamic response and colours everything in with rich and sparkling overtones, just like any great amplifier. Ultimately, this incredibly durable stompbox retains the actual sound of your guitar with an insane level of sensitivity - just try the LP (low peak) setting and you'll immediately understand what we mean.

Fulltone Pedals
Fulltone have been crafting effects since 1991 when the company was first founded by guitarist and composer, Michael Fuller. From the start, the goal of this uncompromising tone factory was to offer vintage-style stompboxes able to shape deliciously fat and warm, yet silent sound alongside ultra-affordable build-quality. Every awesome and often revered example of a Fulltone pedal is finished with a true bypass circuit to guarantee flawless performance and has been handmade with care and affection to provide attainable yet long-lasting playing pleasure.

Fulltone

Demo by Guitar Gear

Demo by low level

Custom Shop OCD (Red)

Based on FORTIN AMPLIFICATION 33 Booster and XOTIC EP Booster.

Dual Boost

Demo by Double D guitar

Demo by  TheSkyIsGrae

Ravine

Die DemonFX Dual Mod Workstation ist ein Multieffekt-Gitarrenpedal, das eine breite Palette von Modulationseffekten bietet. Es ist inspiriert von der Keeley Super Mod Workstation und enthält viele der besten Effekte von Keeley.

The DemonFX Dual Mod Workstation is a multi-effect guitar pedal that offers a wide range of modulation effects. It is inspired by the Keeley Super Mod Workstation and contains many of Keeley’s finest effects.

Demo by  Budget Pedal Chap

Demo by Kai Down

Dual Mod Workstation

Erfahre mehr über das Solo Distortion-Pedal von DemonFx auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr