Hand wired, Transistor based Overdrive. Inspired by the classic Colorsound power boosts of the early 70's, this one carries a bright control tone stack, more gain, and increased low end making it sweet for bass as well.

Post knob controls the volume, Pre controls the gain, Bright control adds more bite as you turn it up. The Premium sounds like a very natural amp gain. It's open and raw, gets great feedback when cranked, and stacks very well. These are nowhere in the realm of TS overdrives, so if that's what you want, look elsewhere.

Warm and bluesy, saturated full stack crunch, bright gain boost for solos... it's in there.

Demo by Guitar Bonedo

Official Product Video

Review by bonedo

Review by delicious audio

Product Page

Premium OD

Das Logan Square Destroyer, eine perfekte Mischung aus 60er Fuzz und modernem heavy Doom. Hier hast du ein sehr flexibles Pedal mit interaktiven Gain und Level Reglern, für eine Menge tonaler Optionen. Dreh den Gain zurück und du bekommst ein offenes Fuzz ala Garage Rock. Auf Rechtsanschlag bekommst du ein dichtes, destruktives High Gain Fuzz. Exzellent geeignet für tiefere Stimmungen, cremige sustain-lastige Leads oder schneidende Riffs. Groß, laut und fuzzig, das LSD deckt ein enorm breites Klangspektrum ab.

The Logan Square Destroyer, a perfect blend of raw 60’s type fuzz and heavy modern doom. This is a very versatile pedal, the gain and level knobs interact to allow many different tonal options. Rolling back the gain opens up the fuzz, this is where you can find some retro garage type sounds. Cranking it up will lead you to thick and destructive high gain fuzz. Great for lower tunings, creamy sustain driven leads, or searing riffage. Big, Loud, Fuzzy. The LSD covers a lot of sonic ground while keeping things simple. Open wide, enjoy the ride.

Review by Premier Guitar

Review by TDPRI

Demo by  Chicago Music Exchange

Demo by gearmanndude

Official Website

Daredevil Pedals ist eine kleine Boutique-Effekt-Schmiede aus Chicago, die sich mit handgefertigten Pedalen in relativ kurzer Zeit einen sehr guten Ruf in der Szene erarbeiten konnte. Das Programm der Company setzt sich überwiegend aus Verzerren für unsere Freunde aus der Gitarrenfraktion zusammen und bietet momentan lediglich ein Pedal, das speziell für die Verwendung mit den tiefen Frequenzen entwickelt wurde. Kaum verwunderlich, dass es sich beim einzigen Bass-Pedal von Daredevil auch um einen Verzerrer handelt – oder genauer gesagt: ein Fuzz! Dieses hört auf den respekteinflössenden Namen “Almighty Bass” und wird heute von mir durch den bonedo-Testparcours gejagt.

Chicago-based boutique builder Daredevil Pedals has introduced the new Almighty Bass pedal. The Almighty Fuzz is an original design circuit, not a variation of some other pedal. The gain is biting and thick, with enough tonal options to cover a lot of ground without the normal low end loss that some bass effects have. Lots of volume and gain on hand... great for blending with your DI signal or your normal amp gain.

Review by PREMIER Guitar 

Review by bonedo 

Demo by Reverb 

Demo by Patrick Hunter 

Almighty Bass

It's not like all the others... This boost has a tighter low end, sharper bite, and more output than the usual germanium Rangemaster clones. The Silver Solo is a redesigned version that uses Silicon transistors and a tone blending option to achieve it's sweet spot.

It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut.

You’ll get more sustain and a sweet harmonic edge to each note. I use it for solos, but this one also works great for adding cut to your rhythm tone. The “Range” control adjusts which frequencies are pushed up. Fully CW is the classic bright treble boost, sweeping it CCW gradually includes more low end until reaching a full range boost.

Demo by  Benjamin H. Smith

Review by Bonedo

Silver Solo Boost

These are hand wired with the same classic circuit as the original released in 2015. This is the best all around fuzz tone in the Daredevil line, (in my honest opinion) balanced EQ, gritty texture, and grinding out loads of sustain. 

It stays tight for chords, crunches when you want it to, and covers a huge range of vintage fuzz colors and tones. This silicon fuzz holds its own with just about any style of music.

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